Quotes about finding
page 66

John Wilmot, 2nd Earl of Rochester photo

“Love, the most generous passion of the mind
The softest refuge innocence can find”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

A Letter from Artemisia in Town to Chloe in the Country (1679)

Ernesto Grassi photo
Jeanette Winterson photo
Noel Gallagher photo

“I took a walk with my fame down memory lane / I never did find my way back"
Feel no shame / 'coz time's no chain"”

Noel Gallagher (1967) British musician

Hey Now
(What's the Story) Morning Glory? (1995)

Mohammad Reza Pahlavi photo
Arthur C. Clarke photo

“If the artist did not know his goal, even the most miraculous of tools could not find it for him.”

Source: The City and the Stars (1956), Chapter 2 (p. 13)

Newton Lee photo
Robert Erskine Childers photo

“The British can sign and find a way to repudiate their signatures. They've done it over and over again. You need to go back to the Treaty Of Limerick. You have Malta and Egypt, for instance. They can always find high moral reasons for such repudiation. They are opportunists. Griffith, however, having given his word, would stick to it whatever the consequences, even though it meant the disaster of a civil war. They knew that.”

Robert Erskine Childers (1870–1922) Irish nationalist and author

Taken from a 1922, conversation between Childers and Brennan in regards to Arthur Griffith's decision to sign the Anglo-Irish Treaty (1921), cited in "Allegiance" by Robert Brennan, Browne & Nolan, Dublin (1950), pp. 254-55.
Literary Years and War (1900-1918), Last Years: Ireland (1919-1922)

Christopher Hitchens photo
Albert Einstein photo
James M. McPherson photo

“Slavery was at the root of what the Civil War was all about. If there had been no slavery, there would have been no war, and that ultimately what the Confederacy was fighting for was to preserve a nation based on a social system that incorporated slavery. Had that not been the case, there would have been no war. That's an issue that a lot of Southern whites today find hard to accept.”

James M. McPherson (1936) American historian

James M. McPherson "James McPherson: What They Fought For, 1861–1865" https://web.archive.org/web/20160309201904/http://www.booknotes.org/FullPage.aspx?SID=55946-1 (22 May 1994), Booknotes, United States of America: National Cable Satellite Corporation
1990s

Sören Kierkegaard photo
Charles Dickens photo
Letitia Elizabeth Landon photo

“Farewell, and when to-morrow
Seems little, like to-day,
And we find life's deepest sorrow
Melts gradual away;
Yet do not quite forget me.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1837 1) (Vol. 49) Songs - I.
The Monthly Magazine

Letitia Elizabeth Landon photo
Mark Rowlands photo
John Danforth photo
Billy Joel photo
A. James Gregor photo
Saki photo
Jacoba van Heemskerck photo

“This evening the Anthroposophical Society invited me to give a lecture about modern art, on 13 March. They start to wake up here [in the Netherlands]… Please, tell me something, what I should emphasize, what you find most important. I shall also read something from 'The Spiritual in Art' by Kandinsky… But we still have other views on the whole, isn't it. I don't always agree with Kandinsky, and often more with your views. So please write a little much… You know, for me it is always easier to paint my principles.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Heute abend bin ich durch den Anthroposophischen Verein eingeladen (worden) am 13. März einen Vortrag über moderne Kunst zu halten. Man fängt hier an zu erwachen.. .Bitte, sage mir einiges, was ich speziell betonen soll, was Du am wichtigsten findest. Ich werde dann auch aus 'Das Geistige in der Kunst' von Kandinsky.. ..etwas vorlesen. Aber wir haben doch in Ganzen noch andere Ansichten. Ich stimme nicht immer met Kandinsky überein, und oft mehr mit Deinen Ansichten. Also bitte schreibe ein bisschen viel.. .Du weisst, ich finde es immer einfacher, meine Prinzipien zu malen.
in a letter to Herwarth Walden, 28 Feb. 1916; from the 'Sturm'-Archive, Berlin
1910's

Paul Romer photo

“The question that I first asked was, why was progress... speeding up over time? It arises because of this special characteristic of an idea, which is if [a million people try] to discover something, if any one person finds it, everybody can use the idea.”

Paul Romer (1955) American economist

After learning that he was one of two recipients of the 2018 Nobel Memorial Prize in Economic Sciences, as quoted in "Two Top U.S. Economists Win Nobel for Work on Growth and Climate: Research of William D. Nordhaus and Paul M. Romer has had immense impact on global policy making, the Academy says" https://www.wsj.com/articles/nobel-in-economics-goes-to-american-pair-1538992672 The Wall Street Journal. October 8, 2018.

Georg Brandes photo
Stella McCartney photo
Joe Trohman photo
Thomas Kuhn photo
Clifford D. Simak photo
Irene Dunne photo

“Like many New Englanders - he was a neighbor of Calvin Coolidge's in Northampton - he finds life a serious business. But he's never - well - heavy about it.”

Irene Dunne (1898–1990) American actress

about her husband, Dr. Francis Griffin Revealing The Life Of Irene Dunne, by Adele Whitely Fletcher; The Modern Screen (September 1933) http://www.irenedunnesite.com/press/modern-screen-september-1933/.

Šantidéva photo

“Just as a blind man might find a jewel amongst heaps of rubbish, so this Spirit of Awakening has somehow arisen in me.”

Šantidéva (685–763) 8th-century Indian Buddhist monk and scholar

§ 3.27
Bodhicaryavatara, A Guide to the Bodhisattva Way of Life

Maharishi Mahesh Yogi photo
Harriet Beecher Stowe photo
Joseph Priestley photo
Gloria Estefan photo

“My Conga people [fans] will find me anywhere I go.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment at Zo's Summer Groove benefit concert (Miami, July 15, 2006)
2007, 2008

Bill Mollison photo
Adolphe Quetelet photo

“I have been surprised to find how little variety of opinion exists, in different places, regarding what they concurred in terming the beautiful.”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Preface of M. Quetelet
A Treatise on Man and the Development of His Faculties (1842)

John le Carré photo
Adrianne Wadewitz photo

“If you've ever used the crowd-sourced encyclopedia to find information on female writers (especially those from Dr. Wadewitz's area of expertise), it's likely that you've run into her work.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Shrayber, Mark (April 19, 2014). "Saturday Night Social: The Night Belongs to Adrianne Wadewitz" http://jezebel.com/saturday-night-social-the-night-belongs-to-adrianne-wa-1565155694. Jezebel.
About

Robert A. Heinlein photo

“Oh, we get along. She lets me have my own way, and later I find out I’ve done just what she wanted me to do.”

Source: Beyond This Horizon (1948; originally serialized in 1942), Chapter 14, “—and beat him when he sneezes”, p. 130

Hsu Tzong-li photo
Billy Crystal photo
Bob Beatty photo
Meher Baba photo
Daniel De Leon photo
David Hume photo
Tiffany Trump photo
Basil Rathbone photo

“I don’t know the why of anything, even when I pretend most diligently I do. The truth is the last time I had any idea why or what I was supposed to do I was lying in a shell hole, looking up at the sky. My mind was filled with a Bach keyboard sonata, which was one of the last I’d learned, I forget which one now. I absolutely knew I was about to die and I was completely happy and at peace, in a way I never was before or since, not even with you, in our best moments. It was so easy, you see, a kind of absolute joy and peace, because I knew it was all done and I was all square with life. Nothing left to do but let things take their course. And when I didn’t die, I didn’t know what to do. So I thought, I’ll take my revolver, go out and blow a hole through my head. Only I knew it wouldn’t work. I knew, I just knew you couldn’t do it that way. You couldn’t make it happen, not if you wanted to find peace. So, I thought, then, a sniper can do it for me. But no matter how I tried to let them no sniper ever found me. And all the other times I went out and lay in shell holes in No Man’s Land it wasn’t the same, and I knew I wouldn’t die this time, and of course I never did. I had this mad feeling I’d become some sort of Wandering Jew. And everything for so long afterwards was about dragging this living corpse of myself around, giving it things to do, because here it was, alive. And nothing made any sense and I didn’t even hope it would. I followed paths that were there to be followed, I did what others said to do.”

Basil Rathbone (1892–1967) British actor

Letter https://thegreatbaz.wordpress.com/2013/03/18/fuller-text-of-letter-quoted-in-a-life-divided/

Charles Baudelaire photo

“Nature is a temple where living columns
Let slip from time to time uncertain words;
Man finds his way through forests of symbols
Which regard him with familiar gazes.”

La Nature est un temple où de vivants piliers
Laissent parfois sortir de confuses paroles;
L’homme y passe à travers des forêts de symboles
Qui l’observent avec des regards familiers.
"Correspondances" [Correspondences] http://fr.wikisource.org/wiki/Correspondances
Les fleurs du mal (Flowers of Evil) (1857)

Mike Scott photo

“Seek the light
find the light
feel the light
be the light.”

Mike Scott (1958) songwriter, musician

"Seek the Light" (co-written with May East and Craig Gibsone)
Universal Hall (2003)

Thomas Carlyle photo
Béla H. Bánáthy photo

“Science focuses on the study of the natural world. It seeks to describe what exists. Focusing on problem finding, it studies and describes problems in its various domains. The humanities focus on understanding and discussing the human experience. In design, we focus on finding solutions and creating things and systems of value that do not yet exist.
The methods of science include controlled experiments, classification, pattern recognition, analysis, and deduction. In the humanities we apply analogy, metaphor, criticism, and (e)valuation. In design we devise alternatives, form patterns, synthesize, use conjecture, and model solutions. \
Science values objectivity, rationality, and neutrality. It has concern for the truth. The humanities value subjectivity, imagination, and commitment. They have a concern for justice. Design values practicality, ingenuity, creativity, and empathy. It has concerns for goodness of fit and for the impact of design on future generations.”

Béla H. Bánáthy (1919–2003) Hungarian linguist and systems scientist

Source: Designing Social Systems in a Changing World (1996), p. 34-35, as cited in Alexander Laszlo and Stanley Krippner (1992) " Systems Theories: Their Origins, Foundations, and Development http://archive.syntonyquest.org/elcTree/resourcesPDFs/SystemsTheory.pdf" In: J.S. Jordan (Ed.), Systems Theories and A Priori Aspects of Perception. Amsterdam: Elsevier Science, 1998. Ch. 3, pp. 47-74.

Nigel Cumberland photo

“You might find the idea of listening to your gut feelings odd or even ridiculous. Some people I coach, normally left-brain individuals who use logic and facts all day like engineers or accountants, are not used to following their intuition and feelings. Instead of asking themselves ‘What do I feel?’, they are more comfortable asking ‘What do the facts tell me?”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Letitia Elizabeth Landon photo

“He who seeks pleasure with reference to himself, not others, will ever find that pleasure is only another name for discontent.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Antoni Tàpies photo
Lewis Mumford photo

“One of the marks of maturity is the need for solitude: a city should not merely draw men together in many varied activities, but should permit each person to find, near at hand, moments of seclusion and peace.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

"Planning for the Phases of Life" http://books.google.com/books?id=JypxP4R4cogC&q=%22One+of+the+marks+of+maturity+is+the+need+for%22+%22a+city+should+not+merely+draw+men+together+in+many+varied+activities+but+should+permit+each+person+to+find+near+at+hand+moments+of+seclusion+and+peace%22&pPA40#v=onepage, The Urban Prospect: Essays (1968)

Vitruvius photo
Benoît Mandelbrot photo
Ron Paul photo
Alexandros Panagoulis photo
Arthur Hugh Clough photo
Kenneth N. Waltz photo
George Eliot photo
Sarah McLachlan photo
Patsy Cline photo

“Find one person in the audience and sing to them with all of your heart. And then cast a spell over them. Hoss, if you can't do it with feeling — don't.”

Patsy Cline (1932–1963) American country music singer

On singing and performing
Attributed by Dottie West in [Nassour, Ellis, Patsy Cline, 1980, unidentified edition, unidentified pages]
Quoted in The Real Patsy Cline (1986 documentary film)
Attributed

Bill Hicks photo
Willem de Sitter photo
Henry Hawkins, 1st Baron Brampton photo
Fyodor Tyutchev photo
Jane Wagner photo
Elie Wiesel photo
Alvin M. Weinberg photo
Paul Krugman photo
Norman Angell photo

“What are the fundamental motives that explain the present rivalry of armaments in Europe, notably the Anglo-German? Each nation pleads the need for defence; but this implies that someone is likely to attack, and has therefore a presumed interest in so doing. What are the motives which each State thus fears its neighbors may obey?
They are based on the universal assumption that a nation, in order to find outlets for expanding population and increasing industry, or simply to ensure the best conditions possible for its people, is necessarily pushed to territorial expansion and the exercise of political force against others…. It is assumed that a nation's relative prosperity is broadly determined by its political power; that nations being competing units, advantage in the last resort goes to the possessor of preponderant military force, the weaker goes to the wall, as in the other forms of the struggle for life.
The author challenges this whole doctrine. He attempts to show that it belongs to a stage of development out of which we have passed that the commerce and industry of a people no longer depend upon the expansion of its political frontiers; that a nation's political and economic frontiers do not now necessarily coincide; that military power is socially and economically futile, and can have no relation to the prosperity of the people exercising it; that it is impossible for one nation to seize by force the wealth or trade of another — to enrich itself by subjugating, or imposing its will by force on another; that in short, war, even when victorious, can no longer achieve those aims for which people strive….”

The Great Illusion (1910)

Philip Oakey photo
Paul Klee photo
Robert Schumann photo

“Sometimes I am so full of music, and so overflowing with melody, that I find it simply impossible to write down anything.”

Robert Schumann (1810–1856) German composer, aesthete and influential music critic

Early Letters of Robert Schumann (1888), p. 82

Bernard Chazelle photo
Joseph Stella photo
Kent Hovind photo
Octavio Paz photo
Janis Joplin photo
James Burnett, Lord Monboddo photo
Rajiv Malhotra photo
Harold Wilson photo

“David Dimbleby: You couldn't - you couldn't set our minds at rest on the vexed question of what the Sunday Times did actually pay you for the book?
Harold Wilson: No, I don't think it's a matter of interest to the BBC or to anybody else.
Dimbleby: But why..
Wilson: If you're interested in these things, you'd better find out how people buy yachts. Do you ask that question? Did you ask him how he was able to pay for a yacht?
Dimbleby: I haven't interviewed …
Wilson: Have you asked him that question?
Dimbleby: I haven't interviewed him.
Wilson: Well, has the BBC ever asked that question?
Dimbleby: I don't know …
Wilson: Well, what's it got to do with you, then?
Dimbleby: I imagine they have..
Wilson: Why you ask these question, I mean why, if people can afford to buy £25,000 yachts, do the BBC not regard that as a matter for public interest? Why do you insult me with these questions here?
Dimbleby: It's only that it's been a matter of..
Wilson: All I'm saying, all I'm saying..
Dimbleby: … public speculation, and I was giving you an opportunity if you wanted to, to say something about it.
Wilson: It was not a matter of speculation, it was just repeating press gossip. You will not put this question to Mr. Heath. When you have got an answer to him, come and put the question to me. And this last question and answer are not to be recorded. Is this question being recorded?
Dimbleby: Well it is, because we're running film.
Wilson: Well, will you cut it out or not? All right, we stop now. No, I'm sorry, I'm really not having this. I'm really not having this. The press may take this view, that they wouldn't put this question to Heath but they put it to me; if the BBC put this question to me, without putting it to Heath, the interview is off, and the whole programme is off. I think it's a ridiculous question to put. Yes, and I mean it cut off, I don't want to read in the Times Diary or miscellany that I asked for it to be cut out. [pause]
Dimbleby: All right, are we still running? Can I ask you this, then, which I mean, I.. let me put this question, I mean if you find this question offensive then..
Wilson: Coming to ask if your curiosity can be satisfied, I think it's disgraceful. Never had such a question in an interview in my life before.
Dimbleby: I.. [gasps]
Joe Haines (Wilson's Press Secretary): Well, let's stop now, and we can talk about it, shall we?
Dimbleby: No, let's.. well, I mean, we'll keep going, I think, don't you?
Wilson: No, I think we'll have a new piece of film in and start all over again. But if this film is used, or this is leaked, then there's going to be a hell of a row. And this must be..
Dimbleby: Well, I certainly wouldn't leak it..
Wilson: You may not leak it but these things do leak. I've never been to Lime Grove without it leaking.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Exchange with BBC interviewer David Dimbleby recorded for a documentary called "Yesterday's Men" broadcast on 16 June 1971. The BBC did agree not to show this portion of the interview, but Wilson's fears of a leak were justified as a transcript was published on page 1 of The Times on June 18, 1971. A fuller transcript appeared in Private Eye during 1972.
Leader of the Opposition

Bidhan Chandra Roy photo
African Spir photo
Christopher Titus photo

“I don't fail. I succeed at finding what doesn't work.”

Christopher Titus (1964) actor, writer, podcaster

The Fifth-Annual End-of-the-World Tour (2007)

James Hudson Taylor photo
Rudyard Kipling photo

“Something hidden. Go and find it. Go and look behind the Ranges—
Something lost behind the Ranges. Lost and waiting for you. Go!”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Explorer, Stanza 2 (1903).
Other works

Erving Goffman photo

“When an individual appears before others, he wittingly and unwittingly projects a definition of the situation, of which a conception of himself is an important part. When an event occurs which is expressively incompatible with this fostered impression, significant consequences are simultaneously felt in three levels of social reality, each of which involves a different point of reference and a different order of fact.
First, the social interaction, treated here as a dialogue between two teams, may come to an embarrassed and confused halt; the situation may cease to be defined, previous positions may become no longer tenable, and participants may find themselves without a charted course of action…
Secondly, in addition to these disorganizing consequences for action at the moment, performance disruptions may have consequences of a more far-reaching kind. Audiences tend to accept the self projected by the individual performer during any current performance as a responsible representative of his colleague-grouping, of his team, and of his social establishment…
Finally, we often find that the individual may deeply involve his ego in his identification with a particular role, establishment, and group and in his self-conception as someone who does not disrupt social interaction or let down the social units which depend upon that interaction.”

Source: 1950s-1960s, The Presentation of Self in Everyday Life, 1959, p. 155-6

David Foster Wallace photo