Quotes about finding
page 43

Theodor Mommsen photo

“In Etruria.. the nation stagnated and decayed in political helplessness and indolent opulence, a theological monopoly in the hands of the nobility, stupid fatalism, wild and meaningless mysticism, the arts of soothsaying and mendicant priestcraft gradually developed themselves, till they reached the height at which we afterwards find them.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 1, Book II, Chapter 8. "Law. Religion. Military System. Economic Condition. Nationality"
The History of Rome - Volume 1

Nicholas Murray Butler photo
Erwin Schrödinger photo
Ryan North photo

“They are "sexcellent". That is a pun for you, you will find lots of puns on the internet! Also: blonde jokes.”

Ryan North (1980) Canadian webcomic writer and programmer

On Lesbian Robots kissing http://www.insaneabode.com/roboterotica/lesbianrobots.html

Eric Hoffer photo
John Gray photo
Attar of Nishapur photo

“He who would know the secret of both worlds,
Will find the secret of them both, is Love.”

Attar of Nishapur (1145–1230) Persian Sufi poet

"Intoxicated by the Wine of Love" as translated by Margaret Smith from "The Jawhar Al-Dhat"

Anna Laetitia Barbauld photo

“Come calm content serene and sweet,
O gently guide my pilgrim feet
To find thy hermit cell.”

Anna Laetitia Barbauld (1743–1825) English author

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 161.

Arthur Symons photo
Janet Yellen photo
J. William Fulbright photo
Koichi Tohei photo
Harry Turtledove photo
Richard Stallman photo
Albert Camus photo

“In Christ you will find, a very dear Friend;
Who is of this mind, to love to the end;
Yet satan is seeking, His sheep to devour;
And God He is making some whole this bright hour.”

Dorothy Ripley (1767–1832) missionary

A Hymn From My Nativity (22 August 1819), p. 17
The Bank of Faith and Works United (1819)

Madeline Kahn photo

“I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.”

Madeline Kahn (1942–1999) American actress

Charlie Rose, (December 16, 1996) "Charlie Rose - An interview with Madeline Kahn" http://www.charlierose.com/view/interview/5799, Charlie Rose, PBS

Orson Scott Card photo
Aubrey Peeples photo
Bill Bryson photo
Arsène Wenger photo

“When you're dealing with someone who only has a pair of underpants on, if you take his underpants off, he has nothing left - he's naked. You're better off trying to find him a pair of trousers to complement him rather than change him.”

Arsène Wenger (1949) French footballer and manager

Detailing his philosophy, (2007) http://news.bbc.co.uk/sport2/hi/funny_old_game/6366009.stm
Arsenal (1996–present)

Isaac Watts photo

“Then will I set my heart to find
Inward adornings of the mind;
Knowledge and virtue, truth and grace,
These are the robes of richest dress.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Song 22: "Against Pride in Clothes".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

Helen Keller photo
Roger Ebert photo
Muhammad photo

“Organizational design often focuses on structural alternatives such as matrix, decentralization, and divisionalization. However, control variables (e. g., reward structures, task characteristics, and information systems) offer a more flexible approach. The purpose of this paper is to explore these control variables for organizational design. This is accomplished by integration and testing of two perspectives, organization theory and economics, notably agency theory. The resulting hypotheses link task characteristics, information systems, and business uncertainty to behavior vs. outcome based control strategy. These hypothesized linkages are examined empirically in a field study of the compensation practices for retail salespeople in 54 stores. The findings are that task programmability is strongly related to the choice of compensation package. The amount of behavioral measurement, the cost of measuring outcomes, and the uncertainty of the business also affect compensation. The findings have management implications for the design of compensation and reward packages, performance evaluation systems, and control systems, in general. Such systems should explicitly consider the task, the information system in place to measure performance, and the riskiness of the business. More programmed tasks require behavior based controls while less programmed tasks require more elaborate information systems or outcome based controls.”

Kathleen M. Eisenhardt American economist

Source: "Control: Organizational and economic approaches," 1985, p. 134; Article abstract

Carl Friedrich Gauss photo
Julian Assange photo
Thomas Fuller (writer) photo
Giovanni Gentile photo
Carson Grant photo
George Ritzer photo

“One important point about the idea that there are multiple globalizations is the fact that it further complicates the whole idea of finding a point of origin for globalization.”

George Ritzer (1940) American sociologist

Source: Globalization - A Basic Text (2010), Chapter 2, Global Issues, Debates, and Controversies, p. 47

Richard Rorty photo
Derren Brown photo
Lois McMaster Bujold photo

“Don't be afraid. The dead cannot hurt you. They give you no pain, except that of seeing your own death in their faces. And one can face that, I find.”

Yes, he thought, the good face pain. But the great—they embrace it.

Aftermaths (p. 253)
Vorkosigan Saga, Shards of Honor (1986)

“General Systems Theory, as originally intended by Von Bertalanffy, is an ideal framework for the modeling of a business enterprise. Work, in its most civilized form should enrich, empower and emancipate. Thus we must continue to find ways to support work as a humanistic, not mechanistic endeavor. We must continue to seek out new models of business that support and enhance the individual as well as the collective whole. Given all this new technology, we need new institutions for handling it.”

Anthony Stafford Beer (1926–2002) British theorist, consultant, and professor

Beer (1974) Designing Freedom. House Of Anansi Press, Toronto cited in: B. Dawson (2007) "Bertalanffy Revisited: Operationalizing A General Systems Theory Based Business Model Through General Systems Thinking, Modeling, And Practice", In: Proceedings of the 51st Annual Meeting of the ISSS, 2007.

Ray Comfort photo
Marc Chagall photo
Hermann Hesse photo
Simone de Beauvoir photo

“Is this kind of ethics individualistic or not? Yes, if one means by that that it accords to the individual an absolute value and that it recognizes in him alone the power of laying the foundations of his own existence. It is individualism in the sense in which the wisdom of the ancients, the Christian ethics of salvation, and the Kantian ideal of virtue also merit this name; it is opposed to the totalitarian doctrines which raise up beyond man the mirage of Mankind. But it is not solipsistic, since the individual is defined only by his relationship to the world and to other individuals; he exists only by transcending himself, and his freedom can be achieved only through the freedom of others. He justifies his existence by a movement which, like freedom, springs from his heart but which leads outside of him.
This individualism does not lead to the anarchy of personal whim. Man is free; but he finds his law in his very freedom. First, he must assume his freedom and not flee it by a constructive movement: one does not exist without doing something; and also by a negative movement which rejects oppression for oneself and others.”

Une telle morale [la morale existentialiste] est-elle ou non un individualisme? Oui, si l’on entend par là qu’elle accorde à l’individu une valeur absolue et qu’elle reconnaît qu’a lui seul le pouvoir de fonder son existence. Elle est individualisme au sens où les sagesses antiques, la morale chrétienne du salut, l’idéal de la vertu kantienne méritent aussi ce nom ; elle s’oppose aux doctrines totalitaires qui dressent par-delà I’homme le mirage de l’Humanité. Mais elle n’est pas un solipsisme, puisque l’individu ne se définit que par sa relation au monde et aux autres individus, il n’existe qu’en se transcendant et sa liberté ne peut s’accomplir qu’à travers la liberté d’autrui. Il justifie son existence par un mouvement qui, comme elle, jaillit du coeur de lui-même, mais qui aboutit hors de lui.
Cet individualisme ne conduit pas à l’anarchie du bon plaisir. L’homme est libre ; mais il trouve sa loi dans sa liberté même. D’abord il doit assumer sa liberté et non la fuir; il l’assume par un mouvement constructif : on n’existe pas sans faire; et aussi par un mouvement négatif qui refuse l’oppression pour soi et pour autrui.
Conclusion http://www.marxists.org/reference/subject/ethics/de-beauvoir/ambiguity/ch04.htm
The Ethics of Ambiguity (1947)

Anatoliy Tymoshchuk photo
Carly Fiorina photo

“Everyone truly does have God given gifts… Find them and use them, and don't let anyone else tell you that you are less than who you are.”

Carly Fiorina (1954) American corporate executive and politician

David Webb Show http://www.breitbart.com/big-government/2015/08/05/ohio-male-rnc-member-calls-carly-fiorina-hot-babe/ (5 August 2015).
2010s, 2015, David Webb Show (August 2015)

Andrew Carnegie photo

“No, Your Majesty, I do not like kings, but I do like a man be­hind a king when I find him.”

Andrew Carnegie (1835–1919) American businessman and philanthropist

Source: Autobiography of Andrew Carnegie, 1920, Chapter XXIX

Ralph Waldo Emerson photo

“Olympian bards who sung
Divine ideas below,
Which always find us young
And always keep us so.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Ode to Beauty
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: Olympian bards who sung
Divine ideas below,
Which always find us young
And always keep us so.

Richard Feynman photo
Eric Holder photo
Mark Knopfler photo
William Cowper photo

“The innocent seldom find an uncomfortable pillow.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

A misquotation of "The innocent seldom find an uneasy pillow", from James Fenimore Cooper's The Red Rover (1827), ch. 23.
Misattributed

Michael J. Sandel photo
Paul Karl Feyerabend photo
Harry V. Jaffa photo
Michel Foucault photo
M.I.A. photo
Luís de Camões photo

“To this old song:
Partridge lost his quill,
there's no harm won't befall him.

Partridge, whose winged fancy
aspired to a high estate,
lost a feather in his flight
and won the pen of despondency.
He finds in the breeze no buoyancy
for his pennants to haul him:
there's no harm won't befall him.

He wished to soar to a high tower
but found his plumage clipped,
and, observing himself plucked,
pines away in despair.
If he cries out for succor,
stoke the fire to forestall him:
there's no harm won't befall him.”

Luís de Camões (1524–1580) Portuguese poet

<p>Perdigão perdeu a pena
Não há mal que lhe não venha.</p><p>Perdigão que o pensamento
Subiu a um alto lugar,
Perde a pena do voar,
Ganha a pena do tormento.
Não tem no ar nem no vento
Asas com que se sustenha:
Não há mal que lhe não venha.</p><p>Quis voar a üa alta torre,
Mas achou-se desasado;
E, vendo-se depenado,
De puro penado morre.
Se a queixumes se socorre,
Lança no fogo mais lenha:
Não há mal que lhe não venha.</p>
"Perdigão que o pensamento", tr. Landeg White in The Collected Lyric Poems of Luis de Camoes (2016), p. 251
Listen to the poem in Portuguese https://www.youtube.com/watch?v=5P4_2W-ZwV8&feature=youtu.be&t=10m31s
Lyric poetry, Songs (redondilhas)

John Skelton photo

“Steadfast of thought,
Well made, well wrought,
Far may be sought,
Ere that ye can find
So courteous, so kind
As merry Margaret,
This midsummer flower,
Gentle as falcon
Or hawk of the tower.”

John Skelton (1460–1529) English poet

To Mistress Margaret Hussey, lines 26-34, probably published c. 1511, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Janeane Garofalo photo
TotalBiscuit photo

“What do you think you're doing?! Helps to have a map!' Also, 'Can you find the missing parts of my face?”

TotalBiscuit (1984–2018) British game commentator

WTF Is…? series, Guise of the Wolf (January 26, 2014), Research stream

“There once was a man who said: "God
Must think it exceedingly odd
If he finds that this tree
Continues to be
When there's no one about in the Quad."”

Ronald Knox (1888–1957) English priest and theologian

Langford Reed, The Complete Limerick Book (1924)
The topic of this limerick and the following one is George Berkeley's philosophical principle, "To be is to be perceived".

Nisargadatta Maharaj photo
Jack Johnson (musician) photo
John Dewey photo
Joseph Silk photo

“One can always find inflationary models to explain whatever phenomenon is represented by the flavour of the month.”

Joseph Silk (1942) British-American astronomer

Page 2.38
The Dark Side of the Universe, 2007

Wesley Clair Mitchell photo

“I began studying philosophy and economics about the same time. The similarity of the two disciplines struck me at once. I found no difficulty in grasping the differences between the great philosophical systems as they were presented by our textbooks and our teachers. Economic theory was easier still. Indeed, I thought the successive systems of economics were rather crude affairs compared with the subtleties of the metaphysicians. Having run the gamut from Plato to T. H. Green (as undergraduates do) I felt the gamut from Quesnay to Marshall was a minor theme. The technical part of the theory was easy. Give me premises and I could spin speculations by the yard. Also I knew that my 'deductions' were futile…
Meanwhile I was finding something really interesting in philosophy and in economics. John Dewey was giving courses under all sorts of titles and every one of them dealt with the same problem — how we think… And, if one wanted to try his own hand at constructive theorizing, Dewey's notion pointed the way. It is a misconception to suppose that consumers guide their course by ratiocination—they don't think except under stress. There is no way of deducing from certain principles what they will do, just because their behavior is not itself rational. One has to find out what they do. That is a matter of observation, which the economic theorists had taken all too lightly. Economic theory became a fascinating subject—the orthodox types particularly — when one began to take the mental operations of the theorists as the problem…
Of course Veblen fitted perfectly into this set of notions. What drew me to him was his artistic side… There was a man who really could play with ideas! If one wanted to indulge in the game of spinning theories who could match his skill and humor? But if anything were needed to convince me that the standard procedure of orthodox economics could meet no scientific tests, it was that Veblen got nothing more certain by his dazzling performances with another set of premises…
William Hill set me a course paper on 'Wool Growing and the Tariff.”

Wesley Clair Mitchell (1874–1948) American statistician

I read a lot of the tariff speeches and got a new sidelight on the uses to which economic theory is adapted, and the ease with which it is brushed aside on occasion. Also I wanted to find out what really had happened to wool growers as a result of protection. The obvious thing to do was to collect and analyze the statistical data... That was my first 'investigation'.
Wesley Clair Mitchell in letter to John Maurice Clark, August 9, 1928. Originally printed in Methods in Social Science, ed. Stuart Rice; Cited in: Arthur F. Burns (1965, 65-66)

Max Ernst photo

“A painter may know what he does not want.
But woe betide him if he wants to know
what he does want! A painter is lost if he finds himself.
The fact that he has succeeded in not finding
himself is regarded by Max Ernst as his only
'achievement.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote from 'Max Ernst', exhibition catalogue, Galerie Stangl, Munich, 1967, U.S., pp.6-7, as cited in Edward Quinn, Max Ernst. 1984, Poligrafa, Barcelona. p. 12
1951 - 1976

Leona Lewis photo

“I am vegetarian, so I don't have clothes, shoes or bags made from leather or suede or any animal products. Shoes are hard to find. These are fake Uggs. And I've got a pair of vintage boots, which are PVC.”

Leona Lewis (1985) British singer-songwriter

Press call http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article2630762.ece, October 2007

Kevin Kelly photo

“There is nothing to be found in a beehive that is not submerged in a bee. And yet you can search a bee forever with cyclotron and fluoroscope, and you will never find a hive.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

Giacomo Casanova photo
Honoré de Balzac photo

“Love is like some fresh spring, that leaves its cresses, its gravel bed and flowers to become first a stream and then a river, changing its aspect and its nature as it flows to plunge itself in some boundless ocean, where restricted natures only find monotony, but where great souls are engulfed in endless contemplation.”

Honoré de Balzac (1799–1850) French writer

L'amour est une source naïve, partie de son lit de cresson, de fleurs, de gravier, qui rivière, qui fleuve, change de nature et d'aspect à chaque flot, et se jette dans un incommensurable océan où les esprits incomplets voient la monotonie, où les grandes âmes s'abîment en de perpétuelles contemplations.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart

Alfred de Zayas photo

“Lip service to disarmament is insufficient; the goal is to find ways to redirect the resources used for the military and reduce the danger of war while liberating funds to finance development and all-inclusive growth.”

Alfred de Zayas (1947) American United Nations official

Interim report of the Independent Expert on the promotion of a democratic and equitable international order, Alfred Maurice de Zayas http://www.ohchr.org/Documents/Issues/IntOrder/A.67.277_en.pdf.
2012

Mukesh Ambani photo
Alexej von Jawlensky photo
Giorgio de Chirico photo
Cormac McCarthy photo
Vladimir Voevodsky photo
Julio Cortázar photo

“"Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")


To combat pragmatism and the horrible tendency to achieve useful purposes, my elder cousin proposes the procedure of pulling out a nice hair from the head, knotting it in the middle and droping it gently down the hole in the sink. If the hair gets caught in the grid that usually fills in these holes, it will just take to open the tap a little to lose sight of it.


Without wasting an instant, must start the hair recovery task. The first operation is reduced to dismantling the siphon from the sink to see if the hair has become hooked in any of the rugosities of the drain. If it is not found, it is necessary to expose the section of pipe that goes from the siphon to the main drainage pipe. It is certain that in this part will appear many hairs and we will have to count on the help of the rest of the family to examine them one by one in search of the knot. If it does not appear, the interesting problem of breaking the pipe down to the ground floor will arise, but this means a greater effort, because for eight or ten years we will have to work in a ministry or trading house to collect enough money to buy the four departments located under the one of my elder cousin, all that with the extraordinary disadvantage of what while working during those eight or ten years, the distressing feeling that the hair is no longer in the pipes anymore can not be avoided and that only by a remote chance remains hooked on some rusty spout of the drain.


The day will come when we can break the pipes of all the departments, and for months to come we will live surrounded by basins and other containers full of wet hairs, as well as of assistants and beggars whom we will generously pay to search, assort, and bring us the possible hairs in order to achieve the desired certainty. If the hair does not appear, we will enter in a much more vague and complicated stage, because the next section takes us to the city's main sewers. After buying a special outfit, we will learn to slip through the sewers at late night hours, armed with a powerful flashlight and an oxygen mask, and explore the smaller and larger galleries, assisted if possible by individuals of the underworld, with whom we will have established a relationship and to whom we will have to give much of the money that we earn in a ministry or a trading house.


Very often we will have the impression of having reached the end of the task, because we will find (or they will bring us) similar hairs of the one we seek; but since it is not known of any case where a hair has a knot in the middle without human hand intervention, we will almost always end up with the knot in question being a mere thickening of the caliber of the hair (although we do not know of any similar case) or a deposit of some silicate or any oxide produced by a long stay against a wet surface. It is probable that we will advance in this way through various sections of major and minor pipes, until we reach that place where no one will decide to penetrate: the main drain heading in the direction of the river, the torrential meeting of detritus in which no money, no boat, no bribe will allow us to continue the search.


But before that, and perhaps much earlier, for example a few centimeters from the mouth of the sink, at the height of the apartment on the second floor, or in the first underground pipe, we may happen to find the hair. It is enough to think of the joy that this would cause us, in the astonished calculation of the efforts saved by pure good luck, to choose, to demand practically a similar task, that every conscious teacher should advise to its students from the earliest childhood, instead of drying their souls with the rule of cross-multiplication or the sorrows of Cancha Rayada.”

Julio Cortázar (1914–1984) Argentinian writer

Historias de Cronopios y de Famas (1962)

Dora Russell photo
Mark Tully photo
Julie Taymor photo

“Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.”

Julie Taymor (1952) American film and theatre director

As quoted in "Oh, girl : A Talk with Julie Taymor" at Subtitles to Cinema (2 September 2008)

Bruce Springsteen photo
Erich Heckel photo

“We saw your [ Cuno Amiet's ] work with feelings of admiration and enthusiasm... Our group [ Die Brücke ] would be exceedingly glad to find in you a comrade in arms and a champion of its cause.”

Erich Heckel (1883–1970) German artist

Quote of Heckel, in a letter of 1 September 1906, to the Swiss artist Amiet; as cited by Günter Krüger, in Die Künstlergemeinschaft Brücke und die Schweiz; as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; by Museum Associates, California & Prestel-Verlag, Germany, 1986, p. 70
Amiet's radically simplified art-style obviously attracted the younger artists of Die Brücke

Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Michel De Montaigne photo

“The worst of my actions or conditions seem not so ugly unto me as I find it both ugly and base not to dare to avouch for them.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

Willa Cather photo
Victor Villaseñor photo
Jair Bolsonaro photo

“No father wants to come home and find his son playing with a doll because of the influence of his school.”

Jair Bolsonaro (1955) Brazilian president elect

Inteview http://www1.folha.uol.com.br/poder/2017/11/1936715-se-nao-houver-fraude-estarei-no-2-turno-diz-bolsonaro.shtml to the program Canal Livre on Band on 19 November 2017. A Trump-like politician in Brazil could snag the support of a powerful religious group: evangelicals https://www.washingtonpost.com/news/acts-of-faith/wp/2017/11/28/a-trump-like-politician-in-brazil-could-snag-the-support-of-a-powerful-religious-group-evangelicals/?utm_term=.d388f991eceb. The Washington Post (28 November 2017).

Erwin Schrödinger photo
Ayumi Hamasaki photo

“We go on this voyage to find happiness.
You see? A smile really suits you.”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Voyage
Lyrics, Rainbow

James Brown photo

“When I'm on stage, I'm trying to do one thing: bring people joy. Just like church does. People don't go to church to find trouble, they go there to lose it.”

James Brown (1933–2006) American singer, songwriter, musician, and recording artist

Brown, J. & Tucker, B.B. (1986). James Brown: The Godfather of Soul. Macmillan: New York. ISBN 0-02517-430-4

Bill Pearl photo