Quotes about film
page 10

“I remember when I was doing a film with Fred Astaire, it was nothing for him to work three or four days on two bars of music. One evening in the dark grey hours of dusk, I was walking across the deserted MGM lot when a small, weary figure with a towel around his neck suddenly appeared out of the giant cube sound stages. It was Fred. He came over to me, threw a heavy arm around my shoulder and said: "Oh Alan, why doesn't someone tell me I cannot dance?" The tormented illogic of his question made any answer insipid, and all I could do was walk with him in silence.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Alan Jay Lerner in Lerner, Alan Jay. On the Street Where I Live. New York: Norton, 1978. p. 89. (M).

Music, Question, Silence, Appearance

“The large body of the swan wedged in the shattered glass of the car windscreen fills the film frame. Its head is bent back on itself in a parody of its orthodox gracefulness.”

Peter Greenaway (1942) British film director

A Zed and Two Noughts

Cars

“Playing gay in the theater is more fulfilling than on film because you can create a whole character and a backstory and you get to chip away at something over a long period of time. When you’re acting on film you sort of have one afternoon in front of a crew to just do it. And you don’t want to then be too overt and like that stereotype. But when I was doing A Paris Letter with Josh [Radnor], I was playing someone overtly flamboyant from the ’60s seducing him, and if I did that on film, I think it would look like I was acting too hard. It’s one of the fun things one wants to do as an actor, to play the flamboyant gay guy. But when you are gay that ends up being offensive to people. Say I was asked to play a flamboyant steward in an Airplane!–type farce. It would be a difficult decision to say yes to that role at this point because a lot of people would accuse me of making a mockery of gay people.”

Neil Patrick Harris (1973) American actor and host

Out Magazine; September 2008.

People, Guy, Thinking, Decision

“I have huge respect for Sridevi ji as a flag-bearer of the southern film industries in Mumbai for many years. I wish her all the best. And I wish Mom a big success. The trailer looks very intriguing and promising.”

S. S. Rajamouli (1973) Indian film director

SS Rajamouli may work with Sridevi and Mohanlal in a new fantasy drama http://www.hindustantimes.com/regional-movies/ss-rajamouli-may-work-with-sridevi-and-mohanlal-in-a-new-fantasy-drama/story-bkM24KT8th5xukRWuPH7YP.html (19 July 2017), Hindustan Times. Retrieved 9 September 2017.

Moms, Success

“This sort of scenario has happened, I imagine, millions of times. It has rarely happened in a nicer, sweeter, more gentle way than in Richard Linklater's "Before Sunrise," which I could call a "Love Affair" for Generation X, except that Jesse and Celine stand outside their generation, and especially outside its boring insistence on being bored.
The R rating for this film, based on a few four-letter words, is entirely unjustified. It is an ideal film for teenagers.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/before-sunrise-1995 of Before Sunrise (27 January 1995) Reviews, Three star reviews

Love, Way, Imagination, Time

“The French, the British and the Canadian stuff that's in the films is through my American eyes, and I'm comparing it to America, and I'm not saying they don't have problems. But those aren't for me to fix. Trust me, from an American point of view, the Europeans look pretty good. You need to preserve what you have and fight to get back that which you lost.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

Interview with Jay Harris http://www.thebragmag.com/features/michael-moore-talks-to-the-bra.php, in The Brag (August 2007) 2007

Problem, Fight

“I asked Mr. Honda to direct the next Godzilla film at a party that was held shortly before he died. He said that he would. I don't know how serious he was.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

“Did you know that Dimitar Berbatov learned how to speak english through the Godfather films…it was a offer he couldn't refuse”

Simon Hill (1967) Australian television presenter

from a "In the know" section on Manchester United
Quotes from His time at Foxsports

Learning

“Just as there are higher beings who spread spiritual messages throughout the atmosphere by means of books, films, music, and other mass media, there are beings of a demonic nature who try to slow down the progress on this planet through these media. Exposure to books and media of this type can have a negative effect on you. […] To counteract this, some of the beings of a higher nature write books or oversee the writing of books that enhance one’s spiritual development.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 1: Dreams: A State of Reality, p. 28

Books, Music, Nature

“Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature -- screening Friday and Saturday only at the Avalon -- the key to amping up the gore is an old standby: puppets.”

John Roecker (1966) American film director

[The Washington Post, The Washington Post Company, Film Notes: John Roecker's 'Freaky' Puppet Show, January 27, 2006, Christina, Talcott, http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html]
About

Sex

“There were two times in my life that inspired me the most. The first was when I was a kid, probably the most emotionally influential time, when you’re naïve and innocent. I went to movie theaters and fell in love with genre films in the 1950s, when there was a big wave of monster movies. My passion came from the young guy who was watching The Fly back in 1958. Then, going to USC I began to watch movies in a different way and was exposed to different kinds of movies, foreign films. We had directors like Orson Welles, Alfred Hitchcock, Howard Hawks and John Ford come down and lecture us. It was unbelievable!”

John Carpenter (1948) American film director, screenwriter and producer

John Carpenter Q&A: Why ‘Halloween’ Didn’t Need Sequels & What Scares The Master Of Horror http://deadline.com/2014/10/john-carpenter-qa-halloween-sequels-michael-myers-861942/ (October 31, 2014)

Love, Life, Way, Guy

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

People, Food, Fools, Art

“The recent trend of the Bengali film industry is to remake South Indian films. My film had a mockery about that since I don’t believe in remakes. I won’t make a film which is a copy of something. I am very firm in my beliefs, even if that causes me to lose a few producers. There are many people who are making loads of remakes. But at the same time, there are many newcomers who have original ideas, working on new things, and getting producers. It is obviously a bright side of the shoel thing.”

Arin Paul (1980) Indian film director

Interview on Calcuttatube on Remakes http://calcuttatube.com/arin-paul-exclusive-interview/1608/

People, Idea, Time

“I am required to award stars to movies I review. This time, I refuse to do it. The star rating system is unsuited to this film. Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars don't shine.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-human-centipede-2010 of The Human Centipede (5 May 2010) Reviews, No star rating

World, Star, Time

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

War, Beauty, Art, Intelligence

“Producers nowadays want item numbers. So I have penned one for this film. Cinema is the most effective way of creating awareness and spreading social message. Through this film I would like to convey the message of happiness, humanity and harmony.”

Kapil Sibal (1948) Indian lawyer and politician

On composing the lyrics for a song for a film, as quoted in Kapil Sibal pens item number for Bollywood film http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Kapil-Sibal-pens-item-number-for-Bollywood-film/articleshow/47221241.cms, The Times of India (10 May 2015)

Happiness, Way

“A filmed play like this doesn't offer the sensual enjoyment that movies can offer, but you don't go to it for that; you go for O'Neill's crude, prosaic virtuosity, which is also pure American poetry, and for the kind of cast that rarely gathers for a stage production. […] Larry, a self-hating alcoholic, is a weak man and a windbag, but Ryan brings so much understanding to Larry's weakness that the play achieves new dimensions. Ryan becomes O'Neill for us; he has O'Neill's famous "tragic handsomeness" and at the end, when Larry is permanently "iced" — that is, stripped of illusion — we can see that this is the author's fantasy of himself […] Fredric March interprets Harry Hope with so much quiet tenderness that when Harry regains his illusions and we see March's muscles tone up, we don't know whether to smile for the character or the actor.”

Pauline Kael (1919–2001) American film critic

"The Iceman Cometh," pp. 353-354
5001 Nights at the Movies (1982)

Hate, Alcohol, Smile, Hope

“Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh — they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jan Aghed interview (2002)

Beauty, Passion

“Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However, in Christopher Nolan's Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most adult superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture — one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight's subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It's about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and — yes — consequences.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1235 of The Dark Knight (2008). Four star reviews

Life, Pain, Penalty, Way

“Nooo! Leave that to George Lucas, he' s really mastered the CGI acting. That scares me! I hate it! Everybody is so pleased and excited by it. Animation is animation. Animation is great. But it's when you're now taking what should be films full of people, living thinking, breathing, flawed creatures and you're controlling every moment of that, it's just death to me. It's death to cinema, I can't watch those Star Wars films, they're dead things.”

Terry Gilliam (1940) American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe

About CGI, in IMDB profile http://www.imdb.com/name/nm0000416/bio#quotes

Death, Hate, War, People

“The kinds of landscape I try to find in my films…exist only in our dreams. For me a true landscape is not just a representation of a desert or a forest. It shows an inner state of mind, literally inner landscapes, and it is the human soul that is visible through the landscapes presented in my films.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)

Dreams, Soul

“I love films, I eat, sleep and drink them, and genre definitely had a huge impact.”

Olly Blackburn Film director and screenwriter

[The Skinny, Scotland, http://www.theskinny.co.uk/film/features/44237-director_olly_blackburn_talks_donkey_punch, Radge Media, 10 November 2008, 23 February 2012, Director Olly Blackburn talks Donkey Punch, Michael, Gillespie]

Love, Drink, Sleep

“And the second thing fiction does is to build empathy. When you watch TV or see a film, you are looking at things happening to other people. Prose fiction is something you build up from 26 letters and a handful of punctuation marks, and you, and you alone, using your imagination, create a world and people it and look out through other eyes. You get to feel things, visit places and worlds you would never otherwise know. You learn that everyone else out there is a me, as well. You're being someone else, and when you return to your own world, you're going to be slightly changed. Empathy is a tool for building people into groups, for allowing us to function as more than self-obsessed individuals.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

People, World, Feeling, Imagination

“He is probably choking on a pretzel or something. I hope nobody tells him that I have won this award while he is eating a pretzel. … He has the funniest lines in the film. I am eternally grateful to him.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

Statement about US President George W. Bush, at press conference after winning the top prize at the Cannes film festival for Fahrenheit 9/11; quoted in Reuters reports (22 May 2004) http://guardianangels-mn.org/Minnesota/Too-funny-to-keep-in-mn.politics.html and in [Moore scoops Palme d'Or with attack on US president, Patrick, Barkham, The Guardian, 24 May 2004, http://film.guardian.co.uk/cannes2004/story/0,,1223156,00.html] 2004

Hope

“Because I didn't sell it to a distributor, it can be in lots of film festivals. It's been in, I think, at least 200 festivals, it's won more than 35 awards which is great. I like that! If I had gone with a distributor they would have immediately said no to film festivals which I do not understand why distributors do, but that's what they do.”

Nina Paley (1968) US animator, cartoonist and free culture activist

14m15s https://www.youtube.com/watch?v=eazIth4orfM#t=14m15s Power to the Pixel (2009)

Understanding, Thinking

“[O]n surviving film footage of Eisner’s funeral we see Hitler with a few men from his unit walking behind Eisner’s coffin in the funeral procession of the Bavarian leader. We clearly see Hitler wearing two armbands: one black band to mourn the death of Eisner and the other a red armband in the colour of the Socialists revolution. Similarly, Hitler appears on one of Heinrich Hoffman’s photographs of the funeral process for Eisner.”

Thomas Weber (historian) (1974) German historian

Source: Hitler’s First War: Adolf Hitler, the Men of the List Regiment, and the First World War (2011), p. 251

Death, Men, Appearance

“Every now and again I get approached by "celebrities" [saying] "oh, you're doing a great job mate, I think it's wonderful what you're doing". Ok, and what you're gonna do? You're gonna make a freaking film now, aren't you? You're gonna make another bloody record! You're gonna stand in front of tens of thousands of people, you're gonna go on chat shows watched by millions of people! Are you gonna bring this subject up yourself? No! Why? "Me, me, me!" "I don't wanna affect my carrer!" I tell you… anyone in the public eye - come nowhere near me unless you are prepared to put your-bloody-self when your mouth is. Walk the talk or walk the other way!”

David Icke (1952) English writer and public speaker

Source: Icke's Remember Who You Are event, 2012

People, Way, Thinking

“I strongly believe that cinema has the power to influence people and bring all of us together for a greater purpose – of peace, brotherhood and solidarity. By showcasing films from around the world and creating a platform for healthy dialogue, DIFF has taken cinema to its next level of social relevance. Personally, I am humbled by this recognition from Dubai, a city I consider as my second home.”

Amitabh Bachchan (1942) Indian actor

Quoted in Bachchan Receives Lifetime Achievement Award at DIFF, 25 November 2009, 15 December 2013, Khaleej Times http://www.khaleejtimes.com/displayarticle.asp?xfile=data/newsmakers/2009/November/newsmakers_November64.xml&section=newsmakers&col,.

People, World, Peace, Home

“So from there on I made all their science fiction films, and the more I did of these films the more I liked it because the studio left me alone. No one at that time was an expert at making sf films so I claimed to be one. I wasn't, of course, but the studio didn't know that so they never argued with me, no matter what I did. In most of my sf films I tried to create an atmosphere because I think if you shoot an imaginative film--a film in which you ask an audience to believe things that are bizarre--you have to make them believe it. You can't do this with the story or actors alone, you have to create a kind of atmosphere while shooting it in which the audience's credibility will be suspended to the point where they don't say to themselves: "That's impossible!"”

Jack Arnold (director)

Jack Arnold in The Horror People http://eric.b.olsen.tripod.com/arnold.html (1976)

Imagination, Thinking, Science, Time

“He force-fed his daughter with some mechanically recovered beef fragments […] on TV to show there was no danger from BSE. […] She's probably a teenager now. Most teenagers just irrationally hate their parents. You wouldn't want to be round their house of a Christmas: 'Let's watch that film, when you tried to kill me.”

Linda Smith (1958–2006) comedian

Yes I would like a flat, thank you.'
A Brief History of Timewasting, Room 101, The News Quiz

Hate, Parent, Christmas, Housing

“I don't think my beard is so important that an editorial should be devoted to it. I recently saw in the same newspaper, in an editorial, a comment about Lal Badshah. Of all my films, of the 94 films of my entire career, Lal Badshah should end up in the editorial of The Times of India! I don't think I deserve it. I don't think my film deserves it. And I don't think my beard deserves it.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Thinking, Time

“Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but Star Wars and all the epic serials, especially the James Bond movies: Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/star-trek-ii-the-wrath-of-khan-1982 of Star Trek II: The Wrath of Khan (1 January 1982) Reviews, Three star reviews

War, Star, Strong, Help

“In my very first review I was already jaded, observing of "Galia," an obscure French film, that it "opens and closes with arty shots of the ocean, mother of us all, but in between it's pretty clear that what is washing ashore is the French New Wave." My pose in those days was one of superiority to the movies, although just when I had the exact angle of condescension calculated, a movie would open that disarmed my defenses and left me ecstatic and joyful.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Awake in the Dark: The Best of Roger Ebert (2006)

“While I agree that the film is historical, and the logo also, apparently, because of the film it is a part of, I disagree that as creative individuals there need be quite so much analyzing and in such disturbingly personal criticism about me as an individual for my having shared my experiences about my design of this logo. It’s needless by others, makes no contribution to the information and, instead, detracts from the genuine story I’ve related about this bit of film history.”

Suzy Rice graphic designer

The “Star Wars” Logo Design http://suzyrice.com/the-star-wars-logo-design-page-one-of-two/ (October 28, 2011)

History, Parting, Personality

“You learn a lot watching that, because so much of what you do in film and television is technical. You could go to acting class until you're blue in the face, but when it really comes down to it, you'd better have that acting training where so much of what you do is actually technical.”

Tobin Bell (1942) American actor

The Only Tobin Bell Interview You'll Ever Need http://movieline.com/2009/10/16/tobin-bell-interview/ (October 16, 2009)

Learning, Training

“Wonderful. Not many would understand this, if they had a clue of even half of my teen and long adult life. The reality is, at age 77, it is pure joy that both children and 80 year-olds can enjoy the film together. I could be working in the White House and children could care less. But let someone say, “that dude over there was the face, or voice of Bambi,” and I am an immediate adopted grandfather to them. That is just an unmatchable joy, and a real responsibility.”

Donnie Dunagan (1934) actor and United States Marine

A Discussion With Donnie Dunagun: The Voice Of Bambi http://www.mouseinfo.com/forums/movies-television/93590-discussion-donnie-dunagun-voice-bambi.html (February 24, 2011)

Life, Children, Age, Understanding

“Getting involved in Earthlings was pretty intense because there were still a lot of things I didn’t know. To raise compassion and awareness is so necessary. The documentary is not just about animals, it’s about how we treat each other as well. How we have empathy for the weak and we don’t abuse it. It exposes the truth. It is a very difficult film to get into mainstream because there are so many corporations that will hurt if their secrets revealed.”

Persia White (1972) American actress and singer

"Persia White Interviews With Marta Walsh", interview with Talking Makeup (27 October 2009) http://talkingmakeup.com/beauty/featured/persia-white-interviews-with-marta-walsh/.

Truth, Secret, Animals, Hurt

“We're creatures of habit. We lined up for the old Batman and Star Wars films long after they stopped being great, and we'll pay Apple the same courtesy if it loses its mojo.”

Rob Enderle (1954) American financial analyst

How many times can Apple bottle lightning? The challenges of staying on top http://digitaltrends.com/apple/rob-enderle-apple in Digital Trends (8 September 2012)

War, Star

“I never had a misunderstanding of what [acting] was about. Unfortunately, overall, movies are a conglomerate. People buy and sell people in this business, which can get really ugly unless you have the right set of values and understand why you’re doing it. Luckily, I was raised by people who’d already gotten to that point, and seen all the yuck stuff—which is probably why they originally didn’t want me to act. I also understood the difference between getting a part at a Hollywood party and really getting a job. I knew you had to go in and audition and maybe then they’d hire you, and that’s where you start. I also had a good understating about press: that it’s the actor’s responsibility to publicize his or her films, that the press can be fun, that it’s not about hyping yourself into stardom or trying to sell yourself as a hot ticket.”

Laura Dern (1967) American actress, director, producer

On understanding the theatrical film business in Hollywood
Interview Magazines interview (September 1990)

People, Understanding, Business, Parting

“If you thought it was impossible for a film to contain less effective comedy than Date Movie, here's evidence to the contrary.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=595 of Epic Movie (2007). One-star reviews

“I did all my fighting before the film started. I fought for the best director, the best lighting man. I was always conscious of how I looked.”

Irene Dunne (1898–1990) American actress

A Visit With Irene Dunne (1977)

Light, Fight

“When the film premiered at Cannes 2003, Lars von Trier was accused of not portraying Americans accurately, but how many movies do? Anything by David Spade come to mind? Von Trier could justifiably make a fantasy about America, even an anti-American fantasy, and produce a good film, but here he approaches the ideological subtlety of a raving prophet on a street corner.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/dogville-2004 of Dogville (9 April 2004) Reviews, Two star reviews

“To be honest, I haven't even seen the film yet. Tobey, if you're reading this, I apologize.”

Eliza Dushku (1980) American actress

Moxie Lady by Michael Moses http://www.elizadushkuonline.com/html_articles/2002/09_total-movie-and-entertainment.html Regarding the Spider-Man film.

Reading

“Films and filmmakers and actors are part of a strange art form, which is only measured by the yardstick of commerce. So it's a dichotomy; it'll always be so.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Anshul Chaturvedi

Art, Parting

“I enjoy a freedom of tone and experimentation unparalleled, almost unthinkable in more traditional films — producers are becoming more conservative, dramatically.”

François-Eudes Chanfrault (1974–2016) Composer and musician

CinemaFantastique.net interview (October 2, 2008)

Freedom

“Ever since [ Copernicus], writers eager to drive the lesson home have urged us […] to abandon all sentimental egoism, and to see ourselves objectively in the true perspective of time and space. What precisely does this mean? In a full 'main feature' film, recapitulating faithfully the complete history of the universe, the rise of human beings from the first beginnings of man to the achievements of the twentieth century would flash by in a single second. Alternatively, if we decided to examine the universe objectively in the sense of paying equal attention to portions of equal mass, this would result in a lifelong preoccupation with interstellar dust, relieved only at brief intervals by a survey of incandescent masses of hydrogen — not in a thousand million lifetimes would the turn come to give man even a second's notice. It goes without saying that no one — scientists included — looks at the universe in this way, whatever lip-service is given to 'objectivity.”

Michael Polanyi (1891–1976) Hungarian-British polymath

Source: Personal Knowledge (1958), p. 3

Way, Home, History, Sense

“[I miss] the warmth of the [Italian] people: it is very easy to communicate with them, while the French are not such extroverts. On the other hand, there is a vibrant film industry in France: at least two hundred films are produced there, and the job opportunities are many. Unfortunately, the Italian film industry does not compare.”

Alessandra Martines (1963) Italian dancer and actor

Alessandra Martines: Ho una vita da favola ma mi manca l'Italia http://www.truncellito.com/2005/alessandra-martines, March 18 2005.

People, Communication

“Imagine the books burning. And tapes and films and files, radios and televisions, will all go into that same bonfire. All those libraries and bookstores blazing away in the night. People will attack microwave relay stations. People with axes will chop every fiber-optic cable.”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 7

People, Books, Imagination, Night

“I hadn't seen the previous two Creature films but I was aware of them. My Universal contract was still in effect and there wasn't another film property that they could use me in at the time. It wasn't a bad script and I made the most of it. Leigh Snowden, I thought, was a beautiful ingénue. I remember there were both Ricou Browning and Don Megowen as the Creature, in and out of the water. I thought the Creature costume, both before and after the burning incident, was convincing. There was a scene that takes place on a balcony where I was being pursued by the Creature. He picks me up to toss me over. In the final cut a dummy goes over, yet for a moment before the director yelled "Cut!"”

Jeff Morrow (1907–1993) American actor and World War II veteran

I thought I was going over for real. Psychotronic Video interview http://www.zomboscloset.com/zombos_closet_of_horror_b/2013/08/the-jeff-morrow-interview-part-4.html (1993)

Beauty, Universe, Water, Time

“I am the kind of guy who believes that films are supposed to be entertainment. I do not subscribe much to movies that leave you with a lingering feeling, make you feel angry or depressed. I am not yet ready to make films like that. I have grown up with films that are entertaining. Since I am such a huge fan of entertainment, I believe that the films that I do should also be entertaining, people can talk about it for three days and forget about it.”

R. Madhavan (1970) Indian actor

Interview, "Sify Movies", 30 Aug 2005 http://www.sify.com/movies/bollywood/interview.php?id=13928252&cid=2398

People, Guy, Feeling, Forgetting

“The composer (organizer of sound) will be faced not only with the entire field of sound but also with the entire field of time. The 'frame' or fraction of a second, following established film technique, will probably be the basic unit in the measurement of time. No rhythm will be beyond the composer's reach.
NEW METHODS WILL BE DISCOVERED, BEARING A DEFINITE RELATION TO SCHOENBERG'S TWELVE-TONE SYSTEM”

John Cage (1912–1992) American avant-garde composer

1930s
Source: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, 4/SILENCE

Time

“When we first began, Ruth told us she had never written a screenplay. That was not a problem since I had never produced a feature film and Jim had never directed one.”

Ismail Merchant (1936–2005) Indian-born film producer and director

On the beginning of his long collaboration with novelist and screenwriter Ruth Prawer Jhabvala. Interview with the Associated Press (2004).

Problem

“I would consider doing any part as long as the script is good and the film has an interesting director.”

Daniel Radcliffe (1989) English actor

http://www.flixster.com/actor/daniel-radcliffe/daniel-radcliffe-quotes

Parting

“My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.”

Saul Bass (1920–1996) American graphic designer and filmmaker

Haskins, Pamela (Autumn 1996). "Saul, Can You Make Me a Title? Interview with Saul Bass". Film Quarterly. pp. 12–13.

Way, Mood

“Some day, somewhere … a guy is going to come to you and show you a nice brand-new deck of cards on which the seal is never broken, and this guy is going to offer to bet you that the jack of spades will jump out of this deck and squirt cider in your ear. But, son … do not bet him, for as sure as you do you are going to get an ear full of cider. (From the short story The Idyll of Miss Sarah Brown, Collier's Weekly, January 28, 1933. Used with slightly different wording in the musical Guys and Dolls -- both the 1950 stage and the 1955 film versions.)”

Damon Runyon (1880–1946) writer

Music, Guy

“In the film The Belly of an Architect, an architect from Chicago organizes an exhibition of his favourite architect Etienne-Lous Boullée (1728-1799). I wrote an account of this hypothetical exhibition as though it had been seen by an unlikely Boullée contemporary -- Jane Austen (1775-1817). She made a prim but perceptive account of her progress through the corridors and halls of the Vittoriano in the centre of Rome -- a building constructed long after both of these eminent personages were dead.”

Peter Greenaway (1942) British film director

Watching Water

Dead

“How often do you come out of a film these days humming a song? Earlier I thought that my age had something to do with it. But then I spoke with some youngsters and they seemed to agree in retrospect.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Age

“One [film] is based on the Medea myth about a woman who kills her own child -- The Love of Ruins. It is almost a technical exercise to see if I can convince an audience or make an audience sympathetic to a woman who kills her own child.”

Peter Greenaway (1942) British film director

In an interview in Film Quarterly, Winter 1991-92
Interviews

Love, Exercises

“A public domain work is an orphan. No one is responsible for its life. But everyone exploits its use, until that time certain when it becomes soiled and haggard, barren of its previous virtues. How does the consumer benefit from the steady decline of a film's quality?”

Jack Valenti (1921–2007) President of the MPAA

A Plea For Keeping Alive the U.S. Film Industry’s Competitive Energy (1995)

Life, Time

“To me, where theater has it all over film is that it’s in the moment, it’s tactile, you feel it …You’re completely immersed in it — right here and right now.”

Julie Taymor (1952) American film and theatre director

As quoted in "KA-POW! Spider-Man: Turn Off the Dark" by Adam Green at Vogue.com

Feeling

“When we find ourselves up against practical obstacles that can't be overcome, we must go forward. You either make the film as you can or don't make it at all.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008) Reviews, Four star reviews

Life, People, Education, Food

“The biggest thing I learned was, especially the way I operate and how I am as a person, if I'm going to do a creative endeavor, I need to have full, complete control. Top to bottom. And with my book and website, I always had that. With the website, definitely, with the book, basically, with the movie…I didn't in a lot of ways. Nils and I, we had a lot of control, more control probably than almost any first time movie makers do within a normal studio system. We were in the middle between independent and not, because someone else paid for everything, and they kind of let us do what we wanted, but then once the movie was done creatively, it went in a direction that I did not want it to go, and there was nothing I could really do about it. It's hard enough to swim in that movie current by yourself, but when you've got weights tied to you and someone pulling you in a different direction, it's almost impossible. You need to pick a direction and go with it. If you're going to be a big studio movie, go be that, and if you're going to go be a rogue independent film, go be that. We had different people with different levels of authority on the movie that pulled us in different directions, and it just doesn't work. Either be in control or let someone else do it, but don't…too many chefs. I'm going to be better next time. Failure instructs, failure improves. Failure shouldn't deter you, unless you're just bad at it.”

Tucker Max (1975) Internet personality; blogger; author

http://www.youtube.com/watch?v=ZC6zdVKoNr8 (March 2010).

People, Books, Way, Failure

“This is the fourth film from hot Swedish director Lukas Moodysson. Two of his previous three movies, Show Me Love and Lilya 4-Ever, made my year-end Top 10 lists. So it was with great anticipation that I settled into a seat on the first Friday night of the 2004 Toronto Film Festival to see A Hole in My Heart. 98 minutes later, I felt like I had been dragged through a vat of raw sewage laced with Sominex - Directed by Lukas Moodysson.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=935 of A Hole in My Heart (2004). Zero star reviews

Love, Heart, Night

“There is a scene in this film where a character is defecated on by several people at the same time, and I dunno … I didn't enjoy it.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Source: Review http://www.rogerebert.com/reviews/tim-and-erics-billion-dollar-movie-2012 of Tim and Eric's Billion Dollar Movie (29 February 2012)

People, Time

“Donkey Punch is a very extreme, real-world thriller – it’s about characters and events that are based in reality and it pushes them into very dark and extreme situations where they have to do things that they would never have imagined. The film shows all this quite realistically and doesn’t pull its punches.”

Olly Blackburn Film director and screenwriter

[Bloody Disgusting, Interview Donkey Punch: Writer/Directory Olly Blackburn, Mr. Disgusting, http://www.bloody-disgusting.com/interview/441, 23 February 2012, 2011, Bloody-Disgusting LLC]

World, Imagination, Reality

“Yes, I'm actually a fan of all things Disney, I utilize that in my craft, because I think Disney movies are crafted so well that they can be studied as well as film can be studied. What people do is they hear it in my voice, they can hear him in my voice, because he is me, he's not like a made-up character, he is me they can hear it in my voice, and when they hear that they ask "Are you the guy who played Sebastian the crab, because you look like him."”

Samuel E. Wright (1946) American actor

People, Guy, Thinking, Study

“Empathy has been in short supply in our nation recently. Our leaders are quick to congratulate us on our own feelings, slow to ask us to wonder how others feel. But maybe times are changing. Every Lee film is an exercise in empathy. He is not interested in congratulating the black people in his audience, or condemning the white ones. He puts human beings on the screen, and asks his audience to walk a little while in their shoes.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/malcolm-x-1992 of Malcolm X (18 November 1992) Reviews, Four star reviews

People, Shoe, Feeling, Exercises

“A week after you read this chapter, misandry will become apparent in commercials, in films, in everyday conversations. But the bias that is hardest to see is the bias we share.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Reading

“When I read the script for GODZILLA VS. SPACE GODZILLA, it reminded me of teenage idol films. In addition, the movie was going to have rap music in it. So, I thought, "Well, this is not my world, so I better not score this one."”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

World, Music, Reading

“Violence shouldn't be presented as drama. I think people looking for an easy way out often write scenes where characters come into violent conflict as opposed to looking for the true drama in the situation. That's a shortcoming of a lot of films and television shows. I think certain presentations of violence are not immoral, but amoral.”

David Fincher (1962) American film director

Fightin Words (1999)

People, Way, Thinking

“To see strong acting like this is exhilarating. In a time of flashy directors who slice and dice their films in a dizzy editing rhythm, it is important to remember that films can look and listen and attentively sympathize with their characters. Directors grow great by subtracting, not adding, and Eastwood does nothing for show, everything for effect.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Reviews, Four star reviews Source: Review http://www.rogerebert.com/reviews/mystic-river-2003 of Mystic River (8 October 2003)

Strong, Time

“How is it right that while this fierce suppression goes on, free copies of the Spielberg film, Schindler's List, are given to schools to indoctrinate children with the unchallenged version of events. And why do we, who say we oppose tyranny and demand freedom of speech, allow people to go to prison and be vilified, and magazines to be closed down on the spot, for suggesting another version of history.”

David Icke (1952) English writer and public speaker

ibid. p135

Children, People, School, History

“The pure emotion, from a very early age, of seeing a film and feeling it take you over like a high… At first it was all the things I loved as a kid -- James Bond films and Spaghetti Westerns and things like that (which I still love). Then I started discovering the masters and finding out which films spoke to me and when they did -- the total immersion, the experience of being taking to another world for a couple of hours, opening your mind to new things and ideas on such an emotional level. How could you not fall in love with that?”

Olly Blackburn Film director and screenwriter

[indieWire, SnagFilms, Park City ‘08 Interview - “Donkey Punch” director Olly Blackburn, 7 January 2008, http://www.indiewire.com/article/park_city_08_interview_donkey_punch_director_olly_blackburn, 23 February 2012]

Love, Age, World, Feeling

“How do I pick a role? Well, primarily I think I would like to be part of a film that's progressive as well as entertaining, you know? Because in India we have a huge amount of audience that is not educated, and they really look up to films… So I think it's important to do a film… that's entertaining but has a message. And after that I'd like to do films that are different for me -- if I'm doing a love story then I want to do a war film, if I'm doing a war film then I want to do a story about an un-wed mother. I think variety is the spice of life.”

Preity Zinta (1975) film actress

Famous quotes

Love, Life, War, Education

“My teaming with Amitabh taught me many practical aspects of life and the film world. He’s one of the most versatile actors of Indian cinema.”

Rekha (1954) Indian film actress

The diva rules

Life, World

“When I was a kid, we watched the Vietnam War on the six o'clock news, and it was desensitizing. You felt you were watching a war film; meanwhile you were really watching these guys getting blown to bits. Parents need to protect their kids from watching that stuff.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Josh Young, "The Neverland Effect," http://www.deppimpact.com/mags/transcripts/life_19nov04.html Life (2004-11-19), p. 8

War, Guy, Parent

“When I thought of myself as a writer in the 1960s, I questioned what made me go from the left to the right margin, from one page to another. As I thought of the space I was also thinking about time. Then I thought: ‘Why am I limiting myself to a piece of paper when there’s a world out there?’ I focused on performance in the early 1970s because the common language of the time was ‘finding oneself.’ In a time like that, what else could I do but turn in on myself and then go from me to you? Photography, film, and video were sidesteps–spaces in front of you–whereas I was more interested in the space where you were in the middle. Now I’m involved with peopled spaces–that’s design and architecture.”

Vito Acconci (1940–2017) Designer, landscape architect, performance and installation artist

Vito Acconci interview, in The Art Newspaper, Art Basel edition, December 5, 2012.

People, World, Question, Thinking

“Hitler made a film about "Hitler gives a camp to the Jews". And they look all shiny. And they're drawing. And they're playing volleyball. And people are dancing. And people are having a wonderful time. And everybody fell for it.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

NOW interview (2004)

People, Time, Dance, Drawing

“The R rating refers to Logue's use of vulgarity. It is utterly inexplicable. This is an excellent film for teenagers.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-kings-speech-2010 of The King's Speech (15 December 2010) Reviews, Four star reviews

“I like racing but food and pictures are more thrilling. I can't give them up. In racing you can be certain, to the last thousandth of a second, that someone is the best, but with a film or a recipe, there is no way of knowing how all the ingredients will work out in the end. The best can turn out to be awful and the worst can be fantastic. Cooking is like performing and performing like cooking.”

Paul Newman (1925–2008) American actor and film director

Quoted in "Saint Paul," interview with John Aldridge, The Guardian (2005-04-10)

Food, Way, Cooking

“Film is an artificial construct. It pretends to reconstruct reality. But it doesn't do that—it's a manipulative form. It's a lie that can reveal the truth. But if a film isn't a work of art, it's just complicit with the process of manipulation.”

Michael Haneke (1942) Austrian film director and screenwriter

as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

Truth, Lie, Art, Reality

“Not everyone who wants to make a film is crazy, but almost everyone who is crazy wants to make a film. It is just one of the things that crazy people want to do, like starting a law suit or sending long, unsolicited letters to people in the public eye. A letter from a nutter has a recognisable format and orthography, as if all letter-writing nutters have to go through some kind of Top Gun nutter-letter-writing academy.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, May Week Was in June (1990), p. 93

People, Law

“I have an inner gage when I feel it’s too much, then I just don’t do a particular film. I’m lucky that I get more offers than I can possibly take. But I always want the phone to be ringing, because I want to do this for the rest of my life. I don’t plan on slowing down, but I certainly have to say “no” more and more. I consider myself very lucky to make a living at this. It’s almost bizarre for any musician to turn down work as much as they to have to keep themselves sane. I know what my limit is. And I keep myself at that limit.”

Brian Tyler (1972) American composer, producer, conductor, and film producer

Interview with Brian Tyler http://www.filmmusicmag.com/?p=13345 (August 6, 2014)

Life, Feeling

“I want to make films and write films, which will happen, I'm just taking a different route right now. I'm a bit of a chameleon with the whole entertainment industry so to speak.”

David Boreanaz (1969) American actor, famous for Angel and Buffy

Interview with a vampire By Chuck Holliday

“Tonight is the night we celebrate excellence in film, with me, the fourth male lead from Death to Smoochy.”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

Rent it.
The 78th Academy Awards (2006)

Death, Night

“Kinna-Uganda has something to do with mediocrity. We should follow the trends of other industries like Hollywood, Bollywood and Nollywood; let us call our films Ugawood.”

Usama Mukwaya (1989) Ugandan screenwriter

Source: " Ugawood or Kinna-Uganda? Film stars split over name http://www.observer.ug/index.php?option=com_content&view=article&id=17873&catid=42&Itemid=74 at The Observer. 12 March 2013 written by Polly Kamukama

“When I filmed the pilot, I thought it was a quality show with a good cast, but I had no expectations. I just hoped people would connect with it because there's a lot of heart.”

Kristin Kreuk (1982) Canadian actress

Teen People's "25 Hottest Stars Under 25" in 2002 http://web.archive.org/web/20060324131358/http://www.teenpeople.com/teenpeople/2002/25hottest/profile/profile_kreuk.html

People, Hope, Heart

“My grand total for the free film was $132,000, and that is a business model I am totally sticking to. And everything that I do now is totally free.”

Nina Paley (1968) US animator, cartoonist and free culture activist

46m02s https://www.youtube.com/watch?v=M7mB_WlihQo#t=46m02s Nina Paley on: Sita Sings the Blues: The Ramayana and 'Free Culture' (2009)

Business

“I always feel ill-prepared for commentaries and it had been so long I was afraid I'd forget everything that happened on the film. But having everybody come together for it was really great. It was like a high school reunion. We all reminisced and just had a great time.”

David Fincher (1962) American film director

A Talk With David Fincher (1999)

School, Feeling, Time, Forgetting

“My perfect Sunday would be a chilled, calming day, nothing too taxing. I try to watch films at the cinema whenever I can, or I go for a walk down by the river. … Richard and I might then try out a new restaurant we’ve heard about. I’m vegetarian and I love it that there are so many places in London with great veggie food. … I’ve got my own little fan group who call themselves the Sprouts, because of my obsession with Brussels sprouts, and they’re a fantastic group of girls that I chat to all the time. … Otherwise – this is embarrassing to admit – Richard and I will play Call of Duty. It’s a side of me that not a lot of people know about but I was a big games girl when I was a teenager and computer games are my guilty pleasure.”

Samantha Barks (1990) Manx singer and actress

“Samantha Barks: I'm addicted to Call of Duty,” interview with The Telegraph (4 August 2014) http://www.telegraph.co.uk/culture/11003183/.html.

Love, People, Pleasure, Food

“The UK's Channel 4 premiered a 75-minute film titled, The Great Global Warming Swindle. Through interviews with prize-winning climate experts and others, this masterful documentary explains the origins of global warming alarmism; factually addresses claims of manmade global climate change; exposes the motivations of organizations, scientists and activists sounding the alarm; and explains why it's been extremely difficult, if not downright career killing, for scientists to question global warming orthodoxy publicly. While presenting hard facts, it is artfully done, making it watchable for the layman and scientist alike.”

Anthony Watts (1958) American television meteorologist

Film can be found online, Chico Enterprise-Record, March 23, 2007.
Other

Motivation, Question, Change

“My master in film, Buñuel, was a far greater storyteller than I. It was just that in my films miracles occur on the screen.”

Michael Powell (1905–1990) English film director

Attributed

“One of the most difficult aspects of being an actor is trying to find the right work. Work that speaks to an audience, that you enjoy doing and that is reflective of your artistic sensibility. To be a contemporary movie actor, you have to kill people - that's basically it. If you don't cock'n'load'n'fire a Smith&Wesson at some point in your film career, you're not going to have a film career. There just aren't enough movies that I like to keep me working in movies all the time. Well, let me rephrase that: there aren't enough available parts.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/stage/2009/may/16/ethan-hawke-cherry-orchard-old-vic-mendes (2009-05-16) 2005&ndash;2009

People, Time, Parting

“Especially in its opening scenes, Ballast is "slower" and "quieter" than we usually expect. You know what? So is life, most of the time. We don't wake up and immediately start engaging with plot points. But Ballast inexorably grows and deepens and gathers power and absorbs us. I always say I hardly ever cry at sad films, but I sometimes do, just a little, at films about good people.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/ballast-2008 of Ballast (29 October 2008) Reviews, Four star reviews

Life, People, Sadness, Time

“These days too many children's movies are infected by the virus of Winning, as if kids are nothing more than underage pro athletes, and the values of Vince Lombardi prevail: It's not how you play the game, but whether you win or lose. This is a movie that breaks with that tradition, that allows its kids to be kids, that shows them in the insular world of imagination and dreaming that children create entirely apart from adult domains and values. There was a moment in the film when Rodriguez hit a line drive directly at the pitcher's mound, and I ducked and held up my mitt, and then I realized I didn't have a mitt, and it was then I also realized how completely this movie had seduced me with its memories of what really matters when you are 12.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-sandlot-1993 of The Sandlot (7 April 1993) Reviews, Three star reviews

Children, World, Dreams, Imagination

“She's the one that stumbles when she talks about
The seven foreign films that she's checked out
Such a fortunate fool
She's just too good to be true
She's such a fortunate fool”

Jack Johnson (musician) (1975) American musician

Fortunate Fool.
Song lyrics, Brushfire Fairytales (2001)

Fools

“They'd left the place littered with the abstract white forms of the foam packing units, with crumpled plastic film and hundreds of tiny foam beads. The Ono-Sendai; next year's most expensive Hosaka computer; a Sony monitor; a dozen disks of corporate-grade ice; a Braun coffee maker.”

William Gibson book Neuromancer

Neuromancer (1984)

Coffee

“Films and gramophone records, music, books and buildings show clearly how vigorously a man's life and work go on after his death, whether we feel it or not, whether we are aware of the individual names or not. There is no such thing as death according to our view!”

Martin Bormann (1900–1945) Nazi leader and private secretary to Adolf Hitler

Quoted in "The Columbia Dictionary of Quotations" - Page 446 - by Robert Andrews - Reference - 1993.

Life, Death, Books, Music

“Book-to-screen adaptations must always strive for two things: First, you must find a way to tell the broad story of the original plot; second, you must somehow reflect the spirit and texture of the novel—that is, you must transform a lot of words into a few pictures. All those digressions, inner monologues, thought processes, turns of phrase, all those word pictures, and especially all that un-photographable stuff that made the novel so delicious, must somehow be represented onscreen by use of the filmmaker's tools: moving pictures, dialogue and performance, sets, costumes, music and all the other tricks of the trade. That's the process a writer must go through to create a successful blueprint for a film.”

Tommy Lee Wallace (1949) American film director

Tommy Lee Wallace on Crafting His Miniseries Masterpiece, IT https://dailydead.com/stephen-king-week-tommy-lee-wallace-on-crafting-his-miniseries-masterpiece-it/ (October 27, 2015)

Books, Music, Way, Success

Quotes about film page 10

Quotes about film
page 10