Quotes about evening
page 74

Ursula Goodenough photo
Clarence Thomas photo
Anton Chekhov photo

“I don’t know why one can’t chase two rabbits at the same time, even in the literal sense of those words. If you have the hounds, go ahead and pursue.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.S. Suvorin (September 11, 1888)
Letters

Ai Weiwei photo
Jane Monheit photo
Ba Jin photo
Guity Novin photo
Herbert Marcuse photo
John R. Commons photo
Justin D. Fox photo
Lois McMaster Bujold photo
Slavoj Žižek photo
Alan Keyes photo
Ralph Waldo Trine photo
Letitia Elizabeth Landon photo

“My heart is with thee, Iove! though now
Thou'rt far away from me :
I envy even my own thoughts,
For they may fly to thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(19th October 1822) Songs of Absence
The London Literary Gazette, 1821-1822

Warren Farrell photo
Dan Balz photo
Lois McMaster Bujold photo
Paul Karl Feyerabend photo
Robert G. Ingersoll photo
Robert Cecil, 1st Viscount Cecil of Chelwood photo
Donald J. Trump photo

“So he could have come into the country, and they did it for social reasons they put it in! They did it for whatever reason. There are a lot of reasons you could have put an ad in. But he could have been born outside of this country. Why can't he produce a birth certificate and by the way, there is one story that his family doesn't even know what hospital he was born in!”

Donald J. Trump (1946) 45th President of the United States of America

About Barack Obama's birth certificate. * Fox & Friends
Television
Fox News
2011-03-28
Fox Goes Birther: Trump Tells Unquestioning Co-hosts, "I'm Starting To Wonder...Whether Or Not <nowiki>[Obama]</nowiki> Was Born In This Country"
Media Matters for America
2011-03-28
http://mediamatters.org/mmtv/201103280006
2011-03-30
2010s, 2011

Daniel J. Boorstin photo
Giordano Bruno photo
Ray Bradbury photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Neil Patrick Harris photo
Samantha Power photo
Gino Severini photo

“The spiraling shapes, and the beautiful contrasts of yellow and blue, that are intuitively felt one evening while living the movements of a girl dancing may be found again later, through a process of plastic preferences or aversions, or through combination of both, in the concentric circling of an aeroplane or in the onrush of an express train”

Gino Severini (1883–1966) Italian painter

In his manifesto 'The Plastic Analogies of Dynamism', c. 1914; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 218

Joseph Story photo
Malala Yousafzai photo

“I think of it often and imagine the scene clearly. Even if they come to kill me, I will tell them what they are trying to do is wrong, that education is our basic right.”

Malala Yousafzai (1997) Pakistani children's education activist

Malala in Interview with a Pakistani Television network, 2011-12; Cited in: The girl who wanted to go to school http://www.newyorker.com/online/blogs/newsdesk/2012/10/the-girl-who-wanted-to-go-to-school.html." The New Yorker by Basharat Peer, posted October 10, 2012
2010 -

Orson Scott Card photo
Calvin Coolidge photo
Sarvepalli Radhakrishnan photo

“Even in the act of composition, the poet is in a state in which the reflective elements are subordinated to the intuitive. The vision, however, is not operative for so long as it continues, its very stress acts as a check on expression.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Brian Clevinger photo
Colin Wilson photo
Alan Keyes photo
Thomas Fuller (writer) photo

“3779. One may say too much, even upon the best Subject.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1745) : You may talk too much on the best of subjects.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
Variant: 300. A Man may say too much even upon the best of Subjects.

Seneca the Younger photo

“Besides, he who follows another not only discovers nothing but is not even investigating.”
Praeterea qui alium sequitur nihil invenit, immo nec quaerit.

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter XXXIII

Samuel Gompers photo
Maimónides photo
Eugenio Cruz Vargas photo

“There are many ways to practice and make art. There are also various ways to express, such as comedy, sculpture, music, painting etc. Dimensions can be immense even in such small spaces as the head of a pin.”

Eugenio Cruz Vargas (1923–2014) Chilean poet and painter

Quote
Source: Famous phrase of Eugenio Cruz Vargas http://www.angelred.com/urls/arte.htm|
Source: Sky http://viaf.org/viaf/13641853/|
Source: From Library of Congress Name Authority File of U.S.A. http://id.loc.gov/authorities/names/n81126660.html|

David Graeber photo
Masha Gessen photo
Hermann Hesse photo
Charles Darwin photo

“Even insects express anger, terror, jealousy, and love by their stridulation.”

Source: The Expression of the Emotions in Man and Animals (1872), chapter XIV: "Concluding Remarks and Summary", page 350

Joseph Strutt photo
Henry Adams photo
Aron Ra photo
Arthur Jensen photo
Horace Bushnell photo
Francis Bacon photo
Robert G. Ingersoll photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

George Steiner photo
John C. Wright photo
Adele (singer) photo

“"[Relationships] never seem to work out, I mean it gets to the point where I have to be extremely cautious. You have to understand, this stardom thing is still new to me, I don't even consider myself "famous". It's 2008: if you have a blog, a mixtape and two pairs of skinny jeans you, too, can be 'famous'."”

Danny! (1983) American rapper

On fame and its effect on finding love, (Rolling Stone interview http://www.rollingstone.com/rockdaily/index.php/2008/02/13/hoopla-dreams-danny-plays-hard-loves-harder/, 2008)
Interviews

Jerry Coyne photo
T. H. White photo
Donald J. Trump photo
Jerry Coyne photo
Aron Ra photo

“The evidence of evolution, and even the event of evolution itself, –the proof of it- are both directly observed, and testable, and demonstrably factual. But religious beliefs are none of the above and never have been; they’re assumed on faith. Whether or not these beliefs turn out to be correct, they are asserted as true without justification in the form of evidence.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"14th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=MYsnVMjG4lk Youtube (January 3, 2009)
Youtube, Foundational Falsehoods of Creationism

Stan Lee photo
Ralph Ellison photo
Alfred Horsley Hinton photo
Jerome David Salinger photo
Aurangzeb photo
Luís de Camões photo

“The last words which I uttered on board of the vessel were those of Scipio—'Ungrateful country! thou shalt not even possess my bones'.”

Luís de Camões (1524–1580) Portuguese poet

As derradeiras palavras que na náu disse foram as de Scipião Africano: Ingrata patria, non possidebis ossa mea!
Letter written from India (1553) to a friend at Lisbon, as quoted in Poems, from the Portuguese of Luis de Camoens (1808) by Percy Smythe, pp. 16–17
Letters

Karen Armstrong photo
Martin Luther King, Jr. photo
Stephen Schwartz photo
Ron Paul photo
Roberto Clemente photo

“At the beginning of the season he told me he wanted more homers and more runs batted in. He even named the figures: 25 homers and 115 RBIs. I could have hit more homers before if I wanted to, but I never cared about hitting them. I think a.350 batting average does the same good for a team as 25 homers and 100 runs batted in. But of course, if Walker wants more homers, it's okay with me.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Clemente Voted Most Valuable In National League" https://news.google.com/newspapers?id=kRQhAAAAIBAJ&sjid=GIwEAAAAIBAJ&pg=7374%2C2380506&dq=beginning-sea-son-told-wanted by the Associated Press, in The Sarasota Journal (Wednesday, November 16, 1966), p. 20
Baseball-related, <big><big>1960s</big></big>, <big>1966</big>

Chaim Soutine photo
George W. Bush photo
Terry Eagleton photo
Marcus Aurelius photo
Catherine the Great photo
Aron Ra photo