
ll. 212-221
A Satire Against Mankind (1679)
ll. 212-221
A Satire Against Mankind (1679)
It comes out at twenty-eight days. As Newton said, "They agreed pretty nearly."
The Origins of Knowledge and Imagination (1978)
Source: Spectrum: From Right to Left in the World of Ideas (2005), Foreword, p. xi
In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)
Statement from Cowdery to Elder Samuel W. Richards, Oliver Cowdery’s Last Letter, Deseret News, (March 22, 1884).
Sometimes attributed to Penn, this is actually from a document Concessions and Agreements of West New Jersey http://www.lonang.com/exlibris/organic/1677-cnj.htm (13 March 1677)
Misattributed
1850s, What to the Slave is the Fourth of July? (1852)
"A View from the Patriotic Left" http://www.frontpagemag.com/Articles/Read.aspx?GUID=F01E41CB-A584-4597-B9BE-86BBD9B3F7A1, Boston Globe (2002-09-09)]: On the U.S. invasion of Afghanistan
2000s, 2002
as quoted by Lawrence Solomon in Look to Mars for the truth on global warming http://www.canada.com/nationalpost/story.html?id=edae9952-3c3e-47ba-913f-7359a5c7f723&k=0/, National Post, January 26, 2007.
“For with what eyes of the mind was your Plato able to see that workhouse of such stupendous toil, in which he makes the world to be modelled and built by God? What materials, what bars, what machines, what servants, were employed in so vast a work? How could the air, fire, water, and earth, pay obedience and submit to the will of the architect? From whence arose those five forms, of which the rest were composed, so aptly contributing to frame the mind and produce the senses? It is tedious to go through all, as they are of such a sort that they look more like things to be desired than to be discovered.”
Quibus enim oculis animi intueri potuit vester Plato fabricam illam tanti operis, qua construi a deo atque aedificari mundum facit; quae molitio, quae ferramenta, qui vectes, quae machinae, qui ministri tanti muneris fuerunt; quem ad modum autem oboedire et parere voluntati architecti aer, ignis, aqua, terra potuerunt; unde vero ortae illae quinque formae, ex quibus reliqua formantur, apte cadentes ad animum afficiendum pariendosque sensus? Longum est ad omnia, quae talia sunt, ut optata magis quam inventa videantur.
Book I, section 19
De Natura Deorum – On the Nature of the Gods (45 BC)
“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis
Aethiopasque alios, nulli penetrabilis astro,
lucus iners, subterque cavis graue rupibus antrum
it uacuum in montem, qua desidis atria Somni
securumque larem segnis Natura locavit.
limen opaca Quies et pigra Oblivio servant
et numquam vigili torpens Ignauia vultu.
Otia vestibulo pressisque Silentia pennis
muta sedent abiguntque truces a culmine ventos
et ramos errare vetant et murmura demunt
alitibus. non hic pelagi, licet omnia clament
litora, non ullus caeli fragor; ipse profundis
vallibus effugiens speluncae proximus amnis
saxa inter scopulosque tacet: nigrantia circum
armenta omne solo recubat pecus, et nova marcent
germina, terrarumque inclinat spiritus herbas.
mille intus simulacra dei caelaverat ardens
Mulciber: hic haeret lateri redimita Voluptas,
hic comes in requiem vergens Labor, est ubi Baccho,
est ubi Martigenae socium puluinar Amori
obtinet. interius tecti in penetralibus altis
et cum Morte jacet, nullique ea tristis imago
cernitur. hae species. ipse autem umentia subter
antra soporifero stipatos flore tapetas
incubat; exhalant vestes et corpore pigro
strata calent, supraque torum niger efflat anhelo
ore vapor; manus haec fusos a tempore laevo
sustentat crines, haec cornu oblita remisit.
Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)
Ancient and Modern : A Journey through the Twentieth Century, 1935-45 BBCTV
Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23
Pradip Bhattacharya in: Living by Their Own Norms Unique Powers of the Panchkanyas http://www.manushi-india.org/pdfs_issues/PDF%20145/Panchkayana%2030-37.pdf, manushi-india.org
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 11
“Duh, he said, smoothing my hair back, Venus and Earth.”
Dreamland (2000)
Stumped By Science: Michele Bachmann Calls CO2 'Harmless,' 'Negligible,' 'Necessary,' 'Natural'
Brad
Johnson
The Wonk Room
Think Progress
2009-04-24
http://wonkroom.thinkprogress.org/2009/04/24/bachmann-harmless-co2/
2011-05-27
2010s
Press Information Bureau in: Speech By The President Shri K.R. Narayanan At The Banquet In Honour Of H.E. Mr. William J. Clinton President Of The United States Of America http://pib.myiris.com/speech/article.php3?fl=D33180, Press Information Bureau, 21 March 2000
Je vois sur leurs nobles fronts le sceau du Seigneur, car ils sont nés rois de la terre bien mieux que ceux qui la possèdent pour l'avoir payée.
Of peasants, in La Mare au diable, ch. 2 (1851); Frank Hunter Potter (trans.) The Haunted Pool (New York: Dodd, Mead, 1895) p. 25
Quote in letter 169, from The Hague, January, 1882; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period: - 4. Potato Diggers
1880s, 1882
The Angel That Presided
1800s, Poems from Blake's Notebook (c. 1807-1809)
No. 48 ("Parta Quies"), st. 1.
More Poems http://www.kalliope.org/vaerktoc.pl?vid=housman/1936 (1936)
Lord of the Dance (1963)
According to Larry Azar (Evolution and Other Fairy Tales, AuthorHouse, 2005, p. 470), Chesterton made this statement on 16 March 1907
Milennial Dawn, Vol. III: Thy Kingdom Come (1891)
“Every dog on the face of the earth wants me dead.”
In a Sunburned Country (US), Down Under (UK) (2000)
Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 286
My Reviewers Reviewed (lecture from June 27, 1877, San Francisco, CA)
Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 5, Problems, p. 111
Source: A History of Economic Thought (1939), Chapter VII, The Transition, p. 312
The Tragic Sense of Life (1913), III : The Hunger of Immortality
"Christianity and Common Sense" http://www.ftarchives.net/foote/flowers/114commonsense.htm, p. 114
Flowers of Freethought (1893)
“Alas for love, if thou wert all,
And naught beyond, O Earth!”
The Graves of a Household, st. 8.
In a London Square http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/poemsproseremains/londonsquare.html, st. 1.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 133.
Did Eve really have an Extra Rib?: And other tough questions about the Bible (2002)
http://www.gravett.org/bizarrescience/archives/003967.html
Letter to the Wall Street Journal
Interview with Bill Murphy (1994) http://www.youtube.com/watch?v=XAjh_wOByoY
Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 17
as quoted in Poems http://books.google.com.mx/books?id=Ep4tAAAAMAAJ&printsec=frontcover&vq=%22The+love+of+God%22#v=onepage&q=%22The%20love%20of%20God%22&f=false, from the Provensal Of Bernard Rascas
Blue Like Jazz (2003, Nelson Books)
Quote in Vincent's letter to brother Theo, from Arles, Sept. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 542), p. 39
1880s, 1888
“Here in a little lonely room
I am master of earth and sea,
And the planets come to me.”
The Loom of Dreams, st. 1 (1900).
Enterrado junto al cocotero hallarás más tarde
el cuchillo que escodí allí por temor de que me mataras,
y ahora repentinamente quisiera oler su acero de cocina
acostumbrado al peso de tu mano y al brillo de tu pie:
bajo la humedad de la tierra, entre las sordas raíces,
de los lenguajes humanos el pobre sólo sabría tu nombre,
y la espesa tierra no comprende tu nombre
hecho de impenetrables y substancias divinas.
Tango del Viudo (The Widower's Tango), Residencia I (Residence I), III, stanza 3.
Alternate translation by Donald D. Walsh:
Buried next to the coconut tree you will later find
the knife that I hid there for fear that you would kill me,
and now suddenly I should like to smell its kitchen steel
accustomed to the weight of your hand and the shine of your foot:
under the moisture of the earth, among the deaf roots,
of all human labguages the poor thing would know only your name,
and the thick earth does not understand your name
made of impenetrable and divine substances.
Residencia en la Tierra (Residence on Earth) (1933)
1920s, Second State of the Union Address (1924)
"I Am a Rainworm", 1900, translated by Jacob Robbins. J. Leftwich. Golden Peacock. Sci-Art, 1939, p. 83.
“The struggle begins, to harmonize canvas, eye, hand, forms. New apparitions stalk the earth.”
Karel Appel's excerpt', c. 1953
“Feel the Earth move!
Now I'm wrapped
In a sweet love's arms,
Reaching out for you…”
Song lyrics, Earth Moving (1989)
Source: Master and Men (1894), p. 41
The Pilgrims of the Night.
Bartlett's Familiar Quotations, 10th ed. (1919)
Address in Pocatello, Idaho (5 October 1911).
Source: Permaculture: A Designers' Manual (1988), chapter 9.1
“Life is very marvelous … and to the wonders of the earth there is no end appointed.”
The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)
The Question http://rpo.library.utoronto.ca/poem/1907.html (1820), st. 2
“Earth helped him with the cry of blood.”
Song at the Feast of Broughton Castle.
Bartlett's Familiar Quotations, 10th ed. (1919)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 32.
The Conspiracy Against the Human Race: A Contrivance of Horror (2010)
Oh that I had Wings.
Bartlett's Familiar Quotations, 10th ed. (1919)
John Calvin. "Commentary on Luke 1:43". Harmony of Matthew, Mark, and Luke. 1. Retrieved 2009-01-07.
Harmony of Matthew, Mark, Luke
Örn Úlfar
Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland
Libertarianism: A Primer (1997) Ch. 1 : The Coming Libertarian Age"; A Note on Labels: Why "Libertarian"? http://www.libertarianism.org/ex-3.html
The Golden Violet - The Ring
The Golden Violet (1827)
Source: The Principles of Political Economy and Taxation (1821) (Third Edition), Chapter II, On Rent, p. 33
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 101.
Source: Titus Groan (1946), Chapter 13 “Keda” (p. 73)
Sergeant Anthony Pohlmann, p. 271
Sharpe (Novel Series), Sharpe's Triumph (1997)
"Killers of the Dream" Lillian Smith