Quotes about draw (1700 quotes, page 5)

“Critics argue that Hayek mixed a number of ethical and political philosophies in constructing his system, positions that do not necessarily cohere one with another and all of which have been independently criticized. … There are evident tensions as well between his earlier advocacy of planning a framework of law and his later enthusiasm for the gradual evolution of judge-made common law. Finally, Hayek's opinion that judges operating under the common law tradition are bound to draw "conclusions that follow from the existing body of rules and the particular facts of the case" has struck more than one observer as naive. If one is judging his work against the standard of whether he provided a finished political philosophy, Hayek clearly did not succeed.”

Bruce Caldwell (economist) (1952) economic historian

Source: Hayek's Challenge: An Intellectual Biography of F. A. Hayek (2004), Ch. 14 : Journey’s End—Hayek’s Multiple Legacies

Law , Drawing

“I would like to thank the people who encouraged me to draw army cartoons at a time when the gag man's conception of the army was one of mean ole sergents and jeeps which jump over mountains.”

Bill Mauldin (1921–2003) American editorial cartoonist

Up Front (1945)

People , Mountain , Time , Drawing

“.. and the first thing for he artists [of Die Brücke ] was free drawing from the free human figure in the freedom of nature... We drew and we painted. Hundreds of paintings a day, with talk and fooling in between, the artists joining the models before the easel and vice versa. All the encounters of everyday life were incorporated in our memories in this way. The studio became the home of the people who were being drawn; they learned from the artists and the painters from them. The picture [ made] took on immediate and abundant life.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Quote from Kirchner's Diary, 1923; as cited in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 28-29
1920's

Life , People , Fools , Way

“Your honoured letter regarding suppression of the Jats has arrived. Allah is merciful, and it is hoped that he will crush the enemy. You should rest assured… You should forge unity with Musa Khan and other Muslim groups, and put to use this friendship and unity for facing the enemies. I hope for sure that on account of this unity among Muslims and their nobility, victory will be achieved.
The reason for the rise of enemies and the fall of Muslims is nothing except that, led by their lower nature, Muslims have shared their (Muslims’) concerns with Hindus. It is obvious that Hindus will not tolerate the suppression of non-Muslims. Being farsighted and practising patience are praiseworthy things, but not to the extent that non-Muslims take possession of Muslim cities, and go on occupying one (such) city every day… This is no time for farsightedness and patience. This is the time for putting trust in Allah, for manifesting the might of the sword, and for arousing the Muslim sense of honour. If you will do that, it is possible that winds of favour will start blowing. Whatever this recluse knows is this that war with the Jats is a magic spell which appears fearful at first but which, if you depend fully on the power of Allah and draw His attention towards this (war), will turn out to be no more than a mere show. Let me hope that you will keep me informed of developments and the faring of your arms…”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Taj Muhammad Khan Baluch Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, pp. 150-51.
From his letters

Friendship , War , Fear , Hope

“In the evening I study a fair.... if you could see the pomp and luxury of the merry-go-round and the stands and booths. Everything is decorated in Baroque-style, all gold and silver; there are mirrors, fabrics, and electric lightning. By night the whole thing is fantastic and rowdy. First of all I shall make a small picture and some drawings for illustrations.”

Giacomo Balla (1871–1958) Italian artist

quote c. 1900, in: Giacomo Balla (1871 – 1951), ed. Fagiolo dell'Arco, exh. catalogue, Galleria Nationale d'Arte Moderna, Rome, 1971
Balla studied a fair for his later painting ' Luna park in Paris https://www.wikiart.org/en/giacomo-balla/luna-park-par-s-1900,' he painted in 1900

Study , Drawing , Night

“It's no more daunting in there than in a Georgian drawing room. You sit on a supremely comfortable chair- it'd be even better if it were a wingback, I'm surprised it's not- overlooking acres of leather and wood. You're never tempted, as you are in a Maybach, to push a button just to find out what it does. And then having to spend the rest of the journey trying to find which button undoes whatever the first button did. This makes for a hugely relaxing drive. So relaxing, in fact, that you sometimes forget that you're in a car. I did.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Rolls-Royce, p. 25
I Know You Got Soul (2004)

Cars , Drawing , Forgetting

“Experience has convinced me that the proper way of teaching is to bring together that which is simple from all quarters, and, if I may use such a phrase, to draw upon the surface of the subject a proper mean between the line of closest connexion and the line of easiest deduction. This was the method followed by Euclid, who, fortunately for us, never dreamed of a geometry of triangles, as distinguished from a geometry of circles, or a separate application of the arithmetics of addition and subtraction; but made one help out the other as he best could.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

Advertisement, p.4
The Differential and Integral Calculus (1836)

Dreams , Way , Help , Drawing

“I usually let them [his drawings] lies around for a long time. I have to get to really like it. And then when I do the painting I have to get to like that too. Sometimes I stay with the sketch, sometimes I follow the original idea exactly if the idea is solved. But most of the time there have to be adjustments during the painting. Through the painting of it I find the color and I work the form and play with it and it adjusts itself.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

In an interview by Henry Geldzahler, 'Art International 1.', February 1964, p. 48
1950 - 1968

Color , Idea , Time , Drawing

“Just six kilometers – never my world was bigger than that, actually. That starting time [of his painting & drawing, c. 1946], to which I return now; watercolor; I prefer a bit foggy, a small world - and not the cows themselves, but only their traces in the mist. The tenderness... I am currently [1993] deeply immersed in little trees and in the reeds. You have to experience it as mysticism, as a miracle. And afterwards: passing it on..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Maar een straal van zes kilometer, groter is mijn wereld eigenlijk nooit geweest. Die begintijd [c. 1946], waar ik nu [1993] weer naar terugkeer; waterverf; het liefst een beetje mistig, een klein wereldje, en dan niet de koeien zelf, maar hun sporen in die damp. De tederheid.. .Ik verdiep me op het moment erg in boompjes, en in het riet. Dat moet je als mystiek, als een wonder ondergaan. En vervolgens doorgeven.
Mens & Gevoelens: Jopie Huisman', 1993

World , Tree , Time , Drawing

“Jeeves," I said, and I am free to admit that in my emotion I bleated like a lamb drawing itself to the attention of the parent sheep, "what the dickens is all this?”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

Parent , Drawing

“The Love of God is a consuming Fire,
Which draws us out of ourselves
And swallows us up in unity with God,
Where we are satisfied and overflowing,
And with Him, beyond ourselves,
Eternally fulfilled.”

John Ruysbroeck (1293–1381) Flemish mystic

The Twelve Beguines

Love , God , Drawing

“You see around you the old masters. They were called masters, as you are doubtless aware, because they taught drawing; the epithet old was applied on account of the general leeriness of their dispositions.”

Henry Savile Clarke (1841–1893)

Hugger-Mugger

Drawing

“As for principles of law, he should know those which are necessary in the case of buildings having party walls, with regard to water dripping from the eaves, and also the laws about drains, windows, and water supply. And other things of this sort should be known to architects, so that… they may be careful not to leave disputed points for the householders to settle after the works are finished, and so that in drawing up contracts the interests of both employer and contractor may be wisely safe-guarded.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 10

Law , Water , Drawing

“Indeed, given the demographic changes affecting the Australian workforce over the next few decades, the Army will simply not be able to meet its recruiting targets or maintain its range of skills unless we become fully representative of the community from which we draw.”

David Morrison (1956) Australian army general

Address at the International Women's Day Conference (2013)

Communication , Change , Drawing

“After a while Louis let her [du Barry] draw her own drafts on the comptroller-general. It saved time and bother in a field he much disliked. Jeanne never took more than she needed for urgent current expenses — that is, whatever was in the treasury.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part IV: A Few Greats, Madame du Barry

Time , Drawing

“About five years ago, somebody showed me some web sites that had my material all over them, and I thought that was fascinating. One reason was, I'd never seen my jokes written one right after another like that. I write on drawing paper—I don't even like lines on the paper—so I have notebooks all over the place with handwritten pieces of my act in them. So to see it go by, all typed out neatly, was like, "Wow." And then two or three years ago, someone showed me a site, and half of it that said I wrote it, I didn't write. Recently, I saw one, and I didn't write any of it. What's disturbing is that with a few of these jokes, I wish I had thought of them. A giant amount of them, I'm embarrassed that people think I thought of them, because some are really bad.”

Steven Wright (1955) American actor and author

Interviews

People , Thinking , Drawing

“[The] Army understands that cultural change is a long term process that requires commitment, diligence and continual evaluation. We recognise that in many ways we are behind the curve when compared to other corporate and public institutions, but we are determined to enact change in a meaningful and enduring way. We are dedicated to drawing on, and implementing, best practice by engaging with leaders who have undertaken successful and innovative programs in this field including Deloitte, the National Rugby League and the Australian Federal Police. Through these relationships we will develop methodologies and approaches to ensure sustainable diversity.”

David Morrison (1956) Australian army general

Address at the International Women's Day Conference (2013)

Way , Understanding , Change , Success

“On a mellow evening in September, I was coming from the garden with a heavy basket of apples which I had been gathering. It had got dusk, and the moon looked over the high wall of the court, causing undefined shadows to lurk in the corners of the numerous projecting portions of the building. I set my burden on the house steps by the kitchen door, and lingered to rest, and draw in a few more breaths of the soft, sweet air; my eyes were on the moon, and my back to the entrance, when I heard a voice behind me say”

Emily Brontë book Wuthering Heights

Nelly Dean (Ch. X).
Wuthering Heights (1847)

Drawing , Housing

“People do want to be young and beautiful. When they meet in the street, male or female, if they're getting older they look at each other's face a little ashamed. It's clear they want to say, Excuse me, I didn't mean to draw attention to mortality and gravity all at once. I didn't want to remind you, my dear friend, of our coming eviction, first from liveliness, then from life. To which, most of the time, the friend's eyes will courteously reply, My dear, it's nothing at all. I hardly noticed.”

Grace Paley (1922–2007) American writer and activist

"Friends"

Life , People , Beauty , Time

“Soon there will be nothing left except the lying dreams of history, the miserable wreckage of our museums and picture-galleries, and the carefully guarded interiors of our aesthetic drawing-rooms, unreal and foolish, fitting witnesses of the life of corruption that goes on there, so pinched and meagre and cowardly, with its concealment and ignoring, rather than restraint of, natural longings; which does not forbid the greedy indulgence in them if it can but be decently hidden.”

William Morris (1834–1896) author, designer, and craftsman

Signs of Change (1888), The Aims of Art

Life , Dreams , History , Lying

“At this season of the year we draw close to Good Friday. All the eyes of the world will turn back to "a green hill far away, without a city wall," where the founder of Christianity was crucified by those forces of selfishness, greed, and lust for gain that are still at work in the world. It seems to me that unless we do something in Canada about the question of the export of war materials there will be another crucifixion - the crucifixion of a generation of young men, crucified upon a cross of nickel.”

Tommy Douglas (1904–1986) Scottish-born Canadian politician

Debate, House of Commons, Ottawa, Ontario, April 3, 1939.

Men , War , World , Question

“Then again, it’s not easy at all. It can be the hardest thing, because loving other people starts with loving ourselves and accepting ourselves. I know many of you have struggled with this. I draw upon your strength and your support, and have, in ways you will never know. I’m here today because I am gay. And because… maybe I can make a difference. To help others have an easier and more hopeful time. Regardless, for me, I feel a personal obligation and a social responsibility. I also do it selﬁshly, because I am tired of hiding and I am tired of lying by omission. I suffered for years because I was scared to be out. My spirit suffered, my mental health suffered and my relationships suffered. And I’m standing here today, with all of you, on the other side of all that pain.”

Ellen Page (1987) Canadian actress

Coming Out Speech (2014)

Love , Pain , People , Health

“Among them pert-faced Elegy draws near.”
Quas inter vultu petulans Elegea propinquat.

Statius Silvae

ii, line 7
Silvae, Book I

Drawing

“Without doubt the most dangerous devices for active defense among the Dinosauria emerged in Triceratops. The scene has been portrayed in paintings, drawings, and illustrations hundreds of times, but it remains thrilling. Tyrannosaurus, the greatest dinosaur toreador, confronts Triceratops, the greatest set of dinosaur horns. No matchup between predator and prey has ever been more dramatic. It's somehow fitting that those two massive antagonists lived out their co-evolutionary belligerence through the very last days of the very last epoch in the Age of Dinosaurs. Tyrannosaurus stood over twenty feet tall when fully erect, and a large adult was as heavy as a small elephant - five tons. No predatory dinosaur, no predatory land animal of any sort, had more powerful jaws. Withstanding a Tyrannosauruss attack required either tanklike armor – the approach taken by Ankylosaurus”

Robert T. Bakker book The Dinosaur Heresies

or most powerful defensive weapons - the approach taken by Triceratops.
The Dinosaur Heresies: A Revolutionary View of Dinosaurs (1986), Longman Scientific & Technical, p. 240-241
The Dinosaur Heresies (1986)

Age , Time , Animals , Drawing

“Those perilous climbings [with her sister Claudia, in the Palo Duro Canyon, 1916] were frightening, but it was wonderful to me and not like anything I had known before. The fright of the day was still with me in the night and I would often dream that the foot of my bed rose straight up into the air — then just as it was to fall I would wake up. Many drawings came from days like that, and later some oil paintings.”

Georgia O'Keeffe (1887–1986) American artist

About climbing the Palo Duro Canyon, 1916
1970s, Some Memories of Drawings (1976)

Dreams , Sister , Drawing , Painting

“…The result of burning embassies and treading on flags is the self-same objective these drawings wanted to highlight. It was their intention to say that Muslims are terrorists and their religion is a peril to Western civilization.”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2000s, Burning embassies is not the way (2008)

Religion , Drawing

“These same interior, enlightened persons Have the love of God before them in their inward vision Whenever they want, as drawing or calling in towards unity. For they see and feel that the Father with the Son by means of the Holy Spirit stand embraced with all the elect and are brought back with eternal love into the unity of their nature. This unity is constantly drawing or calling in all that has been born out of it naturally or by grace. And therefore these enlightened people are lifted up with free mind above reason to a bare vision devoid of images (The imageless place of spirit vision). There lives the eternal invitation of God’s unity, and with imageless naked understanding they go beyond all works and all practices and all things to the summit of their spirit. There their naked understanding is penetrated with eternal clarity as the air is penetrated by the light of the sun. The bare elevated will is transformed and penetrated with fathomless love just as iron is penetrated by the fire. And the bare elevated memory finds itself caught and established In a fathomless absence of images. Thus the created image is united threefold wise above reason to its eternal image, Which is the source of its being and of its life.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Love , Life , God , People

“When I am writing I instinctively make a little drawing now and then like the one I sent you lately, and for instance, this morning, 'Elijah in the Desert.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Amsterdam 12 June, 1877; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 29 (letter 101)
while studying in Amsterdam at the theological school, to become clergyman
1870s

Drawing

“[make drawings of] series of instruments and players; their shapes, twisting of the hands, arms and neck of the violinist; for example, puffing out and hollowing of the cheeks of bassoonists, oboists, etc..”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebook (undated); as quoted in Impressionism: A Centenary Exhibition, Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, pp. 81-82
quotes, undated

Drawing

“I will have to leave for Paris as soon as you return. I did two drawings [black on paper] with pen and in little dots - a 'Little Market' and a 'St. Martin (Pig dealers)'. It would be a good thing if I could sell them to some newspaper, that would bring us a few pennies… I still don't know what I am going to do, for Heymann seems completely indifferent. He probably knows my position and naturally is waiting for me to reduce my prices, just as Durand did last time… If we could place these we could get a few cents while waiting for this terrible month of January to pass… These drawings matted look very well.”

Camille Pissarro (1830–1903) French painter

Quote of Pissarro, in a letter, Paris, 5 December 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 86
1880's

Nature , Time , Waiting , Drawing

“But your own vegetarianism, Mrs. Costello,” says President Garrard, pouring oil on troubled waters: “it comes out of moral conviction, does it not?”
“No, I don't think so,” says his mother. “It comes out of a desire to save my soul.”
Now there truly is a silence, broken only by the clink of plates as the waitresses set baked Alaskas before them.
“Well, I have a great respect for it,” says Garrard. “As a way of life.”
“I'm wearing leather shoes,” says his mother. “I'm carrying a leather purse. I wouldn't have overmuch respect if I were you.”
“Consistency,” murmurs Garrard. “Consistency is the hobgoblin of small minds. Surely one can draw a distinction between eating meat and wearing leather.”

J.M. Coetzee book The Lives of Animals

“Degrees of obscenity,” she replies.
Source: The Lives of Animals (1999), pp. 43-44

Life , Shoe , Way , Soul

“I am thinking of painting for the coming Salon a picture [probably the large and unfinished painting 'Botzaris' by Delacroix] whose subject I shall take from the recent wars between the Turks and the Greeks. I think that.... this would be a way to attract some attention. I should therefore like you to send me some drawings of the country round Naples, a few quick sketches of seascapes or picturesque mountain sites… Why not also send a few of the studies you have in your portfolio? You don’t need them while you are out there, and it would oblige you to make some more of them.”

Eugène Delacroix (1798–1863) French painter

Quote in his letter to Charles Soulier - 15 September 1821, Paris; as quoted in Eugene Delacroix – selected letters 1813 – 1863, ed. and translation Jean Stewart, art Works MFA publications, Museum of Fine Art Boston, 2001, p. 105
1815 - 1830

War , Way , Mountain , Thinking

“By the time I was 16, the everlasting copying of stuffed birds and withered flowers at the Strasbourg School of Applied Art not only poisoned drawing for me but destroyed my taste for all artistic activity. I took refuge in poetry.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Looking, Arp, Jean; as quoted by Soby, James Thrall. Arp: The Museum of Modern Art. Doubleday, New York, 1958, Print. p. 12
1960s

School , Art , Flowers , Bird

“I never in my whole life could make a drawing like that; I would at any time have given one of my little fingers to have made such a one”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

one of Girtin's yellow drawings
remark of Turner to Chambers Hall, (before 1855); as cited in The Life of J. M. W. Turner R.A. , Walter Thornbury - A new Edition, Revised https://ia601807.us.archive.org/24/items/gri_33125004491185/gri_33125004491185.pdf; London Chatto & Windus, 1897, p. 61
undated quotes

Life , Time , Drawing

“The social group which the city represents is so strong that it draws men into sin which is hardly personal to them, but from which they cannot dissociate themselves even if they so desire. Individual virtues are engulfed by the sin of the city.”

Jacques Ellul book The Meaning of the City

Source: The Meaning of the City (1951), p. 67

Men , Strong , Drawing , Personality

“The actual manufacture of material into a specific product is a sort of digestive process which must have a functioning organization purposed to meet the required ends, just as the human body has, and it is governed by similar conditions. It must also be directed by a specific intelligence and must have internal and external avenues of correspondence to keep it alive; and, like a living organism, must adhere to the eternal economy of things and show a profit by its activities or it cannot progress.
To exemplify this in a simple way, the writer has laid out Figure I, showing the prime elements composing the anatomy of an industrial body. One does not have to draw on the imagination very far to make a comparison of this anatomy with that of man. It has its mind, will power, and brain to direct it, as indicated by the stockholders, directors and executive officers, a heart which keeps in flow the circulating medium internally; and avenues of correspondence with the outside world which furnish to it the very elements of existence.
This chart shows first, that the stockholders are simply elements belonging to the general public who have made an investment for some specific purpose; second, that immediately after this, the election of directors sets into action the first internal factor in the body, which is then divided into different functioning powers by the election of executive officers.”

Clinton Edgar Woods (1863) American engineer

Source: Organizing a factory (1905), p. 24

World , Way , Imagination , Intelligence

“Love has a particular trait: it has a task or purpose to fulfill - to abide. By its nature, love is enduring. The Holy Spirit offers our world love that dispels uncertainty; love that overcomes the fear of betrayal; love that carries eternity within; the true love that draws us into a unity that abides!”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2008, Youth Day Vigil (19 July 2008)

Love , World , Fear , Nature

“I have been strongly influenced by the Mahabharata, discourses of the Buddha, Sri Aurobindo and Plato. My masters have been Vyasa, Buddha and Sri Aurobindo, as elucidated by Ram Swarup. … Paganism was a term of contempt invented by Christianity for people in the countryside who lived close to and in harmony with Nature, and whose ways of worship were spontaneous as opposed to the contrived though-categories constructed by Christianity’s city-based manipulators of human minds. In due course, the term was extended to cover all spiritually spontaneous culture of the world – Greek, Roman, Iranian, Indian, Chinese, native American. It became a respectable term for those who revolted against Christianity in the modern West. But it has yet to recover its spiritual dimension which Christianity had eclipsed. For me, Hinduism preserves ancient Paganism in all its dimensions. In that sense, I am a Pagan. The term "Polytheism' comes from Biblical discourse, which has the term 'theism' as its starting point. I have no use for these terms. They create confusion. I dwell in a different universe of discourse which starts with 'know thyself' and ends with the discovery, 'thou art that'…
I met her [Mother Theresa] briefly in Calcutta in 1954 or 1955 when she was unknown. I had gone to see an American journalist who was a friend and had fallen ill, when she came to his house asking for money for her charity set-up. The friend went inside to get some cash, leaving his five or six year old daughter in the drawing room. Teresa told her, "He is not your real father. Your real father is in heaven." The girl said, "He is very ill." Theresa commented, "If he dies, your father does not die. For your real father who is in heaven never 'dies."”

Sita Ram Goel (1921–2003) Indian activist

The girl was in tears.
Interview, The Observer. Date : February 22, 1997. http://sathyavaadi.tripod.com/truthisgod/Articles/goel.htm https://egregores.blogspot.com/2009/10/buddha-sri-aurobindo-and-plato.html https://egregores.wordpress.com/2009/11/16/hindus-and-pagans-a-return-to-the-time-of-the-gods/

Money , People , World , Art

“Muhammad isn't sacred to me. I don't blame Muslims for not laughing at our drawings. I live under French law. I don't live under Quranic law.”

Charb (1967–2015) French caricaturist and journalist

Deccan Chronicle http://www.deccanchronicle.com/150107/world-europe/article/dont-blame-muslims-not-laughing-our-cartoons-paris-magazine-editor-had (2012)

Law , Drawing

“Wont you draw back the curtain within me,
O Lord Venkataramana of Tirupati, Open up this screen of envy.”

Tyagaraja (1767–1847) Carnatic musician and composer

[Jackson, William Joseph, Tyāgarāja and the Renewal of Tradition: Translations and Reflections, http://books.google.com/books?id=CZBnppBQgOsC&pg=PA69, 1 January 1994, Motilal Banarsidass Publ., 978-81-208-1146-1, 169–]

Envy , Drawing

“Many thanks for your letter and the Gauguin woodcuts... One can see, incidentally, that Gauguin had Persian miniatures, Indian batik and Chinese art in his very blood. The shapes of the birds and the horse show that clearly. But although it looks very well, Gauguin can't stimulate us present-day artists much. We need a direct route from life to plastic form. And we get it by perpetually drawing everything we see.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), Frauenkirch, 29 November 1920; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 224-225
1920's

Life , Art , Bird , Horse

“The Chinese do not draw any distinction between food and medicine.”

Lin Yutang book The Importance of Living

Source: The Importance of Living (1937), Ch. IX : The Enjoyment of Living, p. 249

Food , Drawing

“Patience! They will come to it gradually! Rousseau has sold a landscape for five hundred francs; for my part, I have sold a view of Fontainebleau for seventy-five francs. And I am commissioned to ask you for companion sketches to your drawings. And this time, instead of twenty francs, they are to pay you twenty-five! (Millet replied resignedly: 'If I could only sell two drawings a week at that price all would go right!”

Narcisse Virgilio Díaz (1807–1876) French painter

Diaz to Millet, c. 1845; as quoted by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choice of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 20
In Paris Diaz had sold three drawings of his friend Millet for sixty francs, but Millet stayed still thoughtful, for he had to think of the morrow
Quotes of Diaz

Time , Parting , Drawing , Patience

“We know that the enemies of our civilization and of Arab-Muslim civilization have emerged from what is actually a root cause. The root cause is the political slum of client states from Saudi Arabia through Iraq, Pakistan and elsewhere, that has been allowed to dominate the region under U. S. patronage, and uses people and resources as if they were a gas station with a few flyblown attendants. To the extent that this policy, this mentality, has now changed in the administration, to the extent that their review of that is sincere and the conclusions that they draw from it are sincere, I think that should be welcomed. It's a big improvement to be intervening in Iraq against Saddam Hussein instead of in his favor. I think it makes a nice change. It's a regime change for us too. Now I'll state what I think is gonna happen. I've been in London and Washington a lot lately and all I can tell you is that the spokesmen for Mr. Blair and Mr. Bush walk around with a look of extraordinary confidence on their faces, as if they know something that when disclosed, will dissolve the doubts, the informational doubts at any rate, of people who wonder if there is enough evidence. [Mark Danner: It's amazing they've been able to keep it to themselves for so long. ] I simply say, I have two reasons for confidence. I know perfectly well that there are many people who would not be persuaded by this evidence even if it was dumped on their own doorstep, because the same people, many of the same people, didn't believe that it was worth fighting in Afghanistan even though the connection between the Taliban and Al Qaeda was as clear as could possibly be. So I know that. There's a strong faction of the so-called peace movement that is immune to evidence and also incapable of self criticism, of imagining what these countries would be like if the advice of the peaceniks has been followed. I also made some inquiries of my own, and I think I know what some of these disclosures will be. But, as a matter of fact I think we know enough. And what will happen will be this: The President will give an order, there will then occur in Iraq a show of military force like nothing probably the world has ever seen. It will be rapid and accurate and overwhelming enough to deal with an army or a country many times the size of Iraq, even if that country possessed what Iraq does not, armed forces in the command structure willing to obey and be the last to die for the supreme leader. And that will be greeted by the majority of Iraqi people and Kurdish people as a moment of emancipation, which will be a pleasure to see, and then the hard work of the reconstitution of Iraqi society and the repayment of our debt — some part of our debt to them — can begin. And I say, bring it on.”

Christopher Hitchens (1949–2011) British American author and journalist

"How Should We Use Our Power: A Debate on Iraq" http://www.commonwealthclub.org/archive/03/03-01hitchensdanner-qa.html with Mark Danner at UC Berkeley (2003-01-28}: On the 2003 invasion of Iraq
2000s, 2003

People , Pleasure , World , Peace

“The hungry sheep look up, and are not fed,
But swoln with wind, and the rank mist they draw,
Rot inwardly, and foul contagion spread.
::: — John Milton: "Lycidas"”

John Brunner book The Sheep Look Up

Next year
The Sheep Look Up (1972)

Drawing

“The drawings [his watercolors] usually succeed in one day or at most two days or they develop difficult and usually don't finish well, then…. [I hope] the end will be as good as the beginning. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) De teekeningen [Roelofs bedoelt zijn aquarellen] lukken mij doorgaans in een dag of hoogstens twee dagen of zij gaan moeijelijk en worden dan meestal niet goed.. ..[ik hoop dat] het eind zoo goed zal zijn als het begin.
In a letter to P. verLoren van Themaat, 30 March, 1867; in Haagsch Gemeentearchief / Municipal Archive of The Hague
1860's

Hope , Drawing

“Now, I ain't alone, as you may think I am. There's a young man hid with me, in comparison with which young man I am a angel. That young man hears the words I speak. That young man has a secret way pecooliar to himself of getting at a boy, and at his heart, and at his liver. It is in wain for a boy to attempt to hide himself from that young man. A boy may lock his door, may be warm in bed, may tuck himself up, may draw the clothes over his head, may think himself comfortable and safe, but that young man will softly creep and creep his way to him and tear him open.”

Charles Dickens book Great Expectations

Source: Great Expectations (1860-1861), Ch. 1

Secret , Angels , Way , Boy

“When summer draws near and the sun rises higher, it draws the moisture out of the earth through the roots, and through the trunks of the trees, into the twigs; and hence come foliage, flower, and fruit. So likewise, when Christ the Eternal Sun rises and ascends in our hearts, so that it is summer in the adornment of our virtues, He gives His light and His heat to our desires, and draws the heart from all the multiplicity of earthly things, and brings about unity and inwardness; and makes the heart grow and bring forth the leaves of inward love, the flowers of ardent devotion, and the fruits of thanksgiving and praise, and makes these fruits to endure eternally, in humble grief, because of our shortcomings.”

John Ruysbroeck (1293–1381) Flemish mystic

The Spiritual Espousals (c. 1340)

Love , Flowers , Tree , Light

“.. the modern artist can conclude that impulsive and speculative production has come to an end. THE ERA OF DECORATIVE TASTE HAS VANISHED, the artist of today has finished completely with the past. Scientific and technical developments oblige him to draw conclusions.... to revise his means, to establish laws creating a system, that is to say, to master his elementary means of expression in a conscious manner.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article: 'Towards elementary plastic expression', in 'Material zur elementaren Gestaltung', G-1, July 1923; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 141
1920 – 1926

Law , Past , Drawing

“Youth is the time when hearts are large,
And stirring wars
Appeal to the spirit which appeals in turn
To the blade it draws.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

On the Slain Collegians, st. 1
Battle Pieces: And Aspects of the War (1860)

War , Youth , Time , Heart

“In our time it has been seen, as I hope to show quite shortly, that simple children, roughly brought up in the wilderness, have begun to draw by themselves, impelled by their own natural genius, instructed solely by the example of these beautiful paintings and sculptures of Nature. Much more then it is probable that the first men, being less removed from their divine origin, were more perfect, possessing a brighter intelligence, and that with Nature as a guide, a pure intellect for master, and the lovely world as a model, they originated these noble arts, and by gradually improving them brought them at length, from small beginnings, to perfection. I do not deny that there must have been an originator, since I know quite well that there must have been a beginning at some time, due to some individual.”

Giorgio Vasari (1511–1574) Italian painter, architect, writer and historian

Source: The Lives of the Painters, Sculptors, and Architects, 1900, p. 5-6

Love , Men , Children , World

“O'er the fields of space together following her flying traces,
In a radiant tumult thronging, suns and stars and myriad races
Mount the spirit spires of beauty, reaching onward to the day
When the Shepherd of the Ages draws his misty hordes away
Through the glimmering deeps to silence, and within the awful fold
Life and joy and love forever vanish as a tale is told,
Lost within the mother's being. So the vision flamed and fled,
And before the glory fallen every other dream lay dead.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Love , Life , Age , Beauty

“I ordered Major [transport company] tomorrow afternoon 2 o'clock to pack the paintings, I am still completely in all the paintings - as nightmares they are flying around me, now you know as of old how that is, but tomorrow afternoon at 2 o'clock I am free. I believe there are nice things among them, the drawing has become a little too fat, but there is much good in it, and it is very well-finished. I send to Peacock. The forest with wood hackers, which was hanging above the door of my studio, then the sheep [small composition-sketch of a sheep herd with shepherd] and... I believe you know them all, 7 pieces together, afterwards I have to start working for Arnold & Tripp [art-sellers in Paris], I let those guys wait and that's not right to do..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Morgen middag 2 uur heb ik Majoor [transportbedrijf] besteld om de schilderijen in te pakken ik ben nu nog geheel in alle die schilderijen als nacht merries zijn ze om me heen nu je weet wel van ouds, hoe of dat is maar morgen om 2 uur ben ik vrij. Ik geloof dat er aardige dingen bij zijn, de teekening is wel wat dik geworden, doch veel goeds er in, en erg af ik verzend aan Peacock Het bosch met hout hakkers, dat boven de deur van mijn atelier hing dan de schapen [klein compositieschetsje schaapskudde met herder] en [klein compositieschetsje schapen op bospad] en [klein compositieschetsje met schaapskudde] en [klein compositieschetsje koe?] en [klein compositieschetsje schaapskudde met vliegdennen] en de teekening (schapen uit het bosch komende) ik geloof dat je ze allen kent, 7 stuks te zamen, ik moet daarna ook voor Arnold & Tripp [kunsthandelaars in Parijs] aan de gang, die luitjes laat ik maar wachten en dat mag niet..
In a letter of Mauve from Laren, 27 June 1887 original text of the letter in RKD Archive https://rkd.nl/explore/excerpts/10, The Hague
1880's

Art , Guy , Waiting , Drawing

“The only progress I can see is progress in organization. The ordinary human being does not live long enough to draw any substantial benefit from his own experience. And no one, it seems, can benefit by the experiences of others. Being both a father and teacher, I know we can teach our children nothing. We can transmit to them neither our knowledge of life nor of mathematics. Each must learn its lesson anew.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)

Life , Children , Mathematics , Knowledge

“The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.”

Wilfred Owen Anthem for Doomed Youth

Anthem for Doomed Youth

Girl , Flowers , Drawing

“These sources of strength are with your loved ones. For many of you, your first instinct was to call home and let your moms and dads know that you were okay. Others took on the terrible duty of calling the relatives of a classmate or a colleague who had been wounded or lost. I know many of you feel awfully far away from people you lean on and people you count on during difficult times. But as a dad, I can assure you, a parent's love is never far from their child's heart. And as you draw closer to your own families in the coming days, I ask you to reach out to those who ache for sons and daughters who will never come home.”

George W. Bush (1946) 43rd President of the United States

2000s, 2007, Virginia Tech Prayer Vigil (April 2007)

Love , People , Family , Feeling

“This is my sixth attempt to introduce the Bill with the support of hon. Members and pensioner organisations all over Britain…Many statistics show the condition of elderly people. When the Social Security Act 1988 abolished supplementary benefit and what went with it, 30 per cent. of Britain's retired population were living on or below supplementary benefit levels. Despite the Government's claim that many elderly people are quite wealthy, at that time only 39 per cent. lived more than 140 per cent. above the level of supplementary benefit. In other words, at least 60 per cent. of Britain's elderly people live at a poor level, and 30 per cent. of them live below the poverty line. That is a scandal and the House should draw attention to it and enact my Bill to improve that situation…The Bill is a seven-point plan which, if carried into law, would change the face of Britain and eliminate poverty among the elderly… Britain is the seventh richest country in the world. It is a disgrace that so many elderly people die alone and in misery through hypothermia, not for lack of resources to provide for them, but for the lack of political will to distribute those resources to ensure that pensioners are well cared for and can live in decency in their retirement.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1989/jan/18/elimination-of-poverty-in-retirement in the House of Commons (18 January 1989).
1980s

People , World , Law , Support

“First of all, Scripture draws our attention to this, that if we want ease and tranquility in our lives, we should resign ourselves and all that we have to the will of God, and at the same time we should surrender our affections to him as our Conqueror and Overlord.”

John Calvin (1509–1564) French Protestant reformer

Page 40.
Golden Booklet of the True Christian Life (1551)

God , Time , Drawing

“Americans, sadly, are now victims who have turned into perpetrators. Indeed, since September 2001, the war on terror has claimed more innocent victims than those terrorist attacks. This fact is unrecognized at home because the victims of the war on terror are not Americans. But the rest of the world does not draw the same distinction, and world opinion has turned against America.”

George Soros (1930) Hungarian-American business magnate, investor, and philanthropist

"How Terrorism's Victims Became Perpetrators" (April 2004) http://www.project-syndicate.org/commentary/soros26

War , World , Home , Drawing

“I should be glad to know your Excellency's mind about holding all the ground from King's Bridge to the lower lines. If we attempt to hold the ground, the garrison must still be reenforced; but if the garrison is to draw into Mount Washington, and only keep that, the number of troops on the Island is too large.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (31 October 1776)

Drawing

“Be of the disciples of Aaron, loving peace and pursuing peace, loving your fellow creatures and drawing them near to the Law.”

Hillel the Elder (-112–9 BC) Mishnah rabbi

1:12
Pirkei Avot

Love , Peace , Law , Drawing

“The old man reminded Tito of those ghost-signs, fading high on the windowless sides of blackened buildings, spelling out the names of products made meaningless by time.
If Tito were to see one of those announcing the very latest, the most recent and terrible news, yet could know that it had always been there, fading, through every kind of weather, unnoticed until today, that might feel something like meeting the old man in Washington Square, beside the concrete chess tables, and carefully passing him an iPod, beneath a folded newspaper.…
Sensing an immense patience, and power, Tito imagined that this old man, for reasons of his own, disguised himself as a revenant from Lower Manhattan's past. Each time the old man received another iPod, accepting it the way an ancient and sagacious ape might accept a piece of some not particularly interesting fruit, Tito half-expected him to crack its virginal white case like a nut, and then to draw forth something utterly peculiar, utterly dire, and somehow terrible in its contemporaneity.”

William Gibson book Spook Country

Source: Spook Country‎ (2007), Ch. 2, Ants in the Water

Way , Feeling , Imagination , Sense

“I describe imperfect characters. Every character in this book will be found to be more or less imperfect, my pen refusing to draw anything in the model line.”

Charlotte Brontë book Shirley

Source: Shirley (1849), Ch. 5: Hollow's Cottage

Books , Drawing

“How excellent is the saying of one of old: ‘He that adventureth upon matrimony is like unto one who thrusteth his hand into a sack containing many thousands of serpents and one eel. Yet, if Fate so decree, he may draw forth the eel.”

F. Anstey (1856–1934) English novelist and journalist

Source: The Brass Bottle (1900), Chapter 6, “Embarras de Richesses”

Fate , Drawing

“As a matter of survival I've created this anti-hero alter-ego, a guy in an ill-fitting suit—part humunculus and part clown. Yep, that's me alright … I could never relate to heroes. I have no interest in drawing heroic characters. It's not my thing, man. I'm more inclined toward the sordid underbelly of life. I find it more interesting to draw grotesque, lurid, or absurd pictures, and I especially enjoy depicting my fevered sexual obsessions.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 393

Life , Guy , Parting , Drawing

“Balla, he advanced Dynamic Futurism.... drawing closer, not to the human body but to the machine, as contemporary muscles of a man of today... The actual structure of each of Balla's works tells us that the dynamic power sensed by the artist is incomparable greater than the actual bodies of the machines, and the content of each machine is only a small part of this dynamic power, since each machine is a mere unit from the sum total of the forces of contemporary life.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote, c. 1915 in: 'Cubofuturism', Malevich, in Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, pp. 59-60
1910 - 1920

Life , Sense , Future , Parting

“The tongue, the Chinese say,
is like a sharp knife:
it kills
without drawing blood.”

Anne Sexton (1928–1974) poet from the United States

"The Dead Heart"
The Awful Rowing Toward God (1975)

Drawing

“"Among the types of human activity which have always played a role in history, the soldier is least subject to ressentiment. Nietzsche is right in pointing out that the priest is most exposed to this danger, though the conclusions about religious morality which he draws from this insight are inadmissible. It is true that the very requirements of his profession, quite apart from his individual or national temperament, expose the priest more than any other human type to the creeping poison of ressentiment. In principle he is not supported by secular power; indeed he affirms the fundamental weakness of such power. Yet, as the representative of a concrete institution, he is to be sharply distinguished from the homo religiosus—he is placed in the middle of party struggle. More than any other man, he is condemned to control his emotions (revenge, wrath, hatred) at least outwardly, for he must always represent the image and principle of “peacefulness.” The typical “priestly policy” of gaining victories through suffering rather than combat, or through the counterforces which the sight of the priest's suffering produces in men who believe that he unites them with God, is inspired by ressentiment. There is no trace of ressentiment in genuine martyrdom; only the false martyrdom of priestly policy is guided by it. This danger is completely avoided only when priest and homo religiosus coincide."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Men , God , Peace , History

“The correctness of the so-called materialistic conception of history, which considers the political development as dependent on the economic, cannot be brought more strikingly and convincingly to the mind than by the change which in the course of the Nineteenth century has been wrought in the bourgeoisie. It can be demonstrated with the greatest precision how with the change in the productive relations a change of political view and attitude has taken place in the bourgeoisie. Every step forward in economic development has been a step forward in the development of class antagonisms and a step in the approach of the bourgeoisie towards its old enemies, the landlords and priests, and a step in drawing away from the rising proletariat, which in order to effect its emancipation, must advocate equal rights for all men and the democratic principles formerly supported by the bourgeoisie. The moment the proletariat steps forth as a class separate from the bourgeoisie and having interests opposed to it, from that moment the bourgeoisie ceased to be democratic.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

Men , History , Support , Change

“Action is the highest perfection and drawing forth the utmost power, vigor, and activity of man's nature.”

Robert South (1634–1716) English theologian

Sermon preach at St. Marys, December 10, 1661, in Twelve Sermons Preached Upon Several Occasions (1727), Vol. 3, p. 140

Nature , Drawing , Perfection

“In loving things and the being in them man should rather draw things up to the human level than reduce humanity to their measure.”

Jacques Maritain (1882–1973) French philosopher

True Humanism (1938), p. xv.

Love , Drawing

“On one level, then, Cadbury can be seen as a classic example of Victorian industrial paternalism, albeit carried to greater lengths than in most other companies of the day. On another level, however, the Cadbury system resulted in a very strong, highly flexible organisation which, thanks to the strong levels of employee commitment and participation, could draw on a large bank of experience and intelligence to solve problems and undertake what amounted to continuous improvement. The employee participation system in particular meant that Cadbury was constantly upgrading its processes and products. Herbert Casson regarded Cadbury in the 1920s as one of the best-run companies in Britain, if not the world, and summed up the key to its success very succinctly: ‘At Cadbury, everybody thinks.”

Edward Cadbury (1873–1948) British businessman

Morgen Witzel (2003), Fifty Key Figures in Management. p. 39
Quote on the Cadbury company at the time Edward Cadbury was managing director

World , Intelligence , Problem , Thinking

“In 1951 the two most subversive things that could happen to an ex-surrealist were: firstly, to become a mystic and secondly, to know how to draw. These two models of rigour happened to me at the same time.”

Salvador Dalí (1904–1989) Spanish artist

Quote from Dali's lecture, 1951 'Pablo Picasso et moi', (MPC 65)
Quotes of Salvador Dali, 1951 - 1960

Time , Drawing

“In a tribal nation, he’s just one more partisan mobilizing his troops…. Mr. Shapiro has always been deeply conservative and does not pretend to be objective. But he says his market niche is giving cleareyed reads of current events, not purely partisan rants. He is often compared to his former colleague at, Milo Yiannopoulos. On the surface, they seem the same. Both speak on college campuses. Both draw protests. Both used to work for Mr. Bannon at Breitbart. Both are young. In fact, they are very different. Mr. Yiannopoulos, a protégé of Mr. Bannon, was good at shocking audiences, saying things like “feminism is cancer.” But critics say that he was empty of ideas, a kind of nihilistic rodeo clown who was not even conservative. Mr. Shapiro broke with Mr. Bannon last year, saying Breitbart had become a propaganda tool for Mr. Trump. Mr. Yiannopoulos’s act collapsed this year. But the fact that it lasted so long says a lot about the right’s fury against mainstream liberalism, Mr. Shapiro said…. But Mr. Shapiro does it too. He thinks it’s easy to provoke the left, which he says has become intellectually flabby after decades of cultural dominance. It’s not good at arguing and relies instead on taboos and punishing people who violate them. That is the essence of his stump speech…. Critics say that is great red meat for his audience, but it’s nonsense. Even if straight white males are low on the left’s pecking order, they have most of the power in Washington, in statehouses, in every corporate boardroom. They run America. Mr. Shapiro says he’s about more than tribal polemics.”

Sabrina Tavernise (1971) American journalist

Ben Shapiro, a Provocative ‘Gladiator,’ Battles to Win Young Conservatives https://www.nytimes.com/2017/11/23/us/ben-shapiro-conservative.html (November 23, 2017), '.

People , Idea , Thinking , Reading

“In 1945 I really believed that by the year 1952 no American could hear the name of Roosevelt without a shudder or utter it without a curse. You see; I was wrong. I was right about the inevitability of exposure. Like the bodies of the Polish officers who were butchered in Katyn Forest by the Bolsheviks (as we knew at the time), many of the Roosevelt regime's secret crimes were exposed to the light of day. The exposures were neither so rapid or so complete as I anticipated, but their aggregate is far more than should have been needed for the anticipated reaction. Only about 80 per cent of the secret of Pearl Harbor has thus far become known, but that 80 per cent should in itself be enough to nauseate a healthy man. Of course I do not know, and I may not even suspect, the full extent of the treason of that incredible administration. But I should guess that at least half of it has been disclosed in print somewhere: not necessarily in well-known sources, but in books and articles in various languages, including publications that the international conspiracy tries to keep from the public, and not necessarily in the form of direct testimony, but at least in the form of evidence from which any thinking man can draw the proper and inescapable deductions. The information is there for those who will seek it, and enough of it is fairly well known, fairly widely known, especially the Pearl Harbor story, to suggest to anyone seriously interested in the preservation of his country that he should learn more. But the reaction never occurred. And even today the commonly used six-cent postage stamp bears the bloated and sneering visage of the Great War Criminal, and one hears little protest from the public.”

Revilo P. Oliver (1908–1994) American philologist

"What We Owe Our Parasites", speech (June 1968); Free Speech magazine (October and November 1995)
1960s

War , Secret , Books , Thinking

“Starting from a drawing, a pure creation of the mind, I expand it in space by giving it three dimensions, by giving it a material body [in polystyrene] and then enlarge it to the proportions of a site where it can evolve. In this way, instead of having only the drawing before you while remaining anchored in the everyday world, you can finally leave the world and penetrate into drawing, and thus inhabit the creation of the mind instead of merely looking at it prudently in a frame on the wall. The experience consists, therefore, in abstracting yourself totally from the natural everyday world in order to feed your eyes solely on your own mental elaborations.”

Jean Dubuffet (1901–1985) sculptor from France

Note of 7 mai 1968, as quoted in the catalogue of the exhibition La Fiast invita all'incontro con Jean Dubuffet, Turin 1978
posthumous

World , Way , Nature , Drawing

“Composition, the aim of which is expression, alters itself according to the surface to be covered. If I take a sheet of paper of given dimensions I will jot down a drawing which will have a necessary relation to its format – I would not repeat this drawing on another sheet of different dimensions, for instance on a rectangular sheet.... a drawing must have a power of expansion which can bring to life the space which surrounds it.”

Henri Matisse (1869–1954) French artist

Source: 1905 - 1910, Notes d'un Peintre' (Notes of a Painter) (1908), p. 410

Life , Drawing

“Hunting, fishing, drawing, and music occupied my every moment; cares I knew not, and cared naught about them. I purchased excellent and beautiful horses, visited all such neighbors as I found congenial spirits, and was as happy as happy could be.”

John James Audubon (1785–1851) American ornithologist, naturalist, and painter

On his life at Mill Grove, in Pennsylvania http://pa.audubon.org/centers_mill_grove.html in "Audubon's Story of His Youth" edited by Maria R. Audubon, in Scribner's Magazine Vol. XIII, No. 3, (March 1893), p. 278

Beauty , Music , Fish , Horse

“Nature does not conquer the world to God. It never has. It never will. In America, with its vast abounding wealth, its grand expanse of prairie, its reach of river, and its exuberant productiveness, there is danger that our riches will draw us away from God, and fasten us to earth; that they will make us not only rich, but mean; not only wealthy, but wicked. The grand corrective is the cross of Christ, seen in the sanctuary where the life and light of God are exhibited, and where the reverberation of the echoes from the great white throne are heard.”

Richard Salter Storrs (1821–1900) American Congregational clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 522.

Life , God , World , Nature

“I always urged my contemporaries to look for interest and inspiration to the development and study of drawing, but they would not listen. They thought the road to salvation lay by the way of colour.”

Edgar Degas (1834–1917) French artist

Quote of Degas, as cited by Walter Sickert, in 'Post-Impressionism and Cubism', Pall Mall Gazette (1914-03-11).
According to Sickert, Degas had said this quote to him in 1885
1876 - 1895

Way , Study , Drawing

“Religion and science don’t mix well, as science likes to observe and draw conclusions—to learn, in other words—and religion cares only about learning the Bible, the Torah, the Koran, etc. They don’t need to learn about this world, because they already know. A good way to describe a wasted life, as far as I’m concerned. Religious people already know things, with no more proof than some words in an old book. In short, they’re crazy.”

John Varley (1947) American science fiction author

Interview at Republibot.com http://www.republibot.com/content/interview-john-varley (February 24, 2009)

Life , People , Books , World

“This drawing is three quarters ball, one quarter philosopher, which might be about the right space to keep a philosopher in his place.”

Peter Greenaway (1942) British film director

Flying Out of This World

Drawing

“Yes, the aluminum paint... What happened, at least for me, is that when I first started painting I would see Pollock, de Kooning, and the one thing they all had that I didn't have was an art school background. They were brought up on drawing and they all ended up painting or drawing with the brush. They got away from the smaller brushes and, in an attempt to free themselves, they got involved in commercial paint and house-painting brushes, Still it was basically drawing with paint, which has the characterized almost all twentieth century painting. The way my own painting was going, drawing was less and less necessary. It was the one thing I wasn't going to do. I wasn't going to draw with the brush.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120

School , Art , Way , Drawing

“The relations outlined on an organization chart provide a framework within which fuller and more spontaneous human behavior takes place. The formal system may draw upon that behavior for added strength; it will in its turn be subordinated to personal and group egotism.”

Philip Selznick (1919–2010) American sociologist

Source: Leadership in Administration: A Sociological Interpretation, 1957, p. 29

Behavior , Drawing , Personality

“Bewdley, as most of you know was in distant times a sanctuary town to which a man, whatever his sins, might flee and be safe from justice. So, whatever the rude waves of the outside world buffet me with more than usual vigour, I have only to remember that in Bewdley, there is sanctuary even for a Prime Minister…I have never failed to find in my own country understanding, sympathy and support, and even when life seems to most difficult and the fences in front unclimbable, I can turn back in memory and recollection to this peaceful spot by the side of the river where I first drew breath and in the memory of which I am able to draw strength. There could have been no more typical English surroundings in which to cherish the earliest memories. I remember as a child, looking up the river from the bridge into that mysterious and romantic land of Shropshire, so close to us, from which my people came only three generations before and watching the smoke of the train running along the little railway through places bearing names like Wyre Forest, Cleobury Mortimer, Neen Sollars and Tenbury - names steeped in romance and redolent of the springtime of an England long ago passed but whose heritage is ours.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech in Bewdley (8 August 1925), quoted in On England, and Other Addresses (1926), pp. 10-11.
1925

Life , People , World , Peace

“Now, such an enterprise as would be the drawing and printing [by lithography ] of a series of, for instance, thirty pages of types of workmen, a sower, a digger, a woodcutter, a plowman, a wash-woman, then also a child's cradle or a man from the almshouse - well, the whole immeasurable field lies open, there are plenty of beautiful subjects - I should think the following would be the best way: as it is useful and necessary that Dutch drawings are made, printed, and spread, destined for the houses of workmen, a few persons should unite in order to use their full strength for this end.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote in his letter to brother Theo, from The Hague, The Netherlands in Autumn 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 249), p. 20
1880s, 1882

Beauty , Way , Thinking , Drawing

“I have endeavoured to show that no absolute structural line of demarcation, wider than that between the animals which immediately succeed us in the scale, can be drawn between the animal world and ourselves; and I may add the expression of my belief that the attempt to draw a physical distinction is equally futile, and that even the highest faculties of feeling and of intellect begin to germinate in lower forms of life.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 129

Life , World , Feeling , Animals

“I haven't tried to picture this war in a big, broad-minded way. I'm not old enough to understand what it's all about, and I'm not experienced enough to judge its failures and successes. My reactions are those of a young guy who has been exposed to some of it, and I try to put those reactions in my drawings. Since I'm a cartoonist maybe I can be funny after the war, but nobody who has seen this war can be cute about it while it's going on. The only way I can try to be a little funny is to make something out of the humorous situations which come up even when you don't think life could be any more miserable.”

Bill Mauldin (1921–2003) American editorial cartoonist

Up Front (1945)

Life , War , Way , Guy

“I did not teach painting but seeing. I concentrated on the basic courses for beginners. I taught drawing (purposely without nudes), color (without any painting as such) and design (as 'structural organization'). And so the graduate students came 'down' to the basic courses for beginners.”

Josef Albers (1888–1976) German-American artist and educator

Source: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459

Color , Drawing , Painting

“There, the Father with the Son and all the beloved are enfolded and embraced in the bond of love, that is to say, in the unity of the Holy Spirit. It is this same unity, which is fruitful according to the bursting-out of the Persons and in the return, an eternal bond of love, which can nevermore be united. And all those who know themselves to be bound therein must remain eternally blissful. They are all rich in virtues and enlightened in contemplation and simple where they rest enjoyably, for in their turning-in, the love of God reveals itself as flowing out with all good and drawing in into unity and is superessential and without mode (method or system) in an eternal repose. And so they are united to God, by intermediary, without intermediary, and also without difference.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Love , God , Drawing , Personality

“Genesis as formal motion is the essential thing in a work. In the beginning the motif, insertion of energy, sperm. Works as shaping of form in the material sense: the primitive female component. Works as form - determining sperm: the primitive female component. My drawings belong to the male realm.”

Paul Klee (1879–1940) German Swiss painter

Quote (1912), # 931, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1911 - 1914

Sense , Drawing

“When you have come to grips and are striving together with the enemy, and you realise that you cannot advance, you "soak in" and become one with the enemy. You can win by applying a suitable technique while you are mutually entangled.
In battles involving large numbers as well as in fights with small numbers, you can often win decisively with the advantage of knowing how to "soak" into the enemy, whereas, were you to draw apart, you would lose the chance to win. Research this well.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Fire Book

Decision , Chance , Fight , Drawing

“They were cold, professionally polished, and well on their way up a career ladder that would ensure that despite the uniforms they wore, they would never have to come within a thousand kilometers of a genuine firefight. The only problem they had, as they cruised sharkishly back and forth across the cool marble floor of the court, was in drawing the fine differences between war—mass murder of people wearing a uniform not your own; justifiable loss—mass murder of your own troops, but with substantial gains; and criminal negligence—mass murder of your own troops, without appreciable benefit.”

Richard K. Morgan book Altered Carbon

Source: Altered Carbon (2002), Chapter 18 (p. 236)

War , People , Way , Problem

“Dear young friends, the Lord is asking you to be prophets of this new age, messengers of his love, drawing people to the Father and building a future of hope for all humanity.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2008, Closing Mass (19 July 2008)

Love , People , Age , Hope

“.. when I had my imaginary friend I would look out of the small glass panes of the window and fill them with steam. Then, I would draw a little window and go out through it. Opposite our house, there was a milk store that was named Pinzon, and I would travel from the little window through the "o" in Pinzon, and from there into the center of the earth, where I had my friend, and we would dance and play... I do not remember my friend's house, and she had no name. She was like me in age. She had no face. The truth is, I do not remember if she had a face or not, and she was very lively. I could not describe her.”

Frida Kahlo (1907–1954) Mexican painter

9 September 1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My life', pp. 66-67

Truth , Age , Travel , Dance

“Making drawings to indicate the many elements in any human situation is something which has characterized SSM from the start. Its rationale lies in the fact that the complexity of human affairs is always a complexity of multiple interacting relationships; and pictures are a better medium than linear prose for expressing relationships. Pictures can be taken in as a whole and help to encourage holistic rather than reductionist thinking about a situation.”

Peter Checkland (1930) British management scientist

Source: Systems thinking, systems practice: includes a 30-year retrospective, 1999, p. 16

Thinking , Help , Drawing

“People should talk less and draw more. Personally, I would like to renounce speech altogether and, like organic nature, communicate everything I have to say visually.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Wir sprechen überhaupt viel zu viel. Wir sollten weniger sprechen und mehr zeichnen. Ich meinerseits möchte mir das Reden ganz abgewöhnen und wie die bildende Natur in lauter Zeichnungen fortsprechen.
Attributed to Goethe by Johannes Falk in Goethe aus näherm persönlichen Umgange dargestellt (1832). http://www.literatur-live.de/salon/_falk_goethe.pdf
Attributed

People , Communication , Nature , Drawing

“A convicted felon who had strong family ties, a stake in the community, and an education might get probation, while a man who had few family ties, little stake in the community, and little education might draw a ten-year sentence for the same crime.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Page 122
2000s, Promises to Keep (2008)

Education , Family , Communication , Strong

“Cheap music, childish images, the vulgate in language, in its crassest sense, can penetrate to the deeps of our necessities and dreams. It can assert irrevocable tenure there. The opening bars, the hammer-beat accelerando of Edith Piaf's Je ne regrette rien — the text is infantile, the tune stentorian, and the politics which enlisted the song unattractive — tempt every nerve in me, touch the bone with a cold burn and draw me into God knows what infidelities to reason, each time I hear the song, and hear it, uncalled for, recurrent inside me.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), III: Presences, Ch. 4 (p. 183).

God , Dreams , Music , Sense

“Bosboom seemed to have enjoyed my drawing [= watercolor] - He gave me a small visual comment - which I accepted with thanks and will follow. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) scheen in mijn teekening [= aquarel] plaisir te hebben – Hij maakte mij nog een kleine observatie - die ik in dank heb aangenomen en volgen zal.
In a letter to Pieter verLoren van Themaat, 4 Oct, 1868; in Haagsch Gemeentearchief / Municipal Archive of The Hague
1860's

Drawing

Quotes about draw page 5

Quotes about draw
page 5