Quotes about doe
page 77

Chris Hedges photo
Cory Doctorow photo
Herbert Marcuse photo
Jiddu Krishnamurti photo
Meher Baba photo
Charles Dudley Warner photo

“It is fortunate that each generation does not comprehend its own ignorance. We are thus enabled to call our ancestors barbarous.”

Charles Dudley Warner (1829–1900) American writer

Backlog Studies, "Second Study” (1873).

F. W. de Klerk photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Johann Gottlieb Fichte photo
John Newton photo
Joan Robinson photo

“If a rise in wages does not raise prices, a fall will not reduce them.”

Source: An Essay on Marxian Economics (Second Edition) (1966), Chapter X, Real And Money Wages, p. 89

Nassim Nicholas Taleb photo
Jack McDevitt photo

“Tides are like politics. They come and go with a great deal of fuss and noise, but inevitably they leave the beach just as they found it. On those few occasions when major change does occur, it is rarely good news.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Deepsix (2001), Chapter 22 (p. 323)

Jimmy Carter photo
Eric Holder photo

“It has come to my attention that you have now asked an additional question: ‘Does the President have the authority to use a weaponized drone to kill an American not engaged in combat on American soil?’" Holder wrote. "The answer to that question is no.”

Eric Holder (1951) 82nd Attorney General of the United States

Five questions: Targeting Americans on U.S. soil http://www.cnn.com/2013/03/07/us/drones-five-things/index.html, CNN, March 8, 2013.
2010s

Marc Randazza photo
Liam Hemsworth photo

“The thought definitely crosses my mind, but for me, it has always been about reading great scripts and finding things I relate to, and this was one of those. As an actor, I think you always want your work to do well, and I think that’s hopefully what’s going to happen. Hopefully this movie does turn out as great as everyone wants it to be, and hopefully we don’t disappoint anyone.”

Liam Hemsworth (1990) Australian actor

On risks of becoming famous after The Hunger Games. — November 1, 2012, Q&A: Liam Hemsworth on The Hunger Games and Losing Weight for His Role, Krista Smith, November 8, 2011, Vanity Fair, Conde Nast http://www.vanityfair.com/online/daily/2011/11/Liam-Hunger-Games-Post,

Muhammad photo
Orson Scott Card photo
Willa Cather photo
Christopher Hitchens photo
Richard Feynman photo
Martin Amis photo
Sadik Kaceli photo

“The perception that existence exists invalidates the normal personality, as does the imminence of death.”

Celia Green (1935) British philosopher

Advice to Clever Children (1981)

Robert G. Ingersoll photo
Yoshida Kenkō photo
Friedrich Engels photo
Ernest Dimnet photo
Arthur Schopenhauer photo
Robert Erskine Childers photo
James K. Morrow photo
Rudolph Rummel photo

“Democracy says, ‘Govern yourself, but do so in a manner consistent with the same right of others.’ Democracy does not lay down a template for each person’s life, as do dictatorships.”

Rudolph Rummel (1932–2014) American academic

Source: The Blue Book of Freedom: Ending Famine, Poverty, Democide, and War (2007), p. 22

Alexis De Tocqueville photo

“The principle of equality does not destroy the imagination, but lowers its flight to the level of the earth.”

Book Three, Chapter XI.
Democracy in America, Volume II (1840), Book Three

Walker Percy photo
John Calvin photo
Mrs Patrick Campbell photo

“Does it really matter what these affectionate people do — so long as they don’t do it in the streets and frighten the horses!”

Mrs Patrick Campbell (1895–1940) British stage actress

Reply to a young actress who asserted that an older actor in a production showed too much affection for the leading man (c. 1910); as reported by Alan Dent in Mrs. Patrick Campbell, p. 78 (1961).
[horses]Variants: "My dear, I don't care what they do, so long as they don't do it in the street and frighten the horses."
"I don’t mind where people make love, so long as they don't do it in the street and frighten the horses."
"It doesn't make any difference what you do in the bedroom as long as you don't do it in the street and frighten the horses."
"Does it really matter what these affectionate people do, so long as they don't do it on the street and frighten the horses?"
On the internet, a similar comment regarding politicians has been widely attributed to Victor Hugo, but without any definite sources. It appears to be a modern satirical invention, derived from Mrs. Campbell's statements.

S. H. Raza photo
Donald Barthelme photo

““How does one conquer fear, Don B.?”
“One takes a frog and sews it to one’s shoe,” he said.
“The left or the right?”
Don B. gave me a pitying look.
“Well, you’d look mighty funny going down the street with only one frog sewed to your shoes, wouldn’t you?" he said. “One frog on each shoe.””

Donald Barthelme (1931–1989) American writer, editor, and professor

“The Teachings of Don B.: A Yankee Way of Knowledge”, pp. 7–8.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

Tony Benn photo

“They haven’t learned that being penitent sometimes does no good at all.”

Source: Grass (1989), Chapter 16 (p. 374)

George Jean Nathan photo

“One does not go to the theater to see life and nature; one goes to see the particular way in which life and nature happen to look to a cultivated, imaginative and entertaining man who happens, in turn, to be a playwright.”

George Jean Nathan (1882–1958) American drama critic and magazine editor

[Lumley, Frederick, New Trends in 20th Century Drama: A Survey Since Ibsen and Shaw, Barrie and Jenkins, 1972, London, 12, 978-0-19-519680-1]

Clement Attlee photo
Kazimir Malevich photo
Johann Wolfgang von Goethe photo

“Instruction does much, but encouragement everything.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Letter to A. F. Oeser (9 November 1768), Early and miscellaneous letters of J. W. Goethe, including letters to his mother. With notes and a short biography (1884)

Regina Jonas photo

“It is nothing special to see women, it is a matter of being accustomed, it does not excite the fantasies of a man.”

Regina Jonas (1902–1944) rabbi

Can a Woman Be a Rabbi According to Halachic Sources?

Voltairine de Cleyre photo
Salvador Dalí photo
Allen Ginsberg photo
Dave Barry photo
Douglas Coupland photo
Richard Lovelace photo

“Then Love, I beg, when next thou takest thy bow,
Thy angry shafts, and dost heart-chasing go,
Pass rascal deer, strike me the largest doe.”

Richard Lovelace (1617–1658) English writer and poet

La Bella Bona Roba (l. 13–15).
Lucasta (1649)

Margaret Thatcher photo
Dana Gioia photo
Roger Raveel photo

“[I have] all respect for that neoclassicism [of Piet Mondrian ], but it would sacrifices me too much to architecture. That kind of art does indeed fit perfectly in very modern rooms of modern buildings in equally modern cities, but never again a handcart can drive in there and never again someone can speak or think of a white dog cart in the fog. I am longing for a painting that can hang in a modern environment and still have its 'personal' life.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Al mijn respect voor dat neo-klassicisme [van Mondriaan], maar dat offert me teveel aan de architectuur. Dat werk past inderdaad gegoten in zeer moderne vertrekken van moderne gebouwen in even moderne steden maar er kan dan nooit meer een stootkar in rijden en nooit kan nog iemand spreken of denken aan een witte hondenkar in de mist. Ik verlang een schilderij die kan hangen in een moderne omgeving en die toch een ‘eigen’ leven heeft.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, after February 1951; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 133 (translation: Fons Heijnsbroek)
1945 - 1960

Jacek Tylicki photo

“The art here does not exist to define conversations or generate dogma, it is here to open up conversations.”

Jacek Tylicki (1951) American artist

In Catalogue introduction to Dublin Biennial, 2012

Stephen Miller photo

“Since I only prepare for what ought to happen to me, I am never prepared for what does. Never.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Como sólo me preparo para lo que debiera sucederme, no me hallo preparado para lo que me sucede. Nunca.
Voces (1943)

Isaac Asimov photo

“Science fiction offers its writers chances of embarrassment that no other form of fiction does.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Robot Dreams (1986), introduction
General sources

Enoch Powell photo

“Does the right hon. Lady understand—if she does not yet understand she soon will—that the penalty for treachery is to fall into public contempt?”

Enoch Powell (1912–1998) British politician

Question http://hansard.millbanksystems.com/commons/1985/nov/14/engagements in the House of Commons (14 November 1985) to Margaret Thatcher the day before she signed the Anglo-Irish Agreement
1980s

Jean-François Lyotard photo
Jayachamarajendra Wadiyar photo

“Why does the Burger King think that fascism is impressive for hungry people?”

Róbert Puzsér (1974) hungarian publicist

Quotes from him, Reklámtörvényszék

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Sarada Devi photo

“The world is the Lord's. He created it for His own play. We are mere pawns in His game. Wherever He keeps us and in whatever way He does so, we have to abide by it contentedly.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[Swami Saradeshananda, The Holy Mother's Reminiscences, Vedanta Kesari, 1976-1981]

“When a coin is tossed, it does not necessarily fall heads or tails; it can roll away or stand on its edge.”

William Feller (1906–1970) Croatian-American mathematician

Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter I, The Sample Space, p. 7

“Yes it was 1949. How I came to that. That's like how one gets to know a human being. It so happens that I've always had a preference – as everyone has prejudices and preferences – for the square as a shape in preference to the circle as a shape. And I have known for a long time that a circle always fools me by not telling me whether it's standing still or not. And if a circle circulates you don't see it. The outer curve looks the same whether it moves or does not move. So the square is much more honest and tells me that it is sitting on one line of the four, usually a horizontal one, as a basis. And I have also come to the conclusion that the square is a human invention, which makes it sympathetic to me. Because you don't see it in nature. As we do not see squares in nature, I thought that it is man-made. But I have corrected myself. Because squares exist in salt crystals, our daily salt. We know this because we can see it in the microscope. On the other hand, we believe we see circles in nature. But rarely precise ones. Mature, it seems, is not a mathematician. Probably there are no straight lines either. Particularly not since Einstein says in his theory of relativity that there is no straight line, rod knows whether there are or not, I don't. I still like to believe that the square is a human invention. And that tickles me. So when I have a preference for it then I can only say excuse me.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Winston S. Churchill photo
Joseph Pulitzer photo

“There is not a crime, there is not a dodge, there is not a trick, there is not a swindle, there is not a vice, that does not live by secrecy.”

Joseph Pulitzer (1847–1911) Hungarian-American newspaper publisher

Brian, Denis. Pulitzer: A Life, p. 377. John Wiley and Sons, Oct 1, 2001

Barbara Hepworth photo
Gerard Manley Hopkins photo
Joseph Goebbels photo

“My God is a God of strength. HE does not like the smell of frankincense and the dishonoring crawl of the crowd. I stand before HIM proudly, with the head held high, as HE created me, and I profess gladly and freely before HIM. The true German seeks God for all of his life.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Mein Gott ist ein Gott der Stärke. Er mag nicht den Weihrauchdampf und das entehrende Kriechen der Menge. Ich stehe vor ihm stolz erhobenen Hauptes, wie er mich erschaffen hat, und bekenne mich freudig und frei vor ihm. Der wahre Deutsche bleibt Zeit seines Lebens ein Gottsucher.
Michael: a German fate in diary notes (1926)

Samuel R. Delany photo
Herbert Read photo
Subh-i-Azal photo
Su Tseng-chang photo

“Everybody is born as a mother’s child. When a person does not respect life, but only uses death tolls (number of 228 massacre 20,000 victims) to measure how big a historical tragedy was, how then are we to conduct a dialogue with a person like this?”

Su Tseng-chang (1947) Taiwanese politician

Su Tseng-chang (2014) cited in " DPP’s Su condemns 228 Massacre remarks http://www.taipeitimes.com/News/front/archives/2014/03/02/2003584669" on Taipei Times, 2 March 2014.

Roger Ebert photo

“I am required to award stars to movies I review. This time, I refuse to do it. The star rating system is unsuited to this film. Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars don't shine.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-human-centipede-2010 of The Human Centipede (5 May 2010)
Reviews, No star rating

Karel Appel photo

“Now we'll start the song of the wild man who lives on the mountain top, who does not want to be seen
let us now start that song without words, without music, come on..
(let's not do anything for at least ten minutes)
That's the spirit, there he comes, the song of the inner voice, the song of the primitive man”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

a poem of Karel Appel, 1981; from Karel Appel. The Colourful Stranger. Poems and Drawings (Karel Appel. De kleurige onbekende. Gedichten en tekeningen), Amsterdam, 1986

Glenn Jacobs photo

“I think libertarianism does appeal to most people because that's how we lead our lives until the state gets involved. We lead our lives in voluntary interactions with other folks, and we follow what libertarians call the nonaggression axiom which means you're not supposed to initiate force against someone else except, of course, in defence of your own liberty or property. So that's something that's the Golden Rule, and that's something we can all relate to.”

Glenn Jacobs (1967) American professional wrestler and actor

9:44 P</small>.<small>M.
This quote is effectively a condensed version of Alexander S. Peak's " Libertarianism: Ideology for the Common Man http://alexpeak.com/ww/2008/003.html" (15 January 2008), which also references libertarianism's appeal to the common person, voluntary interactions in society, libertarianism's prohibition on initiatory force, and the connection between libertarianism and the Golden Rule.
Interviewed on The Independents (2014)

Peter Singer photo

“Science does not stand still, and neither does philosophy, although the latter has a tendency to walk in circles.”

Peter Singer (1946) Australian philosopher

Afterword To The 2011 Edition, p. 187
The Expanding Circle: Ethics, Evolution, and Moral Progress (1981)

Richard Dawkins photo
Maimónides photo

“There are seven causes of inconsistencies and contradictions to be met with in a literary work. The first cause arises from the fact that the author collects the opinions of various men, each differing from the other, but neglects to mention the name of the author of any particular opinion. In such a work contradictions or inconsistencies must occur, since any two statements may belong to two different authors. Second cause: The author holds at first one opinion which he subsequently rejects: in his work, however, both his original and altered views are retained. Third cause: The passages in question are not all to be taken literally: some only are to be understood in their literal sense, while in others figurative language is employed, which includes another meaning besides the literal one: or, in the apparently inconsistent passages, figurative language is employed which, if taken literally, would seem to be contradictories or contraries. Fourth cause: The premises are not identical in both statements, but for certain reasons they are not fully stated in these passages: or two propositions with different subjects which are expressed by the same term without having the difference in meaning pointed out, occur in two passages. The contradiction is therefore only apparent, but there is no contradiction in reality. The fifth cause is traceable to the use of a certain method adopted in teaching and expounding profound problems. Namely, a difficult and obscure theorem must sometimes be mentioned and assumed as known, for the illustration of some elementary and intelligible subject which must be taught beforehand the commencement being always made with the easier thing. The teacher must therefore facilitate, in any manner which he can devise, the explanation of those theorems, which have to be assumed as known, and he must content himself with giving a general though somewhat inaccurate notion on the subject. It is, for the present, explained according to the capacity of the students, that they may comprehend it as far as they are required to understand the subject. Later on, the same subject is thoroughly treated and fully developed in its right place. Sixth cause: The contradiction is not apparent, and only becomes evident through a series of premises. The larger the number of premises necessary to prove the contradiction between the two conclusions, the greater is the chance that it will escape detection, and that the author will not perceive his own inconsistency. Only when from each conclusion, by means of suitable premises, an inference is made, and from the enunciation thus inferred, by means of proper arguments, other conclusions are formed, and after that process has been repeated many times, then it becomes clear that the original conclusions are contradictories or contraries. Even able writers are liable to overlook such inconsistencies. If, however, the contradiction between the original statements can at once be discovered, and the author, while writing the second, does not think of the first, he evinces a greater deficiency, and his words deserve no notice whatever. Seventh cause: It is sometimes necessary to introduce such metaphysical matter as may partly be disclosed, but must partly be concealed: while, therefore, on one occasion the object which the author has in view may demand that the metaphysical problem be treated as solved in one way, it may be convenient on another occasion to treat it as solved in the opposite way. The author must endeavour, by concealing the fact as much as possible, to prevent the uneducated reader from perceiving the contradiction.”

Guide for the Perplexed (c. 1190), Introduction

Harlan Ellison photo
Andrei Tarkovsky photo
Michael Foot photo

“The right hon. Member for Heseltine—[Laughter. ]—well, that is what he is; he sticks to that principle more than he does to Henley.”

Michael Foot (1913–2010) British politician

Speech http://hansard.millbanksystems.com/commons/1991/mar/26/community-charges-general-reduction-bill in the House of Commons (26 March 1991), referring to Michael Heseltine. MPs are referred to in the House by the constituency they represent rather than by their name, so Mr Heseltine would be "Rt. Hon. Member for Henley". Whether by accident or intent, Foot mixed this up in a way which clearly amused other MPs.
1990s

Sarah Kofman photo
Hadewijch photo
Samuel Taylor Coleridge photo
Salman al-Ouda photo
Zbigniew Brzeziński photo