Quotes about dimension
page 4

“The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.”

Germaine Greer The Obstacle Race: The Fortunes of Women Painters and Their Work

Source: The Obstacle Race (1979), Chapter V: Dimension (p. 105)

Women, Men, World, Art

“What we know of the world comes to us through words, or, to look at it from the other direction, when we write a sentence, we create a world, which is not the world, but the world as is appears within a dimension of assessment.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 4, What Is A Good Sentence?, p. 39

World, Appearance

“There are a lot to learn in both Eastern and western civilizations. If we summarize the Western civilization to American civilization and take it as an example, we can better understand the vast area of knowledge that the East can pick up and learn from it. Likewise, the Westerners have to look up to the Eastern civilizations to get new and more inner or spiritual ideas in every dimension of life.”

Elia M. Ramollah (1973) founder and leader of the El Yasin Community

360 Doctrines and Comprehensive Theories, Union of Civilizations

Life, Idea, Understanding, Knowledge

“No, I have already said it elsewhere. This earth has had all the exoticism washed out of it. If in a hundred years we have not established contact with some other planet (but we will), or, next best, with the earth's interior, humanity is finished. There is no longer a means of living, we explode, we go to war, we perpetrate evil of all sorts; we are, in a word, incapable of remaining any longer on this rind. We are in mortal pain; both from the dimensions as they now stand, and from the lack of any future dimension to which we can turn, now that our tour of the earth has been done to death.”

Henri Michaux (1899–1984) painter, poet, writer

These opinions, I know, are quite sufficient to have me looked down upon as a mind of the fourth order.
Ecuador (1929)

Death, Pain, War, Evil

“I didn't choose to be alone. But I cannot explain this. I could be with a woman in a bed, for weeks even and it would seem to me like three seconds. Or 300 years. There is no time sense because of things that are going on in you. I don't know, there is no explanation of this. But every time, even with someone I…. But whenever I was with a woman, I always sort of want another one. So there was always another one. I can't explain this, but it means that these women, they were not sharing my solitude. I wanted to stay with somebody, but I couldn't, it wasn't possible, because of this thing moving in myself. I had to learn this. I didn't want to be alone, but I had to learn that the dimensions of my feelings are too violent. I had to learn this.”

Klaus Kinski (1926–1991) German actor

Playboy interview

Women, Feeling, Sense, Solitude

“I have always been interested in oval or ovoid shapes. The first carvings were simple realistic oval forms of the human head or of a bird. Gradually my interest grew in more abstract values – the weight, poise and curvature of the ovoid as a basic form. The carving and piercing of such a form seems to open up an infinite variety of continuous curves in the third dimension, changing in accordance with the contours of the original ovoid and with the degree of penetration of the material. Here is a sufficient field for exploration to last a lifetime..”

Barbara Hepworth (1903–1975) English sculptor

Source: 1932 - 1946, The Studio 132:643', (1946), p. 279

Bird, Change

“Whereas the conception of space and time as a four-dimensional manifold has been very fruitful for mathematical physicists, its effect in the field of epistemology has been only to confuse the issue. Calling time the fourth dimension gives it an air of mystery. One might think that time can now be conceived as a kind of space and try in vain to add visually a fourth dimension to the three dimensions of space. It is essential to guard against such a misunderstanding of mathematical concepts. If we add time to space as a fourth dimension it does not lose any of its peculiar character as time. …Musical tones can be ordered according to volume and pitch and are thus brought into a two dimensional manifold. Similarly colors can be determined by the three basic colors red, green and blue… Such an ordering does not change either tones or colors; it is merely a mathematical expression of something that we have known and visualized for a long time. Our schematization of time as a fourth dimension therefore does not imply any changes in the conception of time. …the space of visualization is only one of many possible forms that add content to the conceptual frame. We would therefore not call the representation of the tone manifold by a plane the visual representation of the two dimensional tone manifold.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Music, Color, Mathematics, Thinking

“To make peace in the world secure, the United Nations must have readily at its disposal, as a result of firm commitments undertaken by all of its members, military strength of sufficient dimensions to make it certain that it can meet aggressive military force with international military force, speedily and conclusively. If that kind of strength is made available to the United Nations […] in my view that strength will never again be challenged in war and therefore need never be employed. But military strength will not be enough. The moral position of the United Nations must ever be strong and unassailable; it must stand steadfastly, always, for the right.”

Ralph Bunche (1904–1971) American diplomat

Some Reflections on Peace in Our Time (1950)

War, World, Peace, Strong

“As long as habit and routine dictate the pattern of living, new dimensions of the soul will not emerge.”

Henry Van Dyke (1852–1933) American diplomat

This may be misattributed. It appears to be a direct and original quote from "Individuality and encounter: a brief journey into loneliness and sensitivity groups" by Dr Clark E Moustakas (1971 p15, prev 1968)
Attributed

Soul

“Any one moment in physical time then is a warp, opening into these other dimensions of actuality, and any one moment can be used as a passageway or bridge. The act of crossing will be reflected in a million other worlds, but these reflections will create still another vortex of actualization.”

Jane Roberts (1929–1984) American Writer

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 284

World, Time

“Nature shows us only the tail of the lion. But there is no doubt in my mind that the lion belongs with it even if he cannot reveal himself to the eye all at once because of his huge dimension. We see him only the way a louse sitting upon him would.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Variant: Nature shows us only the tail of the lion. But I do not doubt that the lion belongs to it even though he cannot at once reveal himself because of his enormous size. As quoted by Abraham Pais in Subtle is the Lord:The Science and Life of Albert Einstein (1982), p. 235 ISBN 0-192-80672-6 Source: Letter to Heinrich Zangger (10 March 1914), quoted in The Curious History of Relativity by Jean Eisenstaedt (2006), p. 126 http://books.google.com/books?id=d2bnXTOtCD8C&lpg=PP1&pg=PA126#v=onepage&q&f=false.

Way, Nature

“It is remarkable that this generalization of plane geometry to surface geometry is identical with that generalization of geometry which originated from the analysis of the axiom of parallels. …the construction of non-Euclidean geometries could have been equally well based upon the elimination of other axioms. It was perhaps due to an intuitive feeling for theoretical fruitfulness that the criticism always centered around the axiom of parallels. For in this way the axiomatic basis was created for that extension of geometry in which the metric appears as an independent variable. Once the significance of the metric as the characteristic feature of the plane has been recognized from the viewpoint of Gauss' plane theory, it is easy to point out, conversely, its connection with the axiom of parallels. The property of the straight line as being the shortest connection between two points can be transferred to curved surfaces, and leads to the concept of straightest line; on the surface of the sphere the great circles play the role of the shortest line of connection… analogous to that of the straight line on the plane. Yet while the great circles as "straight lines" share the most important property with those of the plane, they are distinct from the latter with respect to the axiom of the parallels: all great circles of the sphere intersect and therefore there are no parallels among these "straight lines". …If this idea is carried through, and all axioms are formulated on the understanding that by "straight lines" are meant the great circles of the sphere and by "plane" is meant the surface of the sphere, it turns out that this system of elements satisfies the system of axioms within two dimensions which is nearly identical in all of it statements with the axiomatic system of Euclidean geometry; the only exception is the formulation of the axiom of the parallels.”

Hans Reichenbach (1891–1953) American philosopher

The geometry of the spherical surface can be viewed as the realization of a two-dimensional non-Euclidean geometry: the denial of the axiom of the parallels singles out that generalization of geometry which occurs in the transition from the plane to the curve surface.
The Philosophy of Space and Time (1928, tr. 1957)

Way, Feeling, Idea, Understanding

“[The philosopher] is ultimately compelled to transcend not merely the dimensions of common opinion, of political opinion, but the dimension of political life as such; for he is left to realize that the ultimate aim of political life cannot be reached by political life, but only by a life devoted to contemplation, to philosophy.”

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

Source: What is Political Philosophy (1959), p. 91

Life

“Those portions of the brain, seemingly unused, deal with these other dimensions, and physically, you begin to use these portions, though minutely, for the first time, under psychedelic situations.”

Jane Roberts (1929–1984) American Writer

Session 308, Page 217
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 7

Time

“As for the epistemological dimension, we draw on Michael Polanyi's (1966) distinction between tacit knowledge and explicit knowledge. Tacit knowledge is personal, context-specific, and therefore hard to formalize and communicate. Explicit or "codified" knowledge, on the other hand, refers to knowledge that is transmittable in formal, systematic language.”

Ikujiro Nonaka (1935) Japanese business theorist

Source: The Knowledge-creating Company, 1995, p. 95

Communication, Knowledge, Drawing, Personality

“A crucial difference between lite libertarians and the Right kind is that to the former, the idea of liberty is propositional – a deracinated principle, unmoored from the realities of history, hierarchy, biology, tradition, culture, values. Conversely, the paleolibertarian grasps that ordered liberty has a civilizational dimension, stripped of which the libertarian non-aggression axiom, by which we all must live, cannot endure.”

Ilana Mercer South African writer

"Apartheid South Africa: Reality vs. Libertarian Fantasy" http://praag.org/?p=12425, Praag.org, December 20, 2013. 2010s, 2013

History, Idea, Reality

“My loyalties will not be bound by national borders, or confined in time by one nation's history, or limited in the spiritual dimension by one language and culture. I pledge my allegiance to the damned human race, and my everlasting love to the green hills of Earth, and my intimations of glory to the singing stars, to the very end of space and time.”

Edward Abbey (1927–1989) American author and essayist

Confessions of a Barbarian: Selections from the Journals of Edward Abbey, 1951-1989 (1994) p. 92

Love, History, Star, Singing

““What about spatial relationships?” the investigator inquired, as I was looking at the books. It was difficult to answer. True, the perspective looked rather odd, and the walls of the room no longer seemed to meet in right angles. But these were not the really important facts. The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as Where?—How far?—How situated in relation to what? In the mescalin experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its Perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern. I saw the books, but was not at all concerned with their positions in space. What I noticed, what impressed itself upon my mind was the fact that all of them glowed with living light and that in some the glory was more manifest than in others. In this context position and the three dimensions were beside the point. Not, of course, that the category of space had been abolished. When I got up and walked about, I could do so quite normally, without misjudging the whereabouts of objects. Space was still there; but it had lost its predominance. The mind was primarily concerned, not with measures and locations, but with being and meaning.”

Aldous Huxley book The Doors of Perception

describing his experiment with mescaline, pp. 19-20
Source: The Doors of Perception (1954)

Books, World, Question, Problem

“No one, who knows what the difficulties are, now believes that the crisis of physics is likely to be resolved by any simple trick or modification of existing theories. Something radical is needed, and it will have to go far wider than physics. A new world outlook is being forged, but much experiment and argument will be needed before it can take a definitive form. It must be coherent, it must include and illuminate the new knowledge of fundamental particles and their complex fields, it must resolve the paradoxes of wave and particle, it must make the world inside the atom and the wide spaces of the universe equally intelligible. It must have a different dimension from all previous world views, and include in itself an explanation of development and the origin of new things. In this it will fall naturally in line with the converging tendencies of the biological and social sciences in which a regular pattern blends with their evolutionary history.”

John Desmond Bernal (1901–1971) British scientist

J.D. Bernal (1959/1969) Science in history Vol 3. p. 862; cited in: Ludwig von Bertalanffy (1968) General System Theory. p. 5-6

World, History, Intelligence, Nature

“I think no virtue goes with size;
The reason of all cowardice
Is, that men are overgrown,
And, to be valiant, must come down
To the titmouse dimension.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The Titmouse http://www.readbookonline.net/readOnLine/1176/, st. 5 1860s, May-Day and Other Pieces (1867)

Men, Thinking

“The idea of having an ambient space-time of some specific dimension seems to play less of a role of string theory than in conventional physics, and certainly less than the kind of role that I would myself feel comfortable with. It is particularly difficult to assess the functional freedom that is involved in a physical theory unless one has a clear idea of its actual space-time dimensionality.”

Roger Penrose book Fashion, Faith, and Fantasy in the New Physics of the Universe

Ch. 1, Mathematical Elegance as a Driving Force, p. 62 https://books.google.com/books?id=T09kCwAAQBAJ&pg=PA62. Fashion, Faith, and Fantasy in the New Physics of the Universe (2016)

Feeling, Idea, Freedom, Time

“Is there any good reason why we cannot extend our multi-cultural generosity to include another dimension? That of time. The past, too, is another country. Its ghosts may look strange and frightening and slightly misshapen in body and mind, but all the more reason then, to welcome them to our shores.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)

Time, Past, Country

“What I would like to show is that there is a vital dimension of their writing, which I call performative reflexivity, which if ignored or misunderstood will impede an adequate response to it.”

David Wood (1946) British philosopher, born 1946

Source: Philosophy At The Limit (1990), Chapter 8, Performative Reflexivity, p. 134

“Omnipresence has become an ordinary human dimension.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Forces interview (1973)

“The code might be organized in a hierarchy, but the solution has more dimensions than will fit in a hierarchy. So when you discover a solution in a dimension that crosses across the hierarchy, you just have to go where the solution takes you and put the solution in.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), Collective Ownership of Code and Text

“Three distinct geometries on S7 arise as solutions of the classical equations of motion in eleven dimensions. In addition to the conventional riemannian geometry, one can also obtain the two exceptional Cartan-Schouten compact flat geometries with torsion.”

François Englert (1932) Belgian theoretical physicist

[10.1016/0370-2693(82)90684-0, 1982, Spontaneous compactification of eleven-dimensional supergravity, Physics Letters B, 119, 4–6, 339–342]

“We know, and we feel, that the vast business of our redemption, arranged in the councils of the far-back eternity, and acted out amid the wonderings and throbbings of the universe, could not have been that stupendous transaction which gave God glory by giving sinners safety, if the inspired account brought its dimensions within the compass of a human arithmetic, or denned its issues by the lines of a human demarcation.”

Henry Melvill (1798–1871) British academic

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 423.

God, Feeling, Business, Universe

“While this bourgeois order found its rich—and even affirmative—representation in art and literature, … it remained an order which was over-shadowed, broken, refuted by another dimension which was irreconcilably antagonistic to the order of business, indicting it and denying it. And in the literature, this other dimension is represented not by the religious, spiritual, moral heroes (who often sustain the established order) but rather by such disruptive characters as the artist. the prostitute, the adulteress, the great criminal and outcast, the warrior, the rebel-poet, the devil, the fool—those who don't earn a living, at least not in an orderly and normal way. To be sure, these characters have not disappeared from the literature of advanced industrial society, but they … perform a function very different from and even contrary to that of their cultural predecessors. They are no longer images of another way of life but rather freaks or types of the same life, serving as an affirmation rather than negation of the established order.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 58-59

Life, Fools, Art, Way

“The supremacy of thought (consciousness) also pronounces the impotence of thought in an empirical world which philosophy transcends and corrects — in thought. The rationality in the name of which philosophy passed its judgments obtained that abstract and general purity” which made it immune against the world in which one had to live. With the exception of the materialistic “heretics,” philosophic thought was rarely afflicted by the afflictions of human existence. Paradoxically, it is precisely the critical intent in philosophic thought which leads to the idealistic purifications critical intent which aims at the empirical world as a whole, and not merely at certain modes of thinking or behaving within it. Defining its concepts in terms of potentialities which are of an essentially different order of thought and existence, the philosophic critique finds itself blocked by the reality from which it dissociates itself, and proceeds to construct a realm of Reason purged from empirical contingency. The two dimensions of thought — that of the essential and that of — the apparent truths — no longer interfere with each other, and their concrete dialectical relation becomes an abstract epistemological or ontological relation. The judgments passed on the given reality are replaced by propositions defining the general forms of thought, objects of thought, and relations between thought and its objects. The subject of thought becomes the pure and universal form of subjectivity, from which all particulars are removed.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 135-136

Truth, World, Thinking, Reality

“The paleolibertarian grasps that liberty has a civilizational dimension, stripped of which the libertarian non-aggression axiom, by which we all must live, cannot endure.”

Ilana Mercer South African writer

" Cathy Reisenwitz Redux: Steigerwald, Oy Vey Gevalt! https://thelibertarianalliance.com/2015/01/14/ilana-mercer-cathy-reisenwitz-redux-steigerwald-oy-gevalt/" Libertarian Alliance, January 14, 2015 2010s, 2015

“Rapidly going over what I could recall of Jim Bursley's information about pathological curves confirmed the conjecture. The snowball curve, derived from an equilateral triangle, is a perimeter of infinite length enclosing a finite area. The angles or points of the perimeter are uncountable. An equilateral triangle projected integrally in the third dimension is a triangular pyramid of equal surfaces. The three-dimensional snowflake derived from this pyramid--hence its diamantine appearance--is a finite volume enclosed in a surface of infinite area. The convolutions of such a surface, to be gathered around its defined content extrude a number of discrete angles or points beyond all possibility of computation. The pressure on each point is infinitesimal, unmeasurably small; the total external pressure exerted on any part of the surface is an aggregate of infinitesimal values, itself infinitesimal.”

William Grey Walter (1910–1977) American-born British neuroscientist and roboticist

Source: The Curve of the Snowflake (1956), p. 126.

Appearance, Parting

“The concept of an independent "spiritual realm" does not augment, for me, the magic of the mystical dimension, whereas to think of this dimension as emergent from our minds makes it all the more wondrous to be a human.”

Ursula Goodenough (1943) American biologist

As quoted in The Faith of Scientists : In Their Own Words (2008) by Nancy K. Frankenberry, p. 491

Thinking

“The driving forces of the universe, the framework upon which it is built up in all its parts, belong to another phase of manifestation than our physical plane, having other dimensions than the three to which we are habituated, and perceived by other modes of consciousness than those to which we are accustomed.”

Dion Fortune (1890–1946) British occultist and author

Dion Fortune, Psychic Self-Defense

Universe, Parting

“"Those who fought know a secret about themselves, and it is not very nice." … They have experienced secretly and privately their natural human impulse toward sadism and brutality. As I say in this new book of mine, not merely did I learn to kill with a noose of piano wire put around somebody's neck from behind, but I learned to enjoy the prospect of killing that way. It's those things that you learn about yourself that you never forget. You learn that you have much wider dimensions than you had imagined before you had to fight a war. That's salutary. It's well to know exactly who you are so you can conduct the rest of your life properly.”

Paul Fussell (1924–2012) Recipient of the Purple Heart medal

Humanities interview (1996)

Life, War, Secret, Books

“The 4D style, or cosmic comics and relativistic humor, is based on Einstein's theory of relativity which I came up with 20 years ago. 4D works use the idea of the fourth dimension, time, playing on such surrealistic and amazing subjects as motion relativity, space curvature and time dilation.”

Javad Alizadeh (1953) cartoonist, journalist and humorist

Quoted in "Cartoonist Alizadeh, translating world into humor" in Press TV (23 April 2009) http://edition.presstv.ir/detail/92323.html

Idea, Time

“The cosmos is extremely complex… Earth is nothing but a speck of dust, and it is insignificant. Yet within this expanse there are innumerable and complex structures of dimensions. What are these structures of dimensions like? … Which level of dimension does our humankind live in? We live in the surface matter comprised of the biggest layer of molecular particles; we live in between molecules and planets—a planet is also a particle, and within the vast cosmos, it, too, is a trivial speck of dust. The Milky Way Galaxy is also a trivial speck of dust. This universe—the small universe I just described—is also but a trivial speck of dust. The largest particles that our human eyes see are planets, and the smallest particles visible to humankind are molecules. We humans exist in between the particles of molecules and planets. Being in this dimension, you think it’s vast; from a different perspective, it’s actually extremely narrow and tiny.”

Li Hongzhi (1951) Chinese religious leader and dissident

Falun Buddha Fa Lectures in United States http://www.falundafa.org/book/eng/mgjf.htm

Way, Thinking, Universe

“A second dimension of stratification in modern societies is the status order. The term status as used in this study refers to the differentiation-of-prestige and deference among individuals and groups in society.”

Walter F. Buckley (1922–2006) American sociologist

Source: Class and society (1959), p. 46.

Study

“Until the artist is dead, we are not able to determine his work in all its dimensions.”

Anselm Kiefer (1945) German painter and sculptor

(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."

Dead

“Most work for their belly, for cloth of cubit dimension
Some worship Lakshmi’s spouse for salvation
Lifting palanquins Is for their belly
Fighting powerful wrestlers is for the belly
Telling lies is for the belly
Thinking of Lord is for salvation
Concocting politics is for the belly
Riding elephant or horse is for the belly
Hurting other people is for belly
To pray Lord is for emancipation
Lifting heavy rocks is for the belly
Yelling loud is for the belly
Pray Purandara Vittala is for salvation
With pre-planned contemplation.”

Purandara Dasa (1484–1564) Music composer

In this composition Dasa describes the plight of the working class to work for their survival as the rich exploit them, as quoted here[Narayan, M.K.V., Lyrical Musings on Indic Culture: A Sociology Study of Songs of Sant Purandara Dasa, http://books.google.com/books?id=-r7AxJp6NOYC&pg=PA79, 1 January 2010, Readworthy, 978-93-80009-31-5, 85]

People, Thinking, Horse, Fight

“Art and music make manifest, by bringing into conscious awareness, that which has previously been felt only tentatively and internally. Art, in its widest sense, is a form of play that lies at the origin of all making, of language, and of the mind's awareness of its place within the world. Art, in all its forms, makes manifest the spiritual dimension of the cosmos, and expresses our relationship to the natural world. This may have been the cause of that natural light which first illuminated the preconscious minds of early hominids.”

F. David Peat (1938–2017) British physicist

Pathways of Chance (2007).

World, Art, Music, Nature

“The expected effects of a sea-level rise typify the many consequences of a global warming. On the one hand, they are so big we literally can't understand them. If there is a significant polar melting, the Earth's center of gravity will shift, tipping the globe in such a way that the sea level might actually drop at Cape Horn and along the coast of Iceland—I read this in a recent EPA report and found that I didn't really understand what it meant to tip the Earth, through I was awed by the idea. On the other hand, the changes ultimately acquire a quite personal dimension: Should I put in a wall in front of my house? Does this taste salty to you? And, most telling of all, the human response to the problems, the utterly natural human attempt to preserve the old natural way of life in this postnatural world, creates entirely new consequences. The ocean rises; I build a wall; the marsh dies, and, with it, the fish.”

Bill McKibben book The End of Nature

Source: The End of Nature (1989), p. 117-118

Life, World, Way, Idea

“The aesthetic dimensions of science, like that of great classical music, are evident to the aficionado.”

Varadaraja V. Raman (1932) American physicist

page 299
Truth and Tension in Science and Religion

Music, Science

“Dada is able to mobilize the optical and dimensional static viewpoint which keeps us imprisoned in our [three-dimensional] illusions. Thus it became possible t0 perceive the entire prism of the world instead of just one facet at a time. In this connection Dada is one of the strongest manifestations of the fourth dimension, transposed onto the subject.... Dada is 'yes-no', a bird on four legs, a ladder without steps, a square without angels. Dada possesses as many positives as negatives. To think that Dada simply means destruction is to misunderstand life, of which Dada is the expression.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article 'What is Dada?????????????????', in Dutch art-magazine De Stijl, The Hague, 1923; as quoted in "Theo van Doesburg", Joost Baljeu, Studio Vista, London 1974, p. 134
1920 – 1926

Life, World, Angels, Bird

“And then the wish to make compositions with figures. For this I had to make (quickly I thought; in passing), one or two studies from nature, just enough to understand the construction of a head, of a whole figure, and in 1935 I took a model. This study should take, I thought, two weeks and then I could realize my compositions…I worked with the model all day from 1935 to 1940…Nothing was as I imagined. A head, became for me an object completely unknown and without dimensions.”

Alberto Giacometti (1901–1966) Swiss sculptor and painter (1901-1966)

Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago [and others], distributed by Doubleday, 1965. p. 26

Imagination, Understanding, Nature, Study

“A time series is a sequence of observations, usually ordered in time, although in some cases the ordering may be according to another dimension. The feature of time series analysis which distinguishes it from other statistical analysis is the explicit recognition of the importance of the order in which the observations are made. While in many problems the observations are statistically independent, in time series successive observations may be dependent, and the dependence may depend on the positions in the sequence. The nature of a series and the structure of its generating process also may involve in other ways the sequence in which the observations are taken.”

Theodore Wilbur Anderson (1918–2016) American statistician

T. W. Anderson. The Statistical Analysis of Time Series http://books.google.com/books?hl=nl&lr=&id=rCOzXIC8ZLkC&oi=fnd&pg=PR11, (1971/2011), p. 1. Introduction; Cited in: American Sociological Association (1974), Sociological Methodology, p. 310

Way, Nature, Problem, Time

“In the human reality, all existence that spends itself in procuring the prerequisites of existence is thus an “untrue” and unfree existence. Obviously this reflects the not at all ontological condition of a society based on the proposition that freedom is incompatible with the activity of procuring the necessities of life, that this activity is the “natural” function of a specific class, and that cognition of the truth and true existence imply freedom from the entire dimension of such activity. … Society still is organized in such a way that procuring the necessities of life constitutes the full-time and life-long occupation of specific social classes, which are therefore unfree and prevented from a human existence. In this sense, the classical proposition according to which truth is incompatible with enslavement by socially necessary labor is still valid.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 127-128

Life, Truth, Way, Nature

“It was in vain. I brought my hardest right angle into violent collision with the Stranger, pressing on him with a force sufficient to have destroyed any ordinary Circle: but I could feel him slowly and unarrestably slipping from my contact; no edging to the right nor to the left, but moving somehow out of the world, and vanishing to nothing. Soon there was a blank. But still I heard the Intruder's voice.

SPHERE. Why will you refuse to listen to reason? I had hoped to find in you — as being a man of sense and an accomplished mathematician — a fit apostle for the Gospel of the Three Dimensions, which I am allowed to preach once only in a thousand years: but now I know not how to convince you. Stay, I have it. Deeds, and not words, shall proclaim the truth.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 17. How the Sphere, Having in Vain Tried Words, Resorted to Deeds

Truth, World, Hope, Feeling

“The idea of knowledge as an improbable structure is still a good place to start. Knowledge, however, has a dimension which goes beyond that of mere information or improbability. This is a dimension of significance which is very hard to reduce to quantitative form. Two knowledge structures might be equally improbable but one might be much more significant than the other.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1960s, Beyond Economics: Essays on Society, 1968, p. 142

Idea, Knowledge

“[T]he space defined by an autopoietic system is self-contained and cannot be described by using dimensions that define another space. When we refer to our interactions with a concrete autopoietic system, however, we project this system on the space of our manipulations and make a description of this projection.”

Humberto Maturana (1928) Chilean biologist and philosopher

Source: Autopoiesis and cognition: The realization of the living (1980), p. 89.

“There exists also another type of galaxy agglomeration. These have diameters between roughly one and ten times those of large clusters, but have much smaller densitities; they are usually irregular, with patchy density variations and no central concentration. The larger and most conspicuous of these agglomerations may contain several clusters, which explains why they have been given the name "superclusters." In their longer dimensions, crossing times exceed the age of the Universe. They are thus unrelaxed. Unrelaxed apperance, together with large size, might be taken as a definition of superclusters.”

Jan Oort (1900–1992) Dutch astronomer

(quote from p. 373)

Age, Universe, Time

Ken Wilber (1949) American writer and public speaker

An Integral Spirituality

Universe, Heart

“Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring.”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, The sculptor speaks' (1937), p. 254

Nature, Country

“A filmed play like this doesn't offer the sensual enjoyment that movies can offer, but you don't go to it for that; you go for O'Neill's crude, prosaic virtuosity, which is also pure American poetry, and for the kind of cast that rarely gathers for a stage production. […] Larry, a self-hating alcoholic, is a weak man and a windbag, but Ryan brings so much understanding to Larry's weakness that the play achieves new dimensions. Ryan becomes O'Neill for us; he has O'Neill's famous "tragic handsomeness" and at the end, when Larry is permanently "iced" — that is, stripped of illusion — we can see that this is the author's fantasy of himself […] Fredric March interprets Harry Hope with so much quiet tenderness that when Harry regains his illusions and we see March's muscles tone up, we don't know whether to smile for the character or the actor.”

Pauline Kael (1919–2001) American film critic

"The Iceman Cometh," pp. 353-354
5001 Nights at the Movies (1982)

Hate, Alcohol, Smile, Hope

“This is probably the fundamental dimension of 'ideology': ideology is not simply a 'false consciousness', an illusory representation of reality, it is rather this reality itself which is already to be conceived as 'ideological' - 'ideological' is a social reality whose very existence implies the non-knowledge of its participants as to its essence -that is, the social effectivity, the very reproduction of which implies that the individuals 'do not know what they are doing'. 'Ideological is not the false consciousness of a (social) being but this being itself in so far as it is supported by "false consciousness"'. Thus we have finally reached the dimension of the symptom, because one of its possible definitions would also be 'a formation whose very consistency implies a certain non-knowledge on the part of the subject': the subject can 'enjoy his symptom' only in so far as its logic escapes him - the measure of the success of its interpretation is precisely its dissolution.”

Slavoj Žižek book The Sublime Object of Ideology

The Sublime Object of Ideology (1989)

Support, Knowledge, Reality, Success

“Organizations have been viewed from many perspectives. Depending upon the background and interests of the investigators, the dimensions and characteristics of organizations that are emphasized vary greatly. However, there does appear to be some agreement about the fact that organizations generally develop as instruments for attaining specific goals, and that they are likely to emerge in situations where people recognize a common or complementary advantage that can best be served through collective, as opposed to individual, action.”

Arthur G. Bedeian (1946) American business theorist

Source: Organizations: Theory and Analysis, 1984, p. 3 (1984; 2)

People, Appearance, Dependency

“My work is more varied than at any other point in my life. I am still carrying out research in pure mathematics. And I am working on an idea that I had several years ago on negative dimensions. … Negative dimensions are a way of measuring how empty something is. In mathematics, only one set is called empty. It contains nothing whatsoever. But I argued that some sets are emptier than others in a certain useful way. It is an idea that almost everyone greets with great suspicion, thinking I've gone soft in the brain in my old age. Then I explain it and people realise it is obvious. Now I'm developing the idea fully with a colleague. I have high hopes that once we write it down properly and give a few lectures about it at suitable places that negative dimensions will become standard in mathematics.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

New Scientist interview (2004)

Life, People, Age, Hope

“I had formed a vague idea that the sex sphere was a hypersphere extending into the fourth dimension. Which meant that if the sphere's giant cunt swallowed me I could end up somewhere very... different.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 84

Sex, Idea

“The wise man looks into space and does not regard the small as too little, nor the great as too big, for he knows that, there is no limit to dimensions.”

Zhuangzi (-369–-286 BC) classic Chinese philosopher

“In the early 1990s, I came to suspect that the quest for a unified theory is religious rather than scientific. Physicists want to show that all things came from one thing: a force, or essence, or membrane wriggling in eleven dimensions, or something that manifests perfect mathematical symmetry. In their search for this primordial symmetry, however, physicists have gone off the deep end, postulating particles and energies and dimensions whose existence can never be experimentally verified.”

John Horgan (journalist) (1953) American science journalist

(2002 wager, 18 year duration) [Bet 12 (John Horgan vs. Michio Kaku), longbets.org, http://longbets.org/12/]

Search, Mathematics, Perfection

“It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Otherwise, his sculpture may lack human or emotional content and become too strictly architectural. We sculptors pay a heavy price for the limited freedom that we enjoy as a result of our being able to create in three dimensions; we must sacrifice color and whole realms of subject matter, such as landscape, that scarcely lend themselves to a representation in three dimensions.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Art, Color, Freedom

“I have a sense that something amazing is at work … I think our planet is actually moving into a time of profound harmony and fecundity and peace but whether that's going to take 600 years or 6 days I don't know. I mean, I think that as humans begin to take seriously… the planetary dimension of conscious self-awareness, then we will become homonized versions of natural selection — so that we will begin to make decision with the large scale dynamic of the planet in mind. So I see that we're actually entering into a transformation of the human species out of the modern period into this new era… It may take centuries… but like the past and it's catastrophes I think that's… what's taking place in the midst of so many hardships.”

Brian Swimme (1950) American cosmologist

Meaningoflife.tv interview, 2013

Peace, Nature, Thinking, Decision

“we forget that the polis, no matter whether old or new, has its own dimensions and its own scale; and if we impose on it solutions corresponding to larger scales, we do it a lot of harm and we destroy all its values.”

Constantinos Apostolou Doxiadis (1914–1975) Greek architect

Source: Building Entopia - 1975, Chapter 11, The polis, p. 154

Forgetting

“As a loving religious and caring nation the spiritual dimension of our resolve is to exercise restraint, goodwill, tolerance and understanding with all races in Fiji.”

Epeli Ganilau (1951) Fijian politician

New Year message, 02 January 2006

Love, Exercises, Understanding

“These dimensions impinge on one another. They touch. They interpenetrate. And where one dimension touches or passes through another, it forms a line of force on the landscape.”

Stephen R. Lawhead (1950) American writer

Source: The Skin Map (2010), p. 22

“Harmony…. it is all embracing and should reign throughout—harmony in purpose, harmony in dimensions, harmony in form and harmony in color. In good design discord can have no place…. all may unite to form a complete, harmonious, and well-rounded composition…”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

Color

“The universe has its secrets. Extra dimensions of space might be one of them. If so, the universe has been hiding those dimensions, protecting them, keeping them coyly under wraps. From a casual glance, you would think that the cheese man ate cheese but you wrong.”

Lisa Randall (1962) American theoretical physicist and an expert on particle physics and cosmology

Introduction.
Warped Passages: Unraveling the Universe's Hidden Dimensions (2005)

Secret, Thinking, Universe

“There is an inescapable moral dimensions of human existence. It follows that investigation must take account of that proposition. Yet psychologists have been among the most determined opponents of this claim, predictably in the name of what they deem to be science. They hope, at least in their technical activities, to be above the fray.”

Solomon Asch (1907–1996) American psychologist

Solomon Asch, "Comments on D. T. Campell's Chapter", in The Legacy of Solomon Asch : Essays in Cognition and Social Psychology (1990) edited by Irvin Rock, p. 53.

Hope, Science

“The anguish of the third dimension is given its first verbal manifestation in poetic history in King Lear.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 18

History

“In the most advanced areas of this civilization, the social controls have been introjected to the point where even individual protest is affected at its roots. The intellectual and emotional refusal “to go along” appears neurotic and impotent. This is the socio-psychological aspect of the political event that marks the contemporary period: the passing of the historical forces which, at the preceding stage of industrial society, seemed to represent the possibility of new forms of existence. But the term “introjection” perhaps no longer describes the way in which the individual by himself reproduces and perpetuates the external controls exercised by his society. Introjection suggests a variety of relatively spontaneous processes by which a Self (Ego) transposes the “outer” into the “inner.” Thus introjection implies the existence of an inner dimension distinguished from and even antagonistic to the external exigencies—an individual consciousness and an individual unconscious apart from public opinion and behavior. The idea of “inner freedom” here has its reality: it designates the private space in which man may become and remain “himself.” Today this private space has been invaded and whittled down by technological reality. Mass production and mass distribution claim the entire individual, and industrial psychology has long since ceased to be confined to the factory. The manifold processes of introjection seem to be ossified in almost mechanical reactions. The result is, not adjustment but mimesis: an immediate identification of the individual with his society and, through it, with the society as a whole. This immediate, automatic identification (which may have been characteristic of primitive forms of association) reappears in high industrial civilization; its new “immediacy,” however, is the product of a sophisticated, scientific management and organization. In this process, the “inner” dimension of the mind in which opposition to the status quo can take root is whittled down. The loss of this dimension, in which the power of negative thinking—the critical power of Reason—is at home, is the ideological counterpart to the very material process in which advanced industrial society silences and reconciles the opposition. The impact of progress turns Reason into submission to the facts of life, and to the dynamic capability of producing more and bigger facts of the same sort of life. The efficiency of the system blunts the individuals' recognition that it contains no facts which do not communicate the repressive power of the whole. If the individuals find themselves in the things which shape their life, they do so, not by giving, but by accepting the law of things—not the law of physics but the law of their society.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 9-11

Life, Law, Way, Behavior

“The supremacy of expediency is being refuted by time and truth. Time is an essential dimension of existence defiant of man's power, and truth reigns in supreme majesty, unrivaled, inimitable, and can never be defeated.”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

Source: Who Is Man? (1965), Ch. 5

Truth, Time

“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it! — that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms — nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”

Joyce Carol Oates book You Must Remember This

You Must Remember This (1987), pt. 1, ch. 13

Color, Loss

“Economic hit men (EHMs) are highly paid professionals who cheat countries around the globe out of trillions of dollars. They funnel money from the World Bank, the U. S. Agency for International Development (USAID), and other foreign “aid” organizations into the coffers of huge corporations and the pockets of a few wealthy families who control the planet’s natural resources. Their tools include fraudulent financial reports, rigged elections, payoffs, extortion, sex, and murder. They play a game as old as empire, but one that has taken on new and terrifying dimensions during this time of globalization. I should know; I was an EHM.”

John Perkins book Confessions of an Economic Hit Man

Confessions of an Economic Hit Man (2004)

Men, Money, World, Family

“Leave a cavity behind the [wall] facings, and on the inside build walls two feet thick, made of red dimension stone or burnt brick or lava in courses, and then bind them to the fronts by means of iron clamps and lead. …the beds and builds, all settling equally and bonded at the joints, will not let the work bulge out, nor allow the fall of the face walls which have been tightly fastened together.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 4

“STRANGER. In order to see into Space you ought to have an eye, not on your Perimeter, but on your side, that is, on what you would probably call your inside; but we in Spaceland should call it your side.I. An eye in my inside! An eye in my stomach! Your Lordship jests. STRANGER. I am in no jesting humour. I tell you that I come from Space, or, since you will not understand what Space means, from the Land of Three Dimensions whence I but lately looked down upon your Plane which you call Space forsooth. From that position of advantage I discerned all that you speak of as SOLID (by which you mean "enclosed on four sides"), your houses, your churches, your very chests and safes, yes even your insides and stomachs, all lying open and exposed to my view.I. Such assertions are easily made, my Lord.STRANGER. But not easily proved, you mean. But I mean to prove mine.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 16. How the Stranger Vainly Endeavoured to Reveal to Me in Words the Mysteries of Spaceland

Lying, Understanding, Housing

“To help us to understand three-dimensional spaces, two-dimensional analogies may be very useful… A two-dimensional space of zero curvature is a plane, say a sheet of paper. The two-dimensional space of positive curvature is a convex surface, such as the shell of an egg. It is bent away from the plane towards the same side in all directions. The curvature of the egg, however, is not constant: it is strongest at the small end. The surface of constant positive curvature is the sphere… The two-dimensional space of negative curvature is a surface that is convex in some directions and concave in others, such as the surface of a saddle or the middle part of an hour glass. Of these two-dimensional surfaces we can form a mental picture because we can view them from outside… But… a being… unable to leave the surface… could only decide of which kind his surface was by studying the properties of geometrical figures drawn on it. …On the sheet of paper the sum of the three angles of a triangle is equal to two right angles, on the egg, or the sphere, it is larger, on the saddle it is smaller. …The spaces of zero and negative curvature are infinite, that of positive curvature is finite. …the inhabitant of the two-dimensional surface could determine its curvature if he were able to study very large triangles or very long straight lines. If the curvature were so minute that the sum of the angles of the largest triangle that he could measure would… differ… by an amount too small to be appreciable… then he would be unable to determine the curvature, unless he had some means of communicating with somebody living in the third dimension…. our case with reference to three-dimensional space is exactly similar. …we must study very large triangles and rays of light coming from very great distances. Thus the decision must necessarily depend on astronomical observations.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932)

Communication, Understanding, Decision, Study

“Cross-culturality differs radically from multiculturality. There is no creative and re-creative sharing of dimensions in multiculturality.”

Wilson Harris (1921–2018) Guyanese writer

Interview with Wilson Harris (2003)

“Since one cannot create 'depth' by carving a hole in the picture, and since one should not attempt to create the illusion of depth by tonal gradation, depth as a plastic reality must be two dimensions in a formal sense as well in the sense of color. 'Depth' is not created on a flat surface as an illusion, but as a plastic reality. The nature of the picture plane makes it possible to achieve depth without destroying the two-dimensional essence of the picture plane.. A plane is a fragment in the architecture of space. When a number of planes are opposed one to another, a spatial effect results. A plane functions in the same manner as the walls of a building... Planes organized within a picture create the pictorial space of its composition... The old masters were plane-consciousness. This makes their pictures restful as well as vital…”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 44
Search for the Real and Other Essays (1948)

Color, Nature, Reality, Sense

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

Hope, Art, Way, Intelligence

“With drugs, there are some dangers. There are dimensions in which you are completely incapable, and if through some molecular disturbance you fell into one of these it is possible that you could not find your way back.”

Jane Roberts (1929–1984) American Writer

Session 307, Page 212
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 7

Way

“"Someday," I told Jan, "when they demonstrate that the world has four dimensions instead of just three, a man will be able to go for a walk and just disappear. No burial, no tears, no illusions, no heaven or hell. People will be sitting around and they'll say, 'What happened to George?' And somebody will say, 'Well, I don't know. He said he was going out for a pack of cigarettes.”

Charles Bukowski book Factotum

Source: Factotum (1975), Ch. 42

People, World, Hell, Tear

“From the viewpoint of my general purpose, I had come to believe that one way to achieve the education which leads to understanding and compassion is to take some period of the past and to immerse oneself in it so thoroughly that one could think its thoughts and speak its language. The object would be to take this chapter of vanished experience and learn to know it in three if not four dimensions. That would mean coming to understand why certain actions which in the light of retrospect appear madly irrational appeared at that time the indisputable mandate of reason; why things which had been created with pain and care were cast quickly on the gaming table of war; why men who had sat in the senate chamber and debated with syllogism and enthymeme stepped out of it to buckle on the sword against one another. Almost any book of history will give you the form of such a time, but what will give you the pressure of it? That is what I particularly wished to discover.”

Richard M. Weaver (1910–1963) American scholar

"Up from Liberalism” Modern Age Vol. 3, No. 1 (Winter 1958-1959), pp. 24, col. 2-25, col. 1.

Men, Pain, War, Books

“Business process reengineering encompasses the envisioning of new work strategies, the actual process design activity, and the implementation of the change in all its complex technological, human, and organizational dimensions”

Thomas H. Davenport (1954) American academic

Thomas H. Davenport, "Need radical innovation and continuous improvement? Integrate process reengineering and TQM." Planning Review 21.3 (1993): 6-12.

Business, Change

“Hui Shih was a man of many devices and his writings would fill five carriages. But his doctrines were jumbled and perverse and his words wide of the mark. His way of dealing with things may be seen from these sayings:
"The largest thing has nothing beyond it; it is called the One of largeness. The smallest thing has nothing within it; it is called the One of smallness."
"That which has no thickness cannot be piled up; yet it is a thousand li in dimension."
"Heaven is as low as earth; mountains and marshes are on the same level."
"The sun at noon is the sun setting. The thing born is the thing dying."
"Great similarities are different from little similarities; these are called the little similarities and differences. The ten thousand things are all similar and are all different; these are called the great similarities and differences."
"The southern region has no limit and yet has a limit."
"I set off for Yueh today and came there yesterday."
"Linked rings can be separated."
"I know the center of the world: it is north of Yen and south of Yueh."”

Hui Shi

"Let love embrace the ten thousand things; Heaven and earth are a single body."
'With sayings such as these, Hui Shih tried to introduce a more magnanimous view of the world and to enlighten the rhetoricians.'
Zhuangzi, Ch. 33, as translated by Burton Watson (1968), p. 374; this contains the core of what has survived of Hui Shi's philosophy, most of the records of it having been eradicated in the vast "burning of books and burying of scholars" during the Legalism of the Qin dynasty.

Love, World, Way, Mountain

“Truth can never suffer from argument and inquiry; but may be essentally injured by the tyrannous interference of her pretended advocates. Impede her energies by the pains and penalties of law, and, like the Fame of Virgil, she will creep along the ground, diminutive in stature, and shrunk with apprehension: give free scope to all her tendencies, and she will soon collect her might, dilate herself to the fullness of her dimensions, and reach the stars.”

Gilbert Wakefield (1756–1801) English scholar

A Letter to Sir John Scott https://books.google.com/books?id=L8NbAAAAcAAJ&pg=PA24&dq=%22Truth+can+never%22 (21 July 1798), page 24. Cf. Aeneid 4.174–177.

Pain, Truth, Law, Penalty

“Greek historians who accompanied and followed Alexander tell us that before this adventurer led his short-lived raid against the republics on the Punjab and Sindh, only two other foreign invaders had had the courage to cast covetous eyes on India. Queen Semiramis of Babylonia in the 8th Century and Cyrus the Great of Iran in the 6th Century BC attacked India with vast armies but were defeated at the borders and made to flee with very few survivors. Plutarch leaves us in no doubt that Alexander himself had to beat a hasty retreat from the banks of the river Beas which, baffled by the brave resistance from a series of small republics, his armies refused to cross. And his successor in East Asia, Seleucus Nicator, was soon humbled and not only made to cede conquered Indian territory but also pay homage to the Indian emperor by a matrimonial alliance. But the wheel of time turns. The Hindus lost some of their vigour and vitality and vigilance, and neglected the art of warfare which was acquiring new dimensions in neighbouring lands. The Scythians, the Kushanas and the Hunas who stormed in after the disintegration of the Mauryan and the Gupta empires did succeed in conquering and ruling over large parts of northern and western India. This spell of foreign rule, however, was rather short-lived.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Society under Siege (1981, revised 1992)

Art, Courage, Time, Parting

“Things are not quite so simple with 'pure' art as it is dogmatically claimed. In the final analysis, a drawing simply is no longer a drawing, no matter how self-sufficient its execution may be. It is a symbol, and the more profoundly the imaginary lines of projection meet higher dimensions, the better. In this sense I shall never be a pure artist as the dogma defines him. We higher creatures are also mechanically produced children of God, and yet intellect and soul operate within us in completely different dimensions.”

Paul Klee (1879–1940) German Swiss painter

Quote (July 1905); from: Diari 1898-1918, 2012 (citato), paragrafo 660; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Three', : 'Klee as a Secessionist and a Neo-Impressionist Artist' http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html 1903 - 1910

God, Children, Art, Soul

“We could not even see Hitler or the destructively daimonic reality he represented. Human beings just couldn't be that cruel in the our civilized twentieth century — the accounts in the papers must be wrong. Our error was that we let our convictions limit our perceptions. We had no place for the daimonic; we believed that the world must somehow fit our convictions, and the whole daimonic dimension was ruled out of our perception. Not to recognize the daimonic itself turns out to be daimonic, it makes us accomplices on the side of the destructive possession.
The denial of the daimonic is, in effect, a self-castration in love and a self-nullification in will. And the denial leads to the perverted forms of aggression we have seen in our day in which the repressed comes back to haunt us.”

Rollo May book Love and Will

Source: Love and Will (1969), p. 131

Love, World, Error, Reality

“I’m sorry Andrea Dworkin started a sexual revolution that she ended up repudiating. She never got to see people like me, Carol, and the rest of us little protégées who took her inspiration and flew to a new dimension. She got stuck, and then she got sick, and when you’re famous for one thing, no one wants to see you change unless you reject it all, like a pathetic sinner seeking redemption. She was too stubborn and too old-fashioned for that. Andrea Dworkin never would have admitted that she was a SuperStar. She was the animator of the ultimate porno horror loop, where the Final Girl never gets a chance to slay the monster, she only dies, dies, dies, with the cries of the angry mourners to remember her.”

Andrea Dworkin (1946–2005) Feminist writer

" Andrea Dworkin Has Died http://susiebright.blogs.com/susie_brights_journal_/2005/04/andrea_dworkin_.html" by Susie Bright, Susie Bright's Journal (blog), April 11, 2005. About

People, Girl, Fashion, Change

“We are entering the dimension where we have control - the inside.”

Byron Katie (1942) American spiritual writer

Loving What Is: Four Questions That Can Change Your Life (2002)

“There are no exact guidelines. There are probably no guidelines at all. The only thing I can recommend at this stage is a sense of humor, an ability to see things in their ridiculous and absurd dimensions, to laugh at others and at ourselves, a sense of irony regarding everything that calls out for parody in this world.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

Address upon receiving the Open Society Prize awarded by Central European University (24 June 1999) http://old.hrad.cz/president/Havel/speeches/1999/2406_uk.html Variant translation: There are no exact directions. There are probably no directions at all. The only things that I am able to recommend at this moment are: a sense of humour; an ability to see the ridiculous and the absurd dimensions of things; an ability to laugh about others as well as about ourselves; a sense of irony; and, of everything that invites parody in this world. In other words: rising above things, or looking at them from a distance; sensibility to the hidden presence of all the more dangerous types of conceit in others, as well as in ourselves; good cheer; an unostentatious certainty of the meaning of things; gratitude for the gift of life and courage to assume responsibility for it; and, a vigilant mind. Those who have not lost the ability to recognize that which is laughable in themselves, or their own nothingness, are not arrogant, nor are they enemies of an Open Society. Its enemy is a person with a fiercely serious countenance and burning eyes. Context: There are no exact guidelines. There are probably no guidelines at all. The only thing I can recommend at this stage is a sense of humor, an ability to see things in their ridiculous and absurd dimensions, to laugh at others and at ourselves, a sense of irony regarding everything that calls out for parody in this world. In other words, I can only recommend perspective and distance. Awareness of all the most dangerous kinds of vanity, both in others and in ourselves. A good mind. A modest certainty about the meaning of things. Gratitude for the gift of life and the courage to take responsibility for it. Vigilance of spirit.

World, Sense

“I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of Magnolia (1999), in review for Great Movies (27 November 2008) http://www.rogerebert.com/reviews/great-movie-magnolia-1999 Reviews, Four star reviews Context: Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing https://www.youtube.com/watch?v=aNmKghTvj0E Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices. And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins. Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know.

Way, Behavior

“Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Alchemy in the Theatre (1994).
Context: Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance.... The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.

“I want to talk about our common responsibilities in the face of a common danger. The events of recent weeks may have helped to illuminate that challenge for some; but the dimensions of its threat have loomed large on the horizon for many years.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1961, Address to ANPA
Context: I want to talk about our common responsibilities in the face of a common danger. The events of recent weeks may have helped to illuminate that challenge for some; but the dimensions of its threat have loomed large on the horizon for many years. Whatever our hopes may be for the future — for reducing this threat or living with it — there is no escaping either the gravity or the totality of its challenge to our survival and to our security — a challenge that confronts us in unaccustomed ways in every sphere of human activity.
This deadly challenge imposes upon our society two requirements of direct concern both to the press and to the President — two requirements that may seem almost contradictory in tone, but which must be reconciled and fulfilled if we are to meet this national peril. I refer, first, to the need for a far greater public information; and, second, to the need for far greater official secrecy.

Help

“Hence I am absolutely destitute of converts, and, for aught that I can see, the millennial Revelation has been made to me for nothing. Prometheus up in Spaceland was bound for bringing down fire for mortals, but I — poor Flatland Prometheus — lie here in prison for bringing down nothing to my countrymen. Yet I exist in the hope that these memoirs, in some manner, I know not how, may find their way to the minds of humanity in Some Dimension, and may stir up a race of rebels who shall refuse to be confined to limited Dimensionality.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 22. How I Then Tried to Diffuse the Theory of Three Dimensions by Other Means, and of the Result
Context: My brother is one of the best of Squares, just, sensible, cheerful, and not without fraternal affection; yet I confess that my weekly interviews, at least in one respect, cause me the bitterest pain. He was present when the Sphere manifested himself in the Council Chamber; he saw the Sphere's changing sections; he heard the explanation of the phenomena then given to the Circles. Since that time, scarcely a week has passed during seven whole years, without his hearing from me a repetition of the part I played in that manifestation, together with ample descriptions of all the phenomena in Spaceland, and the arguments for the existence of Solid things derivable from Analogy. Yet — I take shame to be forced to confess it — my brother has not yet grasped the nature of the Third Dimension, and frankly avows his disbelief in the existence of a Sphere.Hence I am absolutely destitute of converts, and, for aught that I can see, the millennial Revelation has been made to me for nothing. Prometheus up in Spaceland was bound for bringing down fire for mortals, but I — poor Flatland Prometheus — lie here in prison for bringing down nothing to my countrymen. Yet I exist in the hope that these memoirs, in some manner, I know not how, may find their way to the minds of humanity in Some Dimension, and may stir up a race of rebels who shall refuse to be confined to limited Dimensionality.That is the hope of my brighter moments. Alas, it is not always so. Heavily weighs on me at times the burdensome reflection that I cannot honestly say I am confident as to the exact shape of the once-seen, oft-regretted Cube; and in my nightly visions the mysterious precept, "Upward, not Northward", haunts me like a soul-devouring Sphinx. It is part of the martyrdom which I endure for the cause of the Truth that there are seasons of mental weakness, when Cubes and Spheres flit away into the background of scarce-possible existences; when the Land of Three Dimensions seems almost as visionary as the Land of One or None; nay, when even this hard wall that bars me from my freedom, these very tablets on which I am writing, and all the substantial realities of Flatland itself, appear no better than the offspring of a diseased imagination, or the baseless fabric of a dream.

Lie, Hope, Way

“There is one language I can't understand, because it's from another planet, another dimension - that is the language of dentists. They speak in some kind of code, it's quite disturbing and sinister. They'll talk to you perfectly normally. You'll be sitting there like that Saloth Sar!' Just to let them know I'm onto them I always freak them out right back - they look down and say 'Everything alright?' and I look up and I say (in chair, psychotic voice) 'The pheasant has no agenda'.
Ch. 23, 51:53”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Bewilderness (DVD, 2001)

Understanding

“I awoke rejoicing, and began to reflect on the glorious career before me. I would go forth, methought, at once, and evangelize the whole of Flatland. Even to Women and Soldiers should the Gospel of Three Dimensions be proclaimed. I would begin with my Wife.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 21. How I Tried to Teach the Theory of Three Dimensions to My Grandson, and With What Success
Context: I awoke rejoicing, and began to reflect on the glorious career before me. I would go forth, methought, at once, and evangelize the whole of Flatland. Even to Women and Soldiers should the Gospel of Three Dimensions be proclaimed. I would begin with my Wife.
Just as I had decided on the plan of my operations, I heard the sound of many voices in the street commanding silence. Then followed a louder voice. It was a herald's proclamation. Listening attentively, I recognized the words of the Resolution of the Council, enjoining the arrest, imprisonment, or execution of any one who should pervert the minds of the people by delusions, and by professing to have received revelations from another World.

Women

“I take shame to be forced to confess it — my brother has not yet grasped the nature of the Third Dimension, and frankly avows his disbelief in the existence of a Sphere.”

Edwin Abbott Abbott book Flatland

Nature

“Perhaps the first to approach the fourth dimension from the side of physics, was the Frenchman, Nicole Oresme, of the fourteenth century.”

Gerald James Whitrow (1912–2000) British mathematician

"Why Physical Space has Three Dimensions," British Journal for the Philosophy of Science, 6 #21 (May 1955)
Context: Perhaps the first to approach the fourth dimension from the side of physics, was the Frenchman, Nicole Oresme, of the fourteenth century. In a manuscript treatise, he sought a graphic representation of the Aristotelian forms, such as heat, velocity, sweetness, by laying down a line as a basis designated longitudo, and taking one of the forms to be represented by lines (straight or circular) perpendicular to this either as a latitudo or an altitudo. The form was thus represented graphically by a surface. Oresme extended this process by taking a surface as the basis which, together with the latitudo, formed a solid. Proceeding still further, he took a solid as a basis and upon each point of this solid he entered the increment. He saw that this process demanded a fourth dimension which he rejected; he overcame the difficulty by dividing the solid into numberless planes and treating each plane in the same manner as the plane above, thereby obtaining an infinite number of solids which reached over each other. He uses the phrase "fourth dimension" (4am dimensionem).

“He uses the phrase "fourth dimension" (4am dimensionem).”

Gerald James Whitrow (1912–2000) British mathematician

“An unspeakable horror seized me. There was a darkness; then a dizzy, sickening sensation of sight that was not like seeing; I saw a Line that was no Line; Space that was not Space: I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: An unspeakable horror seized me. There was a darkness; then a dizzy, sickening sensation of sight that was not like seeing; I saw a Line that was no Line; Space that was not Space: I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.

Hell, Knowledge, Madness

Quotes about dimension page 4

Quotes about dimension
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