Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist
Alchemy in the Theatre (1994).
Alchemy in the Theatre (1994).
Context: Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance.... The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.
Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist
Alchemy in the Theatre (1994).
Samuel P. Huntington (1927–2008) American political scientist
Source: The Clash of Civilizations and the Remaking of World Order
Kenneth Tynan (1927–1980) English theatre critic and writer
Foreword
Tynan Right and Left (1967)
“Prose is private drama; poetry is corporate drama.”
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 275
Frank Capra (1897–1991) Sicilian-born American film director
1001 quotations to inspire you before you die, Quintessence Editions Ltd., 2016, ISBN 978-1-84403-895-4
Elizabeth Barrett Browning (1806–1861) English poet, author
Book V. <br class="br"> Aurora Leigh http://digital.library.upenn.edu/women/barrett/aurora/aurora.html (1857)
Robert Frost (1874–1963) American poet
Preface to A Way Out : A One-act Play (1929)
General sources
Context: Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing. A least lyric alone may have a hard time, but it can make a beginning, and lyric will be piled on lyric till all are easily heard as sung or spoken by a person in a scene — in character, in a setting. By whom, where and when is the question.
Antoine de Saint-Exupéry (1900–1944) French writer and aviator
Source: Terre des Hommes (1939), Ch. IX Barcelona and Madrid (1936)
Context: Human drama does not show itself on the surface of life. It is not played out in the visible world, but in the hearts of men. … One man in misery can disrupt the peace of a city. It is another of the miraculous things about mankind that there is no pain nor passion that does not radiate to the ends of the earth. Let a man in a garret but burn with enough intensity and he will set fire to the world.