Quotes about creativity
page 8

“As a result of scientific man's creativity there arises an ordered, illumined, determined world, imprinted with the stamp of creative intellect, of pure reason and clear cognition. From the midst of the order and lawfulness we hear a new song, the song of the creature to the Creator, the song of the cosmos to its Maker.”

Joseph B. Soloveitchik (1903–1993) American theologian

Source: Halakhic Man (1983), pp. 83-84

World, Law

“In the most basic sense, imaginization invites a way of thinking. It encourages us to become our own theorists and to feel comfortable about acting on the basis our insights. It invites us to develop a skill that I believe we all have, even though we may not realize that this is the case. By recognizing this, and thinking creatively and intelligently about ourselves and our situations, we can 'push the envelope' on our realities and reshape them positively.”

Gareth Morgan (1943) Organizational theorist

Source: Imaginization (1993), p. 16, as cited in: Colin M. Beard, ‎John Peter Wilson (2006), Experiential Learning: A Best Practice Handbook for Educators and and Trainers. p. 272

Way, Feeling, Imagination, Intelligence

“You can not take something that an artist created during the creative process, and then discarded, and say it is an authentic work of that artist.”

Marc Randazza (1969) American writer

“Creativity, no matter how elementally miniscule or broad in scope, is what differentiates human beings as superior to any material value, and also empowers the achievement of excellence beyond personal flaws.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

State of the Art (2000)

Personality

“One night at Socko and a year of probation were no comparison to the punishment at home. My rehabilitation was one of the fastest in adolescent history. I had it coming, and it taught me that moral rehab is possible. I behaved during my term of probation and stopped all of my criminal activity. But I would always retain my strong impulse to challenge authority and to think and act on my own whenever possible. There is room for such types in America, even in the disciplined confines of the United States Army. I’m a big believer in the value of unconventional men and women. They are the innovators and risk takers. Apple, one of the world’s most creative and successful high-tech companies, lives by the vision of transformation through exception. “Here’s to the crazy ones,” Apple’s campaign says. “The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They’re not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.” If you talk to my colleagues, they’ll tell you that I’m cut from the same cloth. My military biography starts badly. I was a miserable dropout in my freshman year of college (1.2 GPA), enlisted in a delayed-entry Marine Corps program, went to work as a lifeguard at a local beach, and then came the first of several miracles: an Army ROTC scholarship. Little did I know that my rebellious activities, such as skipping class and sundry other mistakes, would lead me to playing basketball (which I was very good at) with an ROTC instructor who saw something in me. Not only that, he took surprising initiative.”

Michael T. Flynn (1958) 25th United States National Security Advisor

Introduction
The Field of Fight: How We Can Win the Global War Against Radical Islam and Its Allies (2016)

Women, Men, People, World

“Without chaos there would be no creation, no structure and no existence. After all, order is merely the repetition of patterns; chaos is the process that establishes those patterns. Without this creative self-organizing force, the universe would be devoid of biological life, the birth of stars and galaxies—everything we have come to know.”

L. K. Samuels (1951) American writer

"Chaos Gets a Bad Rap: Importance of Chaology to Liberty", Strike-The-Root (Feb. 18, 2015) http://www.strike-the-root.com/chaos-gets-bad-rap-importance-of-chaology-to-liberty

Life, Star, Birth, Universe

“All too often, a successful new business model becomes the business model for companies not creative enough to invent their own.”

Gary Hamel (1954) American management expert

Source: Leading the Revolution, 2002, p. 46

Business, Success

“Family, clan, country, union of nations — each unit strives toward peace, toward betterment of life. Each unit of cooperation and communal life needs perfecting. No one can fix the limits of evolution. By this line of reasoning a worker becomes a creator. Let us not be frightened by the problems of creativeness. Let us find for science unencumbered paths. Thus, thought about perfectionment will be a sign of joy.”

Nicholas Roerich (1874–1947) Russian painter, writer, archaeologist, theosophist, enlightener, philosopher

§ 1
New Era Community (1926)

Life, Family, Peace, Communication

“My personal philosophy is that all writers need to put GET PAID in their mission statement. All that artistic creative stuff is nice too, but make sure GET PAID is in there”

Larry Correia (1977) American fantasy writer

in all caps <br class="br">"How Authors Get Paid, part 2", Monster Hunter Nation http://monsterhunternation.com/2015/06/25/how-authors-get-paid-part-2/, 2015-06-15

Personality

“Poetry, finally, is the form of art where not only are the unities of time, place, and action freed from the restrictive bounds of the single instant, the single spot, the single simple transaction, but the medium of embodiment is thought itself, with its completely articulate utterance in language. Here the very source of the ideal view of the world, the very origin of the creative artistic impulse, becomes the material and the instrument of its own purpose, the executor of its own will. The scope of the creative faculty is therefore the utmost conceivable, and poetry rightfully takes the highest place as the art of the greatest possibilities — the art, indeed, of an all-inclusive compass, as at length completely self-supplying and self-directing.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.210

World, Art, Time

“Undoubtedly the best language for the expression of this ‘unfathomable’ quality was music. The infinity of musical spheres of expression, independent of rationality, is often perceived as ‘unfathomable’ by listeners too. The formal principles of order seem to lie hidden deeper in this art than in others. In the twentieth century the great creative minds, when faced with Romantic artistic urges running riot which they believe must be overcome, or feel they have succeeded in overcoming, have stressed the importance of existing rules; they have followed traditional forms, or else, in their search for new ways to connect, have found and set up new formula-tions and principles. The young Schumann’s creative path led in the opposite direction, from classical forms, however deeply revered, to the freedom of subjective self-expression.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Lie, Art, Music, Way

“Defined simply, innovation is, of course, the introduction of something new. We presume that the purpose of introducing something new into a process is to bring about major, radical change. Process innovation combines a structure for doing work with an orientation to visible and dramatic results. It involves stepping back from a process to inquire into its overall business objective, and then effecting creative and radical change to realize order-of-magnitude improvements in the way that objective is accomplished.”

Thomas H. Davenport (1954) American academic

Process Innovation: Reengineering Work through Information Technology, 1993

Way, Business, Change

“to study the nude, the foundation of all pictorial art, in total freedom and naturalness. From.... this basis there emerged the feeling, shared by all, of taking creative stimulus from life itself and submitting to the decisive experience.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Kirchner, in 'Chronik KG Brücke', 1913; a quoted by Wolf-Dieter Dube, Der Expressionismus in Wort und Bild (Genf and Stuttgart: Skira, Klett-Cotta, 1983), p. 34; as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 68
1905 - 1915

Life, Art, Feeling, Nature

“The individual under this kind of life, with no rights, has absolutely no power in this land. How can they even ask you for creativity? Or imagination, or courage or passion?”

Ai Weiwei (1957) Chinese concept artist

“ House Arrest in China: Orwell, Kafka, and Ai Weiwei http://www.economist.com/blogs/analects/2012/04/house-arrest-china.” Economist, April 13, 2012 <br class="br">2010-, 2012

Life, Imagination, Courage, Passion

“Primordial communities of bacteria were elaborately interwoven by communication links. …These turned a colony into a collective processor… The resulting learning machine was so ingenious that Eshel Ben-Jacob has called its modern bacterial counterpart a "creative web."”

Howard Bloom (1943) American publicist and author

Source: Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century (2000), Ch.1 Creative Nets in the Precambrian Era

Communication, Learning

“These classic models are everywhere mirrored in all universal systems, and in each they are the ideals from which all varieties and versions of themselves constantly emerge. They are, then, the source of all phenomenal life and represent the inner structure behind all life forms. They do not produce copies of themselves, however, but new creative eccentricities which, in turn, alter the models. They also appear as the biological working models of the genes and chromosomes, and they can be affected and changed at any time through mental experience. they are, in fact, instantly responsive to mental and psychic events, through the natural interchange between the psychological model accepted by the focus personality, and the reflections of that model through the entire body structure.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 57-58

Life, Nature, Universe, Appearance

“Imagination is perhaps the most decisive characteristic of mankind. My dream is the imagination of space – to change the optical impression of the world of objects by a transcendental arithmetic progression of the inner being. That is the precept. In principal any alteration of the object is allowed which has a sufficiently strong creative power behind it. Whether such alteration causes excitement or boredom in the spectator is for you to decide.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), p. 16

World, Dreams, Imagination, Decision

“There is no such thing as a chance encounter. No death occurs by chance, nor any birth. In the creative atmosphere of Framework 2, intents are known. In a manner of speaking, no act is private.”

Jane Roberts (1929–1984) American Writer

Session 815, Page 76
The Individual and the Nature of Mass Events, (1981)

Death, Birth, Chance

“It is a bit unsettling, at first, to think of Apple as a control freak, because it is completely at odds with their corporate image. Weren't these the guys who aired the famous Super Bowl ads showing suited, blindfolded executives marching like lemmings off a cliff? Isn't this the company that even now runs ads picturing the Dalai Lama (except in Hong Kong) and Einstein and other offbeat rebels?
It is indeed the same company, and the fact that they have been able to plant this image of themselves as creative and rebellious free-thinkers in the minds of so many intelligent and media-hardened skeptics really gives one pause. It is testimony to the insidious power of expensive slick ad campaigns and, perhaps, to a certain amount of wishful thinking in the minds of people who fall for them. It also raises the question of why Microsoft is so bad at PR, when the history of Apple demonstrates that, by writing large checks to good ad agencies, you can plant a corporate image in the minds of intelligent people that is completely at odds with reality.”

Neal Stephenson (1959) American science fiction writer

"Class Struggle on the Desktop"
In the Beginning... was the Command Line (1999)

People, Guy, History, Intelligence

“I think that I’m at a stage where the onus and the responsibility of the leading man, and therefore the onus and responsibility of the success of the film, and its marketing and its sale etc, is really not on my shoulders. Therefore, let me do what is coming my way. Therefore to do something like a Nishabd or even a Ram Gopal Varma Ki Aag…well, I enjoyed doing them. Okay, people didn’t like it and they trashed it. And that’s fine, we must respect that. But I didn’t mind doing those roles because they tested my creativity and I enjoyed doing them.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

People, Way, Thinking, Success

“Slowly at first, and now in growing numbers, from kitchen tables to nonprofit organizations to corporate boards, Americans are turning away from the politics of bickering and division and working on a new politics – a politics of creative problem solving. It would have us take the best from the political left and right, and come up with something new that serves us all. It would have us come up with solutions to public issues that are thoughtful enough, clever enough, and inclusive enough, to bring people and factions together.”

Mark Satin (1946) American political theorist, author, and newsletter publisher

Source: Radical Middle (2004), Chapter 1, "A Creative and Practical Politics," p. 3.

People, Problem

“In spite of all humans' innate interest in the interrelatedness of all experience, long ago these world-power-structure builders learned to shunt all the bright intellectuals and the physically creative into specialist careers. The powerful reserved for themselves the far easier, because innate, comprehensive functioning. All one needs to do is to discover how self-perpetuating is this disease of specialization is to witness the inter-departmental battling for educational funds and the concomitant jealous guarding of the various specializations assigned to a department's salaried experts on each subject in any university.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

From 1980s onwards, Cosmography (1992)

World, Education, Disease, Learning

“It is most important in creative science not to give up. If you are an optimist you will be willing to "try" more than if you are a pessimist.”

Stanislaw Ulam (1909–1984) Polish-American mathematician

Source: Adventures of a Mathematician - Third Edition (1991), Chapter 3, Travels Abroad, p. 55

Science

“Poincaré's mind was not subject to hysteresis or hibernation. He had the unique faculty of dismissing an idea from his mind, the instant the stimulus was gone, and to supplant it immediately with another creative idea.”

Tobias Dantzig (1884–1956) American mathematician

Henri Poincaré, Critic of Crisis: Reflections on His Universe of Discourse (1954), Ch. 1. The Iconoclast

Idea

“God used processes which are not now operating anywhere in the natural universe. This is why we refer to divine creation as special creation. We cannot discover by scientific investigation anything about the creative processes used by God.”

Duane Gish (1921–2013) American biochemist

Evolution: The Fossils Say No, page 42

God, Nature, Universe

“To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.”

Willa Cather (1873–1947) American writer and novelist

"Miss Jewett"; originally published as the Preface to The Best Stories of Sarah Orne Jewett (1925)
Not Under Forty (1936)

“To know how scientists engage in visual imagery is to understand how they think creatively.”

Edward O. Wilson (1929) American biologist

Source: Letters to a Young Scientist (2013), chapter 5, "The Creative Process", page 69.

Understanding, Thinking

“The creativity that can occur when a feel for both the humanities and the sciences combine in one strong personality was the topic that most interested me in my biographies of Franklin and Einstein, and I believe that it will be a key to creating innovative economies in the twenty-first century.”

Walter Isaacson book Steve Jobs

Steve Jobs (2011), Simon & Schuster (U.S.), Ch. 19: "Pixar: Technology Meets Art", ISBN 1-4516-4853-7

Feeling, Strong, Science, Personality

“.. I believe, they always say to me that I'm an expressionist, I don't know why, because perhaps the technique is [not understood] and the colour is strong... But for some years, I work, I feel much more of, of the space, that is: magic is spacious if you like. Because for me man is an infinitely creative space. And because of that I am always looking to expand my work, you know, to find space.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

explaining his need for large sizes
Karel Appel defines his painting', interview 1968

Feeling, Strong

“Universities are an example of organizations dominated wholly by intellectuals; yet, outside pure science, they have not been an optimal milieu for the unfolding of creative talents. In neither art, music, literature, technology and social theory, nor planning have the Universities figured as originators or as seedbeds of new talents and energies.”

Eric Hoffer (1898–1983) American philosopher

Entry (1956)
Eric Hoffer and the Art of the Notebook (2005)

Art, Music, Literature, Optimism

“The sexuality of creativity – on that level, human interaction becomes less of an oppressive pyramid and more of a dance, an orgy, something that you can imagine being a bit of fun. It seems to work naturally, except when order is imposed upon it, from above, and then everything starts getting a bit screwed up. The information, the energy, starts to get messed up.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)

Imagination, Nature, Dance

“Art is the beautiful illustration of Truth from the creative imagination. The truth is in our life and unless it comes from the formlessness to the form we do not realize it.”

Laxmi Prasad Devkota (1909–1959) Nepali poet

कला र जीवन (Art and Life)
Art and Life

Life, Truth, Beauty, Art

“Do not confuse fantasy with imagination: the former consumes itself in daydreaming, the latter stimulates creativity in the arts and in the sciences.”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

Art, Imagination, Science

“Our economy, society, and culture are built on interests, values, institutions, and systems of representation that, by and large, limit collective creativity, confiscate the harvest of information technology, and deviate our energy into self-destructive confrontation. This state of affairs must not be.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: End of Millennium, 1998, p. 379

Ali Shariati (1933–1977) Iranian academic and activist

Source: Where Shall We Begin, 1997-2013, p. 1.

God, Soul, Communication

“I believe that the fundamental alternative for man is the choice between "life" and "death"; between creativity and destructive violence; between reality and illusions; between objectivity and intolerance; between brotherhood-independence and dominance-submission.”

Erich Fromm (1900–1980) German social psychologist and psychoanalyst

Credo (1965)

Life, Death, Reality

“As Arp and I are sitting in the large living room of my house on Central Park in November 1958, we try again and again to understand the significance of Dada for ourselves and for others. Many elements surfaced in me and in the 'Fantastic Prayers' [his poems Phantastische Gebete, Zurich 1916] at the same time; resistance against the 'civilization' we live in, fury about a purely factual world which leaves out personality and thus creative power, the means of irony and underlying religiousness. Ball turned religious during the times of dadaism, Arp is a religious person today, and I have always been one, without wanting to realize it, perhaps without knowing it.”

Richard Huelsenbeck (1892–1974) German poet

Quote in his 'Preface' by Richard Huelsenbeck, New York, November 1958, in Phantastische Gebete; published by Arche Verlag, Zurich, 1960 (transl. by Johannes Beilharz, 2000)

World, Understanding, Time, Housing

“Mathematics fluourished as long as freedom of thought prevailed; it decayed when creative joy gave way to blind faith and fanatical frenzy.”

Tobias Dantzig (1884–1956) American mathematician

The Bequest of the Greeks (1955)

Faith, Way, Mathematics, Freedom

“I tell you, struggle is what is missing in the lives of most young people today. If they think I'm going to support them while they create great works of art, then they've missed the point of my work, of my life! In the process of becoming a writer or an artist one has to be willing to starve. Struggle is the most invaluable experience of all. Suffering seems to be the inevitable fate of the creative sensitive types. Poverty, disease, death, unrequited love affairs, and disappointments of every sort fan the flame of the artistic spirit. The greatest works of art were not created by spoiled brats. They were born for the most part out of a sense of despair, and if not despair then just plain hard work. Somewhere along the line the artist learns the art of transformation.”

Henry Miller (1891–1980) American novelist

Reflections (1981)

Love, Life, Death, Fate

“In the creative act, the artist goes from intention to realization through a chain of totally subjective reactions. His struggle towards the realization is a series of efforts, pains, satisfactions, refusals, decisions, which also cannot be fully self-conscious, at least on the aesthetic plane. The result of his struggle is a difference between the intention and its realization, a difference which the artist is not aware of.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957

Pain, Decision, Effort

“One of our primary tasks is to foster in people a desire to attain lofty social goals, to foster in them ideological conviction and a truly creative attitude to work. This is a very important area of struggle for communism, and the economic as well as the socio-political development of the country will be increasingly dependent on our successes in this area.”

Leonid Brezhnev (1906–1982) General Secretary of the Communist Party of the Soviet Union

Cited in Triumph of Lenin's Ideas http://leninist.biz/en/1978/TOLI198/01-Opening.Remarks

People, Communication, Success, Dependency

“Through spontaneity we are re-formed into ourselves. It creates an explosion that for the moment frees us from handed-down frames of reference, memory choked with old facts and information and undigested theories and techniques of other people's findings. Spontaneity is the moment of personal freedom when we are faced with reality, and see it, explore it and act accordingly. In this reality the bits and pieces of ourselves function as an organic whole. It is the time of discovery, of experiencing, of creative expression.”

Viola Spolin (1906–1994) American academic and acting theorist

Improvisation for the Theater 1963), page 4

People, Reality, Freedom, Memory

“Most Christians would say that evolution is one of God’s creative methods. But creationists reject that possibility outright, because the issue for them is not whether their God is true; but whether their dogma is true. It can’t be in any case. Even if current concepts of evolution were proven wrong tomorrow, Biblical creationism still couldn’t be true either, because it has already been disproved many times, many ways, and collapses on its own lack of merit. But of course believers can never admit that.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"7th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=g8Q2Db17v5U, Youtube (February 27, 2008) <br class="br">Youtube, Foundational Falsehoods of Creationism

God, Way, Time

“Man is not the most majestic of the creatures; long before the mammals even, the dinosaurs were far more splendid. But he has what no other animal possesses: a jigsaw of faculties, which alone, over three thousand million years of life, made him creative. Every animal leaves traces of what he was. Man alone leaves traces of what he created.”

Jacob Bronowski The Ascent of Man

The Ascent of Man (1973)

Life, Animals

“We all love toys. I'm toy oriented. I write about toys. I've got a lot of toys. Hundreds of things. But computers are toys, and men like to mess around with smart dumb things. They feel creative. … People are talking about the Internet as a creative tool for writers. I say, "B. S. Stay away from that. Stop talking to people around the world and get your work done."”

Ray Bradbury (1920–2012) American writer

Playboy interview (1996)

Love, Men, People, World

“People see you one way and think, 'That's not her real thing, she's just putting that on now.' But that is! That's where my creativity really resides. Where it all springs. My characters are really bizarre. They're kind of dark and not really considered great people. It all comes from the same dark place, it's just filtered through comedy.”

Megan Mullally (1958) American actress

Attributed

People, Way, Spring, Thinking

“The importance of the lesson which this Society was formed to teach would be hard to overestimate. Its main purpose is to impress upon the people the necessity for reverence. This is the beginning of a proper conception of ourselves, of our relationship to each other, and our relationship to our Creator. Human nature cannot develop very far without it. The mind does not unfold, the creative faculty does not mature, the spirit does not expand, save under the influence of reverence. It is the chief motive of an obedience. It is only by a correct attitude of mind begun early in youth and carried through maturity that these desired results are likely to be secured. It is along the path of reverence and obedience that the race has reached the goal of freedom, of self-government, of a higher morality, and a more abundant spiritual life.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Authority and Religious Liberty (1924)

Life, People, Youth, Motivation

“The "divine" in man: creative bliss, the experience of perfection, the surprising joys of love all human, not divine. …It is time that God was put in his place, that is, in man, and no nonsense about it. But, to prevent misunderstanding, instead of speaking of the "divine" in man I will call it the human sense of perfection or unity. …Need I add that we may retain the Sermon on the Mount, Saint Paul's poem to charity, and much else, though we discard the Christian God?”

Lancelot Law Whyte (1896–1972) Scottish industrial engineer

The Universe of Experience: A Worldview Beyond Science and Religion (1974)

Love, God, Sense, Time

“[Bill Clinton] has not a creative bone in his body. Therefore he is a bore and will always be a bore.”

David Brinkley (1920–2003) American journalist

http://news.google.com/newspapers?nid=1842&dat=19961118&id=jHw0AAAAIBAJ&sjid=AckEAAAAIBAJ&pg=1354,2780351

“I am interested in the creativity of the criminal attitude because I recognize in it the existence of a special condition of crazy creativity. A creativity without morals fired only by the energy of freedom and the rejection of all codes and laws. For freedom rejects the dictated roles of the law and of the imposed order and for this reason is isolated.”

Joseph Beuys (1921–1986) German visual artist

Quoted by Germano Celant, Beuys, tracce in Italia, Amelio, 1978
1970's

Law, Freedom

“Recall of memory is a creative process. What the brain stores is… only a core memory. Upon recall, this memory is then elaborated upon and reconstructed, with subtractions, additions, elaborations, and distortions.”

Eric R. Kandel (1929) American neuropsychiatrist

In Search of Memory (2006)

Memory

“The construction of hypotheses is a creative act of inspiration, intuition, invention; its essence is the vision of something new in familiar material. The process must be discussed in psychological, not logical, categories; studied in autobiographies and biographies, not treatises on scientific method; and promoted by maxim and example, not syllogism or theorem.”

Milton Friedman (1912–2006) American economist, statistician, and writer

"The Methodology of Positive Economics" (1953)

Study

“Use your creative imagination to create a past that belongs to your character. I don't want you to be stuck with your own life. It's too little.”

Stella Adler (1901–1992) American actress and teaching coach

Obituary in New York Times

Life, Imagination, Past

“Overprotecting intellectual property is as harmful as underprotecting it. Creativity is impossible without a rich public domain. Nothing today, likely nothing since we tamed fire, is genuinely new: Culture, like science and technology, grows by accretion, each new creator building on the works of those who came before. Overprotection stifles the very creative forces it's supposed to nurture.”

Alex Kozinski (1950) American judge

Dissenting in the White v. Samsung Elec. Am., Inc., 989 F.2d 1512 (9th Cir. 1993) ruling. http://notabug.com/kozinski/whitedissent.

Science

“Enjoyment of the work consists in participation in the creative state of the artist.”

Martin Heidegger (1889–1976) German philosopher

Source: Nietzsche (1961), p. 117

“The essential freedom, the ultimate and final freedom that cannot be taken from a man, is to say No. This is the basic premise in Sartre's view of human freedom: freedom is in its very essence negative, though the negativity is also creative.”

William Barrett (philosopher) book Irrational Man: A Study in Existential Philosophy

Source: Irrational Man: A Study in Existential Philosophy (1958), Chapter Ten, Sartre, p. 215

Freedom

“Russia, France, Germany and China. They revere their writers. America is still a frontier country that almost shudders at the idea of creative expression.”

James A. Michener (1907–1997) American author

"A Spelunker in the Caves of History" in Modern Maturity (August 1985)

Idea, Country

“That classical theory had catastrophic implications for the constitution of matter was barely appreciated by Planck and others at the turn of the century, and played no substantial role in the development of quantum theory until Bohr's work 13 years later.
The lesson that could be drawn from this, and also from the development of general relativity, is that a crisis will only become creative if it is formulated in a mathematically precise manner. This conclusion has an echo in Bell's insistence on having quantum mechanics "fully formulated in mathematical terms, with nothing left to the discretion of the theoretical physicist", but what it really calls for is a critique of the "orthodox" theory fully formulated in mathematical terms with nothing left to the discretion of the critic.”

Kurt Gottfried (1929) American physicist

Does quantum mechanics carry the seeds of its own destruction? (1991)

Mathematics

“Understanding the methods of calculus is vital to the creative use of mathematics… Without this mastery the average scientist or engineer, or any other user of mathematics, will be perpetually stunted in development, and will at best be able to follow only what the textbooks say; with mastery, new things can be done, even in old, well-established fields.”

Richard Hamming (1915–1998) American mathematician and information theorist

Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)

Mathematics, Understanding

“There is a fountain of youth: it is your mind, your talents, the creativity you bring to your life and the lives of the people you love. When you learn to tap this source, you will have truly defeated age.”

Sophia Loren (1934) Italian actress

As quoted in Hope Notes : 52 Meditations to Nudge Your World (2004) by Wayne Willis, p. 11.

Love, Life, People, Youth

“Creative Endeavour lost her wings, Mrs. Ape.”

Evelyn Waugh book Vile Bodies

Source: Vile Bodies (1930), Chapter 1

“recent researchers in artificial intelligence and computational methods use the term swarm intelligence to name collective and distributed techniques of problem solving without centralized control or provision of a global model. … the intelligence of the swarm is based fundamentally on communication. … the member of the multitude do not have to become the same or renounce their creativity in order to communicate and cooperate with each other. They remain different in terms of race, sex, sexuality and so forth. We need to understand, then, is the collective intelligence that can emerge from the communication and cooperation of such varied multiplicity.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

91-92
Multitude: War and Democracy in the Age of Empire

Sex, Intelligence, Communication, Understanding

“(on her marriage to Andrew Lloyd Webber) It was such a creative time. Everything was happening very fast. He was writing, I was singing. He was inspired, and I was inspired. I didn't really have time to think about it. I didn't really have time to read things about it, either. I got a sense of things, which made me quite nervous at times. But, no, we were running all the time then, doing things. It was fun, but also a lot of pressure.”

Sarah Brightman (1960) British soprano, musical theatre actress, and dancer

The Irish Times (1999)

Marriage, Thinking, Sense, Singing

“Academics tend to think they are each the next Einstein whose ‘creativity’ will finally be uncovered a hundred years from now. That's when society should deliver their project funding.”

Stephen F Bush

Bush, Stephen F., Keynote Speech, First IEEE International Conference on Communications 2012 Workshop on Telecommunications: From Research to Standards July 18, 2012.

Thinking

“It seems that the creative faculty and the critical faculty cannot exist together in their highest perfection.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Thomas Babington Macaulay, On John Dryden (1828)
Misattributed

Perfection

“I will propose a Highway Safety Act of 1966 to seek an end to this mounting tragedy. We must also act to prevent the deception of the American consumer—requiring all packages to state clearly and truthfully their contents—all interest and credit charges to be fully revealed—and keeping harmful drugs and cosmetics away from our stores. It is the genius of our Constitution that under its shelter of enduring institutions and rooted principles there is ample room for the rich fertility of American political invention. We must change to master change. I propose to take steps to modernize and streamline the executive branch, to modernize the relations between city and state and nation. A new Department of Transportation is needed to bring together our transportation activities. The present structure—35 government agencies, spending $5 billion yearly—makes it almost impossible to serve either the growing demands of this great nation or the needs of the industry, or the right of the taxpayer to full efficiency and real frugality. I will propose in addition a program to construct and to flight-test a new supersonic transport airplane that will fly three times the speed of sound—in excess of 2,000 miles per hour. I propose to examine our federal system-the relation between city, state, nation, and the citizens themselves. We need a commission of the most distinguished scholars and men of public affairs to do this job. I will ask them to move on to develop a creative federalism to best use the wonderful diversity of our institutions and our people to solve the problems and to fulfill the dreams of the American people. As the process of election becomes more complex and more costly, we must make it possible for those without personal wealth to enter public life without being obligated to a few large contributors. Therefore, I will submit legislation to revise the present unrealistic restriction on contributions—to prohibit the endless proliferation of committees, bringing local and state committees under the act—to attach strong teeth and severe penalties to the requirement of full disclosure of contributions—and to broaden the participation of the people, through added tax incentives, to stimulate small contributions to the party and to the candidate of their choice.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Life, Men, People, Penalty

“Pixar is the most technically advanced creative company; Apple is the most creatively advanced technical company.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

As quoted in Fortune (21 February 2005)
2000s

“The very essence of the creative is its novelty, and hence we have no standard by which to judge it.”

Carl R. Rogers (1902–1987) American psychologist

On Becoming a Person (1961)
Source: page 351

“A child has this relationship to a creative force, you know? Yeah, your parents gradually, you know, they gradually shove your face in the concrete, and so do your teachers and school system and…everything’s working against you, but…but…but the force of creativity nature is not working against you - it’s right there for you, at any time! You just…you know, you just have to be ready not to judge yourself and to be open to whatever’s gonna come through you and to-to be ready to not…to not…eeeh to not judge what comes through, but be alright with it, whatever it is, cause it’s just the universe of expressing yourself.”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

On "The Heart is a Drum Machine" Documentary

School, Nature, Parent, Teachers

“[I have] various tricks to actually reach that solitary point of creativity. One of them is pretending I have an idea. But that trick doesn't survive very long because I don't really trust ideas – especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown. It is then that I begin to work.... when I don't have the comfort of sureness and certainty. Sometimes Jack Daniels helps too. Another good trick is fatigue. I like to start working when it's almost too late.... when my sense of efficiency is exhausted.”

Robert Rauschenberg (1925–2008) American artist

Quote from 'Robert Rauschenberg: An Audience of One', John Gruen, Art News, 29, February 1977, p. 48
1970's

Idea, Sense, Help

“Some people would rather give the appearance of feeling well by having a face-lift, exercising violently, or dieting severely—but they don't solve the problem; they only disguise it. If they ate properly, they wouldn't have to strain to seem fit; they would be fit. The simplest and most natural way usually turns out to be the easiest. Consider nursing, for instance. It's obviously the most natural way to nourish a baby, but it's also the easiest; you don't have to wake up in the middle of the night and fix bottles. If you're a vegetarian, you don't have to cook food in a smelly, greasy kitchen, or clean a lot of pots and pans with the rancid grease on them. Ugh! Though it may seem easier to take a slab of dead flesh and toss it in a broiler, it's much more interesting to do something creative with vegetables. So that my children don't have to snack on sweets or bowls of cereal—it's no better than sawdust, you know—I set out platters of avocadoes, pineapples, papayas, bananas, almonds, dried figs and prunes. … I serve organic apple juice in place of milk. I have the most beautiful golden honey for the herb tea—and so, you see, no one need feel deprived on a vegetarian diet.”

Cloris Leachman (1926) American actress

Interview in The Vegetarians https://books.google.it/books?id=vK_uAAAAMAAJ by Rynn Berry (Autumn Press, 1979), p. 20.

Children, People, Food, Beauty

“If the young are watched too closely, if they are kept habitually under surveillance, the spring of action is weakened, the power of initiative is destroyed, and they become mediocre, commonplace, mechanical men and women, from whom nothing excellent or distinguished may be expected. Parents and teachers … must so deal with the young as to bring them little by little under the control of reason and conscience; and in this, nothing thwarts more surely than excessive supervision, for it draws attention from the inner view and voice to the eyes of the watchers. It may cultivate a love of decency and propriety, but not the creative feeling that we live with God and that righteousness is life.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 257-258

Love, Life, Women, Men

“None of you knows what creativity means. To paint a picture, to write a poem? No! To recast one’s whole age, to impose upon it the stamp of one’s will, to fill it with beauty, to overwhelm it, to overpower it with one’s spirit.”

Christian Morgenstern (1871–1914) German author

cited in Zarathustra’s Children (2000), p. 178

Age, Beauty, Painting

“For twenty years programming languages have been steadily progressing toward their present condition of obesity; as a result, the study and invention of programming languages has lost much of its excitement. Instead, it is now the province of those who prefer to work with thick compendia of details rather than wrestle with new ideas. Discussions about programming languages often resemble medieval debates about the number of angels that can dance on the head of a pin instead of exciting contests between fundamentally differing concepts. Many creative computer scientists have retreated from inventing languages to inventing tools for describing them. Unfortunately, they have been largely content to apply their elegant new tools to studying the warts and moles of existing languages.”

John Backus (1924–2007) American computer scientist

"Can Programming Be Liberated From the von Neumann Style?" http://dl.acm.org/ft_gateway.cfm?id=1283933&type=pdf, 1977 Turing Award Lecture, Communications of the ACM 21 (8), (August 1978): p. 614

Angels, Idea, Study, Dance

“The greatest work of the composer is often sublimation, that is, the deflection of energies, thoughts, occurrences, psychological and physical reactions, into socially constructive or creative channels.”

Marion Bauer (1882–1955) American composer

Hisama, Ellie M. (2001). Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon, p.122. Cambridge University Press. ISBN 052164030X.

“As new generations of activists come forward with new ideas and sensibilities; as the political landscape evolves and changes; as new technologies are born and developed; and as the mercurial focus of issues present new concerns and dangers… Our strength, creativity, harnessed rage and effective activism will remain constant and be the root source of our salvation in the future.”

Jeffrey Montgomery (1953–2016) American LGBT rights activist and public relations executive

America...You Kill Me

Idea, Rage, Change, Future

“[Biology has] become the paramount science, exceeding other disciplines, including physics and chemistry at least, in the creative tumult of its disciplines and disputations. […] I'll also be so bold at this point to suggest that we are now at the edge of establishing the two fundamental laws of biology: The first law is that all of the phenomena of biology, the entities and the processes, are ultimately obedient to the laws of physics and chemistry. Not immediately reducible to them, but ultimately consistent and in consilience with them, by a cause and effect explanation. The second law is that all biological phenomena, these entities and processes that define life itself, have arisen by evolution through natural selection.”

Edward O. Wilson (1929) American biologist

Talk at the 50th anniversary of New Scientist magazine (2006).

Life, Law, Nature, Science

“Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device. For that tiny fraction, the copyright creates incentives to produce and distribute the creative work. For that tiny fraction, the copyright acts as an "engine of free expression."
But even for that tiny fraction, the actual time during which the creative work has a commercial life is extremely short. As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.”

Lawrence Lessig book Free Culture

Free Culture (2004)

Life, Books, Music, Time

“I … understand why the saints were rarely married women. I am convinced it has nothing inherently to do, as I once supposed, with chastity or children. It has primarily to do with distractions … Women's normal occupations in general run counter to creative life, or contemplative life or saintly life.”

Anne Morrow Lindbergh book Gift from the Sea

Source: Gift from the Sea (1955), Ch. 2

Life, Women, Children, Understanding

“I love the play between the conscious and unconscious minds in the creative moment, and for me chess and the martial arts are both about developing a rich working relationship with your intuition.”

Josh Waitzkin (1976) Chess player

Onthemat interview

Love, Art

“Principle II : The presumptions of the law are creative presumptions : they are aimed at conditions to be brought about, and only for that reason ignore conditions which exist.”

William Ernest Hocking (1873–1966) American philosopher

Source: Present Status of the Philosophy of Law and of Rights (1926), Ch. VI : Presumptive Rights, § 24, p. 62.

Law

“A tree gives glory to God by being a tree. For in being what God means it to be it is obeying God. It “consents,” so to speak, to God's creative love. It is expressing an idea which is in God and which is not distinct from the essence of God, and therefore a tree imitates God by being a tree.”

Thomas Merton (1915–1968) Priest and author

New Seeds of Contemplation (1972).

Love, God, Idea, Tree

“The creative process must be explored not as the product of sickness, but as representing the highest degree of emotional health, as the expression of the normal people in the act of actualizing themselves.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 40

People, Health

“The bleak and yet so intimate nature of the mountains has had an enormous impact on the painter. It has deepened his love for his subjects and at the same time purged his vision of everything that is secondary. Nothing inessential appears in the paintings, but how delicately every detail is worked out! The creative thought emerges strongly and nakedly from the finished work. Kirchner is now so taken up with entirely new problems that one cannot apply the old criteria to him if one is to do justice to his work. Those who wish to classify him on the strength of his German paintings will be both disappointed and surprised. Far from destroying him, his serious illness has matured him. Besides his work on visible life, creativity stemming solely from the imagination has opened up its vast potential to him – for this the brief span of his life will probably be far from sufficient.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Quote from the 'Preface' of the catalog of Kirchner's Frankfurt exhibition in 1922, (written by Kirchner, about Kirchner under his pseudonym de:Louis de Marsalle); as quoted in the biography-pdf http://www.kirchnermuseum.ch/data/media/downloads/Biography.pdf of the Kirchner museum, Davos <br class="br">1920's

Love, Life, Justice, Disappointment

“It’s early in the process for me, but my infatuation with fame is waning, my need for external approval and the control of other people’s opinions is expiring. Practically I’ve decided that profits from this book will go towards creating a place where recovering addicts like me can run a business based on the ideas in this book. A café and production company run to create community, not money, democratically managed by the workforce. No bosses. No profit. No bullshit. Selling food sourced ethically, grown locally, and served by people who have had a Revolution in their own lives and are now able to learn and give back. Supporting modest creative projects, building a community of people who want to be part of something other than the toxic hegemony. We will start small but we will grow quickly because we have a limitless resource and we are providing an alternative to a dying system. There are no limits to what we can achieve if we behave collectively, responsibly, and humanely.”

Russell Brand book Revolution

Revolution (2014)

Money, People, Books, Food

“As we disassociate ourselves more and more from result and expectations from our work and other selfish attitudes, we identify with our creative nature, with peace within and we attain serenity.”

Niranjanananda Saraswati (1960) Hindu guru, successor of Paramahamsa Satyananda

Source: Swami Sivananda's 18 ITITES and the practice of Prayahara, book by Swami Sivamurti – Yoga Publication Trust, Bihar, India (2013)

Peace, Nature, Selfishness

“We have only one real shot at "liberation," and that is to emancipate ourselves from within. It is the thesis of this book that personal, psychological dependency—the deep wish to be taken care of by others—is the chief force holding women down today. I call this "The Cinderella Complex"—a network of largely repressed attitudes and fears that keeps women in a kind of half-light, retreating from the full use of their minds and creativity. Like Cinderella, women today are still waiting for something external to "transform their lives."”

Colette Dowling (1938)

Source: The Cinderella Complex: Women's Hidden Fear of Independence (1981), p. 31

Women, Books, Fear, Light

“There is a correlation between the creative and the screwball. So we must suffer the screwball gladly.”

L. Ron Hubbard (1911–1986) American science fiction author, philosopher, cult leader, and the founder of the Church of Scientology

Kingman Brewster, Jr.‎.
Misattributed

Suffering

“There is something about human nature that has to be understood, and so … I've shifted my attention from an interest in unity to an interest in creativity.”

Jonas Salk (1914–1995) Inventor of polio vaccine

The Open Mind interview (1985)

Nature

“For the neurotic, the merging of the subconscious and the conscious may be risky, just as it is for the users of drugs. But for the writer who is aware of the way in which this connection exists in reality and nourishes creativity, the sooner he can achieve a synthesis among intellect, emotion, and instinct, the sooner his work will be integrated.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

Way, Reality

“National Socialism like Anti-Semitism glimpses in the Jewish-materialistic spirit the primary root of the evil, but it also knows that this most powerful battle of world-history cannot remain standing in purely negative anti-Semitic demands, therefore the entire national- and economic programme of National Socialism rises far above the certainly ground-breaking but negative anti-Semitic battle by positively giving a creative constructive image of how the National Socialist state of work and performance should look. If this main goal is reached, then the National Socialist Party will be dissolved.”

Gottfried Feder (1883–1941) German economist and politician

Source: The German State on a National and Socialist Foundation (1923), p. 58

World, History, Evil

“You don’t merely give over your creativity to making a film—you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night’s washing-up.”

Daniel Day-Lewis (1957) British-Irish actor

City Limits (London, April 7, 1988).

Life, Night

“Woman was an idol of belly-magic. She seemed to swell and give birth by her own law. From the beginning of time, woman has seemed an uncanny being. Man honored but feared her. She was the black maw that had spat him forth and would devour him anew. Men, bonding together, invented culture as a defense against female nature. Sky-cult was the most sophisticated step in this process, for its switch of the creative locus from earth to sky is a shift from belly-magic to head-magic. And from this defensive head-magic has come the spectacular glory of male civilization, which has lifted woman with it. The very language and logic modern woman uses to assail patriarchal culture were the invention of men.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 9

Men, Fear, Law, Birth

“The courtly person (cortegiano, gentilhomme, gentleman, Hofmann) has gone through a training in self-esteem that expresses itself in many ways: in aristocratically pretentious opinions, in polished or majestic manners, in gallant or heroic patterns of feeling as well as in a selective, aesthetic sensitivity for that which is said to be courtly or pretty. The noble, far removed from any self-doubt, should achieve all this with a complete matter-of-factness. Any uncertainty, any doubt in these things signifies a slackening in the nobility’s cultural “identity.” This class narcissism, which has petrified into a form of life, tolerates no irony, no exception, no slips, because such disturbances would give rise to unwelcome reflections. The French nobles did not turn up their noses at Shakespeare’s “barbarism” without reason. In his plays one already “smells” the human ordinariness of those who want to stand before society as the best.
With the ascendancy of the bourgeoisie, the place of the “best” is awarded anew. The bourgeois ego, in an unprecedented, creative storming to the heights of a new class consciousness won for itself an autonomous narcissism.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 62

Life, Way, Feeling, Personality

“The cookie-cutter education system has failed both genius kids and special-needs children. Status quo stifles creativity.”

Newton Lee American computer scientist

Google It: Total Information Awareness, 2016

Children, Education

“The intrinsic decorative urge should not be eradicated. It is one of humankind's deep-rooted, primordial urges. Primitive people decorated their implements and cult objects with a desire to beautify and enhance.... it is a sense emanating from the urge for perfection and creative accomplishment.”

Sophie Taeuber-Arp (1889–1943) Swiss artist

Quote of 1927, on The Artstory: 'Sophie Taeuber-Arp http://www.theartstory.org/artist-taeuber-arp-sophie.htm, Swiss Multi-media, applied arts, performance artist, and textile designer'

People, Sense, Perfection

“In the early days the Cubists' method of grasping an object was to go round and round it; the futurists declared that one had to get inside it. In my opinion the two views can be reconciled in a poetic cognition of the world. But to the very fact that they appealed to the creative depths in the painter by awakening in him hidden forces which were intuitive and vitalizing, the Futurist theories did more than the Cubist principles to open up unexplored and boundless horizons.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, Letters of the great artists', 1963, p. 248

World

“All of engineering involves some creativity to cover the parts not known, and almost all of science includes some practical engineering to translate the abstractions into practice.”

Richard Hamming (1915–1998) American mathematician and information theorist

The Art of Doing Science and Engineering: Learning to Learn (1991)

Science, Parting

“What I believe is that the age of creative silliness is not past. Virtue, as an economic theorist, does not consist in squeezing the last drop of blood out of assumptions that have come to seem natural because they have been used in a few hundred earlier papers. If a new set of assumptions seems to yield a valuable set of insights, then never mind if they seem strange.”

Paul Krugman (1953) American economist

How I Work (1993)

Age, Nature, Past

“Creativity makes life valuable. Man is the sole creator; he stands out from the swarming masses of petty little folks. It doesn't matter what kind of creativity it is - whether scientific or socio-political - it's of equal value.”

Igor Tamm (1895–1971) Russian physicist

as quoted by [Gennadiĭ Efimovich Gorelik, Antonina W. Bouis, The world of Andrei Sakharov: a Russian physicist's path to freedom, Oxford University Press, 2005, 019515620X, 41]

Life

Quotes about creativity page 8

Quotes about creativity
page 8