“when I listen to Iranian songs, it's like all of these daily releases are made by 1 guy, it is funny when all singers and artists wanna copy another one, it will kill the creativity forever.”

— Big Mori

Source: Skeletaa website https://www.skeletaa.com/post/big-mori-iranian-music-industry-needs-to-be-more-creative interview had done by Jack Sancho, 19 March 2021 <br class="br">Source: Rokna News https://www.rokna.net/%D8%A8%D8%AE%D8%B4-%D9%88%D8%B1%D8%B2%D8%B4%DB%8C-8/673017-%D9%85%D8%B1%D8%AA%D8%B6%DB%8C-%D9%85%D8%B1%D8%A7%D8%AF%DB%8C-%D9%85%D8%B1%D8%AF-%D9%87%D8%B2%D8%A7%D8%B1-%DA%86%D9%87%D8%B1%D9%87-%D9%BE%D8%B1%D9%88%D8%B1%D8%B4-%D8%A7%D9%86%D8%AF%D8%A7%D9%85-%D8%A7%DB%8C%D8%B1%D8%A7%D9%86-%D8%AA%D9%84%D9%81%DB%8C%D9%82-%D9%87%D9%86%D8%B1-%D9%88%D8%B1%D8%B2%D8%B4-%D8%A8%D8%A7-%DA%86%D8%A7%D8%B4%D9%86%DB%8C-%D9%86%D9%88%DB%8C%D8%B3%D9%86%D8%AF%DA%AF%DB%8C-%D9%81%DB%8C%D9%84%D9%85

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Big Mori1

Iranian rapper and athlete 1996

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“I put one on the turntable and when the needle dropped, I was stunned — didn't know if I was stoned or straight… All these songs together, one after another made my head spin. It made me want to gasp. It was like the land parted.”

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“I wanna be drunk when I wake up
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“And all I wanna do is let it be and be with you and watch the wind blow by.
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And all I wanna do is watch the wind blow by.”

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“So when or you or I are made
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“It's hard to be creative and it's also hard not to think what you do is creative or hard not to be called creative because everybody is always talking about that and individuality. Everybody's always creative. And it is so funny when you say things aren't, like the shoe I would draw for an advertisement was called a 'creation', but the drawing of it was not... There are millions of actors. They're all pretty good. And how many painters are there? Millions of painters and all pretty good. How can you say one style is better then another. You ought to be able to be an Abstract-expressionist next week, or a Pop artist, or a realist, without feeling you're given up something.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

“When Siddhartha listened attentively to this river, to the song of a thousand voices; when he did not listen to the sorrow or laughter, when he did not bind his soul to any one particular voice and absorb it in his Self, but heard them all, the whole, the unity; then the great song of a thousand voices consisted of one word: Om — perfection.”

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“I follow the works of Iranian artists even now, sometimes in Paris or in New York and I am happy Iranian artists are still great. Whether they are men or women, they have always been great. Despite all the pressure and censorship inside the country, they haven't been able to stop the creativity of our artists. Some have to work underground, like in cinema, and sometimes their work has political messages, but the number of our artists now has definitely grown in comparison to the past.”

Farah Pahlavi (1938) Empress of Iran

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“Here's a song I made up while I was watching Xena the Warrior Princess with the sound off. It's a fact. I had a secret crush on Xena. It was a secret to me too. I wouldn't admit it. She's pretty fuckin' tough. She has a good yell… she kills the stupid gladiators with the log-trap. Release the log-trap! She releases the log-trap and they all get… crushed. They'd all wanna be with her if they could, but unfortunately they're not on her side. It's a lot better with the sound off. Really, it is. And the song didn't have anything to do with Xena… but… I was about half a bottle through Jameson's… if that makes any sense.”

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“Their piety is as abject as their justice. Am I innocent? I'm guilty. Am I guilty? I'm innocent. (I'm innocent when I'm guilty, guilty when I'm innocent. I'm guilty when … but that is another song. Another song? It's all the same song.) Guilty innocent, innocent guilty, the fact is I quit.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

The Clerk's Vision (1949)
Context: The world stretches out before me, the vast world of the big, the little, and the medium. Universe of kings and presidents and jailors, of mandarins and pariahs and liberators and liberated, of judges and witnesses and the condemned: stars of the first, second, third and nth magnitudes, planets, comets, bodies errant and eccentric or routine and domesticated by the laws of gravity, the subtle laws of falling, all keeping step, all turning slowly or rapidly around a void. Where they claim the central sun lies, the solar being, the hot beam made out of every human gaze, there is nothing but a hole and less than a hole: the eye of a dead fish, the giddy cavity of the eye that falls into itself and looks at itself without seeing. There is nothing with which to fill the hollow center of the whirlwind. The springs are smashed, the foundations collapsed, the visible or invisible bonds that joined one star to another, one body to another, one man to another, are nothing but a tangle of wires and thorns, a jungle of claws and teeth that twist us and chew us and spit us out and chew us again. No one hangs himself by the rope of a physical law. The equations fall tirelessly into themselves.
And in regard to the present matter, if the present matters: I do not belong to the masters. I don't wash my hands of it, but I am not a judge, nor a witness for the prosecution, nor an executioner. I do not torture, interrogate, or suffer interrogation. I do not loudly plead for leniency, nor wish to save myself or anyone else. And for all that I don't do and for all that they do to us, I neither ask forgiveness nor forgive. Their piety is as abject as their justice. Am I innocent? I'm guilty. Am I guilty? I'm innocent. (I'm innocent when I'm guilty, guilty when I'm innocent. I'm guilty when … but that is another song. Another song? It's all the same song.) Guilty innocent, innocent guilty, the fact is I quit.

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

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“when I listen to Iranian songs, it's like all of these daily releases are made by 1 guy, it is funny when all singers and artists wanna copy another one, it will kill the creativity forever.”

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