Quotes about crack
page 3

Colin Wilson photo
Calvin Coolidge photo

“Peace has an economic foundation to which too little attention has been given. No student can doubt that it was to a large extent the economic condition of Europe that drove those overburdened countries headlong into the World War. They were engaged in maintaining competitive armaments. If one country laid the keel of one warship, some other country considered it necessary to lay the keel of two warships. If one country enrolled a regiment, some other country enrolled three regiments. Whole peoples were armed and drilled and trained to the detriment of their industrial life, and charged and taxed and assessed until the burden could no longer be borne. Nations cracked under the load and sought relief from the intolerable pressure by pillaging each other. It was to avoid a repetition of such a catastrophe that our Government proposed and brought to a successful conclusion the Washing- ton Conference for the Limitation of Naval Armaments. We have been altogether desirous of an extension of this principle and for that purpose have sent our delegates to a preliminary conference of nations now sitting at Geneva. Out of that conference we expect some practical results. We believe that other nations ought to join with us in laying aside their suspicions and hatreds sufficiently to agree among themselves upon methods of mutual relief from the necessity of the maintenance of great land and sea forces. This can not be done if we constantly have in mind the resort to war for the redress of wrongs and the enforcement of rights. Europe has the League of Nations. That ought to be able to provide those countries with certain political guaranties which our country does not require. Besides this there is the World Court, which can certainly be used for the determination of all justifiable disputes. We should not underestimate the difficulties of European nations, nor fail to extend to them the highest degree of patience and the most sympathetic consideration. But we can not fail to assert our conviction that they are in great need of further limitation of armaments and our determination to lend them every assistance in the solution of their problems. We have entered the conference with the utmost good faith on our part and in the sincere belief that it represents the utmost good faith on their part. We want to see the problems that are there presented stripped of all technicalities and met and solved in a way that will secure practical results. We stand ready to give our support to every effort that is made in that direction.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Ways to Peace (1926)

Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Anne Morrow Lindbergh photo
Cassandra Clare photo
Hans Arp photo

“the streams buck like rams in a tent
whips crack and from the hills come the crookedly combed
shadows of the shepherds.
black eggs and fools' bells fall from the trees.
thunder drums and kettledrums beat upon the ears of the donkeys.
wings brush against flowers.
fountains spring up in the eyes of the wild boar.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dada poetry lines from his poem 'Der Vogel Selbdritt', Jean / Hans Arp - first published in 1920; as quoted in Gesammelte Gedichte I (transl. Herbert Read), p. 41
1910-20s

Josh Billings photo

“When i see a poor, and proud aristokrat, purtiklar about punktillio, he alwus puts me in mind ov a drunken man, trieing tew walk a crack.”

Josh Billings (1818–1885) American humorist

Josh Billings: His Works, Complete (1873)

Jimmy Hoffa photo

“I let him strain for a couple of seconds. Then like taking candy from a baby, I flipped his arm over and cracked his knuckles on the top of the table. It was strictly no contest and he knew it. But he had to try again. Same results.”

Jimmy Hoffa (1913–1982) American labor leader

Source: Hoffa The Real Story (1975), Chapter 5, The Spoiled Brat, p. 98 (Arm wrestling Robert Kennedy, February 19, 1957, Chevy Chase, Maryland)

David Sedaris photo
Boris Johnson photo
Michelle Obama photo
Neville Chamberlain photo
Van Morrison photo
Kent Hovind photo
Wesley Willis photo

“My mother smokes that crack like a cigar / She had a good time at it / She jacks my brother for dope money / She does this by threatening him with a Smith and Wesson”

Wesley Willis (1963–2003) American singer-songwriter

My Mother Smokes Crack Rocks
Lyrics, Solo
Variant: "I smoke my crack pipe everyday / I have a good time at it / I jack my mother for dope money / I do it by threatening her life with a semi-automatic" - I Smoke Weed

Pierre Schaeffer photo
Michael Savage photo

“I intend to make this day forward the first day of the rest of my life. We can change our lives. You say, 'Well, what's wrong with your life, Michael?' Well, it's not that there's anything wrong with my life, but it's not what I want it to be. I don't feel that I'm inspiring people in the way I want to inspire them. You see, you can inspire through hate; you can inspire through love, hope, humor – the positives. I look at the history of the world, and I look at the world today, and I realize that if we don't inspire each other through positive attributes – love, hope and humor – we're gonna descend into the barbarism of the Left and the barbarism of ISIS. You like me to be hard, you like me to be tough, you like me to give you the breaking news, you like me to be cynical, you like me to analytical, you like me to give you stuff that you don't hear anywhere else – I get that. But there's a limit to that. There's a lot of area beyond all that.I think of Christmas. Christianity is the religion of peace. Christianity is the true religion of peace. 'Turn the other cheek.' 'Do unto others as you would have them do unto you.' These are messages that come from Christianity. What can you do in an age of deceit and lies and terror? You can go to church again. However un-needing you think you really are, you know in your heart that there's something missing in you. You know that you crave something greater. Because the human being is not a dog. We are unique creatures. And we need something different than the bear, the dog, the snake and the eagle. What is that thing that we need? It's that 'thing' called God.The media has promulgated the idea, and promoted the idea, that we only need food and fornication. And so when people are empty that's what they seek. And when they are really empty, what happens? They become drug addicts. They start with marijuana, they end up with heroin, crack, you name it. As God has been driven out of America, drugs have entered America. What does an empty soul look to do? An empty soul looks to fill itself. Just as an empty vessel needs to be filled with a liquid to be complete, an empty human being needs to fill itself to be complete. And how does it fill itself? I know, again, many of you will laugh because you're cynical; it's through those things I'm talking about – inspiration. Do you think a musician can play one day without inspiration from somewhere? The greatest artists in the history of the world were not drug-addicts. They were usually God-addicts. Look at the greatest art in history, you'll find most of them were super religious people, who literally saw God in their living room, and they took the power of God and that was transmitted through the paintbrush, or through that piece of marble. How could a man like Rodin take a piece of inert stone, and inside that stone see the essence of the human form, and sculpt from that block of inert stone, a marble, the portrait of a human being that looks so real – a hundred years later I go and look at them in the museum, and literally inside that carved eye I can see the person; how is that possible? How? It's a different show than I've ever done in my 21 years, because each day to me – I must tell you – I see as my last day, my last day on Earth.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

The Savage Nation (1995- ), 2015

Ian Fleming photo
Russell Brand photo
John Fante photo
Nancy Reagan photo
E. B. White photo

“A despot doesn't fear eloquent writers preaching freedom — he fears a drunken poet who may crack a joke that will take hold.”

E. B. White (1899–1985) American writer

Salt Water Farm http://books.google.com/books?id=njRHAAAAYAAJ&q=%22A+despot+doesn't+fear+eloquent+writers+preaching+freedom+he+fears+a+drunken+poet+who+may+crack+a+joke+that+will+take+hold%22&pg=PA52#v=onepage
One Man's Meat (1942)

T.S. Eliot photo
Thom Yorke photo

“I am fused, just in case I blow out. I am glued, just in case I crack out.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

"Blow Out"
Lyrics, Pablo Honey (1993)

Robert Frost photo
Robert Smith (musician) photo
Donald Barthelme photo
Edward Hopper photo
Christopher Titus photo

“I don't think a man should EVER hit a woman….. until the 5th time she cracks him in the face.”

Christopher Titus (1964) actor, writer, podcaster

Norman Rockwell is Bleeding (2004)

Oliver Wendell Holmes photo

“You think they are crusaders sent
From some infernal clime,
To pluck the eyes of sentiment
And dock the tail of Rhyme,
To crack the voice of Melody
And break the legs of Time.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Music Grinders; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Ron Paul photo
Nick Cave photo
Anthony Burgess photo
Karl Pilkington photo

“If there's one thing we haven't cracked yet in human civilsation, we've never been able to make a good wig. I wouldn't want a wig on me.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

The Moaning of Life, General Quotes

Vitruvius photo
George Eliot photo

“... "there's allays two 'pinions; there's the 'pinion a man has of himsen, and there's the 'pinion other folks have on him. There'd be two 'pinions about a cracked bell, if the bell could hear itself."”

George Eliot (1819–1880) English novelist, journalist and translator

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 6 (at page 48)

Tim Powers photo
Talib Kweli photo
William Carlos Williams photo

“In actual fact, the female function is to explore, discover, invent, solve problems crack jokes, make music - all with love. In other words, create a magic world.”

Valerie Solanas (1936–1988) American radical feminist and writer. Attempted to assassinate Andy Warhol.

Source: SCUM MANIFESTO (1967), p. 6.

Sinclair Lewis photo
Fannie Lou Hamer photo

“With the people, for the people, by the people. I crack up when I hear it; I say, with the handful, for the handful, by the handful, 'cause that's what really happens.”

Fannie Lou Hamer (1917–1977) American civil rights activist (October 6, 1917 – March 14, 1977)

As quoted in This Little Light of Mine, ch. 8, by Hay Mills (1993).

Orson Scott Card photo
Charles Taze Russell photo
Andrew Vachss photo
Adam Schiff photo
Charles Olson photo
Noel Gallagher photo
John Green photo
Halldór Laxness photo
Emilio Insolera photo
Janeane Garofalo photo

“I guess I just prefer to see the dark side of things. The glass is always half empty. And cracked. And I just cut my lip on it. And chipped a tooth.”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance accessible through .WAV files available on the Internet[citation needed]
Standup routines

Anthony Burgess photo
Max Beckmann photo

“Yesterday we came across a cemetery that had been completely destroyed by shellfire. The graves had been blown up, and the coffins lay about in the most uncomfortable positions. The shells had unceremoniously exposed their distinguished occupants to the light of day, and bones, hair, and bits of clothing could be seen through cracks in the burst-open coffins.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

letter to his first wife Minna, from the front, 1915; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 14
1900s - 1920s

Francis Escudero photo
Michelle Obama photo
Bono photo

“Some people got high rises on their backs.
I'm not broke but you can see the cracks.
You can make me perfect again.
All because of you
I am.”

Bono (1960) Irish rock musician, singer of U2

"All Because of You"
Lyrics, How to Dismantle an Atomic Bomb (2004)

Pete Doherty photo
Theodor Mommsen photo

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Hugh Laurie photo
Gloria Estefan photo

“My foundation trys to help people that fall through the cracks, [people] that can't get help from big organizations.... We try to fill in where [other] people don't help out.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Source: CNN's Showbiz Tonight (October 27, 2005)

Sarah Silverman photo

“I'm so glad Courtney Love is here; I left my crack in my other purse.”

Sarah Silverman (1970) American comedian and actress

To Courtney Love on her Comedy Central Roast of Pamela Anderson (14 August 2005)

Sarah Palin photo
Gloria Estefan photo
John Fante photo
Charles, Prince of Wales photo
Bill Hicks photo
Vitruvius photo
Sri Aurobindo photo
Bram van Velde photo

“They make you and you have no say in it. It’s w:Godot all the time. A chain around your neck and the whip cracking behind you.”

Bram van Velde (1895–1981) Dutch painter

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Yevgeny Yevtushenko photo

“My dear friend Yevtushenko has, I claim, an ego that can crack crystal at a distance of twenty feet.”

Yevgeny Yevtushenko (1932–2017) Russian poet, film director, teacher

John Cheever, in George Plimpton (ed.) Writers at Work: The Paris Review Interviews, Fifth Series (New York: Penguin, 1981) p. 121.
Criticism

Chris Rock photo

“Do you know what the good side of crack is? If you're up at the right hour, you can get a VCR for $1.50. You can furnish your whole house for $10.95.”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

Bring the Pain (HBO, 1996)

Gloria Estefan photo
Phil Ochs photo

“The painter paints his brushes black
Through the canvas runs a crack
Portrait of the pain never answers back.”

Phil Ochs (1940–1976) American protest singer and songwriter

"The Flower Lady" http://web.cecs.pdx.edu/~trent/ochs/lyrics/flower-lady.html
Pleasures of the Harbor (1967)

Kathy Griffin photo
Hillary Clinton photo

“Although we weren't able to shatter that highest, hardest glass ceiling this time, thanks to you, it's got about 18 million cracks in it.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Concession speech http://www.nationalpost.com/news/story.html?id=572270, Washington D.C., June 7, 2008.
Presidential campaign (January 20, 2007 – 2008)

Roberto Mangabeira Unger photo

“The extreme moment of shock in battle presents in heightened and distorted form some of the distinctive characteristics of a whole society involved in war. These characteristics in turn represent a heightening and distortion of many of the traits of a social world cracked open by transformative politics. The threats to survival are immediate and shifting; no mode of association or activity can be held fixed if it stands as an obstacle to success. The existence of stable boundaries between passionate and calculating relationships disappears in the terror of the struggle. All settled ties and preconceptions shake or collapse under the weight of fear, violence, and surprise. What the experience of combat sharply diminishes is the sense of variety in the opportunities of self-expression and attachment, the value given to the bonds of community and to life itself, the chance for reflective withdrawal and for love. In all these ways, it is a deformed expression of the circumstance of society shaken up and restored to indefinition. Yet the features of this circumstance that the battle situation does share often suffice to make the boldest associative experiments seem acceptable in battle even if they depart sharply from the tenor of life in the surrounding society. Vanguardist warfare is the extreme case. It is the response of unprejudiced intelligence and organized collaboration to violence and contingency.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), p. 160

John Fante photo
Georgia O'Keeffe photo
Philip Roth photo
Pat Cadigan photo
George Chapman photo
Ralph Waldo Emerson photo

“Talents differ; all is well and wisely put;
If I cannot carry forests on my back,
Neither can you crack a nut.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Fable
1840s, Poems (1847)

Nick Cave photo

“The mo-o-o-on, its huge cycloptic eye,
Watches the city streets contract, twist and cripple and crack.”

Nick Cave (1957) Australian musician

Song lyrics, From Her to Eternity (1984), Saint Huck

Mike Scott photo
Mos Def photo

“Hip-Hop went from selling crack to smoking it”

Mos Def (1973) American rapper and actor

From "Hip-Hop"
Album Black On Both Sides

Elliott Smith photo
E. B. White photo
John Fante photo
Bill Bryson photo
John Sloan photo
W. H. Auden photo
George W. Bush photo
Elliott Smith photo

“I met a girl, snowball in hell she was hard and as cracked as the liberty bell.<BR”

Elliott Smith (1969–2003) American singer-songwriter

Don't Go Down.
Lyrics, From a Basement on the Hill (posthumous, 2004)