Quotes about cottage

A collection of quotes on the topic of cottage, likeness, making, life.

Quotes about cottage

Bob Marley photo
Claude Monet photo
George Orwell photo

“That rifle on the wall of the labourer's cottage or working class flat is the symbol of democracy. It is our job to see that it stays there.”

George Orwell (1903–1950) English author and journalist

"Don't Let Colonel Blimp Ruin the Home Guard" article for the Evening Standard, 8 January 1941
Context: Even as it stands, the Home Guard could only exist in a country where men feel themselves free. The totalitarian states can do great things, but there is one thing they cannot do: they cannot give the factory-worker a rifle and tell him to take it home and keep it in his bedroom. THAT RIFLE HANGING ON THE WALL OF THE WORKING-CLASS FLAT OR LABOURER'S COTTAGE, IS THE SYMBOL OF DEMOCRACY. IT IS OUR JOB TO SEE THAT IT STAYS THERE.

Andrzej Sapkowski photo
Derek Landy photo
Tamora Pierce photo
Benjamin Disraeli photo

“The palace is not safe, when the cottage is not happy.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Speech to Wynyard Horticultural Show (1848), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume II. 1860–1881 (London: John Murray, 1929), p. 709.
1840s

Gulzarilal Nanda photo
John Howard Payne photo

“An exile from home splendour dazzles in vain,
Oh give me my lowly thatched cottage again;
The birds singing gayly, that came at my call,
Give me them, and that peace of mind dearer than all.”

John Howard Payne (1791–1852) American actor and writer

Home, Sweet Home (1822), from the opera of "Clari, the Maid of Milan", reported in Bartlett's Familiar Quotations, 10th ed. (1919).

William Shakespeare photo
Alfred Denning, Baron Denning photo
Frank Zappa photo
José Ortega Y Gasset photo

“The city is not built, as is the cottage or the domus, to shelter from the weather and to propagate the species — these are personal, family concerns — but in order to discuss public affairs.”

Source: The Revolt of the Masses (1929), Chapter XIV: Who Rules The World?
Context: Greeks and Latins appear in history lodged, like bees in their hives, within cities, poleis. … The polis is not primarily a collection of habitable dwellings, but a meeting-place for citizens, a space set apart for public functions. The city is not built, as is the cottage or the domus, to shelter from the weather and to propagate the species — these are personal, family concerns — but in order to discuss public affairs. … The man of the fields is still a sort of vegetable. His existence, all that he feels, thinks, wishes for, preserves the listless drowsiness in which the plant lives. The great civilisations of Asia and Africa were, from this point of view, huge anthropomorphic vegetations. …Socrates, the great townsman, quintessence of the spirit of the polis, can say: "I have nothing to do with the trees of the field, I have to do only with the man of the city." What has ever been known of this by the Hindu, the Persian, the Chinese, or the Egyptian?

Thomas Jefferson photo
George MacDonald photo
Allen Ginsberg photo
Cassandra Clare photo
Tom Robbins photo
Robert Southey photo

“It was a summer evening,
Old Kaspar's work was done,
And he before his cottage door
Was sitting in the sun,
And by him sported on the green
His little grandchild Wilhelmine.”

Robert Southey (1774–1843) British poet

St. 1.
The Battle of Blenheim http://www.poetry-archive.com/s/the_battle_of_blenheim.html (1798)

Kazimir Malevich photo

“Papuans bored, but
Cottage second-class
Ticket. Park. Arch.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Kazimir Malevich, Jan. 1916, from his letter to Mikhail Matiushin; private archive, Frankfurt (transl. Todd Bludeau); as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 26
Malevich' example of the new poetic structures (the 3 lines loosely match his painting 'Stantsiia bez ostanovki Kuntsevo' (Through Station: Kuntsevo), 1913)
1910 - 1920

William Pitt, 1st Earl of Chatham photo
John Ruskin photo
Louis Bromfield photo
Clive Staples Lewis photo
Jean-Baptiste-Camille Corot photo
Charles Mackay photo

“Cleon hath a million acres,— ne’er a one have I;
Cleon dwelleth in a palace, — in a cottage I.”

Charles Mackay (1814–1889) British writer

"Cleon and I".
Legends of the Isles and Other Poems (1851)

Annie Proulx photo
Maria Mitchell photo

“An English village could never be mistaken for an American one: the outline against the sky differs; a thatched cottage makes a very wavy line on the blue above.”

Maria Mitchell (1818–1889) American astronomer

Maria Mitchell: Life, Letters and Journals (illustrated) by Maria Mitchell, 1896 http://pinetreeweb.com/bp-admiral.htm.

Dhyan Chand photo
Bruno Schulz photo
Donovan photo
Amir Taheri photo
Stephen King photo
Theo van Doesburg photo

“In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'The will to Style', in Dutch art-magazine De Stijl February-March 1922; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 123
1920 – 1926

John Ogilby photo

“When they and Venus to his cottage came,
For lust-rewards prefer'd the Cyprian dame.”

John Ogilby (1600–1676) Scottish academic

Book XXIV; the Judgement of Paris.
Homer His Iliads Translated (1660)

Halldór Laxness photo
Edmund Waller photo

“The soul's dark cottage, battered and decayed,
Lets in new light through chinks that Time has made;
Stronger by weakness, wiser, men become
As they draw near to their eternal home.
Leaving the old, both worlds at once they view,
That stand upon the threshold of the new.”

Edmund Waller (1606–1687) English poet and politician

On the Divine Poems (1686). Compare: "To vanish in the chinks that Time has made", Samuel Rogers, Pæstum; "As that the walls worn thin, permit the mind
Poetical Works of Edmund Waller and Sir John Denham (1857)

John Dryden photo

“My next desire is, void of care and strife,
To lead a soft, secure, inglorious life:
A country cottage near a crystal flood,
A winding valley, and a lofty wood.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Georgic II, lines 688–691.
The Works of Virgil (1697)

Park Benjamin, Sr. photo
Thomas Moore photo
Cyrano de Bergerac photo
Vincent Van Gogh photo
William Pitt, 1st Earl of Chatham photo

“The poorest man may in his cottage bid defiance to all the forces of the Crown. It may be frail — its roof may shake — the wind may blow through it — the storm may enter — the rain may enter — but the King of England cannot enter — all his force dares not cross the threshold of the ruined tenement!”

William Pitt, 1st Earl of Chatham (1708–1778) British politician

Speech on the Excise Bill, House of Commons (March 1763), quoted in Lord Brougham, Historical Sketches of Statesmen Who Flourished in the Time of George III (1855), I, p. 42.
repeated by Brennan, J., MILLER v. UNITED STATES, 357 U.S. 301 (1958) http://caselaw.lp.findlaw.com/scripts/getcase.pl?court=US&vol=357&invol=301
repeated by Alfred Denning, Baron Denning, Southam v Smout [1964] 1 QB 308 at 320.

Herbert Hoover photo
Samuel Johnson photo
John Bright photo
Alfred Horsley Hinton photo

“We know the mountain peaks are lofty, and we think of them so, and we mentally enlarge them, but not the cottage at their foot, or the trees half way up.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, The use of the lens in pictorial work, p. 57

Robert Southey photo

“He passed a cottage with a double coach-house,
A cottage of gentility;
And he owned with a grin
That his favorite sin
Is pride that apes humility.”

Robert Southey (1774–1843) British poet

St. 8. Compare: "And the Devil did grin, for his darling sin / Is pride that apes humility", Samuel Taylor Coleridge, The Devil's Thoughts.
The Devil's Walk http://www.rc.umd.edu/editions/shelley/devil/devil.rs1860.html (1799)

Stanisław Leszczyński photo

“Can princes born in palaces be sensible of the misery of those who dwell in cottages?”

Stanisław Leszczyński (1677–1766) king of Poland

No. 56.
Maxims and Moral Sentences

Adolf Eichmann photo

“The war with the Soviet Union began in June 1941, I think. And I believe it was two months later, or maybe three, that Heydrich sent for me. I reported. He said to me: "The Führer has ordered physical extermination." These were his words. And as though wanting to test their effect on me, he made a long pause, which was not at all his way. I can still remember that. In the first moment, I didn't grasp the implications, because he chose his words so carefully. But then I understood. I didn't say anything, what could I say? Because I'd never thought of a … of such a thing, of that sort of violent solution. … Anyway, Heydrich said: "Go and see Globocnik, the Führer has already given him instructions. Take a look and see how he's getting on with his program. I believe he's using Russian anti-tank trenches for exterminating the Jews." As ordered, I went to Lublin, located the headquarters of SS and Police Commander Globocnik, and reported to the Gruppenführer. I told him Heydrich had sent me, because the Führer had ordered the physical extermination of the Jews. … Globocnik sent for a certain Sturmbannführer Höfle, who must have been a member of his staff. We went from Lublin to, I don't remember what the place was called, I get them mixed up, I couldn't say if it was Treblinka or some other place. There were patches of woods, sort of, and the road passed through — a Polish highway. On the right side of the road there was an ordinary house, that's where the men who worked there lived. A captain of the Ordnungspolizei welcomed us. A few workmen were still there. The captain, which surprised me, had taken off his jacket and rolled up his sleeves, somehow he seemed to have joined in the work. They were building little wooden shacks, two, maybe three of them; they looked like two- or three-room cottages. Höfle told the police captain to explain the installation to me. And then he started in. He had a, well, let's say, a vulgar, uncultivated voice. Maybe he drank. He spoke some dialect from the southwestern corner of Germany, and he told me how he had made everything airtight. It seems they were going to hook up a Russian submarine engine and pipe the exhaust into the houses and the Jews inside would be poisoned.
I was horrified. My nerves aren't strong enough … I can't listen to such things… such things, without their affecting me. Even today, if I see someone with a deep cut, I have to look away. I could never have been a doctor. I still remember how I visualized the scene and began to tremble, as if I'd been through something, some terrible experience. The kind of thing that happens sometimes and afterwards you start to shake. Then I went to Berlin and reported to the head of the Security Police.”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

Source: Eichmann Interrogated (1983), p. 75 - 76.

Tao Yuanming photo
Melinda M. Snodgrass photo
John Bright photo
Letitia Elizabeth Landon photo

“[After]
Burnt to the dust, an ashy heap
Was every cottage round;—
I listened, but I could not hear
One single human sound:”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Glencoe from The London Literary Gazette (12th July 1823)
The Vow of the Peacock (1835)

Gulzarilal Nanda photo
Paramahansa Yogananda photo
Halldór Laxness photo
John McCain photo
Oliver Goldsmith photo
Robert Hunter (author) photo
Halldór Laxness photo
Aemilia Lanyer photo
James Burke (science historian) photo
Sting photo

“Many miles away there's a shadow on the door
Of a cottage on the shore
Of a dark Scottish lake”

Sting (1951) English musician

"Synchronicity II"
Synchronicity (1983)
Context: Daddy grips the wheel and stares alone into the distance
He knows that something somewhere has to break
He sees the family home now, looming in his headlights
The pain upstairs that makes his eyeballs ache
Many miles away there's a shadow on the door
Of a cottage on the shore
Of a dark Scottish lake

Nicolas Chamfort photo

“Petty souls are more susceptible to ambition than great ones, just as straw or thatched cottages burn more easily than palaces.”

Nicolas Chamfort (1741–1794) French writer

L'ambition prend aux petites âmes plus facilement qu'aux grandes, comme le feu prend plus aisément à la paille, aux chaumières qu'aux palais.
Maximes et Pensées, #68
Reflections

Michael Witzel photo

“Given the scholarly inclinations among the expatriate communities in North America we may expect a slew of new interpretations, in fact, a whole new cottage industry. Their impact will appear especially on the internet.”

Michael Witzel (1943) German-American philologist

Witzel, M. N. Jha and N.S. Rajaram, The deciphered Indus script. Methodology, readings, interpretation. (2000) http://www.people.fas.harvard.edu/~witzel/R&J.htm

Alfred Denning, Baron Denning photo
Thomas Babington Macaulay, 1st Baron Macaulay photo