Quotes about composer
page 4

“It is fitting that a discourse on Romantic music should commence with a meditation on the art of Bach. The Bach revival is still sometimes considered an early nineteenth-century phenomenon, although this is hardly tenable: in the 1780s Mozart was deeply affected by Bach, and at the same time Beethoven was being brought up on the Well-Tempered Keyboard. Bach was well known to European musicians as a composer of keyboard music through manuscript copies of this work long before systematic publication began in 1800. The "revival" of Bach in the Romantic period was basically a rediscovery of his choral works and a new evaluation of his technique: his art was no longer simply a model for the fugue, as it had been in the eyes of Mozart, but for the art of music as a whole. The new approach to Bach and to Baroque music in general, however, did not extend to the sound of that music on the original instruments. Few musicians in the 1820s and '30s 'had the slightest interest in the sonority of old harpsichords or Baroque organs (Ignaz Moscheles was an engaging exception). What they saw, and needed to see, in Bach was the achievement of an ideal.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Art, Music, Time

“(Continued) The ironic thing is that my original goal in life was to be in a famous band, tour the world and sell millions of albums. Although that didn't quite happen, I got something else just as gratifying. Instead of being in a famous band, I gained some fame in the industry as a game composer. Instead of touring the world, I receive fan mail from around the world. Instead of selling millions of albums, my music is on millions of games! And I sell enough of my own albums that allows me to keep releasing them. So in a different way, I kind of got what I wanted after all. And I'm more than happy with that. The most fulfilling part of it is that I feel I contributed something that mattered to a significant number of people, and more importantly, I got to be a part of projects that mattered a lot to my life personally, like Star Wars!”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

Life, War, Happiness, People

“It is not certain whether Pāṇini used writing for the composition of his work, though it is generally agreed that he knew of a form of writing, based on references to words such as "script" and "scribe" in his Ashtadhyayi. These must have referred to Aramaic or early Kharosthi writing. It is believed by some that a work of such complexity would have been difficult to compile without written notes, though others have argued that he might have composed it with the help of a group of students whose memories served him as 'notepads' (as is typical in Vedic learning). Writing first reappears in India in the form of the Brāhmī script from the 3rd century BC in the Ashokan inscriptions.”

Pāṇini ancient Sanskrit grammarian

An Analytical Study of 'Sanskrit' and 'Panini' as Foundation of Speech Communication in India and the World

Learning, Memory, Help

“Sultãn Fîrûz Shãh composed a book also in which he compiled an account of his reign and which he named Futuhãt-i-Fîrûz Shãhî…“He writes in its second chapter… ‘Muslim and infidel women used to visit sepulchres and temples, which led to many evils. I stopped it. I got mosques built in place of temples’…”

Nizamuddin Ahmad (1551–1594) historian

Sultãn Fîrûz Shãh Tughlaq (AD 1351-1388)
Tabqãt-i-Akharî

Women, Books, Evil

“Alas, our noble men of genius, Heaven's real messengers to us, they also rendered nearly futile by the wasteful time;—preappointed they everywhere, and assiduously trained by all their pedagogues and monitors, to "rise in Parliament," to compose orations, write books, or in short speak words, for the approval of reviewers; instead of doing real kingly work to be approved of by the gods!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), The Present Time (February 1, 1850)

Men, God, Books, Time

“Compose aloud: poetry is a sound.”

Basil Bunting (1900–1985) Poet

I SUGGEST Advice to Young Poets

“Of the sixteen chapters which compose it, there are fifteen wholly employed in detecting the fallacy and ridicule to be found in the objects of human passions and inclinations, and in demolishing such obstacles as at first weaken, and afterwards extinguish, any knowledge of God in mankind;
Therefore, these chapters are merely preparatory to the sixteenth and last, wherein atheism is attacked, and perhaps routed, wherein the proofs of a God, such at least as weak man is capable of receiving, are produced; wherein the providence of God is defended against the insults and complaints of free-thinkers.”

Jean de La Bruyère book Les Caractères

On the purpose of writing Les Carácteres, Preface to La Bruyere's "Characters," p. v
Les Caractères (1688)

God, Knowledge, Passion

“There shall be created in the National Military Establishment an advisory committee to be known as the President's Committee on Equality of Treatment and Opportunity in the Armed Services, which shall be composed of seven members to be designated by the President.”

Harry Truman (1884–1972) American politician, 33rd president of the United States (in office from 1945 to 1953)

Executive Order 9981 (1948)

“Never compose anything unless the not composing of it becomes a positive nuisance to you.”

Gustav Holst (1874–1934) English composer

Cited in Imogen Holst The Music of Gustav Holst (1951) p. 73 as "His favourite piece of advice".

“It is for the philosophic student to trace the train of thought which underlies the magicians practice; to draw out the few simple threads of which the tangled skein is composed; to disengage the abstract principles from their concrete applications; in short, to discern the spurious science from the bastard art.”

James Frazer book The Golden Bough

Source: The Golden Bough (1890), Chapter 3, Sympathetic Magic.

Art, Science, Drawing, Training

“We wince at the brutality of parents who ship their young kids around to perform for adults at the expense of their childhood — but, then, that was Mozart’s childhood, and though by the end Mozart may have wished for less attention as a kid performer and more as a grownup composer, he never for a moment wished not to be Mozart.”

Adam Gopnik (1956) American journalist

How to Raise a Prodigy, The New Yorker (2018)

Parent, Childhood

“Whatever became of Kurt Schwitters' novel 'Franz Müllers Drahtfrühling' [Franz Müller's Wire Spring] several chapters of which we composed together? Is it buried under the bomb ruins of his house on Waldhausenstrasse in Hannover? For hours, Schwitters and I sat together and spun dialogue, in rhapsody. He took these writings and channeled them into his novel…We sat together again, writing 'Franz Müllers Drahtfrühling':
H. A.: The nightingales have had enough of your hymnal Karagösen. Play violin on parrots, but avoid the women red hood ans snow widow.
K. Schw.: Should I pe-trify something for you? Or would you like play cry together?
H. A.: Should we wash our tears or drown them?
K. Schw.: You are a sipsnipper, Since when do your diamonds bark?
H. A.: The water is getting hard. A fruit cries out loud and gives birth to a fish.
K. Schw.: I'll p-ut it in the sea, or should I st-ab you with it?”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dialogue between Hans Arp and Kurt Schwitters, (1956) with introduction in: Franz Müllers Drahtfrühling-- Memories of Kurt Schwitters; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, 2000, pp. 139-140
1950s

Women, Spring, Birth, Fish

“Slowly his eyes left my hair and traveled downwards. This time he really took in my outfit and then that Look that I’m always encountering; that special one composed in equal parts of amusement, astonishment and horror came over his face.
I am not a moron and I can generally guess what causes this look. The trouble is, it’s always something different.
I squirmed uncomfortably, feeling his eyes bearing down on my bare shoulders and breasts.
"What the hell are you doing in the middle of the morning with an evening dress on?” he asked me finally.
"Sorry about that,” I said quickly, "but it’s all I’ve got to wear. My laundry hasn’t come back yet.””

Elaine Dundy (1921–2008) American journalist, actress

Part One, One
The Dud Avocado (1958)

Travel, Feeling, Hell, Time

“The world of Debussy is a seductive oasis, and it is hard to leave it after spending many days immersed in its atmosphere. Playing Debussy-or any other composer with a strong and idiosyncratic personality-affects not only one's cast of mind but the physical disposition as well, the way the muscles work and the fingers come into contact with the ivories.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 2 Listening to the Sound of the Piano

World, Way, Strong, Personality

“The Rigveda stated that the earth was a …globe suspended freely in space. The Vedic texts disclosed that the Sun held the earth and heavenly bodies in its orbit. The Shatapatha Brahmana, a treatise of untold antiquity, recognized and explained the fact that the earth was spherical.. Aryabhata explained the daily rising and setting of planets and stars in terms of the earth’s constant revolutionary motion. The Surya Siddhantha said that the earth, owing to its gravitational force draw all things to itself. In physics, the thinker Kanada, explained light and heat as different aspects of the same element, thus anticipating Clarke Maxwell's Electro-magnetic Theory, which unified different forms of radiant energy. Sankaracharya, in his Advaita thought expanded the concept of unity of matter and energy. Vacaspati recognized light as composed of minute particles emitted by substances, anticipating Newton’s Corpuscular Theory of Light and the later discovery of the Photon. In Botany, Sankara Mishra and Kanada have discussed the circulation of sap in the Plant and the Santiparva of Mahabharata has clearly stated that the plants develop on the strength of nutrients made through interaction of sunlight and materials obtained from the air and ground. Bhaskarcharya's concept of Differential Calculus preceded Newton by many centuries. His study of time identified Truti: The 3400th part of a second as the unit of time.”

Shankar Dayal Sharma (1918–1999) Indian politician

He has rightly brought out the rationality and application of Sanskrit literature in diverse fields <br class="br">Source: Aruna Goel Good Governance and Ancient Sanskrit Literature http://books.google.co.in/books?id=El_VADF13pUC&pg=PA16, Deep and Deep Publications, 1 January 2003, p. 16-17

Star, Study, Light, Time

“In writing Newton's biography, I have attempted, in accordance with my understanding of biography as a literary form, to avoid composing an essay on Newtonian science. At the same time I have sought to make Newton the scientist the central character of my drama.”

Richard S. Westfall (1924–1996) American historian

Preface
Never at Rest (1980)

Understanding, Science, Time

“The Soul is not composed of any materials. It is unity indivisible. Therefore it must be indestructible.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Soul

“After reading and considering the works of Babhravya and other ancient authors, and thinking over the meaning of the rules given by them, this treatise [Kama Sutra] was composed, according to the precepts of the Holy Writ, for the benefit of the world,… while leading the life of a religious student at Benares, and wholly engaged in the contemplation of the Deity. This work is not to be used merely as an instrument for satisfying our desires…”

Vātsyāyana Indian logician

Source: Richard F. Burton The Kama Sutra of Vatsyayana http://books.google.com/books?id=p7dW_kmUX_wC&pg=PA12, WingSpan Press, 1 February 2009, p. 12

Life, World, Thinking, Reading

“Asjadi composed the following qaSida in honour of this expedition: When the King of kings marched to Somnat, He made his own deeds the standard of miracles' 'Once more he led his army against Somnat, which is a large city on the coast of the ocean, a place of worship of the Brahmans who worship a large idol. There are many golden idols there. Although certain historians have called this idol Manat, and say that it is the identical idol which Arab idolaters brought to the coast of Hindustan in the time of the Lord of the Missive (may the blessings and peace of God be upon him), this story has no foundation because the Brahmans of India firmly believe that this idol has been in that place since the time of Kishan, that is to say four thousand years and a fraction' The reason for this mistake must surely be the resemblance in name, and nothing else' The fort was taken and Mahmud broke the idol in fragments and sent it to Ghaznin, where it was placed at the door of the Jama' Masjid and trodden under foot.'….'In the year AH 402 (AD 1011) he set out for Thanesar and Jaipal, the son of the former Jaipal, offered him a present of fifty elephants and much treasure. The Sultan, however, was not to be deterred from his purpose; so he refused to accept his present, and seeing Thanesar empty he sacked it and destroyed its idol temples, and took away to Ghaznin, the idol known as Chakarsum on account of which the Hindus had been ruined; and having placed it in his court, caused it to be trampled under foot by the people… From thence he went to Mathra (Mathura) which is a place of worship of the infidels and the birthplace of Kishan, the son of Basudev, whom the Hindus Worship as a divinity - where there are idol temples without number, and took it without any contest and razed it to the ground. Great wealth and booty fell into the hands of the Muslims, among the rest they broke up by the orders of the Sultan, a golden idol.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Muntakhabut-Tawarikh, translated into English by George S.A. Ranking, Patna Reprint 1973, Vol. I, p. 17-28
Quotes from Muslim medieval histories

God, People, Peace, Time

“And I'm not saying that television is vulgar and dumb because the people who compose Audience are vulgar and dumb. Television is the way it is simply because people tend to be extremely similar in their vulgar and prurient and dumb interests and wildly different in their refined and aesthetic and noble interests.”

David Foster Wallace (1962–2008) American fiction writer and essayist

E Unibus Pluram: Television and U.S. Fiction
Essays

People, Way

“To approach Chopin, you have to separate him completely from Schumann. Schumann admired Chopin very much and saw him as friend, but - what only few people know - Chopin himself had much less interest in and esteem for Schumann. In detail: Schumann’s works follow on from a transitional period determined by the successors of Viennese Classicism, particularly Beethoven. Just as the sons of Bach espoused the ‘galant,’ ornamented style of their generation, so the pupils of Mozart and Beethoven - Hummel, Ries, Czerny, Moscheles - took pains to compensate for a thinner musical substance with increased instrumental brilliance and thus prepared the ground for the golden age of the piano and the era of the Romantic virtuoso. Among the multitude of composers writing for the piano at that time, only two - Weber and Schubert - stand out as original creative forces.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Pain, People, Age, Music

“In nations composed of both cultured and uncultured elements, the uncultured will govern because it is their habit to attack and resolve doubts with their fists in cases where the cultured have failed in the art of governing. The uncultured masses are lazy and timid in the realm of intelligence, and they want to be governed well. But if the government hurts them, they shake it off and govern themselves.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Our America (1881)

Art, Intelligence, Hurt

“Though its fame is much restricted by its specialized nature, there is no doubt that Panini's grammar is one of the greatest intellectual achievements of any ancient civilization, and the most detailed and scientific grammar composed before the 19th century in any part of the world.”

Pāṇini ancient Sanskrit grammarian

Professor A. L. Basham in: Daya Kishan Thussu Communicating India's Soft Power: Buddha to Bollywood https://books.google.co.in/books?id=Ab_QAQAAQBAJ&pg=PA47, Palgrave Macmillan, 24 October 2013, p. 47.

World, Nature, Parting

“It is a base thing for the countenance to be obedient and to regulate and compose itself as the mind commands, and for the mind not to be regulated and composed by itself.”

Marcus Aurelius book Meditations

VII, 37
Meditations (c. 121–180 AD), Book VII

“Even sticking to the higher plane of love, is it so very obvious that you can't love more than one person? We seem to manage it with parental love (parents are reproached if they don't at least pretend to love all their children equally), love of books, of food, of wine (love of Chateau Margaux does not preclude love of a fine Hock, and we don't feel unfaithful to the red when we dally with the white), love of composers, poets, holiday beaches, friends... why is erotic love the one exception that everybody instantly acknowledges without even thinking about it?”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Banishing the Green-Eyed Monster http://newsweek.washingtonpost.com/onfaith/panelists/richard_dawkins/2007/11/banishing_the_greeneyed_monste.html, November 2007.

Love, Children, Books, Unfaithfulness

“Herz, Thalberg, Heller, Felicien David and others were great virtuosos of their time, more famous than Chopin himself. They had their own personal styles, but the essence of their music was time-bound, nothing that could occupy generations after them. Chopin, in contrast, was someone special, someone who was completely different from all other artists, composers, and pianists. So too with his style. As a result, the aesthetic in approaching Chopin is distinctive: interpreting his music is the most difficult of all. For me personally, it’s the crowning of playing piano. Bach, Mozart, Chopin: these are the three who definitely created musical art in an all-embracing and overwhelming way.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Art, Music, Way, Time

“I have divided [the different sections of mankind] into three classes. The first, to which you and I have the honour to belong, marches under the banner of the progress of the human mind. It is composed of scientists, artists and all those who hold liberal ideas. On the banner of the second is written 'No innovation!' All proprietors who do not belong in the first category are part of the second. The third class, which rallies round the slogan of 'Equality' is made up of the rest of the people.”

Henri de Saint-Simon (1760–1825) French early socialist theorist

[J]e me propose en m'adressant à différentes fractions de l'humanité, que je divise en trois classes: la première, celle à laquelle vous et moi avons l'honneur d'appartenir, marche sous l'étendard des progrès de l'esprit humain; elle marche sous l'étendard des progrès de l'esprit humain; elle est composée des savants, des artistes et de tous les hommes qui ont des idées libérales. Sur la bannière de la seconde il est écrit: point d'innovation; tous les propriétaires qui n'entrent point dans la première sont attachés à la seconde. La troisième, qui se rallie au mot égalité, renferme le surplus de l'humanité.
Oeuvres choisies: précédées d'un essai sur sa doctrine (1839), p. 15

People, Idea, Parting

“The "European Union" happens to be composed of people who hate our guts. It is the continent where Moveon. org-style lunatics are the friendly, pro-American types and the rest are crazy Muslims.”

Ann Coulter (1961) author, political commentator

No Wonder They're Afraid of Brit Hume" (3 May 2007).
2007

Hate, People

“Virat gave more than 100 per cent against Australia to take India into semifinals. I haven't seen anybody as composed as Virat Kohli under pressure. He is beyond phenomenal. He is the best limited overs batsman”

Sunil Gavaskar (1949) Indian cricket player.

After the match in which Kohli powers India into the World T20 semi-final, quoted on sports.ndtv, "Virat Kohli Proves His Era Has Begun, After Guiding India Into World T20 Semifinals" http://sports.ndtv.com/icc-world-twenty20-2016/news/256920-virat-kohli-proves-his-era-has-begun-after-guiding-india-into-world-t20-semifinals, March 27, 2016.

“The inner ego always identifies with its source-identity as a beloved, individualized portion of the universe. It is aware of the universal love that is its heritage. It is also aware of the infinite power and strength that composes the very fabric of its being. Through being made aware of these facts, the exterior ego can begin to feel a quicker sense of support and nourishment. The knowledge can let it relax, let go, so that it feels its life couched and safe, and knows itself to be indeed a beloved child of the universe, both ancient and young at once, with an identity far beyond the annals of time. It is of great value, then, that each person remember this universal affiliation.”

Jane Roberts (1929–1984) American Writer

Source: The Way Toward Health (1997), p. 148

Love, Life, Feeling, Support

“It is fashionable to say: You must not eat meat because you are killing the animals, and this is wrong. But in deeper terms, physically and biologically the animals are born from the body of the earth, which is composed of the corpses of men and women as much as it is of other matter. The animals consume you, then, as often as you consume them, and they are as much a part of your humanity as you are a part of their so called animal nature.”

Jane Roberts (1929–1984) American Writer

Session 725, Page 483
The “Unknown” Reality: Volume Two, (1979)

Women, Men, Fashion, Nature

“An example: if I compose a picture using as objects a scrap of bark, a scrap of butterfly wing and a purely imaginary form, you probably won't recognise the bark, or the butterfly wing, and you'll say: 'What does this stand for? It is an abstract picture. No it's a representational picture'... There is no such thing as 'abstract', or 'concrete' either. There is a good picture and a bad picture. There is the picture that moves you and the picture that leaves you cold... A picture has a value in itself, like a musical score, like a poem.”

Fernand Léger (1881–1955) French painter

Quote in Un Nouveau Realisme, la Couleur Pure et l'Object, Fernand Léger, Ms 1935
Quotes of Fernand Leger, 1930's

Music

“As we all know, the singularity in the art of Bach is the fusion of both levels and lines, the horizontal and vertical line. It’s a real wonder to see that the creation and forming of the horizontal line, the polyphonic structure, also results in this perfect, beautiful vertical line, the harmonic line. As we also know, Bach already used the full harmonic range and radius as no composer before him. My artistic aim of course is to point out the horizontal line in soloistic manner in a dynamically elastic way, but in the same breath to form the harmonic line in a bright field of color (I would call it “harmonic articulation”), to achieve a particular atmosphere of emotions and moods, drama, velocity, vividness, and so on. As we can imagine, these are high demands …”

Burkard Schliessmann classical pianist

Talkings on Bach

Beauty, Art, Color, Way

“The world steals us from ourselves and solitude restores us. The world is composed of a herd, which are ever flying from themselves.”

Anne-Thérèse de Marguenat de Courcelles, marquise de Lambert (1647–1733) writer from France

Source: An Essay on Old Age, 1732, p. 136

World, Solitude, Flying

“It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer’s deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

1922
Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 85-86
1920 – 1926

Art, Way, Nature, Parting

“Creationist Christians think that if the Bible is wrong, then God lied. They cannot accept that God could exist but the Bible be wrong because they can’t distinguish doctrine from deity. So it is a form of idolatry wherein the believers worship man-made compilations as though those books were God himself -because they think it is His word. But God never wrote or dictated any of the scriptures of any religion. Everything men chose to reject from or include in their supposedly “unalterable word” of whatever god was conceived, composed, compiled, translated, interpreted, edited, and often deliberately altered and enhanced by mere fallible men.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"2nd Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=ZFrkjEgUDZA&list=PL126AFB53A6F002CC&index=2, Youtube (November 24, 2007) <br class="br">Youtube, Foundational Falsehoods of Creationism

Men, God, Books, Religion

“The new vision…. does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane… Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote, 1919, as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 148
1910's

Idea, Sense, Time, Future

“Film composing is a splendid discipline, and I recommend a course of it to all composition teachers whose pupils are apt to be dawdling in their ideas, or whose every bar is sacred and must not be cut or altered.”

Ralph Vaughan Williams (1872–1958) English composer

"Film Music", The R. C. M. Magazine, February 1944.

Idea, Teachers

“When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.”

Martin Amis (1949) Welsh novelist

Interview with Ramona Koval on Radio National (4 September 1999) http://www.abc.net.au/rn/arts/bwriting/stories/s21638.htm

Dreams, Envy, Painting

“The Italian Marxist composer Luigi Nono (BBC2) proclaims the necessity for contemporary music to 'intervene' in something called 'the sonic reality of our time.' Apparently it should do this by being as tuneless as possible.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Wuthering depths'
Essays and reviews, The Crystal Bucket (1982)

Music, Reality, Time

“I don't want to be conducting Mahler with my head stuffed full of 10 million notes from other composers.”

Lorin Maazel (1930–2014) French-American conductor

As quoted in BBC News http://www.bbc.com/news/entertainment-arts-28287217

“You haven't time to think about the composition. In working directly from nature, the painter ends up by simply aiming at an effect, and not composing the picture at all; and he soon becomes monotonous.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

(before 1880) As quoted in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 176
undated quotes, Renoir – his life and work, 1975

Nature, Thinking, Time

“Somebody will ask those of us who compose with the aid of computers: 'So you make all these decisions for the computer or the electronic medium but wouldn't you like to have a performer who makes certain other decisions?' Many composers don't mind collaborating with the performer with regards to decisions of tempo, or rhythm, or dynamics, or timbre, but ask them if they would allow the performer to make decisions with regard to pitch and the answer will be 'Pitches you don't change.' Some of us feel the same way in regard to the other musical aspects that are traditionally considered secondary, but which we consider fundamental. As for the future of electronic music, it seems quite obvious to me that its unique resources guarantee its use, because it has shifted the boundaries of music away from the limitations of the acoustical instrument, of the performer's coordinating capabilities, to the almost infinite limitations of the electronic instrument. The new limitations are the human ones of perception.”

Milton Babbitt (1916–2011) American composer

Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Music, Way, Feeling, Quotes

“Prostrating myself mentally before my Guide, I cried, "How is it, O divine ideal of consummate loveliness and wisdom that I see thy inside, and yet cannot discern thy heart, thy lungs, thy arteries, thy liver?" "What you think you see, you see not," he replied; "it is not given to you, nor to any other Being to behold my internal parts. I am of a different order of Beings from those in Flatland. Were I a Circle, you could discern my intestines, but I am a Being, composed as I told you before, of many Circles, the Many in the One, called in this country a Sphere. And, just as the outside of a Cube is a Square, so the outside of a Sphere presents the appearance of a Circle."Bewildered though I was by my Teacher's enigmatic utterance, I no longer chafed against it, but worshipped him in silent adoration. He continued, with more mildness in his voice. "Distress not yourself if you cannot at first understand the deeper mysteries of Spaceland. By degrees they will dawn upon you. Let us begin by casting back a glance at the region whence you came.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There

Wisdom, Understanding, Thinking, Teachers

“Stravinsky, 'e can do what 'e like, but I have to do what ze composer 'as written.”

Pierre Monteux (1875–1964) French conductor

Quoted from Smith, Erik (2005). "Pierre Monteux". Mostly Mozart – Articles, memoirs, rarities and surprises. Winchester: Porcellini Publications. ISBN 0-9544259-1-X, pp. 36–38
Diaghilev asked him to conduct Stravinsky's new Les Noces with no rehearsal, as the composer would already have conducted the first performance, Monteux following on from there.

“The entire universe is perfused with signs, if it is not composed exclusively of signs.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

Quoted in Essays in Zoosemiotics (1990) by Thomas A. Sebeok

Universe

“I feel outside all the contending sections of the liberal party — for I am not in favour of home rule, or the creation of a Dublin parliament…I cannot consent to a measure which is so offensive to the whole protestant population of Ireland, and to the whole sentiment of the province of Ulster so far as its loyal and protestant people are concerned. I cannot agree to exclude them from the protection of the imperial parliament. …In any case of a division, it is I suppose certain that a considerable majority of British members will oppose the bill. Thus, whilst it will have the support of the rebel members, it will be opposed by a majority from Great Britain and by a most hostile vote from all that is loyal in Ireland. The result will be, if a majority supports you it will be one composed in effect of the men who for six years past have insulted the Queen, have torn down the national flag, have declared your lord lieutenant guilty of deliberate murder, and have made the imperial parliament an assembly totally unable to manage the legislative business for which it annually assembles at Westminster.”

John Bright (1811–1889) British Radical and Liberal statesman

Letter to William Gladstone opposing his plans for Irish Home Rule (13 May 1886), published in The Life of William Ewart Gladstone (1903), Volume III by John Morley, p. 326-29
1880s

Men, Hostility, People, Feeling

“The symphony he wrote here in Vienna especially for me will be regarded as a masterpiece for centuries to come; believe me, there are few people who can compose something like that.”

Joseph Martin Kraus (1756–1792) German composer

People

“The composer is now faced, not with further experiment but with the more difficult task of consolidating the experiments of this vertiginous period. He is like a man in a high-powered motor-car that has got out of control. He must either steer it away from the cliff's edge back to the road or leap out of it altogether. Most modern composers have chosen the latter plan, remarking, as they dexterously save their precious lives: "I think motor-cars are a little vieux jeu”

Constant Lambert (1905–1951) British composer and conductor

don't you?"
"The Age of Pastiche", p. 70.
Music, Ho! (1934)

Cars, Thinking

“The most incurably frustrated—and, therefore, the most vehement—among the permanent misfits are those with an unfulfilled craving for creative work. Both those who try to write, paint, compose, etcetera, and fail decisively, and those who after tasting the elation of creativeness feel a drying up of the creative flow within and know that never again will they produce aught worthwhile, are alike in the grip of a desperate passion. Neither fame nor power nor riches nor even monumental achievements in other fields can still their hunger. Even the wholehearted dedication to a holy cause does not always cure them. Their unappeased hunger persists, and they are likely to become the most violent extremists in the service of their holy cause.”

Eric Hoffer book The True Believer

Section 37, Ch.6 Misfits
The True Believer (1951), Part Two: The Potential Converts

Hunger, Feeling, Decision, Passion

“I've worked with a lot of living composers recently. It drives me nuts, though, that they like to change things at the last minute. For example, two years ago I played a piece that had been completed only the day before, in front of thousands of people in a huge stadium in Taejon, South Korea.”

Sarah Chang (1980) violinist

NEWSWEEK 1999 http://www.jeremycaplan.com/SarahChangInterview.htm

People, Change

“At the following morning, when the first citizens started walking around, he was found dead. So died the poor and brave Antônio da Silva Marramaque who, at the age of 18, dreamed with the glories of poetry and was now murdered due his great soul and brave moral! He didn't compose any sonnet and, if he did, he composed bad ones. But, by his way, he was a hero and a poet… that God bless him!”

Lima Barreto book Clara dos Anjos

Clara dos Anjos (1948)

God, Age, Dreams, Way

“It is in this way that all my books have been composed. They were always written at least twice over; a first draft of the entire work was completed to the very end of the subject, then the whole begun again de novo; but incorporating, in the second writing, all sentences and parts of sentences of the old draft, which appeared as suitable to my purpose as anything which I could write in lieu of them. I have found great advantages in this system of double redaction. It combines, better than any other mode of composition, the freshness and vigour of the first conception, with the superior precision and completeness resulting from prolonged thought. In my own case, moreover, I have found that the patience necessary for a careful elaboration of the details of composition and expression, costs much less effort after the entire subject has been once gone through, and the substance of all that I find to say has in some manner, however imperfect, been got upon paper.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)
Source: https://archive.org/details/autobiography01mill/page/222/mode/1up p. 222

Books, Way, Effort, Appearance

“The ancients, persuaded that there is no body without a moving force, regarded the substance of bodies as composed of two primitive attributes. It was held that, through one of these attributes, this substance has the capacity for moving and, through the other, the capacity for being moved.”

Julien Offray de La Mettrie (1709–1751) French physician and philosopher

Source: The Natural History of the Soul (1745), Ch. V Concerning the Moving Force of Matter, p.156

“Mary knows that within her a child is gestating. For she thereupon composed a song. It is the greatest song in history. This "Magnificat" is the battle-hymn of democracy. Sensing a child within her, Mary feels herself equal to the Roman Empire; and she announces that the days of despotism are numbered. Caesar on his seven-hilled throne may sacrilegiously style himself Augustus, "the divine one." But Mary as confidently disallows him that title. Heaven is not on the side of privilege and oppression, she affirms, but is rather on the side of the trodden. Rome is great, but Galilee with God is greater. In this song three classes of people are objects of Our Lady's invective — "the proud," "the mighty," and "the rich."”

Bouck White (1874–1951) American author and novelist

And she passes upon them a threefold sentence: they are to be "scattered," "put down from their seats," and "sent empty away."
Source: The Call of the Carpenter (1914), p. 22

God, People, Feeling, Democracy

“I perceived that, in order to make the best use of steam, it was necessary—first, that the cylinder should be maintained always as hot as the steam which entered it; and, secondly, that when the steam was condensed, the water of which it was composed, and the injection itself, should be cooled down to 100°, or lower, where that was possible. The means of accomplishing these points did not immediately present themselves; but early in 1765 it occurred to me, that if a communication were opened between a cylinder containing steam, and another vessel which was exhausted of air and other fluids, the steam, as an elastic fluid, would immediately rush into the empty vessel, and continue so to do until it had established an equilibrium; and if that vessel were kept very cool by an injection, or otherwise, more steam would continue to enter until the whole was condensed.”

James Watt (1736–1819) British engineer

"Notes on Professor Robison's Dissertation on Steam-engines" (1769)

Communication, Water

“We have all been affected as composers, as teachers, as musicians by recordings to an extent that cannot possibly be calculated as yet or predicted for the future. The music which is being most widely disseminated and most widely discussed, and therefore most widely imitated and influential, is that music which is available on records. The music that is only published is very little known. I don't think one can possibly exaggerate the extent to which the climate of music today is determined by the fact that the total Webern is available on records, that the total Schoenberg is becoming available.”

Milton Babbitt (1916–2011) American composer

Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Music, Quotes, Thinking, Teachers

“The Polish society is not composed solely of entrepreneurial and energetic young people. I can't image pensioners who get ZL600 or ZL800 a month getting even less than that. That'd be immoral.”

Lech Kaczyński (1949–2010) Polish politician, president of Poland

Rzeczpospolita interview (March 2005)

People

“The life of a couple is lived on the mental level of the more mediocre of the two beings who compose it.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Marriage

Life

“When we ask for the abolition of the State and its organs we are always told that we dream of a society composed of men better than they are in reality. But no; a thousand times, no. All we ask is that men should not be made worse than they are, by such institutions!”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Anarchism: Its Philosophy and Ideal (1896)

Men, Dreams, Reality, Time

“Composer, sculptor, painter, poet, prophet, sage, these are the makers of the after-world, the architects of heaven.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals

World

“Resistance to your acts was necessary as it was just; and your vain declarations of the omnipotence of Parliament, and your imperious doctrines of the necessity of submission, will be found equally impotent to convince or to enslave your fellow-subjects in America, who feel tyranny, whether ambitioned by an individual part of the legislature, or the bodies who compose it, is equally intolerable to British subjects…What, though you march form town to town, and from province to province; though you should be able to enforce a temporary and local submission, which I only suppose, not admit—how shall you be able to secure the obedience of the country you leave behind you in your progress, to grasp the dominion of eighteen hundred miles of continent, populous in numbers, possessing valour, liberty, and resistance? This resistance to your arbitrary system of taxation might have been foreseen: it was obvious, from the nature of things and of mankind; and, above all, from the Whiggish spirit flourishing in that country. The spirit which now resists your taxation in America, is the same which formerly opposed loans, benevolences, and ship-money, in England: the same spirit which called all England on its legs, and by the Bill of Rights vindicated the English constitution: the same spirit which established the great, fundamental, essential maxim of your liberties, that no subject of England shall be taxed but by his own consent.”

William Pitt, 1st Earl of Chatham (1708–1778) British politician

This glorious spirit of Whiggism animates three millions in America; who prefer poverty with liberty to gilded chains and sordid affluence; and who will die in defence of their rights as men, as freemen.
Speech in the House of Lords (20 January 1775), quoted in William Pitt, The Speeches of the Right Honourable the Earl of Chatham in the Houses of Lords and Commons: With a Biographical Memoir and Introductions and Explanatory Notes to the Speeches (London: Aylott & Jones, 1848), pp. 134-6.

Men, Money, Feeling, Nature

“This book does not show of what architecture is composed, but treats of the origin of the building art, how it was fostered, and how it made progress, step by step, until it reached its present perfection.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 8

Books, Art, Perfection

“I don't compose. I assemble materials.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Aaron Copland: the Life and Work of an Uncommon Man, ISBN 0805049096.

“Even in the meanest sorts of Labor, the whole soul of a man is composed into a kind of real harmony the instant he sets himself to work.”

Thomas Carlyle book Past and Present

Past and Present.
1820s, Critical and Miscellaneous Essays (1827–1855)

Soul

“He was a versatile scholar who knew several languages, kept the company of learned Brahmins and composed excellent poetry on varied themes. He had been fascinated by the Puranic story of Goddess Durga particularly in her incarnation as Mahisamardini. He performed an elaborate Yajna presided over by pundits of the ancient lore and invoked the Devi for the protection of dharma. The Devi came to him in the shape of the sword which he now asked some of his followers to pick up and ply against bigotry and oppression…. Soon it became a hallowed tradition in many Hindu families, Sikh as well as non-Sikh, to dedicate their eldest sons to the Khalsa which rightly came to be regarded as the sword-arm of Hindu society.”

Guru Govind Singh (1666–1708) The tenth and last human Guru of Sikhism

Swarup, Ram, & Goel, S. R. (1985). Hindu-Sikh relationship. (Introduction by S.R. Goel)

Family, Learning

“I will build you a castle with a tower so high
It reaches the moon.
I'll gather melodies from birdies that fly
And compose you a tune.
Give you lovin' warm as Mama's oven.
And if that don't do,
Then I'll try something new.”

Smokey Robinson (1940) American R&B singer-songwriter and record producer

I'll Try Something New (1962)
Song lyrics, With The Miracles

Flying

“I didn't start with rock or jazz musicians. It was just my great dear friend whom I miss very much who is no more, Yehudi Menuhin, Lord Yehudi Menuhin. We got very friendly from the year 1952. And when I came to Europe and started performing, we cut three albums in those days, known as "West Meets East." And then I did many other things later on, of course. My student George Harrison, who is like my son, and a great friend of mine, whom I taught sitar initially but later on he was so interested he composed a lot of songs being influenced by our Indian music and Indian spiritual and religious teachings, things like that. And I've done a lot of experimentations, which I don't like to call fusion or trying to mix Indian music or Western music like a cocktail to make it interesting. Genuinely what I wanted to do is have the base as pure as possible Indian music within the framework of raga and tala, and use non-Indian musicians, non-Indian instruments for a special sound, for the range, for the volume, for the colors and all that. And I think some of them came out nice. Of course I was very much criticized also for it…”

Ravi Shankar (1920–2012) Indian musician and sitar player

Ravi Shankar during his talk with Gross.

Music, Color, Thinking

“When first the world from chaos rose,
Tell me, how did love begin?
The wind and moonlight first did love compose.”

Cao Xueqin book Dream of the Red Chamber

Source: Dream of the Red Chamber (c. 1760), Chapter 5

Love, World

“I don't know much about the score for GODZILLA 1985. However, my impression of GODZILLA VS. BIOLLANTE is a negative one, both in terms of the direction and the music. For example, the music that is heard while the scenes that take place in Saradia are shown is just ridiculous. The composer used European music instead of some modern Arabic music. By the way, during the production of GODZILLA VS. BIOLLANTE, Toho asked for permission to use some of my music in the film. I said that I would allow its use as long as it was not turned into popular music. Toho agreed to that, but just before GODZILLA VS. BIOLLANTE was completed, a Toho representative came to me and said, "Well, your music was turned into popular music." By that time, it was too late to do anything about the situation. After GODZILLA VS. BIOLLANTE was released, my daughter came to me and said, "No matter how much you try to escape from Godzilla movies, Toho always uses your name and your melodies, so why don't you just score the next Godzilla film yourself?"”

Akira Ifukube (1914–2006) Japanese composer

That is why I agreed to work on GODZILLA VS. GHIDRAH. <br class="br">As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Music, Way, Time, Daughters

“We sift reality through screens composed of ideas. (And such ideas have their roots in older ideas.) Such idea systems are necessarily limited by language, by the ways we can describe them. That is to say: language cuts the grooves in which our thoughts move. If we seek new validity forms (other laws and other orders) we must step outside language.”

Frank Herbert book The Santaroga Barrier

Source: The Santaroga Barrier (1968), Chapter Ten

Law, Way, Idea, Reality

“The present industrial era brought with it a new governing class, as every considerable change in human environment must bring with it a governing class to give it expression. Perhaps, for lack of a recognized name, I may describe this class as the industrial capitalistic class, composed in the main of administrators and bankers. I conjecture that this class attained its acme of popularity and power, at least in America, toward the close of the third quarter of the nineteenth century. Almost at the opening of the present century a progressively rigorous opposition found for its mouthpiece the President of the Union himself. If Mr. Roosevelt became, what his adversaries are pleased to call, an agitator, his agitation had a cause which is as deserving of study as is the path of a cyclone.”

Brooks Adams (1848–1927) American political writer

Source: The Theory of Social Revolutions,, pp. 2-3, as cited in: Albert Lepawsky (1949), Administration, p. 9-10

Study, Change

“His partitioning of the octave in the first ten bars places Varèse with Scriabin and the Schoenberg circle among the revolutionary composers whose work initiates the beginning of a new mainstream tradition in the music of our century.”

George Perle (1915–2009) American composer

Page 12
The Listening Composer

Music

“Nadia Boulanger was quite aware that as a composition teacher she labored under two further disadvantages: she was not herself a regularly practicing composer and in so far as she composed at all she must of necessity be listed in that unenviable category of the woman composer. Everyone knows that the high achievement of women musicians as vocalists and instrumentalists has no counterpart in the field of musical composition. This historically poor showing has puzzled more than one observer. … Is it possible that there is a mysterious element in the nature of musical creativity that runs counter to the nature of the feminine mind? … The future may very well have a different tale to tell; for the present, however, no woman's name will be found on the list of world-famous composers.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Copland on Music (1960) ISBN 0393001989.

Women, World, Music, Nature

“…WHEREAS, IN THE PAST, THE POINT OF DISAGREEMENT HAS BEEN BETWEEN DISSONANCE AND CONSONANCE, IT WILL BE, IN THE IMMEDIATE FUTURE, BETWEEN NOISE AND SO-CALLED MUSICAL SOUNDS.
THE PRESENT METHODS OF WRITING MUSIC, PRINCIPALLY THOSE WHICH EMPLOY HARMONY AND ITS REFERENCE TO PARTICULAR STEPS IN THE FIELD OF SOUND, WILL BE INADEQUATE FOR THE COMPOSER, WHO WILL BE FACED WITH THE ENTIRE FIELD OF SOUND.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE; lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, CREDO/3
1930s

Music, Past, Future

“There is a relation belonging to this species of property, unlike that of the apprentice or the hired man, which awakens whatever there is of kindness or of nobility of soul in the heart of him who owns it; this can only be alienated, obscured, or destroyed, by collecting this species of property into such masses that the owner is not personally acquainted with the individuals who compose it.”

Jefferson Davis (1808–1889) President of the Confederate States of America

Senate speech, 1860.
1860s

Soul, Heart, Personality

“I am not one to compose long melodies as did Mozart. I can’t get beyond short themes. But what I can do, is utilize such a theme, paraphrase it and extract everything that is in it, and I don’t think there’s anybody today who can match me in that.”

Richard Strauss (1864–1949) German composer and orchestra director

Quotes from Stefan Zweigs's posthumous memoire, The World of Yesterday. Zweig worked with Strauss closely on the opera The Silent Woman in the period 1931-1934 and got to know him well.
Other sources

Thinking

“If a prophecy is to be called infallible, I fairly demand that it should state beforehand legibly, clearly, and distinctly that which no man could previously have known, and that the same should thereafter take place at the time appointed, but that it should not take place because it has been predicted. If, however, such a prophecy can only be verified through allegorical interpretations of words and interpretation of words and things; if it be only composed of dark and dubious words, and the expressions it contains are commonplace, vague, and uncertain; if the matter was thought probable, or was foreseen by human cunning; if it occurs because it was predicted; if the words used refer to some other matter and are only applied to the prophecy by a quibble; if it is only written down after the event has occurred; if a prophetic book or passage is given out to be older than it is; or lastly, if the thing predicted does not take place at all, then the prophecy is either doubtful or false.”

Hermann Samuel Reimarus (1694–1768) German philosopher

Source: Fragments from Reimarus: Consisting of Brief Critical Remarks on the Object of Jesus and His Disciples as Seen in the New Testament, pp. 76–77

Books, Time, Falseness

“If you and I shall, like the believing shepherds, watch and long for His appearing, one day we, too, shall hear a music grander and sweeter even than the song of angels, when the great Composer shall transpose all the strains of earth from the minor into the major, when the wail of nature shall give way to the glad harmony of the everlasting jubilee.”

Abbott Eliot Kittredge (1834–1912) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 555.

Music, Angels, Way, Nature

“The composer makes plans, music laughs.”

Morton Feldman (1926–1987) American avant-garde composer

Quoted in Give My Regards to Eighth Street: Collected Writings of Morton Feldman, ISBN 1878972316.

Music

“We have known since the middle of the nineteenth century that the world is not composed only of particles. …the world is also composed of fields. …General relativity is a theory of… the gravitational field. …Because there are three sets of field lines, the gravitational field defines a network of relationships having to do with how the… lines link with one another. …This is why we call relativity a relational theory.”

Lee Smolin book Three Roads to Quantum Gravity

Three Roads to Quantum Gravity (2000)

World

“In all professions we affect a part and an appearance to seem what we wish to be. Thus the world is merely composed of actors.”

François de La Rochefoucauld book Reflections; or Sentences and Moral Maxims

Dans toutes les professions chacun affecte une mine et un extérieur pour paraître ce qu'il veut qu'on le croie. Ainsi on peut dire que le monde n'est composé que de mines.
Variant translation: In all professions, each affects a part and an appearance to make him seem as he would wish to be believed. And so it is that one can say that the world is made only of appearances.
Maxim 256.
Reflections; or Sentences and Moral Maxims (1665–1678)

World, Appearance, Parting

“I got myself into a lovely little—shall we say controversy—with André Breton, by pointing out that the discipline of spontaneity, which he was asking his surrealist neophytes to adopt, was new for language but something that composers had been practicing for centuries.”

Virgil Thomson (1896–1989) American composer

Virgil Thomson (1981). A Virgil Thomson Reader, p.548. New York: E.P. Dutton Inc.
See: André Breton

Love

“When humus remains constantly damp, without, however, being covered with water, it forms a very unpleasant smelling acid, which is more particularly, characterized by the property which it possesses of colouring blue litmus paper into red. This circumstance has long been known, and it is the reason that land and meadows which are not properly drained, and which exhibit these phenomena, are called sour. We have carefully examined these facts, and have endeavoured to discover the peculiar constitution of this acid. At first, we were inclined to regard it as being of a distinct nature, and having carbon for its base; but we have since become convinced that it is generally composed of acetic acid, and occasionally contains a portion of the phosphoric. This latter always adheres so firmly to the humus that it cannot be separated from it either by boiling or washing. The liquid in which the humus is boiled certainly acquires a slight acid flavour, but the greater part of the acid remains attached to the humus.
This acid or sour humus it not at all of a fertilizing nature; on the contrary, it is prejudicial to vegetation* Where it is very strong and pervades the whole of the humus, the soil only produces reeds, rushes, sedge, and other useless, unpalatable plants; and whenever these abound, it may be inferred that the soil contains a great deal of sour or acid humus… There are various means of getting rid of this baneful property, and rendering the humus fertile. It is well known that with the aid of alkalies, ashes, lime, and marl, humus may be deprived of its acidity, and rendered easily soluble… Heaths do not thrive where this humus does not exist, and when they have established themselves in one particular spot, they suffer few other plants to appear. This humus may be changed by a dressing composed of marl, lime, or ammonia; and where this has been mixed with the soil, the heaths, &c., speedily perish.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

Source: The Principles of Agriculture, 1844, Section III: Agronomy, p. 343-4, as cited in Ruffin (1852, p. 85).

Nature, Strong, Suffering, Water

“Jerry Goldsmith is an artist who meets all the demands upon the composer in films. He communicates, integrates, subordinates, supports, and designs with discipline.”

Jerry Goldsmith (1929–2004) film composer

Franklin Schaffner
About

Communication, Support

“The transmutation is occurring all around us — the transmutation which is primarily taking place in the consciousness of human beings, in the de–structuring of the human consciousness. The structured forms are burned. The substance composing those structured forms is transmuted into spirit — a quality of substance within the scope of this world of space and time which may then take form according to the design inherent in the irresistible force, spiritual form.”

Martin Cecil, 7th Marquess of Exeter (1909–1988) Marquess of Exeter

On Eagle's Wings, 1977, p. 118
As of a Trumpet, On Eagle's Wings

World, Time

“If literature (realistic) did really resemble life, it would be interminable, dreary, commonplace eating and dressing, buttoning, with here and there a patch of vividness. Life is composed of exquisite moments and the rest is shadows of them.”

T. E. Hulme (1883–1917) English Imagist poet and critic

Notes on Language and Style (1929)

Life, Literature

“Composing's not voluntary, you know. There's no choice, you're not free. You're landed with an idea and you have responsibility to that idea.”

Harrison Birtwistle (1934) British composer

In The Observer, April 14, 1996.

Idea

“It is the only one in existence that might conceivably have been composed by God.”

Neville Cardus (1888–1975) English writer

Of Mozart's "The Magic Flute"; Manchester Guardian (1961)

God

“Pytheos made a mistake by not observing that the arts are each composed of two things, the actual work and the theory of it. One of these, the doing of the work, is proper to men trained in the individual subject, while the other the theory is common to all scholars.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 15

Men, Art, Training

“I look upon prayer-meetings as the most profitable exercises (excepting the public preaching) in which Christians can engage. They have a direct tendency to kill a worldly, trifling spirit, and to draw down a Divine blessing upon all our concerns, compose differences, and enkindle (at least maintain) the flames of Divine love amongst brethren.”

John Newton (1725–1807) Anglican clergyman and hymn-writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 475.

Love, Exercises, Drawing

“The French system of conscription brings together a fair sample of all classes; ours is composed of the scum of the earth — the mere scum of the earth. It is only wonderful that we should be able to make so much out of them afterwards.”

Arthur Wellesley, 1st Duke of Wellington (1769–1852) British soldier and statesman

Speaking about soldiers in the British Army, 4 November 1813
A French army is composed very differently from ours. The conscription calls out a share of every class — no matter whether your son or my son — all must march; but our friends — I may say it in this room — are the very scum of the earth. People talk of their enlisting from their fine military feeling — all stuff — no such thing. Some of our men enlist from having got bastard children — some for minor offences — many more for drink; but you can hardly conceive such a set brought together, and it really is wonderful that we should have made them the fine fellows they are.
Notes for 11 November 1831.
Notes of Conversations with the Duke of Wellington (1886)

“On Omega, the law is supreme. Hidden and revealed, sacred and profane, the law governs the actions of all citizens, from the lowest of the low to the highest of the high. Without the law, there could be no privileges for those who made the law; therefore the law was absolutely necessary. Without the law and its stern enforcement, Omega would be an unthinkable chaos in which a man’s rights could extend only as far and as long as he personally could enforce them. This anarchy would mean the end of Omegan society; and particularly, it would mean the end of those senior citizens of the ruling class who had grown high in status, but whose skill with a gun had long passed its peak.
Therefore the law was necessary.
But Omega was also a criminal society, composed entirely of individuals who had broken the laws of Earth. It was a society which, in the final analysis, stressed individual endeavor. It was a society in which the lawbreaker was king; a society in which crimes were not only condoned but were admired and even rewarded; a society in which deviation from the rules was judged solely on its degree of success.
And this resulted in the paradox of a criminal society with absolute laws which were meant to be broken.”

Robert Sheckley book The Status Civilization

Source: The Status Civilization (1960), Chapter 11 (pp. 50-51)

Law, Success, Personality

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Life, God, Peace, Faith

“There is a great Man living in this country — a composer. He has solved the problem how to preserve one's self and to learn. He responds to negligence by contempt. He is not forced to accept praise or blame. His name is Ives.”

Arnold Schoenberg (1874–1951) Austrian-American composer

Note of 1944; as quoted in the Charles Ives profile at Decca Classics http://www.deccaclassics.com/music/composers/ives.html <br class="br">1940s

Problem, Learning, Country

“The truth is that the family, like marriage, is one of those institutions whose very importance renders them complex. Abstract ideas are the only simple ones, because they have little to do with life. The family is not the arbitrary creation of a legislator; it is a natural consequence of the division of the species into two sexes, of the human child's protracted helplessness, of maternal love which ministers to this helplessness, of paternal love which is far more artificial and recent in human history, and composed just as much of love for the mother as of that for the child.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Family Life

Love, Life, Marriage, Truth

“The first paper I ever wrote was "Gestalt Programming" and that was in 1955. The whole idea there was to replace the laborious writing out of detailed programs and all those steps by having analyzed a problem area well enough so that you had what I later came to call a "systematized solution." Then you could compose different problems of this class by just plugging together pieces of program, and they would in turn be controlled by a pushbutton language. The user would make a number of discreet selections. It's just like nowadays it's done with menus, and when you had indicated all the pieces that you wanted to put together--by these mnemonic names and words for things associated with buttons, switches, with one meaning "period," essentially, for that sentence, you see--all these things would be brought together and that would be the man/machine, manual-intervention mode of problem-solving. I took over the term from studying Gestalt psychology, meaning that everything was brought together at once, as a unit, instead of this laborious step-by-step build-up.”

Douglas T. Ross (1929–2007) American computer scientist

Source: An Interview with Douglas T. Ross (1989), p. 4.

Idea, Problem, Study

“In this society which we are induced to frequent, composed above all of politicians and artists, one cannot realize one's true worth.”

Louis-ferdinand Céline (1894–1961) French writer

99
Mea culpa; suivi de la vie et l'oeuvre de Semmelweis (1937)

“The metaphysical forms which compose our futurist pictures are the result of realities conceived and realities created entirely by the artist. These last are inspired by the emotion or intuition and dependent on atmosphere-ambience.”

Gino Severini (1883–1966) Italian painter

Quote of Severine 1913, from the opening paragraphs of his text 'Art du fantastique dans le sacre', as cited in Gino Severini Ecrits sur l'art, (1913-1962), with a preface by Serge Fauchereau, (Paris: Editions Cercle d'Art, 1987), p. 47
Severini opens 'Art du fantastique' with a theoretical explanation of the concept, form and content of a Futurist work

Reality, Dependency

“And since the proportions of the human voice and the gesticulations of the human body are regulated by the same modulation as that by which sound and the motion of other bodies are, musical thought is subalternated not only to the harmony of human voice and gesticulation, but also of instruments and of those whose delectation consist in motion or sound and with these the harmony of the celestial and non-celestial. And since the concordance of times and the composition and harmony of the lower world and of all things composed of four elements come from celestial motions, and, moreover, since it is necessary to find the harmony of causes in their effects, the study of music also extends to knowing the proportions of times and the constitution of the elements of the lower world, and even the composition of all the elements.”

Robert Grosseteste (1175–1253) English bishop and philosopher

As quoted by Tanner, Bower, McLeish, and Gaspar in Ch. 1. "Unity and Symmetry in the De Luce of Robert Grosseteste," Robert Grosseteste and the pursuit of Religious and Scientific Learning in the Middle Ages (2016) ed., Jack P. Cunningham, Mark Hocknull, p. 17.
De artibus liberalibus (c. 1222-1237)

World, Music, Study, Time

Quotes about composer page 4

Quotes about composer
page 4