Quotes about comedy
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Vytautas Juozapaitis photo

“Last night's fierce-eyed Don Giovanni, sung by Vytautas Juozapaitis, was a lean and hungry predator (…) Mozart's dark comedy has been realised with grandeur.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Peter Palmer, "The secret is out… so don't miss out". Evening Post (July 22, 2004)

James Branch Cabell photo
Poul Anderson photo
George Steiner photo
Lauren Southern photo

“You can't make fun of anything anymore. Comedy is the last bastion of free speech. Let's try not to kill it.”

Lauren Southern (1995) Canadian libertarian commentator

3:58-4:04
2017 New Year's Resolutions for Millennials

Ernest Gellner photo
Bill Bryson photo
Claire Danes photo
Louis C.K. photo
Asger Jorn photo

“There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.”

Asger Jorn (1914–1973) Danish artist

Variant translations:
What we possess and what gives us strength is our joy in life, our interest in life in all its amoral facets. This is also the foundation for today's art. We do not even know the aesthetic laws.
We are not disillusioned because we have no illusions; we have never had any. What we have, and what constitutes our strength, is our joy in life, in all of its moral and amoral manifestations.
1940 - 1948, Intimate Banalities' (1941)

Joseph Campbell photo
Marty Feldman photo

“Comedy, like sodomy, is an unnatural act.”

Marty Feldman (1934–1982) British actor and comedian

The Times, June 9, 1969.

Lin Yutang photo
George Meredith photo

“She [Comedy] it is who proposes the correcting of pretentiousness, of inflation, of dulness, and of the vestiges of rawness and grossness to be found among us. She is the ultimate civilizer, the polisher, a sweet cook.”

George Meredith (1828–1909) British novelist and poet of the Victorian era

Prelude.
The Egoist http://www.gutenberg.org/dirs/etext99/egost11.txt (1879)

“If you thought it was impossible for a film to contain less effective comedy than Date Movie, here's evidence to the contrary.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=595 of Epic Movie (2007).
One-star reviews

Tom Stoppard photo

“When Harold Pinter was lobbying to have London's Comedy Theatre renamed the Pinter Theatre, Stoppard wrote back: "Have you thought, instead, of changing your name to Harold Comedy?"”

Tom Stoppard (1937) British playwright

Interviews and profiles
Source: William Langley, "Profile: Sir Tom Stoppard," The Telegraph (2006-11-06) http://www.telegraph.co.uk/opinion/main.jhtml;jsessionid=W4GGMOS2UYBMJQFIQMFSFFWAVCBQ0IV0?xml=/opinion/2006/06/11/do1107.xml

Irene Dunne photo

“Comedy is like a sweet. On auspicious occasions and during celebrations sweets are always offered. We offer a unique flavour.”

From scratch to success, 2006-08-23 http://www.hinduonnet.com/thehindu/2001/06/08/stories/0908022a.htm,

George Eliot photo
Salvador Dalí photo

“Surrounded by countless people who murmur my name and call me 'maître', I am about to inaugurate the exhibition of my one hundred illustrations of the Divine Comedy at the Galliera Museum.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 189 - Prologue

Aaron Sorkin photo
Martin Short photo
John Mayer photo

“I won't ever get on stage at a comedy club when people know about it.”

John Mayer (1977) guitarist and singer/songwriter

John at his MySpace blog
2006). "John Mayer, Stand Up Comedian?" http://ccinsider.comedycentral.com/cc_insider/2006/06/john_mayer_stan.html Comedy Central Insider (accessed August 15, 2006

Alan Ayckbourn photo

“A comedy is just a tragedy interrupted, I once said. Do you finish with the kiss or when she opens her eyes to tell him she loves him and sees blonde hairs on his collar?”

Alan Ayckbourn (1939) English playwright

"A Crash Course in Playwriting" (1993) http://education.alanayckbourn.net/EducationInterviewsPlaywriting.htm.

James Thurber photo

“The only rules comedy can tolerate are those of taste, and the only limitations those of libel.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

"The Duchess and the Bugs", 'Lanterns & Lances (1961). The piece was "a response" to an award Thurber received from the Ohioana Library Association in 1953.
From Lanterns and Lances‎

Imre Kertész photo
John C. Wright photo

“Comedy is easy. Intrigue is hard.”

John C. Wright (1961) American novelist and technical writer

Source: Fugitives of Chaos (2006), Chapter 3, “Circuitous Acts” (p. 52)

Ken Dodd photo

“Comedy should never be over-analysed. It's either funny or it isn't. There's a subtle difference between those who say funny things and those who say things funny.”

Ken Dodd (1927–2018) English comedian, singer-songwriter and actor

Quoted in Manchester Evening News, http://www.manchestereveningnews.co.uk/entertainment/comedy/s/234/234894_dodds_bolton_bonus.htmlDodd's Bolton bonus, Natalie Anglesey. (2008-04-28)

Noel Fielding photo
Northrop Frye photo

“The entire Bible, viewed as a "divine comedy," is contained within a U-shaped story of this sort, one in which man, as explained, loses the tree and water of life at the beginning of Genesis and gets them back at the end of Revelation.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Seven, p. 169

“There is nothing more profoundly serious than real comedy, which is an affirmation of human communion, redemption and grace.”

Michael Malone (1942) American screenwriter, novelist

January Magazine (January 2002).

Tina Fey photo
Paul Bourget photo
Andrei Tarkovsky photo
Daniel Handler photo
Lily Tomlin photo

“Nobody is here without a reason. … I always had a different sensibility. I like a huge range of comedy — from broad and farcical, the most sensitive, the most understated — but I always wanted my comedy to be more embracing of the species rather than debasing of it.”

Lily Tomlin (1939) American actress, comedian, writer, and producer

Metro Weekly interview (2006)
Context: It's a more ridiculing, divisive humor today, especially with the advent of political incorrectness, which is a license to be as ridiculing and awful about certain groups... There should be room for everybody, absolutely, and then the culture is going to decide the prevailing weight. We can't decide it individually. Nobody is here without a reason. … I always had a different sensibility. I like a huge range of comedy — from broad and farcical, the most sensitive, the most understated — but I always wanted my comedy to be more embracing of the species rather than debasing of it.

Aleister Crowley photo

“The salacious musical comedy goes its libidinous way rejoicing, while Ibsen and Bernard Shaw are on the black list.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Source: The Confessions of Aleister Crowley (1929), Ch. 7.
Context: My mother was naturally a rather sensual type of woman and there is not doubt that sexual repression had driven her as nearly as possible to the borders of insanity.
My cousin Agnes had a house in Dorset Square. My mother took me to tea there one afternoon. A copy of Dr. Pascal was in the room. The word "Zola" caught my mother's eye and she made a verbal assault of hysterical fury upon her hostess. Both women shouted and screamed at each other simultaneously, amid floods of tears. Needless to say, my mother had never read a line of Zola — the name was simply a red rag to a cow.
This inconsistency, by the way, seems universal. I have known a printer object to set up "We gave them hell and Tommy", while passing unquestioned all sorts of things to which exception could quite reasonably be taken by narrow-minden imbeciles. The censor habitually passes what I, who am no puritan, consider nauseating filth, while refusing to license Oedipus Rex, which we are compelled to assimilate at school. The country is flooded with the nasty pornography of women writers, while there is an outcry against epoch-making masterpieces of philosophy like Jurgen. The salacious musical comedy goes its libidinous way rejoicing, while Ibsen and Bernard Shaw are on the black list. The fact is, of course, that the puritan has been turned by sexual repression into a sexual pervert and degenerate, so that he is insane on the subject.

Samuel Taylor Coleridge photo

“A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.”

On The Comedy of Errors, in Ch. XV.
Biographia Literaria (1817)
Context: The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.

Henri-Frédéric Amiel photo

“My privilege is to be spectator of my life drama, to be fully conscious of the tragi-comedy of my own destiny, and, more than that, to be in the secret of the tragi-comic itself, that is to say, to be unable to take my illusions seriously, to see myself, so to speak, from the theater on the stage, or to be like a man looking from beyond the tomb into existence. I feel myself forced to feign a particular interest in my individual part, while all the time I am living in the confidence of the poet who is playing with all these agents which seem so important, and knows all that they are ignorant of.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

8 November 1852
Journal Intime (1882), Journal entries
Context: My privilege is to be spectator of my life drama, to be fully conscious of the tragi-comedy of my own destiny, and, more than that, to be in the secret of the tragi-comic itself, that is to say, to be unable to take my illusions seriously, to see myself, so to speak, from the theater on the stage, or to be like a man looking from beyond the tomb into existence. I feel myself forced to feign a particular interest in my individual part, while all the time I am living in the confidence of the poet who is playing with all these agents which seem so important, and knows all that they are ignorant of. It is a strange position, and one which becomes painful as soon as grief obliges me to betake myself once more to my own little rôle, binding me closely to it, and warning me that I am going too far in imagining myself, because of my conversations with the poet, dispensed from taking up again my modest part of valet in the piece. Shakespeare must have experienced this feeling often, and Hamlet, I think, must express it somewhere. It is a Doppelgängerei, quite German in character, and which explains the disgust with reality and the repugnance to public life, so common among the thinkers of Germany. There is, as it were, a degradation a gnostic fall, in thus folding one's wings and going back again into the vulgar shell of one's own individuality. Without grief, which is the string of this venturesome kite, man would soar too quickly and too high, and the chosen souls would be lost for the race, like balloons which, save for gravitation, would never return from the empyrean.

Martha Graham photo

“I think comedy is the most difficult thing in the world, I really do.”

Martha Graham (1894–1991) American dancer and choreographer

New York Times interview (1985)
Context: I think comedy is the most difficult thing in the world, I really do. One can always lament, you know — but to laugh in the face of life, that's very hard. And for me the great tragedian should also be a great comedian.

Victor Hugo photo

“This type is the grotesque; its new form is comedy.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Preface to Cromwell (1827) http://www.bartleby.com/39/41.html
Context: Behold, then, a new religion, a new society; upon this twofold foundation there must inevitably spring up a new poetry. Previously following therein the course pursued by the ancient polytheism and philosophy, the purely epic muse of the ancients had studied nature in only a single aspect, casting aside without pity almost everything in art which, in the world subjected to its imitation, had not relation to a certain type of beauty. A type which was magnificent at first, but, as always happens with everything systematic, became in later times false, trivial and conventional. Christianity leads poetry to the truth. Like it, the modern muse will see things in a higher and broader light. It will realize that everything in creation is not humanly beautiful, that the ugly exists beside the beautiful, the unshapely beside the graceful, the grotesque on the reverse of the sublime, evil with good, darkness with light. It will ask itself if the narrow and relative sense of the artist should prevail over the infinite, absolute sense of the Creator; if it is for man to correct God; if a mutilated nature will be the more beautiful for the mutilation; if art has the right to duplicate, so to speak, man, life, creation; if things will progress better when their muscles and their vigour have been taken from them; if, in short, to be incomplete is the best way to be harmonious. Then it is that, with its eyes fixed upon events that are both laughable and redoubtable, and under the influence of that spirit of Christian melancholy and philosophical criticism which we described a moment ago, poetry will take a great step, a decisive step, a step which, like the upheaval of an earthquake, will change the whole face of the intellectual world. It will set about doing as nature does, mingling in its creations — but without confounding them — darkness and light, the grotesque and the sublime; in other words, the body and the soul, the beast and the intellect; for the starting-point of religion is always the starting-point of poetry. All things are connected.
Thus, then, we see a principle unknown to the ancients, a new type, introduced in poetry; and as an additional element in anything modifies the whole of the thing, a new form of the art is developed. This type is the grotesque; its new form is comedy.

James Branch Cabell photo

“I am quite content, in this Comedy of Appearances, to follow the old romancers' lead.”

"To Sinclair Lewis : A Foreword"
Figures of Earth (1921)
Context: I am quite content, in this Comedy of Appearances, to follow the old romancers' lead. "Such and such things were said and done by our great Manuel," they say to us, in effect: "such and such were the appearances, and do you make what you can of them."
I say that, too, with the addition that in real life, also, such is the fashion in which we are compelled to deal with all happenings and with all our fellows, whether they wear or lack the gaudy name of heroism.

Roger Ebert photo

“In the twilight of the 20th century, here is a comedy to reassure us that there is hope — that the world we see around us represents progress, not decay.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/pleasantville-1998 of Pleasantville (1 October 1998)
Reviews, Four star reviews
Context: In the twilight of the 20th century, here is a comedy to reassure us that there is hope — that the world we see around us represents progress, not decay. Pleasantville, which is one of the year's best and most original films, sneaks up on us. It begins by kidding those old black-and-white sitcoms like "Father Knows Best," it continues by pretending to be a sitcom itself, and it ends as a social commentary of surprising power.

The film observes that sometimes pleasant people are pleasant simply because they have never, ever been challenged. That it's scary and dangerous to learn new ways. The movie is like the defeat of the body snatchers: The people in color are like former pod people now freed to move on into the future. We observe that nothing creates fascists like the threat of freedom.
Pleasantville is the kind of parable that encourages us to re-evaluate the good old days and take a fresh look at the new world we so easily dismiss as decadent. Yes, we have more problems. But also more solutions, more opportunities and more freedom. I grew up in the '50s. It was a lot more like the world of Pleasantville than you might imagine. Yes, my house had a picket fence, and dinner was always on the table at a quarter to six, but things were wrong that I didn't even know the words for.

Chelsea Handler photo

“At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her.”

Chelsea Handler (1975) American comedian, actress, author and talk show host

That event predictably leads to the magical moment of their first kiss. Please. I fall ALL the time. You know who comes and gets me? The bouncer.
My Horizontal Life: A Collection of One-Night Stands (2005)

Joseph Campbell photo

“The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.”

Campbell follows with a quote from Ovid's Metamorposes, "All things are changing; nothing dies..."
Chapter 2
The Hero with a Thousand Faces (1949)
Context: The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.... Tragedy is the shattering of the forms and of our attachment to the forms... the two are the terms of a single mythological theme... the down-going and the up-coming (kathados and anodos), which together constitute the totality of the revelation that is life, and which the individual must know and love if he is to be purged (katharsis=purgatorio) of the contagion of sin (disobedience to the divine will) and death (identification with the mortal form).

Jane Espenson photo

“I hope I am pigeonholed with comedy. I’m really not interested in writing the darker stuff, the emotional stuff.”

Jane Espenson (1964) American television writer and producer

"Jane Espenson - Interviewed at the Buffy soundstage" at BBC (23 August 2001) http://www.bbc.co.uk/cult/buffy/interviews/espenson/printpage.html

LeBron James photo
Natalie Wynn photo
Jerry Coyne photo

“What the comedy club in Montreal is doing is not only ridiculous, but is a prime example of virtue signaling: making a gesture to trumpet your own ideological purity, but a gesture that has no effect on society and no mitigation of injustice.”

Jerry Coyne (1949) American biologist

" Accusations of cultural appropriation gone wild: Canadian comedy club bars white comedian with dreadlocks https://whyevolutionistrue.wordpress.com/2019/01/16/accusations-of-cultural-appropriation-gone-wild-canadian-comedy-club-bars-white-comedian-with-dreadlocks/" January 16, 2019

Salman Khan photo
Dana Loesch photo

“They use their media to assassinate real news. They use their schools to teach children that their president is another Hitler. They use their movie stars and singers and comedy shows and award shows to repeat their narrative over and over again. And then they use their ex-president to endorse the resistance. All to make them march, make them protest, make them scream racism and sexism and xenophobia and homophobia. To smash windows, burn cars, shut down interstates and airports, bully and terrorize the law-abiding until the only option left is for the police to do their jobs and stop the madness. And when that happens, they’ll use it as an excuse for their outrage. The only way we stop this, the only we save our country and our freedom, is to fight this violence of lies with the clenched fist of truth. I’m the National Rifle Association of America, and I’m freedom’s safest place.”

Dana Loesch (1978) American conservative political commentator

April, 2017 in season 2 episode 2 of the NRATV series Freedom's Safest Place and June, 2017 excerpted as a video advertisement for the NRA ([Dana, Loesch, The Violence of Lies, NRATV, Freedom's Safest Place, April 2017, May 20, 2019, https://www.nratv.com/episodes/freedoms-safest-place-season-2-episode-2-the-violence-of-lies]; [N.R.A. Ad Condemning Protests Against Trump Raises Partisan Anger, Jonah, Engel Bromwich, June 29, 2017, The New York Times, https://www.nytimes.com/2017/06/29/us/nra-ad-trump-protests.html]; [Secrecy, Self-Dealing, and Greed at the N.R.A., Mike, Spies, April 17, 2019, The New Yorker, https://www.newyorker.com/news/news-desk/secrecy-self-dealing-and-greed-at-the-nra]; [NRA advert calling on Americans to 'fight lies' called 'an open call to violence', Emily, Shugerman, June 29, 2017, The Independent, https://www.independent.co.uk/news/world/americas/nra-advert-video-watch-guns-trump-fight-lies-violence-fist-truth-a7815231.html]; [NRA video declares war on liberals, critics say, William, Cummings, USA Today, June 29, 2017, https://www.usatoday.com/story/news/politics/onpolitics/2017/06/30/controversial-nra-video/441506001/]; Live-Streaming the Apocalypse With NRATV, Parker, James, June 2018, The Atlantic https://www.theatlantic.com/magazine/archive/2018/06/nratv-live-streaming-the-apocalypse/559139/,; [N.R.A. Ad Condemning Protests Against Trump Raises Partisan Anger, Bromwich, Jonah Engel, June 29, 2017, The New York Times, May 20, 2019, en-US, 0362-4331, https://www.nytimes.com/2017/06/29/us/nra-ad-trump-protests.html]; [The NRA recruitment video that is even upsetting gun owners, Peter, Holley, June 29, 2017, May 20, 2019, The Washington Post, https://www.washingtonpost.com/news/post-nation/wp/2017/06/29/the-nra-recruitment-video-that-is-even-upsetting-gun-owners/]; [A Chilling National Rifle Association Ad Gaining Traction Online Appears to Be 'An Open Call to Violence', Business Insider, May 20, 2019, Natasha, Bertrand, June 29, 2017, http://www.businessinsider.com/national-rifle-association-ad-call-to-violence-2017-6]; [The NRA just released a violent, terrifying ad, Matthew, Rozsa, June 29, 2017, May 24, 2019, Salon, https://www.salon.com/2017/06/29/the-nra-just-released-a-violent-terrifying-ad/]; [How the N.R.A. Manipulates Gun Owners and the Media, Michael, Luo, w:Michael Luo, August 11, 2017, May 23, 2019, The New Yorker, https://www.newyorker.com/news/news-desk/how-the-nra-manipulates-gun-owners-and-the-media]; [The NRA’s New Scare Tactics, Laura, Reston, October 3, 2017, The New Republic, https://newrepublic.com/article/145001/nra-new-scare-tactic-gun-lobby-remaking-itself-arm-alt-right])

Ernst, Baron von Feuchtersleben photo
Bill Nye photo

“Nye, who earned a mechanical engineering degree from Cornell University, combined his love of science with his flair for comedy when he won a Steve Martin look-alike contest in Seattle.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, Nye: We must all save the Earth, The Madison Courier, Madison, Indiana, February 21, 2009, Pat Whitney]

Andy Griffith photo
Uwe Boll photo
Bret Easton Ellis photo

“I didn’t think anyone outside of LA would read Less Than Zero. I thought The Rules of Attraction would be a huge hit. I assumed people would react to American Psycho as a comedy. I thought I showcased some of my best writing in The Informers.”

And I was totally caught off-guard by the amount of good reviews and bad reviews Glamorama elicited. I’ve stopped guessing because I’m always wrong. And quite honestly: I don’t care. Writing the book is the main thing. Waiting for a reaction: a waste of time. But, obviously, I hope people respond to the book in a favorable way. I don’t want people to dislike it. But I don’t really mind if they do.
http://www.randomhouse.com/catalog/display.pperl?isbn=9780307264305&view=auqa

James Thurber photo

“Comedy has to be done en clair.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

You can't blunt the edge of wit or the point of satire with obscurity. Try to imagine a famous witty saying that is not immediately clear.
Letter, March 11, 1954, to Malcolm Cowley. Collecting Himself (1989)
Letters and interviews

Jane Austen photo
Kal Penn photo

“I mean no disrespect to any of our current climate at all, but I have been an actor for almost two decades now, and this is a dream come true to be able to create a network comedy that just makes people laugh…What I love about comedy is that, like music, sports and food, it brings us all together.”

Kal Penn (1977) American actor and civil servant

On his show Sunnyside in “Kal Penn Talks Putting A Twist On Immigration Narrative With ‘Sunnyside’ & Chances For Another ‘Harold And Kumar’ Movie” https://deadline.com/2019/09/kal-penn-sunnyside-nbc-immigration-comedy-harold-and-kumar-1202743466/ in Deadline (2019 Sep 26)

Jerry Seinfeld photo

“Comedy is more personal than food.”

Jerry Seinfeld (1954) American comedian and actor

Comedians in Cars Getting Coffee (2012 — Present), Season 3 (2014)

Jerry Seinfeld photo

“I don't think I felt "at home" on Earth, as a human, until I walked into a comedy club.”

Jerry Seinfeld (1954) American comedian and actor

Comedians in Cars Getting Coffee (2012 — Present), Season 3 (2014)

Issa Rae photo
Anne Dudley photo

“With a comedy, you can easily take away the humor. So it’s very important to keep the pacing of it going, and to keep the lighthearted nature of it going. I think in many ways, a comedy is more difficult than drama”

Anne Dudley (1956) English composer and pop musician

“The Hustle” Composer Anne Dudley On Her Creative Process And Storytelling Through Music: BUST Interview https://bust.com/movies/196048-anne-dudley-thehustle-interview.html (2019)

Nathaniel Parker photo
Ian Rankin photo
John Mulaney photo

“Building a gazebo in the middle of the civil war, that'd be like doing stand-up comedy now.”

John Mulaney (1982) American actor and comedian

Kid Gorgeous (2018)

Dan Povenmire photo

“Comedy is a lot harder to do if you don’t go to the mean place. The cheapest laugh you can get is an insult or snarky comment, so if you take that off the table you have to write smarter.”

Dan Povenmire (1963) American television director, writer, producer, storyboard artist, and actor

LIFE IN 2D: DAN POVENMIRE ON THE GREATEST CARTOONS EVER, SALSA MUSIC, AND NOT BEING A JERK https://www.houseofspeakeasy.org/dan-povenmire-interview/ (November 7, 2014)

Lynn Shelton photo

“Good drama (and comedy) often comes from the simple act of placing characters in a situation that is not usual nor comfortable for them.”

Lynn Shelton (1965–2020) American film director, screenwriter, film editor, actress and film producer (1965-2020)

HuffPost Article - Interview with Lynn Shelton, Director of Humpday - 25 May 2011 https://www.huffpost.com/entry/interview-with-lynn-shelt_b_227673 - Archive https://web.archive.org/web/20210727183525/https://www.huffpost.com/entry/interview-with-lynn-shelt_b_227673

“Anything interesting in the paper? Some tragedy, some comedy, nothing that’ll matter in a hundred years.”

Sheri S. Tepper (1929–2016) American fiction writer

Source: The Margarets (2007), Chapter 28, “I Am Margaret/On Tercis” (p. 238)

Mike Myers photo

“They say that comedy and sausages are the two things that if you know how they're made they affect the appetite. I'm always creating and writing stuff so it's nice for me to be able to watch it as a fan.”

Mike Myers (1963) Canadian- British- American actor, comedian, singer, screenwriter, and film producer

Interview with Joe Utichi, RT-UK: Mike Myers Interview https://editorial.rottentomatoes.com/article/rtuk-mike-myers-interview/, rottentomatoes.com, 27 June 2007.

Mel Brooks photo
Sigourney Weaver photo
John Crist (comedian) photo

“I think Christian comedy has gotten a bad rap in the past because it's very passive, and it's not honest. It's like knock-knock jokes type humor. What we're bringing to the table is another level of honesty, and maybe transparency that I think does make some people uncomfortable.”

John Crist (comedian) (1984) American comedian

[Paulson, Dave, John Crist: A Christian comedian who's gently poking fun at faith, https://www.tennessean.com/story/entertainment/2019/04/11/john-crist-christian-comedian-nashville-comedy-festival-ryman-auditorium/3215394002/, 6 September 2019, The Tennessean, April 11, 2019, en]