Quotes about character
page 14

Owen Wilson photo
Ray Harryhausen photo
Stevie Smith photo
Robert Fripp photo
Waheeda Rehman photo
Abraham Isaac Kook photo
Keshub Chunder Sen photo

“In carrying out the work of female education great impediments, some of them of an almost insuperable character, had to be overcome, and many defects had to be rectified.”

Keshub Chunder Sen (1838–1884) Indian academic

Speech delivered at the East India Association, London, on 13th May 1870. See Female Education in India for full speech.

Michel Aflaq photo
Donnie Dunagan photo

“I was not a great match to be the little boy of the very British Basil Rathbone's character, I'm born and raised in San Antonio, Texas, and I had this southern accent. We were on these huge wide-open castle sets and they kept telling me how the microphones were 'way up there' and how I had to talk extra loud.”

Donnie Dunagan (1934) actor and United States Marine

Child star Donnie Dunagan, aka voice of 'Bambi,' wasn't afraid to face Frankenstein http://www.nwitimes.com/entertainment/columnists/offbeat/offbeat-child-star-donnie-dunagan-aka-voice-of-bambi-wasn/article_f81013d1-e67c-587b-aecb-da893dab25c2.html (Marh 2, 2011)

Brian Selznick photo

“I don’t really feel like the gender of character is what causes someone to identify with them. It’s the situation they’re in, it’s the way they deal with danger, the way that they deal with fears. And so I feel like it’s a slightly larger question in terms of what makes us identify with someone.”

Brian Selznick (1966) American children's illustrator and writer

Inventions of Brian Selznick: Latest book makes unusual trilogy http://www.stltoday.com/entertainment/books-and-literature/book-blog/inventions-of-brian-selznick-latest-book-makes-unusual-trilogy/article_6651a90e-726b-50e3-b999-20b579c00bfd.html (September 20, 2015)

John Gray photo
Yoji Shinkawa photo
Jeet Thayil photo
Theo van Doesburg photo
Jennifer Beals photo
Joseph Gordon-Levitt photo

“The cool thing about my character was that it’s not that digital. I get to put hours of prosthetic makeup on and see a different creature altogether. I’ve seen how he looks and it’s really cool.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

September 10, 2008 http://moviesblog.mtv.com/2008/09/10/gi-joe-star-joseph-gordon-levitt-undergoes-transformation-for-cobra-commander-role/, on the Cobra Commander role

Adam Smith photo
Bernhard Riemann photo
Joseph Gordon-Levitt photo
Roberto Mangabeira Unger photo
Anita Sarkeesian photo

“Princess Peach is in many ways the quintessential stock-character version of the damsel in distress.”

Anita Sarkeesian (1983) American blogger

<i>Damsel in Distress: Part 3 (Aug 1, 2013)</i>
Tropes vs. Women in Video Games (Feminist Frequency, 2013 - 2015)

Frederick Douglass photo

“We all know what the negro has been as a slave. In this relation we have his experience of two hundred and fifty years before us, and can easily know the character and qualities he has developed and exhibited during this long and severe ordeal. In his new relation to his environments, we see him only in the twilight of twenty years of semi-freedom; for he has scarcely been free long enough to outgrow the marks of the lash on his back and the fetters on his limbs. He stands before us, today, physically, a maimed and mutilated man. His mother was lashed to agony before the birth of her babe, and the bitter anguish of the mother is seen in the countenance of her offspring. Slavery has twisted his limbs, shattered his feet, deformed his body and distorted his features. He remains black, but no longer comely. Sleeping on the dirt floor of the slave cabin in infancy, cold on one side and warm on the other, a forced circulation of blood on the one side and chilled and retarded circulation on the other, it has come to pass that he has not the vertical bearing of a perfect man. His lack of symmetry, caused by no fault of his own, creates a resistance to his progress which cannot well be overestimated, and should be taken into account, when measuring his speed in the new race of life upon which he has now entered.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, The Future of the Colored Race (1886)

Francis Escudero photo
Rekha photo
Theodor Mommsen photo

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

Laraine Day photo
Halle Berry photo
Aubrey Beardsley photo
Joseph Beuys photo
Stanley Baldwin photo
Thomas Carlyle photo
Bernard Leach photo

“It seems reasonable to expect that beauty will emerge from a fusion of the individual character and culture of the potter, with the nature of his materials.”

Bernard Leach (1887–1979) British studio potter and art teacher

A Potters Book (1940) Faber & Faber,London 1978 (reprint of 1940) ISBN 978-0571109739

Jack McDevitt photo
James Martineau photo
Ernest King photo
Roger Ebert photo

“This movie is not merely bad, but incompetent. I get tapes in the mail from 10th graders that are better made than this… I have often asked myself, "What would it look like if the characters in a movie were animatronic puppets created by aliens with an imperfect mastery of human behavior?"”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Now I know.
Review http://www.rogerebert.com/reviews/friends-and-lovers-1999 of Friends & Lovers (30 April 1999)
Reviews, Half-star reviews

“Train your children in karma yoga that they may become people of good and strong character.”

Haidakhan Babaji teacher in northern India

Karma yoga
Source: The Teachings of Babaji, 31 August 1983.

Morgan Tsvangirai photo
André Maurois photo
Grover Cleveland photo
Stephen Hillenburg photo
Jonathan Swift photo
Yogi Berra photo

“I think there are three possible scenarios for the future of Chinese writing, in all of which the government plays a major role. In the first, and at present apparently the least likely scenario, the government abandons its hostility to an expanded role for Pinyin and instead fosters a climate of digraphia and biliteracy in which those who can do so become literate in both characters and Pinyin, and those who cannot are at least literate in Pinyin. This is essentially a reversion to the Latinization movement of the 1930s and 1940s, when Mao Zedong and other high Communist Party officials like Xu Teli, the commissioner of education in Yan'an, lent their prestigious support to the New Writing. Such a change within the governing bureaucracy would in all likelihood result in an explosion of activity that might end in Pinyin ascendancy in use over characters in less than a generation.
In the second scenario the government adopts a policy of benign indifference that involves abandoning its hostility toward Pinyin but without actively supporting it, leaving it up to the rival protagonists of the two systems to contest for supremacy among themselves. This is likely to result in a somewhat longer struggle.
In the third scenario the government continues its present policy of repression, resulting in a much more protracted struggle (though surely not as long as the fascinating parallel struggle between Latin and Italian in Italy, where it took 500 [! ] years after Dante’s start in 1292 for academics, the last holdouts, to finally abandon their long resistance and start using Italian in university lectures).47 In this long struggle, PCs and mobile phones and other innovations still to come will undoubtedly allow more and more advocates of writing reform to escape the stranglehold of officialdom, to the point where (in a century or so?) characters are finally relegated to the status of Latin in the West.
My own view is that this is actually the least likely scenario, the most probable one being that the Chinese pragmatism that has manifested itself so strongly in economics will extend further into writing, and that, perhaps sooner rather than later, given the success of the promotion of Mandarin, some influential Party bureaucrats will finally arrive at the conclusion that the "some day in the future" anticipated by Mao has arrived, and that wholehearted Party support should now be unleashed for his anticipated "basic reform."”

John DeFrancis (1911–2009) American linguist

In any case it is basically all a matter of time. And the decisive factor that will seal the ultimate fate of Chinese characters is the new reality, noted by a perceptive observer, that "the PC is mightier than the Pen."
"The Prospects for Chinese Writing Reform" (2006, p. 20-21) http://sino-platonic.org/complete/spp171_chinese_writing_reform.pdf
"The Prospects for Chinese Writing Reform" (2006)

John Keats photo
Joseph Heller photo

“If character is destiny, the good are damned.”

God Knows (1984)

William James photo
Edward Thomson photo
Amir Taheri photo
George Peacock photo
Frederick Douglass photo

“The story of our inferiority is an old dodge, as I have said; for wherever men oppress their fellows, wherever they enslave them, they will endeavor to find the needed apology for such enslavement and oppression in the character of the people oppressed and enslaved. When we wanted, a few years ago, a slice of Mexico, it was hinted that the Mexicans were an inferior race, that the old Castilian blood had become so weak that it would scarcely run down hill, and that Mexico needed the long, strong and beneficent arm of the Anglo-Saxon care extended over it. We said that it was necessary to its salvation, and a part of the “manifest destiny” of this Republic, to extend our arm over that dilapidated government. So, too, when Russia wanted to take possession of a part of the Ottoman Empire, the Turks were “an inferior race.” So, too, when England wants to set the heel of her power more firmly in the quivering heart of old Ireland, the Celts are an “inferior race.” So, too, the Negro, when he is to be robbed of any right which is justly his, is an “inferior man.” It is said that we are ignorant; I admit it. But if we know enough to be hung, we know enough to vote. If the Negro knows enough to pay taxes to support the government, he knows enough to vote; taxation and representation should go together. If he knows enough to shoulder a musket and fight for the flag, fight for the government, he knows enough to vote. If he knows as much when he is sober as an Irishman knows when drunk, he knows enough to vote, on good American principles.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, What the Black Man Wants (1865)

“The misleading character of the accident theory is evident from the fact that even now the “error” involved from the standpoint of U. S. policy-makers and American leaders generally is neither one of purpose nor method – it is strictly a case of unexpectedly large expense. For the U. S. leadership, in other words, Vietnam is simply another, painfully large “cost over-run.” In terms of basic U. S. objectives and methods employed, in the Third World – essentially establishment of reliable client states, increasingly managed by military elites, with generous financial and military support (arms, advisors, Green Berets, and more extensive military intervention when junta control is threatened, as in Santo Domingo) – Vietnam is a facet of a completely rational policy. The policy may be vicious and catastrophic, from the perspective of the Vietnamese; and it may be a sordid and disruptive waste of human and material resources from the standpoint of the real interests of the ordinary American; but to the Rostows, Westmorelands and Nixons, the Vietnam War is a noble endeavor (“one of our finest moments”) that we cannot afford to abandon without achieving our original ends. The evidence is compelling that this leadership is entirely capable of destroying every village in Vietnam (and in the process, every Vietnamese) if this is required to attain the original political objectives.”

Edward S. Herman (1925–2017) American journalist

Source: Atrocities in Vietnam: Myths and Realities, 1970, pp. 87-88.

Amy Tan photo
Adam Smith photo
Aga Khan III photo

“The same binome is printed in as many as half-a-dozen or more different combinations of characters that have been used throughout history lo write it out. This indicates powerfully the primacy of sound over written form as the ultimate determinant of Chinese language.”

Victor H. Mair (1943) American sinologist and linguist

The Need for an Alphabetically Arranged General Usage Dictionary of Mandarin Chinese (February 1986) http://www.sino-platonic.org/complete/spp001_chinese_dictionary.pdf.

Michael Savage photo
Oscar Levant photo

“It's not a pretty face, I grant you. But underneath its flabby exterior is an enormous lack of character.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

Describing himself, in lines he contributed to An American In Paris (1951), although officially credited to Alan Jay Lerner, as told in The Memoirs of an Amnesiac (1965); also quoted in The Dictionary of Biographical Quotation of British and American Subjects (1978) by Richard Kenin and Justin Wintle, p. 485.

Algernon Sidney photo
Roger Ebert photo
George W. Bush photo
Herbert Marcuse photo
Timothy Shay Arthur photo
John F. Kennedy photo
Mo Yan photo
Letitia Elizabeth Landon photo

“Ford is rather a sculptor of character than a painter.”

John Ford (dramatist) (1586–1639) dramatist

Algernon Charles Swinburne Essays and Studies ([1875] 1888) p. 278.
Criticism

William Stubbs photo
Mark Pattison photo
Sergio Leone photo

“Even in the greatest Westerns, the woman is imposed on the action, as a star, and is generally destined to be “had” by the male lead. But she does not exist as a woman. If you cut her out of the film, in a version which you can imagine, the film becomes much better. In the desert, the essential problem was to survive. Women were an obstacle to survival! Usually, the woman not only holds up the story, but she has no real character, no reality. She is a symbol. She is there without having any reason to be there, simply because one must have a woman, and because the hero must prove, in some way or another, that he has "sex-appeal."”

Sergio Leone (1929–1989) Italian film director, screenwriter and producer

Christopher Frayling, Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone (1981), p. 129. Quoted in The Worlding Project: Doing Cultural Studies in the Era of Globalization (2007), ed. R. Wilson, ‎C. L. Connery, Ch. 6: "'But I Did Not Shoot the Deputy': Dubbing the Yankee Frontier" by Louis Chude-Sokei, pp. 158–159, as well as in The A to Z of Westerns in Cinema (2009) by Paul Varner, p. 198, and in The Quick, the Dead and the Revived: The Many Lives of the Western Film (2016) by Joseph Maddrey, p. 104.

Uwe Boll photo

“Postal will be so politically incorrect and harsh, it's like a mirror to American society, and I don't think the movie will be well received by anybody. For example, Osama Bin Laden will be one of the lead characters—I think that shows the mood of the movie.”

Uwe Boll (1965) German restaurateur and former filmmaker

Uwe Boll Bites Back, 2006-06-13, Ellie Gibson, Eurogamer, 2006-02-15 http://www.eurogamer.net/article.php?article_id=62899,
2000s

Letitia Elizabeth Landon photo
Samuel Taylor Coleridge photo
Edmund Burke photo

“Boldness formerly was not the character of Atheists as such. … But of late they are grown active, designing, turbulent, and seditious.”

Edmund Burke (1729–1797) Anglo-Irish statesman

"Thoughts on French Affairs" (December 1791), in Three Memorials on French Affairs (1797), p. 53
1790s

Randal Marlin photo
Koichi Tohei photo
Martin Luther King, Jr. photo
Laura Dern photo
David Cameron photo

“If there is one constant in the ebb and flow of our island story, it is the character of the British people.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Quoted from 'British strength and security in the world' speech (9 May 2016) - 11:50 -12:00 https://www.youtube.com/watch?v=P_XSmiPezTE
2010s, 2016

Carole Morin photo
George W. Bush photo
Johannes Grenzfurthner photo

“Watching a Norwegian film: character screams "Satan" and the English subtitle reads "Christ". That's was I call subliminal messaging.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

lecture performance at CMU Pittsburgh, 2016.

David Hume photo
Stephen Colbert photo

“We decided that my character had a pre-show tradition, like a ritual, which was to sing the lyrics to "I Want You To Want Me" by Cheap Trick into the mirror. Because, more than anything else, as much as he says he's bringing the truth, he just wants to be liked.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

Parade web exclusive interview http://www.parade.com/celebrity/articles/070923-stephen-colbert.html (19 September 2007)

Satyajit Ray photo

“I never imagined that any of my films, especially Pather Panchali, would be seen throughout this country or in other countries. The fact that they have is an indication that, if you're able to portray universal feelings, universal relations, emotions, and characters, you can cross certain barriers and reach out to others, even non-Bengalis.”

Satyajit Ray (1921–1992) Indian author, poet, composer, lyricist, filmmaker

The Cineaste Interviews: On the Art and Politics of the Cinema, ed. Dan Georgakas and Lenny Rubenstein, Chicago: Lake View Press, 1982, Vol. 1, Ch. 34 ( eprint at satyajitray.org http://www.satyajitray.org/about_ray/ray_on_ray.htm)

Benjamín Netanyahu photo

“In the Israeli democracy, we will continue to protect the rights of both the individual and the group, this is guaranteed. But the majority have rights too, and the majority rules, the vast majority of people want to preserve the Jewish character of our country for generations to come, this combination of individual rights and group rights are the definition of a Jewish and democratic state.”

Benjamín Netanyahu (1949) Israeli prime minister

As quoted in Defending controversial Jewish state bill, Netanyahu says ‘majority rules’ https://www.timesofisrael.com/liveblog_entry/pm-defends-controversial-jewish-state-bill-says-majority-have-rights-too/ (12 July 2018) by Tamar Pileggi, The Times of Israel.
2010s, 2018

George W. Bush photo
David Hume photo

“No quality of human nature is more remarkable, both in itself and in its consequences, than that propensity we have to sympathize with others, and to receive by communication their inclinations and sentiments, however different from, or even contrary to our own. This is not only conspicuous in children, who implicitly embrace every opinion propos’d to them; but also in men of the greatest judgment and understanding, who find it very difficult to follow their own reason or inclination, in opposition to that of their friends and daily companions. To this principle we ought to ascribe the great uniformity we may observe in the humours and turn of thinking of those of the same nation; and ’tis much more probable, that this resemblance arises from sympathy, than from any influence of the soil and climate, which, tho’ they continue invariably the same, are not able to preserve the character of a nation the same for a century together. A good-natur’d man finds himself in an instant of the same humour with his company; and even the proudest and most surly take a tincture from their countrymen and acquaintance. A chearful countenance infuses a sensible complacency and serenity into my mind; as an angry or sorrowful one throws a sudden dump upon me. Hatred, resentment, esteem, love, courage, mirth and melancholy; all these passions I feel more from communication than from my own natural temper and disposition. So remarkable a phaenomenon merits our attention, and must be trac’d up to its first principles.”

Part 1, Section 11
A Treatise of Human Nature (1739-40), Book 2: Of the passions

Confucius photo

“To no one but the Son of Heaven does it belong to order ceremonies, to fix the measures, and to determine the written characters.”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

Source: The Doctrine of the Mean