“I was never the kind of painter or sculptor who kept a shop.”
Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet
As quoted in In Our Time : The Artist, BBC Radio 4 (28 March 2002).
Algernon Charles Swinburne Essays and Studies ([1875] 1888) p. 278.
Criticism
“I was never the kind of painter or sculptor who kept a shop.”
Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet
As quoted in In Our Time : The Artist, BBC Radio 4 (28 March 2002).
Charley Toorop (1891–1955) Dutch painter
translation from original Dutch: Fons Heijnsbroek
(original Dutch: tekst in circulaire van Charley Toorop, in het Nederlands:) De nieuwe vereeniging zal bestaan uit schilders, beeldhouwers en architecten. De oprichters stellen zich niet op het standpunt, dat het karakter der vereeniging door één enkele kunstrichting bepaald wordt. Zy gelooven dat voor iedere belangrijke uiting van deze tyd plaats is en bedoelen de nieuwe vereeniging als verzamelplaats voor de beste jonge kunstenaars, die gezamenlyk het karakter van de vereeniging bepalen.
text of Charley Toorop, in a circular for possible members of the new artist-society 'A.S.B.', Amsterdam 8 Dec. 1926; in the Archive J.J.P. Oud, Nederlands Architectuur museum, Rotterdam
before 1930
Titian (1488–1576) Italian painter
official document, 1567; as quoted by Bruce Kohl in Titian and Venetian Painting, 1450-1590; publishers Westview Press, 1999, p. 117
In 1567 Titian applied to the Venetian senate for a fifteen-year copyright privilege for engravings, made after his work. The Dutch artist Cornelis Cort produced prints after Titian's work, all made in collaboration, in 1555-56 and 1571-72
1541-1576
Auguste Rodin (1840–1917) French sculptor
Source: Art, 1912, Ch. VII. Of Yesterday and of to-day, p. 121
Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist
On peut devenir un peintre, un sculpteur, un musicien même à force d'étude; on ne devient pas un auteur dramatique. On l'est tout de suite ou jamais, comme on est blond ou brun, sans le vouloir.
Preface to Le Père Prodigue (1859), in Théatre complet de Al. Dumas fils (Paris: Michel Lévy Frères, 1868-98) vol. 3, p. 199; translation by E. P. Evans from The Atlantic Monthly, May 1890, pp. 584-5.
Alfred Stieglitz (1864–1946) American photographer
'Is Photography a Failure?', Alfred Stieglitz, 'Sun: 5.', March 14, 1922; as quoted on Wikipedia