
“Butterflies are self propelled flowers.”
“Butterflies are self propelled flowers.”
“April's air stirs in
Willow-leaves… a butterfly
Floats and balances”
Source: Japanese Haiku
“I'd be a butterfly born in a bower,
Where roses and lilies and violets meet.”
I'd be a Butterfly, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
1920s, Lecture on Dada', 1922
Part III : The Mystic Ruby
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan
Close Encounters http://www.washingtonpost.com/ac2/wp-dyn/A62470-2002Apr4, Washington Post (April 7, 2002)
On reading Rocket Man by Ray Bradbury
Source: Darwin in America: The Intellectual Response 1865/1912, 1976, p. 153; As cited in Geoffrey M. Hodgson, "Veblen and darwinism." International review of sociology 14.3 (2004). p. 357
Quote of Th. Rousseau, Sept. 1867; recorded by fr:Alfred Sensier; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye; publisher, A. Wessels Company, New York, July 1902, p. 164
In September 1867 (two months before Rousseau’s death, when already half paralyzed), Th. Rouseau took a ride with Sensier to look once more at the heather. He was pointing to the Sully, a giant of the wood
1851 - 1867
Abhinaya and Netrābhinaya
Source: Indigenous Sanskrit theatre form, The Hindu, Tuesday, Jul 31, 2007 http://www.hindu.com/br/2007/07/31/stories/2007073150031600.htm
No! http://www.poemhunter.com/p/m/poem.asp?poet=3153&poem=27392.
1830s
“Trying to make a living from poetry is like putting chains on butterfly wings.”
Paris Review interview (1996)
The Bartimaeus Trilogy Official Website, Bart's Journal
"The Artist of the Beautiful" (1844)
David Usborne, " Hitchens vs Galloway: The big debate http://news.independent.co.uk/world/politics/article312968.ece", The Independent, September 16, 2005
During a debate with Christopher Hitchens, September 14, 2005
“Well, what do you know," Pham said. "Butterflies in jackboots.”
Source: A Fire Upon the Deep (1992), Chapter 26 (p. 318).
Neil Durden-Smith, BBC News 6 February 2010 http://news.bbc.co.uk/1/hi/entertainment/8502006.stm
About
Alfred de Zayas on personal website http://alfreddezayas.com.
According to The Quote Investigator http://quoteinvestigator.com/2014/04/17/butterfly/, "the earliest instance of this saying was crafted by the enigmatic “L” for “The Daily Crescent” newspaper in New Orleans [in June 1848]. ... The linkage to Henry David Thoreau is unsupported."
Misattributed
Quote in Un Nouveau Realisme, la Couleur Pure et l'Object, Fernand Léger, Ms 1935
Quotes of Fernand Leger, 1930's
Genius; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 88.
Shovelton, Patrick (2010). Claud Wright: Senior civil servant who was also a leading expert in geology, palaeontology and archaeology — Obituary http://www.independent.co.uk/news/obituaries/claud-wright-senior-civil-servant-who-was-also-a-leading-expert-in-geology-palaeontology-and-archaeology-1917829.html, The Independent, Monday, 8 March 2010.
The Last of the St. Aubyns
Heath's book of Beauty, 1833 (1832)
Speaking of nuclear weapons in “The Cataclysm of Damocles” (1986)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 175.
Source: A History of Experimental Psychology, 1929, p. 740; As cited in: John Nisbet, "How it all began: educational research 1880-1930." Scottish Educational Review 31 (1999): 3-9.
(12th June 1824) Stanzas
The London Literary Gazette, 1824
6 December 1748
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)
"The Grave of the Countess Potocki" http://daisy.htmlplanet.com/amick.htm
Crimean Sonnets
“Believe it or not, sometimes when I go on stage, I still get butterflies.”
"Local Legends" on the CBS Early Show (December 26, 2011)
for better or for worse.
Nobel lecture (2001)
Statement in the 1920s as quoted in Chanel (1987) by Jean Leymari
Someone Saved My Life Tonight
Song lyrics, Captain Fantastic and the Brown Dirt Cowboy (1975)
to the happy tune of counterintelligence
Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015
Jude Morte, "Tell It like It is", Manifesto, 2008, p. 71, ISSN 1908-6229.
2008
Don Orsino (1891)
"The Lees of Happiness"
Quoted, Tales of the Jazz Age (1922)
Time and Individuality (1940)
“I float like a butterfly, sting like a bee. There's nobody as beautiful or as powerful as me!”
Billy Graham, Tangled Ropes: Superstar Billy Graham (2006)
The Harebell reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 353.
Hymns
Testimony before the House Un-American Activities Committee (HUAC), October 14, 1955, regarding Mostel's appearance at a Communist Party fundraiser.
Young Men and Fire (1992)
1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998
Pagett M.P, prelude
Departmental Ditties and other Verses (1886)
Upon Lebia Arguing, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
From the BBC documentary Life on Air (2002)
"To my mother" [Meiner Mutter] (May 1920), trans. John Willett in Poems, 1913-1956, p. 49
Poems, 1913-1956 (1976)
February Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers
I (Yo soy un hombre sincero) as translated by Esther Allen in José Martí : Selected Writings (2002), p. 273
Simple Verses (1891)
"'O My Love the Pretty Towns'"
"The Artist of the Beautiful" (1844)
as quoted in Boss Ket (1961) by Rosamond McPherson Young p. 194
"The Artist of the Beautiful" (1844)
p, 125
The Training of the Human Plant (1907)
"Ken Thompson clarifies matters", 1999
“Scientifically speaking, a butterfly is at least as mysterious as a superstring.”
Source: Infinite in All Directions (1988), Ch. 2 : Butterflies and Superstrings, p. 14
Context: Scientifically speaking, a butterfly is at least as mysterious as a superstring. When something ceases to be mysterious it ceases to be of absorbing interest to scientists. Almost all things scientists think and dream about are mysterious.
“His talent was as natural as the pattern that was made by the dust on a butterfly's wings.”
An assessment of F. Scott Fitzgerald, Ch. 17
A Moveable Feast (1964)
Context: His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.
“Barricaded vision,
Garbed herself in sighs;
Ridiculed the birthmarks
Of the butterflies.”
"The Vestal" <!-- p. 15 -->
The Janitor's Boy And Other Poems (1924)
Context: p>Once a pallid Vestal
Doubted truth in blue;
Listed red in ruin,
Harried every hue;Barricaded vision,
Garbed herself in sighs;
Ridiculed the birthmarks
Of the butterflies.</p
“I know what I am to him. A butterfly he has always wanted to catch.”
The Collector (1963)
Context: I know what I am to him. A butterfly he has always wanted to catch. I remember (the very first time I met him) G. P. saying that collectors were the worst animals of all. He meant art collectors, of course. I didn’t really understand, I thought he was just trying to shock Caroline — and me. But of course, he is right. They’re anti-life, anti-art, anti-everything.
"Foreword to an Exhibit: I" (1944)
Context: Art is a mystery.
A mystery is something immeasurable.
In so far as every child and woman and man may be immeasurable, art is the mystery of every man and woman and child. In so far as a human being is an artist, skies and mountains and oceans and thunderbolts and butterflies are immeasurable; and art is every mystery of nature. Nothing measurable can be alive; nothing which is not alive can be art; nothing which cannot be art is true: and everything untrue doesn’t matter a very good God damn...
Context: Well, first of all, if you’re not—if you’ve never been on a soap box, it’s sort of awkward. You get up on a chair, and you look out—‘specially when the guy will precede you by saying “And the next speaker is Bill Bailey, a member of the Marine Workers Industrial Union, and a great—and this, and on—“, you know. They give you a big razzle-dazzle, and you get up there and you look out over a couple of hundred faces… Nobody’s laughing, no expression, you know, no nothing… You don’t know if they got a ham sandwich in their hand they’re gonna hit you with or what! And you’re supposed to razzle-dazzle them, you know, stir them, you know, really get ‘em up to where they’re screamin’ “Bloody murder!” Well, you know, and you get up there, and you’re mouth is dry, you know. Butterflies in your stomach. I mean, you’re complete emotional, ready to collapse, and the first thing you said to yourself, “I wish an earthquake takes place at this very minute,” you know. But anyway…! Like anything else, you take a deep breath, and you say your first word. And the second one comes out a little bit easier, after you get the word “Fellow-worker”, you know, out of your mouth—that’s the way it is. Then, bit by bit, you start warming up.
The Fantastic Imagination (1893)
Context: A fairytale, like a butterfly or a bee, helps itself on all sides, sips at every wholesome flower, and spoils not one. The true fairytale is, to my mind, very like the sonata. We all know that a sonata means something; and where there is the faculty of talking with suitable vagueness, and choosing metaphor sufficiently loose, mind may approach mind, in the interpretation of a sonata, with the result of a more or less contenting consciousness of sympathy. But if two or three men sat down to write each what the sonata meant to him, what approximation to definite idea would be the result? Little enough — and that little more than needful. We should find it had roused related, if not identical, feelings, but probably not one common thought. Has the sonata therefore failed? Had it undertaken to convey, or ought it to be expected to impart anything defined, anything notionally recognizable?
"But words are not music; words at least are meant and fitted to carry a precise meaning!"
It is very seldom indeed that they carry the exact meaning of any user of them! And if they can be so used as to convey definite meaning, it does not follow that they ought never to carry anything else. Words are like things that may be variously employed to various ends. They can convey a scientific fact, or throw a shadow of her child's dream on the heart of a mother. They are things to put together like the pieces of a dissected map, or to arrange like the notes on a stave.
Source: Going Bovine (2009), p. 389
Context: Marisol does a silly dance with Balder and the screw, one in each hand, so that nobody gets the idea that she takes tins — or anything else, for that matter — seriously. And just like that, something in the cosmos shifts. A butterfly flaps its wings in South America. Snow falls in Chicago. You give an idiot a stupid magic screw and it turns out to be a necessary part after all.
Ch. 27 http://www.resologist.net/talent27.htm
Wild Talents (1932)
Context: My general expression is that all human beings who can do anything; and dogs that track unseen quarry, and homing pigeons, and bird-charming snakes, and caterpillars who transform into butterflies, are magicians. … Considering modern data, it is likely that many of the fakirs of the past, who are now known as saints, did, or to some degree did, perform the miracles that have been attributed to them. Miracles, or stunts, that were in accord with the dominant power of the period were fostered, and miracles that conflicted with, or that did not contribute to, the glory of the Church, were discouraged, or were savagely suppressed. There could be no development of mechanical, chemical, or electric miracles —
And that, in the succeeding age of Materialism — or call it the Industrial Era — there is the same state of subservience to a dominant, so that young men are trained to the glory of the job, and dream and invent in fields that are likely to interest stockholders, and are schooled into thinking that all magics, except their own industrial magics, are fakes, superstitions, or newspaper yarns.