Quotes about blossom
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Eddie Cantor photo

“Every blossom I see reminds me of you”

Eddie Cantor (1892–1964) American actor, singer, dancer and comedian

Song, Every Blossom I See Reminds Me of You, written for Ziegfeld Follies of 1920 (music by Harry Ruby).

Mata Amritanandamayi photo
Wolfram von Eschenbach photo

“Upon a green achmardi she bore the consummation of heart’s desire, its root and its blossoming – a thing called "The Gral", paradisal, transcending all earthly perfection! She whom the Gral suffered to carry itself had the name of Repanse de Schoye. Such was the nature of the Gral that she who had the care of it was required to be of perfect chastity and to have renounced all things false.”

Ûf einem grüenen achmardî
truoc si den wunsch von pardîs,
bêde wurzeln unde rîs.
daz was ein dinc, daz hiez der Grâl,
erden wunsches überwal.
Repanse de schoy si hiez,
die sich der grâl tragen liez.
der grâl was von sölher art:
wol muoser kiusche sîn bewart,
die sîn ze rehte solde pflegn:
die muose valsches sich bewegn.
Bk. 5, st. 235, line 20; p. 125.
Parzival

Alice Walker photo
Hans von Bülow photo

“The editor of this selection from Chopin’s Pianoforte Studies has, however, no such intention; on the contrary. he wishes to make some of them, which owing to their difficulty have hitherto remained unpopularised, more accessible, particularly to the amateur, by pointing out the way to their correct study. And thus, on the basis of the technical facility to be acquired through these pieces, to enable even the non-professional to enjoy a more intimate acquaintance with those works of the classical romanticist, which, though representing the best and most undying side of his genius, have found till now but a small, though daily increasing circle of admirers; for the “Ladies’-Chopin”, which for forty years has blossomed in the pale and sickly rays of dilettantism; the “talented, languishing, Polish youth” to whom the most modest place on the Parnassus of musical literature was denied by the amateurish criticism of German professors, is as little the genuine entire Chopin, as is the Beethoven of “Adelaide” and the “Moonlight Sonata”, the god of Symphony. Truly a span of time must yet elapse before the matured and manly Chopin, the author of the two Sonatas, the 3rd and 4th Scherzos, the 4th Ballade, the Polonaise in F# minor, the later Mazurkas and Nocturnes etc., will be completely and generally appreciated at his full worth. At the same time much may be done by preparing and clearing the way; and one of the best means towards this end is sifting the material, and replacing favourite and unimportant works, by those less known though more important.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

W. H. Auden photo
Samuel Taylor Coleridge photo
Amit Ray photo

“Meditation is a way for nourishing and blossoming the divinity within you.”

Amit Ray (1960) Indian author

Meditation:Insights and Inspirations (2010) https://books.google.com/books?id=s2ctBgAAQBAJ,

Don Marquis photo
Woody Guthrie photo
Daniel O'Connell photo

“My days – the blossom of my youth and the flower of my manhood – have been darkened by the dreariness of servitude. In this my native land – in the land of my sires – I am degraded without fault as an alien and an outcast.”

Daniel O'Connell (1775–1847) Irish political leader

July 1812, aged 37, reflecting on the failure to secure equal rights or Catholic Emancipation for Catholics in Ireland. Quoted from Vol I, p. 185, of O'Connell, J. (ed.) The Life and Speeches of Daniel O'Connell, 2 Vols, Dublin, 1846)

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo

“And in the woods a fragrance rare
Of wild azaleas fills the air,
And richly tangled overhead
We see their blossoms sweet and red.”

Dora Read Goodale (1866–1953) U.S. poet

Spring Scatters Far and Wide, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 53.

John Masefield photo
Max Stirner photo
George William Russell photo
Wolfram von Eschenbach photo

“All that was ever told of Arthur, the man of the merry month of May, happened at Whitsun or at blossom-time in Spring.”

Artûs der meienbære man,
swaz man ie von dem gesprach,
zeinen pfinxten daz geschach,
odr in des meien bluomenzît.
Bk. 6, st. 281, line 16; p. 147.
Parzival

John Cheever photo
Ramakrishna photo

“When the fruit appears the blossom drops off. Love of God is the fruit, and rituals are the blossom.”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Source: The Gospel of Sri Ramakrishna (1942), p. 465

Rumi photo
Margaret Fuller photo
Matteo Maria Boiardo photo

“So, in the time when virtue bloomed
In lords and cavaliers of old,
We lived with joy and courtesy,
But then they fled down distant roads
And for a long time lost the way
And nevermore returned; but now
The winter and sharp winds are gone,
And virtue blossoms as before.”

Così nel tempo che virtù fioria
Ne li antiqui segnori e cavallieri,
Con noi stava allegrezza e cortesia,
E poi fuggirno per strani sentieri,
Sì che un gran tempo smarirno la via,
Né del più ritornar ferno pensieri;
Ora è il mal vento e quel verno compito,
E torna il mondo di virtù fiorito.
Bk. 2, Canto 1, st. 2
Orlando Innamorato

Kate Bush photo
Johannes Tauler photo

“Abilities wither under criticism, they blossom under encouragement.”

Source: How to Win Friends and Influence People (1936), p. 220 (in 1998 edition)

Li Bai photo
Sun Myung Moon photo
Karel Čapek photo
Mao Zedong photo

“Letting a hundred flowers blossom and a hundred schools of thought contend is the policy for promoting the progress of the arts and the sciences and a flourishing socialist culture in our land. Different forms and styles in art should develop freely and different schools in science should contend freely. We think that it is harmful to the growth of art and science if administrative measures are used to impose one particular style of art or school of thought and to ban another. Questions of right and wrong in the arts and sciences should be settled through free discussion in artistic and scientific circles and through practical work in these fields. They should not be settled in summary fashion.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On the Correct Handling of Contradictions Among the People
Source: (zh-CN) 百花齐放、百家争鸣的方针,是促进艺术发展和科学进步的方针,是促进我国的社会主义文化繁荣的方针。艺术上不同的形式和风格可以自由发展,科学上不同的学派可以自由争论。利用行政力量,强制推行一种风格,一种学派,禁止另一种风格,另一种学派,我们认为会有害于艺术和科学的发展。艺术和科学中的是非问题,应当通过艺术界科学界的自由讨论去解决,通过艺术和科学的实践去解决,而不应当采取简单的方法去解决。

Eugene V. Debs photo

“Denial of one's better self seals the lips or pollutes them. Fidelity to conviction opens them and truth blossoms in eloquence.”

Eugene V. Debs (1855–1926) American labor and political leader

The Secret of Efficient Expression (1911)

Franz Kafka photo
Marguerite Bourgeoys photo

“When the heart is open to the sun of grace, we see flowers blossom in their fragrance; these are seen to have profited by the word of God.”

Marguerite Bourgeoys (1620–1700) French colonist and foundress

The Writings of Marguerite Bourgeoys, p. 205

Amitabh Bachchan photo
John Calvin photo
Kate Mulgrew photo
Andrew Lang photo
Taliesin photo
Erving Goffman photo
Dejan Stojanovic photo

“If what we think of ourselves were true, the planet would overflow with geniuses. They blossomed; they did not talk about blossoming. They grew; they did not talk about growing.”

Dejan Stojanovic (1959) poet, writer, and businessman

“A Thought about Ourselves,” p. 122
The Sun Watches the Sun (1999), Sequence: “Hopelessness”

Bawa Muhaiyaddeen photo
Oliver Wendell Holmes photo

“Why should we be more shy of repeating ourselves than the spring be tired of blossoms or the night of stars?”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

Mahatma Gandhi photo
Mark Hopkins (educator) photo
Gabriel García Márquez photo

“Death was not. I lived in a simple drowse:
Hands and hair moved through a dream of wakening blossoms.”

Theodore Roethke (1908–1963) American poet

"The Shape of the Fire," ll. 73-77
The Lost Son and Other Poems (1948)
Context: Death was not. I lived in a simple drowse:
Hands and hair moved through a dream of wakening blossoms.
Rain sweetened the cave and the dove still called;
The flowers leaned on themselves, the flowers in hollows;
And love, love sang toward.

Vita Sackville-West photo

“She walks among the loveliness she made,
Between the apple-blossom and the water”

Vita Sackville-West (1892–1962) English writer and gardener

She walks among the patterned pied brocade,
Each flower her son, and every tree her daughter.
"The Island", in Bulletin of the Garden Club of America (1929), p. 1, also in Collected Poems (1934), p. 54

Celia Thaxter photo

“The barren island dreams in flowers, while blow
The south winds, drawing haze o'er sea and land;
Yet the great heart of ocean, throbbing slow,
Makes the frail blossoms vibrate where they stand”

Celia Thaxter (1835–1894) American writer

"Rockweeds" in The Atlantic Monthly, Vol. 21 (March 1868), p. 269.
Context: The barren island dreams in flowers, while blow
The south winds, drawing haze o'er sea and land;
Yet the great heart of ocean, throbbing slow,
Makes the frail blossoms vibrate where they stand;And hints of heavier pulses soon to shake
Its mighty breast when summer is no more,
And devastating waves sweep on and break,
And clasp with girdle white the iron shore.

Edmund Burke photo

“Consider the ravages committed in the bowels of all commonwealths by ambition, by avarice, envy, fraud, open injustice, and pretended friendship; vices which could draw little support from a state of nature, but which blossom and flourish in the rankness of political society.”

A Vindication of Natural Society (1756)
Context: The several species of government vie with each other in the absurdity of their constitutions, and the oppression which they make their subjects endure. Take them under what form you please, they are in effect but a despotism, and they fall, both in effect and appearance too, after a very short period, into that cruel and detestable species of tyranny; which I rather call it, because we have been educated under another form, than that this is of worse consequences to mankind. For the free governments, for the point of their space, and the moment of their duration, have felt more confusion, and committed more flagrant acts of tyranny, than the most perfect despotic governments which we have ever known. Turn your eye next to the labyrinth of the law, and the iniquity conceived in its intricate recesses. Consider the ravages committed in the bowels of all commonwealths by ambition, by avarice, envy, fraud, open injustice, and pretended friendship; vices which could draw little support from a state of nature, but which blossom and flourish in the rankness of political society. Revolve our whole discourse; add to it all those reflections which your own good understanding shall suggest, and make a strenuous effort beyond the reach of vulgar philosophy, to confess that the cause of artificial society is more defenceless even than that of artificial religion; that it is as derogatory from the honour of the Creator, as subversive of human reason, and productive of infinitely more mischief to the human race.

Elinor Wylie photo
Alfred, Lord Tennyson photo
Edwin Abbott Abbott photo

“Immoral, licentious, anarchical, unscientific — call them by what names you will — yet, from an aesthetic point of view, those ancient days of the Colour Revolt were the glorious childhood of Art in Flatland — a childhood, alas, that never ripened into manhood, nor even reached the blossom of youth. To live was then in itself a delight, because living implied seeing.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 8. Of the Ancient Practice of Painting
Context: When all others had succumbed to the fascinations of corporal decoration, the Priests and the Women alone still remained pure from the pollution of paint.
Immoral, licentious, anarchical, unscientific — call them by what names you will — yet, from an aesthetic point of view, those ancient days of the Colour Revolt were the glorious childhood of Art in Flatland — a childhood, alas, that never ripened into manhood, nor even reached the blossom of youth. To live was then in itself a delight, because living implied seeing.

Margaret Atwood photo

“Your righteous eyes, your laconic
trigger-fingers
people the streets with villains:
as you move, the air in front of you
blossoms with targets and you leave behind you a heroic
trail of desolation”

Margaret Atwood (1939) Canadian writer

"Backdrop addresses cowboy" (1974)
Selected Poems 1965-1975 (1976)
Context: Your righteous eyes, your laconic
trigger-fingers
people the streets with villains:
as you move, the air in front of you
blossoms with targets and you leave behind you a heroic
trail of desolation:
beer bottles
slaughtered by the side
of the road, bird-
skulls bleaching in the sunset.

Frank Lloyd Wright photo

“It is where life is fundamental and free that men develop the vision needed to reveal the human soul in the blossoms it puts forth.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

Lecture to the Chicago Women’s Aid (1918); later published as "Chicago Culture" in On Architecture: Selected Writings (1894-1940) (1941)
Context: It is where life is fundamental and free that men develop the vision needed to reveal the human soul in the blossoms it puts forth. … In a great workshop like Chicago this creative power germinates, even though the brutality and selfish preoccupation of the place drive it elsewhere for bread. Men of this type have loved Chicago, have worked for her, and believed in her. The hardest thing they have to bear is her shame. These men could live and work here when to live and work in New York would stifle their genius and fill their purse.... New York still believes that art should be imported; brought over in ships; and is a quite contented market place. So while New York has reproduced much and produced nothing, Chicago’s achievements in architecture have gained world-wide recognition as a distinctively American architecture.

Louis Sullivan photo

“Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling work-horse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds, over all the coursing sun, form ever follows function, and this is the law.”

Louis Sullivan (1856–1924) American architect

The Tall Office Building Artistically Considered (1896)
Context: Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling work-horse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds, over all the coursing sun, form ever follows function, and this is the law. Where function does not change form does not change. The granite rocks, the ever brooding hills, remain for ages; the lightning lives, comes into shape, and dies in a twinkling.
It is the pervading law of all things organic and inorganic, of all things physical and metaphysical, of all things human and all things superhuman, of all true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function. This is the law.

Alfred, Lord Tennyson photo

“O Love! what hours were thine and mine,
In lands of palm and southern pine;
In lands of palm, of orange-blossom,
Of olive, aloe, and maize and vine!”

Alfred, Lord Tennyson (1809–1892) British poet laureate

The Daisy, Stanza 1; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Lucy Larcom photo

“These blossoms, gathered in familiar paths,
With dear companions now passed out of sight,
Shall not be laid upon their graves.”

Lucy Larcom (1824–1893) American teacher, poet, author

Introductory poem.
Poems (1869)
Context: These blossoms, gathered in familiar paths,
With dear companions now passed out of sight,
Shall not be laid upon their graves. They live,
Since love is deathless. Pleasure now nor pride
Is theirs in mortal wise, but hallowing thoughts
Will meet the offering, of so little worth,
Wanting the benison death has made divine.

Alfred, Lord Tennyson photo
Epictetus photo

“I blossomed into a healthy young drug addict.”

Edie Sedgwick (1943–1971) Socialite, actress, model

On tapes for Ciao! Manhattan
Edie : American Girl (1982)
Context: I'm a little nervous about saying anything about "the Artist" because it kind of sticks him right between the eyes, but he deserves it. Warhol really fucked up a great many people's - young people's - lives. My introduction to heavy drugs came through the Factory. I liked the introduction to drugs I received. I was a good target for the scene; I blossomed into a healthy young drug addict.

Alfred, Lord Tennyson photo
Lucy Maud Montgomery photo
Théodore Guérin photo
John Muir photo
Adi Shankara photo
Helena Roerich photo
Joyce Kilmer photo
Stephen Vincent Benét photo
James Thomson (B.V.) photo
Hermann Hesse photo

“The marvel of the Bhagavad-Gita is its truly beautiful revelation of life's wisdom which enables philosophy to blossom into religion.”

Hermann Hesse (1877–1962) German writer

as quoted in Londhe, S. (2008). A tribute to Hinduism: Thoughts and wisdom spanning continents and time about India and her culture https://books.google.com/books/about/A_Tribute_to_Hinduism.html?id=G3AMAQAAMAAJ

Divya S. Iyer photo