
“Every blossom I see reminds me of you”
Song, Every Blossom I See Reminds Me of You, written for Ziegfeld Follies of 1920 (music by Harry Ruby).
“Every blossom I see reminds me of you”
Song, Every Blossom I See Reminds Me of You, written for Ziegfeld Follies of 1920 (music by Harry Ruby).
Ûf einem grüenen achmardî
truoc si den wunsch von pardîs,
bêde wurzeln unde rîs.
daz was ein dinc, daz hiez der Grâl,
erden wunsches überwal.
Repanse de schoy si hiez,
die sich der grâl tragen liez.
der grâl was von sölher art:
wol muoser kiusche sîn bewart,
die sîn ze rehte solde pflegn:
die muose valsches sich bewegn.
Bk. 5, st. 235, line 20; p. 125.
Parzival
Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.
“Meditation is a way for nourishing and blossoming the divinity within you.”
Meditation:Insights and Inspirations (2010) https://books.google.com/books?id=s2ctBgAAQBAJ,
Final television interview with Melvyn Bragg (5 April 1994)
Pastures Of Plenty: A Self Portrait (1990), p. 3
July 1812, aged 37, reflecting on the failure to secure equal rights or Catholic Emancipation for Catholics in Ireland. Quoted from Vol I, p. 185, of O'Connell, J. (ed.) The Life and Speeches of Daniel O'Connell, 2 Vols, Dublin, 1846)
Canto II, XII
The Fate of Adelaide (1821)
Spring Scatters Far and Wide, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 53.
By Still Waters (1906)
The Late Forties and the Fifties, 1956 entry.
The Journals of John Cheever (1991)
Source: The Gospel of Sri Ramakrishna (1942), p. 465
Divan 1740:1-3, as translated by Fatemeh Keshavarz in Reading Mystical Lyric : The Case of Jalal al-Din Rumi (1998)
Così nel tempo che virtù fioria
Ne li antiqui segnori e cavallieri,
Con noi stava allegrezza e cortesia,
E poi fuggirno per strani sentieri,
Sì che un gran tempo smarirno la via,
Né del più ritornar ferno pensieri;
Ora è il mal vento e quel verno compito,
E torna il mondo di virtù fiorito.
Bk. 2, Canto 1, st. 2
Orlando Innamorato
Song lyrics, Lionheart (1978)
“Abilities wither under criticism, they blossom under encouragement.”
Source: How to Win Friends and Influence People (1936), p. 220 (in 1998 edition)
Ballads Of Four Seasons: Summer (子夜四时歌 夏歌)
Cheon Il Guk is the Ideal Heavenly Kingdom of Eternal Peace http://www.unification.net/2006/20060613_1.html (2006-06-13)
On the Correct Handling of Contradictions Among the People
Source: (zh-CN) 百花齐放、百家争鸣的方针,是促进艺术发展和科学进步的方针,是促进我国的社会主义文化繁荣的方针。艺术上不同的形式和风格可以自由发展,科学上不同的学派可以自由争论。利用行政力量,强制推行一种风格,一种学派,禁止另一种风格,另一种学派,我们认为会有害于艺术和科学的发展。艺术和科学中的是非问题,应当通过艺术界科学界的自由讨论去解决,通过艺术和科学的实践去解决,而不应当采取简单的方法去解决。
The Secret of Efficient Expression (1911)
The Writings of Marguerite Bourgeoys, p. 205
On Martin Luther in a letter to Philipp Melanchthon, (28 June 1545), in Jules Bonnet, ed., Letters of John Calvin (1 vol. abridged), (Banner of Truth Trust, 1980), ISBN 0-8515-1323-9 , p. 74; also in Philip Schaff, History of the Christian Chuch http://www.ccel.org/s/schaff/history/8_ch11.htm#_ednref74 vol. 8, ch. 11, n. 568.
Catching Up with Kate Mulgrew http://www.startrek.com/article/catching-up-with-kate-mulgrew-part-2 (January 19, 2011)
“A Thought about Ourselves,” p. 122
The Sun Watches the Sun (1999), Sequence: “Hopelessness”
The Fast of Ramadan: The Inner Heart Blossoms (2005)
The Autocrat of the Breakfast Table (1858)
Part II, Chapter 18, Colour Bar
1920s, An Autobiography (1927)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 132.
"The Shape of the Fire," ll. 73-77
The Lost Son and Other Poems (1948)
Context: Death was not. I lived in a simple drowse:
Hands and hair moved through a dream of wakening blossoms.
Rain sweetened the cave and the dove still called;
The flowers leaned on themselves, the flowers in hollows;
And love, love sang toward.
“She walks among the loveliness she made,
Between the apple-blossom and the water”
She walks among the patterned pied brocade,
Each flower her son, and every tree her daughter.
"The Island", in Bulletin of the Garden Club of America (1929), p. 1, also in Collected Poems (1934), p. 54
"Rockweeds" in The Atlantic Monthly, Vol. 21 (March 1868), p. 269.
Context: The barren island dreams in flowers, while blow
The south winds, drawing haze o'er sea and land;
Yet the great heart of ocean, throbbing slow,
Makes the frail blossoms vibrate where they stand;And hints of heavier pulses soon to shake
Its mighty breast when summer is no more,
And devastating waves sweep on and break,
And clasp with girdle white the iron shore.
A Vindication of Natural Society (1756)
Context: The several species of government vie with each other in the absurdity of their constitutions, and the oppression which they make their subjects endure. Take them under what form you please, they are in effect but a despotism, and they fall, both in effect and appearance too, after a very short period, into that cruel and detestable species of tyranny; which I rather call it, because we have been educated under another form, than that this is of worse consequences to mankind. For the free governments, for the point of their space, and the moment of their duration, have felt more confusion, and committed more flagrant acts of tyranny, than the most perfect despotic governments which we have ever known. Turn your eye next to the labyrinth of the law, and the iniquity conceived in its intricate recesses. Consider the ravages committed in the bowels of all commonwealths by ambition, by avarice, envy, fraud, open injustice, and pretended friendship; vices which could draw little support from a state of nature, but which blossom and flourish in the rankness of political society. Revolve our whole discourse; add to it all those reflections which your own good understanding shall suggest, and make a strenuous effort beyond the reach of vulgar philosophy, to confess that the cause of artificial society is more defenceless even than that of artificial religion; that it is as derogatory from the honour of the Creator, as subversive of human reason, and productive of infinitely more mischief to the human race.
Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 8. Of the Ancient Practice of Painting
Context: When all others had succumbed to the fascinations of corporal decoration, the Priests and the Women alone still remained pure from the pollution of paint.
Immoral, licentious, anarchical, unscientific — call them by what names you will — yet, from an aesthetic point of view, those ancient days of the Colour Revolt were the glorious childhood of Art in Flatland — a childhood, alas, that never ripened into manhood, nor even reached the blossom of youth. To live was then in itself a delight, because living implied seeing.
"Backdrop addresses cowboy" (1974)
Selected Poems 1965-1975 (1976)
Context: Your righteous eyes, your laconic
trigger-fingers
people the streets with villains:
as you move, the air in front of you
blossoms with targets and you leave behind you a heroic
trail of desolation:
beer bottles
slaughtered by the side
of the road, bird-
skulls bleaching in the sunset.
Lecture to the Chicago Women’s Aid (1918); later published as "Chicago Culture" in On Architecture: Selected Writings (1894-1940) (1941)
Context: It is where life is fundamental and free that men develop the vision needed to reveal the human soul in the blossoms it puts forth. … In a great workshop like Chicago this creative power germinates, even though the brutality and selfish preoccupation of the place drive it elsewhere for bread. Men of this type have loved Chicago, have worked for her, and believed in her. The hardest thing they have to bear is her shame. These men could live and work here when to live and work in New York would stifle their genius and fill their purse.... New York still believes that art should be imported; brought over in ships; and is a quite contented market place. So while New York has reproduced much and produced nothing, Chicago’s achievements in architecture have gained world-wide recognition as a distinctively American architecture.
The Tall Office Building Artistically Considered (1896)
Context: Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling work-horse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds, over all the coursing sun, form ever follows function, and this is the law. Where function does not change form does not change. The granite rocks, the ever brooding hills, remain for ages; the lightning lives, comes into shape, and dies in a twinkling.
It is the pervading law of all things organic and inorganic, of all things physical and metaphysical, of all things human and all things superhuman, of all true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function. This is the law.
The Daisy, Stanza 1; reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Introductory poem.
Poems (1869)
Context: These blossoms, gathered in familiar paths,
With dear companions now passed out of sight,
Shall not be laid upon their graves. They live,
Since love is deathless. Pleasure now nor pride
Is theirs in mortal wise, but hallowing thoughts
Will meet the offering, of so little worth,
Wanting the benison death has made divine.
Part I, section xxii, stanza 11
Maud; A Monodrama (1855)
“I blossomed into a healthy young drug addict.”
On tapes for Ciao! Manhattan
Edie : American Girl (1982)
Context: I'm a little nervous about saying anything about "the Artist" because it kind of sticks him right between the eyes, but he deserves it. Warhol really fucked up a great many people's - young people's - lives. My introduction to heavy drugs came through the Factory. I liked the introduction to drugs I received. I was a good target for the scene; I blossomed into a healthy young drug addict.
Act iv, scene 1
Queen Mary: A Drama (published 1876)
To the Right Reverend J. Bouvier, Bishop of Le Mans, Saint Mary-of-the-Woods, 1850-07-10.
William Frederic Badé (pages 38-40)
Sierra Club Bulletin - Memorial Issue
449
Leaves of Morya’s Garden: Book One (The Call) (1924)
Bedil: Selected Poems, p. 59
Rubaʿiyat (Quatrains), Stanza
Innkeeper's wife
Source: A Child is Born (1942)
"The Speedy Extinction of Evil and Misery", part VIII, pp. 93–94
Essays and Phantasies (1881)
“Thought is the blossom; language the bud; action the fruit behind it.”
as quoted in Londhe, S. (2008). A tribute to Hinduism: Thoughts and wisdom spanning continents and time about India and her culture https://books.google.com/books/about/A_Tribute_to_Hinduism.html?id=G3AMAQAAMAAJ
Quoted in Insights in India https://www.insightsonindia.com/2014/07/27/knowledge-is-power-a-guide-to-upsc-exam-preparation-by-divya-s-iyer-ias/