Quotes about balloon

A collection of quotes on the topic of balloon, likeness, going, doing.

Quotes about balloon

Richard Bach photo
Frank Zappa photo

“Republicans stand for raw, unbridled evil and greed and ignorance smothered in balloons and ribbons.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer
Terry Pratchett photo
Kurt Cobain photo

“Yeah, I was run out of town. They chased me up to the castle of Aberdeen with torches. Just like the Frankenstein monster. And I got away in a hot air balloon. And I came here to Seattle.”

Kurt Cobain (1967–1994) American musician and artist

As quoted in Monk Magazine (1992-10).
Interviews (1989-1994), Print

Vladimir Nabokov photo

“I think he’s crude, I think he’s medieval, and I don’t want an elderly gentleman from Vienna with an umbrella inflicting his dreams upon me. I don’t have the dreams that he discusses in his books. I don’t see umbrellas in my dreams. Or balloons.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

On Sigmund Freud, as quoted in Sigmund Says: And Other Psychotherapists' Quotes (2006) edited by Bernard Nisenholz, p. 6 ISBN 0595396593

W.B. Yeats photo

“Hands, do what you’re bid:
Bring the balloon of the mind
That bellies and drags in the wind
Into its narrow shed.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Balloon Of The Mind http://poetry.poetryx.com/poems/1595/
The Wild Swans at Coole (1919)

William Thomson photo

“I have not the smallest molecule of faith in aerial navigation other than ballooning”

William Thomson (1824–1907) British physicist and engineer

As a response to Major B. F. S. Baden Powell's request to join the Aeronautical Society, December 8, 1896 http://zapatopi.net/kelvin/papers/letters.html#baden-powell.
Often reproduced out of context and without citation to any primary source as "Heavier-than-air flying machines are impossible", like in The Experts Speak : The Definitive Compendium of Authoritative Misinformation (1984) by Christopher Cerf and Victor Navasky, p. 236
Context: I am afraid I am not in the flight for “aerial navigation”. I was greatly interested in your work with kites; but I have not the smallest molecule of faith in aerial navigation other than ballooning or of expectation of good results from any of the trials we hear of. So you will understand that I would not care to be a member of the aëronautical Society.

A.A. Milne photo

“Nobody can be uncheered with a balloon.”

Source: Winnie-the-Pooh

Scott Westerfeld photo
Haruki Murakami photo
Gillian Flynn photo
Julian Barnes photo
Barbara Kingsolver photo
Libba Bray photo
Charles Baudelaire photo
Brandon Mull photo
Cassandra Clare photo
Margaret Wise Brown photo
Bret Easton Ellis photo

“We buy balloons, we let them go.”

Source: American Psycho

Patti Smith photo
Stephen King photo

“Want a balloon?”

Source: It

Hans Arp photo
Phillip Guston photo
André Breton photo

“Oneiric values have definitely won out over the others, and I maintain that anyone who still refuses to see, for instance, a horse galloping on a tomato, must be an idiot. A tomato is also a child's balloon - Surrealism, again, having suppressed the word "like."”

André Breton (1896–1966) French writer

https://books.google.co.uk/books?id=baKRHNX7eo0C&pg=PA43#v=onepage&q&f=false
from: Point du Jour (Break of Day; 1934)
Breton's quote is often misquoted as The man who can't visualize a horse galloping on a tomato is an idiot.
after 1930

Henry Temple, 3rd Viscount Palmerston photo

“I must make a protest against the sort of exaggerations in which the noble Lord has indulged. He has described the railway launching 2,000 or 3,000 ruffians upon some quiet neighbourhood in a manner that might lead one to imagine the train conveyed a set of banditti to plunder, rack, and ravage the country, murder the people, burn the houses, and commit every sort of atrocity…they may conceive it to be a very harmless pursuit…Some people look upon it as an exhibition of manly courage, characteristic of the people of this country. I saw the other day a long extract from a French newspaper describing this fight as a type of the national character for endurance, patience under suffering of indomitable perseverance, in determined effort, and holding it up as a specimen of the manly and admirable qualities of the British race…I do not perceive why any number of persons, say 1,000 if you please, who assemble to witness a prize fight, are in their own persons more guilty of a breach of the peace than an equal number of persons who assemble to witness a balloon ascent. There they stand; there is no breach of the peace; they go to see a sight, and when that sight is over they return, and no injury is done to any one. They only stand or sit on the grass to witness the performance, and as to the danger to those who perform themselves, I imagine the danger to life in the case of those who go up in balloons is certainly greater than that of two combatants who merely hit each other as hard as they can, but inflict no permanent injury upon each other.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1860/may/15/papers-moved-for-1 in the House of Commons (15 May 1860) on the illegal prize-fight between Tom Sayers and J. C. Heenan. The Radical MP Colonel Dickson replied that although "He sat on a different side of the House from the noble Lord, and did not often find himself in the same lobby with him on a division; but he would say for the noble Viscount, that if he had one attribute more than another which endeared him to his countrymen it was his thoroughly English character and his love for every manly sport". Palmerston was rumoured to have attended the fight and he contributed the first guinea to the collection for Sayers in the House of Commons.
1860s

John Muir photo
Wisława Szymborska photo

“Toy balloon
once kidnapped by the wind —
come home, and I will say:
There are no children here.”

Wisława Szymborska (1923–2012) Polish writer

"Still Life with a Balloon"
Poems New and Collected (1998), Calling Out to Yeti (1957)

Neil Young photo
Thanissaro Bhikkhu photo
Daniel De Leon photo
Johnnie Ray photo

“I just felt like God picked me up in his arms [and said], 'Johnnie Ray, I love you', and kissed me. I'm very humble and grateful for this elevation to the big time. But we all have to come down, and it won't leave me with a complex if I do. I know this thing might go over like a lead balloon, but I can always go back to that movie extra deal.”

Johnnie Ray (1927–1990) American singer, actor, songwriter and composer

On his success as a singer, The Chicago Tribune http://archives.chicagotribune.com/1952/03/16/page/85/article/johnnie-ray-their-darling-cry-baby (16 March 1952)

Hans Reichenbach photo

“The surfaces of three-dimensional space are distinguished from each other not only by their curvature but also by certain more general properties. A spherical surface, for instance, differs from a plane not only by its roundness but also by its finiteness. Finiteness is a holistic property. The sphere as a whole has a character different from that of a plane. A spherical surface made from rubber, such as a balloon, can be twisted so that its geometry changes…. but it cannot be distorted in such a way as that it will cover a plane. All surfaces obtained by distortion of the rubber sphere possess the same holistic properties; they are closed and finite. The plane as a whole has the property of being open; its straight lines are not closed. This feature is mathematically expressed as follows. Every surface can be mapped upon another one by the coordination of each point of one surface to a point of the other surface, as illustrated by the projection of a shadow picture by light rays. For surfaces with the same holistic properties it is possible to carry through this transformation uniquely and continuously in all points. Uniquely means: one and only one point of one surface corresponds to a given point of the other surface, and vice versa. Continuously means: neighborhood relations in infinitesimal domains are preserved; no tearing of the surface or shifting of relative positions of points occur at any place. For surfaces with different holistic properties, such a transformation can be carried through locally, but there is no single transformation for the whole surface.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Ron Paul photo
James Van Allen photo

“I was a kind of a one-man army. I could solder circuits together, I could turn out things on the lathe, I could work with rockets and balloons. I'm a kind of a hybrid between an engineer and a physicist and astronomer.”

James Van Allen (1914–2006) American nuclear physicist

On his early career, "Grounded in Space Science", Interview with Rushworth M. Kidder, The Christian Science Monitor, page 14, December 22, 1989.

John Fante photo
Nick Hanauer photo
Francisco De Goya photo

“The group of sorcerers who form the support for our elegant lady are more for ornament than real use. Some heads are so charged with inflammable gas that they have no need for balloons or sorcerers in order to fly away.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

a note on an etching-plate, 1795/96; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 195
Plate 61 of 'Los Caprichos' represents a beautiful lady flying with outstretched arms in butterfly fashion, but supported at the feet by three grotesque creatures crouched in the attitude of the carved misers under monkish stalls. Upon a copy of this plate Goya scrawled this note
1790s

Stanisław Lem photo

“What is success? It is a toy balloon among children armed with pins.”

Gene Fowler (1890–1960) American journalist

Skyline: A Reporter's Reminiscence of the 1920s (1961); as cited by Jonathon Green (1988) Says who?: a guide to the quotations of the century. p. 308

Anne Sexton photo
William Wordsworth photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Jeannette Piccard photo

“When you fly a balloon you don’t file a flight plan; you go where the wind goes. You feel like part of the air. You almost feel like part of eternity, and you just float along.”

Jeannette Piccard (1895–1981) American balloonist, scientist, teacher and priest

Quoted in [Sorenson, Paul, Looking Back..., AEM Update, University of Minnesota Institute of Technology, 1998-1999, http://www.aem.umn.edu/info/update/1998-99/Looking.html]

Marc Chagall photo
Simon Hoggart photo

“Seeing John Major govern the country is like watching Edward Scissorhands try to make balloon animals.”

Simon Hoggart (1946–2014) English journalist and broadcaster

Simon Hoggart, Hoggart's Guardian column 11 Sep 2004 http://www.guardian.co.uk/politics/2004/sep/11/politics.guardiancolumnists

Michael Lewis photo
Eugene J. Martin photo
Dave Barry photo
John Muir photo

“They are detached from the language and inflated like little balloons.”

On the pretentious words used by lawyers, soldiers, and literary critics, such as "luminous" and "taut." Strunk & White, The Elements of Style 3rd ed. (Boston: Allyn, 1979) page 83.

Piero Manzoni photo

“When I blow up a balloon, I am breathing my soul into an object that becomes eternal. [Manzoni's quote of 1960, referring to his art-work 'Artist's Breath']”

Piero Manzoni (1933–1963) Italian artist

Source: 'Piero Manzoni', exhibition catalogue, Serpentine Gallery, London 1998, p.144

“The birth of a nation called for many fathers, none of whom could be pre-eminent, and when Parkes died the federation was only a balloon floating beckoningly in the air.”

Geoffrey Blainey (1930) Australian historian

The Story of Australia's People: The Rise and Rise of a New Australia (2016)

Anthony Burgess photo
Klaus Kinski photo
Daniel Levitin photo
Anton Chekhov photo
Bob Dylan photo

“Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's Alright, Ma (I'm Only Bleeding)
Context: Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying

St. Vincent (musician) photo

“If I could substitute another drug to be consumed in the country as much as alcohol is, it would be helium from children's birthday party balloons. Try not laughing when someone sounds like a chipmunk!”

St. Vincent (musician) (1982) American singer-songwriter

"John Vanderslice interviews St. Vincent (on the road)" in Brooklyn Vegan (24 April 2007) http://www.brooklynvegan.com/archives/2007/04/john_vanderslic_5.html
Context: The drug issue is hard to separate from a class issue, an education issue, a wonky foreign policy issue, and a race issue. What I do know is, be it caffeine, alcohol, cocaine, or adrenaline, let's face it: people like to get high. From Starbucks to Budweiser to your own brain, everybody's a pusher these days. If I could substitute another drug to be consumed in the country as much as alcohol is, it would be helium from children's birthday party balloons. Try not laughing when someone sounds like a chipmunk!

Henri-Frédéric Amiel photo

“There is, as it were, a degradation a gnostic fall, in thus folding one's wings and going back again into the vulgar shell of one's own individuality. Without grief, which is the string of this venturesome kite, man would soar too quickly and too high, and the chosen souls would be lost for the race, like balloons which, save for gravitation, would never return from the empyrean.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

8 November 1852
Journal Intime (1882), Journal entries
Context: My privilege is to be spectator of my life drama, to be fully conscious of the tragi-comedy of my own destiny, and, more than that, to be in the secret of the tragi-comic itself, that is to say, to be unable to take my illusions seriously, to see myself, so to speak, from the theater on the stage, or to be like a man looking from beyond the tomb into existence. I feel myself forced to feign a particular interest in my individual part, while all the time I am living in the confidence of the poet who is playing with all these agents which seem so important, and knows all that they are ignorant of. It is a strange position, and one which becomes painful as soon as grief obliges me to betake myself once more to my own little rôle, binding me closely to it, and warning me that I am going too far in imagining myself, because of my conversations with the poet, dispensed from taking up again my modest part of valet in the piece. Shakespeare must have experienced this feeling often, and Hamlet, I think, must express it somewhere. It is a Doppelgängerei, quite German in character, and which explains the disgust with reality and the repugnance to public life, so common among the thinkers of Germany. There is, as it were, a degradation a gnostic fall, in thus folding one's wings and going back again into the vulgar shell of one's own individuality. Without grief, which is the string of this venturesome kite, man would soar too quickly and too high, and the chosen souls would be lost for the race, like balloons which, save for gravitation, would never return from the empyrean.

Bill Bailey photo
George Adamski photo
George Adamski photo
Jack White photo

“Is this some kind of fucking radio promotion? What the fuck is this? Let me just say that if whatever said radio station tries to blacklist us for my comments about their balloons, I would like them to know I want a written apology tomorrow for interrupting my song.”

Jack White (1975) American musician and record producer

AT The Greek Theatre in Berkeley, California after some balloons bearing a radio station's logo floated on stage.
Chonin, Neva (2005). "White Stripes huge but not bloated" http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/08/15/DDGTAE7B261.DTL&type=music SFGate.com (accessed June 19, 2007)
2010

Yvonne De Carlo photo

“You want to know about the title, right. The most beautiful girl in the world. . . It was a straight publicity thing but it ballooned. Of course, I never could wear blue jeans to the market after that. I had a reputation to uphold.”

Yvonne De Carlo (1922–2007) Canadian-American actress, dancer, and singer

Source: As quoted in " A girl no longer, but . . . De Carlo's a beauty still https://www.newspapers.com/newspage/459624330/" (1975)

Elon Musk photo

“We have planes, trains, automobiles, bikes, walking, Segway, hot air balloons, mopeds and boats, ... What if there was a tenth mode?”

Elon Musk (1971) South African-born American entrepreneur

on the Hyperloop.
Quotes https://www.wewishes.com/elon-musk-quotes/
Source: [Garber, Megan, The Real iPod: Elon Musk's Wild Idea for a 'Jetson Tunnel' from S.F. to L.A., http://www.theatlantic.com/technology/archive/2012/07/the-real-ipod-elon-musks-wild-idea-for-a-jetson-tunnel-from-sf-to-la/259825/, 21 July 2012, The Atlantic, 13 July 2012]

Elon Musk photo

“I'd rather be optimistic and wrong; than pessimistic and right.
..
We have planes, trains, automobiles, bikes, walking, Segway, hot air balloons, mopeds and boats, ... What if there was a tenth mode?”

Elon Musk (1971) South African-born American entrepreneur

Source: 13 July 2012 [Garber, Megan, The Real iPod: Elon Musk's Wild Idea for a 'Jetson Tunnel' from S.F. to L.A., http://www.theatlantic.com/technology/archive/2012/07/the-real-ipod-elon-musks-wild-idea-for-a-jetson-tunnel-from-sf-to-la/259825/, 21 July 2012, The Atlantic] regarding Hyperloop

Фаррелл Уильямс photo