Quotes about authenticity

A collection of quotes on the topic of authentication, authenticity, people, other.

Quotes about authenticity

Cameron Diaz photo

“Fame does not define me. If you are looking for fame to define you, then you will never be happy and you’ll always be searching for happiness, and you will never find it in fame. Fulfillment comes from within you, by being authentic to yourself — not chasing fame.”

Cameron Diaz (1972) American actress

Human the movie: Cameron's interview https://www.youtube.com/watch?v=e-HvL3TSf-8 ( New York Post http://nypost.com/2015/12/17/cameron-diaz-fame-will-never-make-you-happy/)

John Nash photo

“Classes will dull your mind, destroy the potential for authentic creativity.”

John Nash (1928–2015) American mathematician and Nobel Prize laureate
George Orwell photo

“We have a hunger for something like authenticity, but are easily satisfied by an ersatz facsimile.”

George Orwell (1903–1950) English author and journalist

Actually a statement by Miles Orvell, in The Real Thing: Imitation and Authenticity in American Culture, 1880–1940 (1989)
Misattributed

Walter Gropius photo

“A modern, harmonic and lively architecture is the visible sign of an authentic democracy.”

Walter Gropius (1883–1969) German architect (1883-1969) and founder of the Bauhaus School

In 'The Observer' (London), 'Sayings of the Week'

Gary Zukav photo
H.P. Lovecraft photo

“In relating the circumstances which have led to my confinement within this refuge for the demented, I am aware that my present position will create a natural doubt of the authenticity of my narrative.”

"The Tomb" - Written Jun 1917; first published in The Vagrant, No. 14 (March 1922)<!-- p. 50-64 -->
Fiction
Context: In relating the circumstances which have led to my confinement within this refuge for the demented, I am aware that my present position will create a natural doubt of the authenticity of my narrative. It is an unfortunate fact that the bulk of humanity is too limited in its mental vision to weigh with patience and intelligence those isolated phenomena, seen and felt only by a psychologically sensitive few, which lie outside its common experience. Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism.

H.P. Lovecraft photo

“However—the crucial thing is my lack of interest in ordinary life. No one ever wrote a story yet without some real emotional drive behind it—and I have not that drive except where violations of the natural order… defiances and evasions of time, space, and cosmic law… are concerned. Just why this is so I haven't the slightest idea—it simply is so. I am interested only in broad pageants—historic streams—orders of biological, chemical, physical, and astronomical organisation—and the only conflict which has any deep emotional significance to me is that of the principle of freedom or irregularity or adventurous opportunity against the eternal and maddening rigidity of cosmic law… especially the laws of time…. Hence the type of thing I try to write. Naturally, I am aware that this forms a very limited special field so far as mankind en masse is concerned; but I believe (as pointed out in that Recluse article) that the field is an authentic one despite its subordinate nature. This protest against natural law, and tendency to weave visions of escape from orderly nature, are characteristic and eternal factors in human psychology, even though very small ones. They exist as permanent realities, and have always expressed themselves in a typical form of art from the earliest fireside folk tales and ballads to the latest achievements of Blackwood and Machen or de la Mare or Dunsany. That art exists—whether the majority like it or not. It is small and limited, but real—and there is no reason why its practitioners should be ashamed of it. Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience—but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffmann Price (15 August 1934) , quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 268
Non-Fiction, Letters, to E. Hoffmann Price

Mario Vargas Llosa photo

“Political correctness is the enemy of freedom because it rejects honesty and authenticity. We have to tackle it as the distortion of the truth.”

Mario Vargas Llosa (1936) Peruvian writer, politician, journalist, and essayist

Interview https://elpais.com/elpais/2018/02/27/inenglish/1519736544_699462.html, El País, 27/02/2018

Herbert Marcuse photo
Abraham Lincoln photo

“I mean the powerful influence which the interesting scenes of the Revolution had upon the passions of the people as distinguished from their judgment. By this influence, the jealousy, envy, and avarice incident to our nature and so common to a state of peace, prosperity, and conscious strength, were for the time in a great measure smothered and rendered inactive, while the deep-rooted principles of hate, and the powerful motive of revenge, instead of being turned against each other, were directed exclusively against the British nation. And thus, from the force of circumstances, the basest principles of our nature, were either made to lie dormant, or to become the active agents in the advancement of the noblest cause — that of establishing and maintaining civil and religious liberty. But this state of feeling must fade, is fading, has faded, with the circumstances that produced it. I do not mean to say that the scenes of the Revolution are now or ever will be entirely forgotten, but that, like everything else, they must fade upon the memory of the world, and grow more and more dim by the lapse of time. In history, we hope, they will be read of, and recounted, so long as the Bible shall be read; but even granting that they will, their influence cannot be what it heretofore has been. Even then they cannot be so universally known nor so vividly felt as they were by the generation just gone to rest. At the close of that struggle, nearly every adult male had been a participator in some of its scenes. The consequence was that of those scenes, in the form of a husband, a father, a son, or a brother, a living history was to be found in every family — a history bearing the indubitable testimonies of its own authenticity, in the limbs mangled, in the scars of wounds received, in the midst of the very scenes related — a history, too, that could be read and understood alike by all, the wise and the ignorant, the learned and the unlearned. But those histories are gone. They can be read no more forever. They were a fortress of strength; but what invading foeman could never do, the silent artillery of time has done — the leveling of its walls. They are gone. They were a forest of giant oaks; but the all-restless hurricane has swept over them, and left only here and there a lonely trunk, despoiled of its verdure, shorn of its foliage, unshading and unshaded, to murmur in a few more gentle breezes, and to combat with its mutilated limbs a few more ruder storms, then to sink and be no more. They were pillars of the temple of liberty; and now that they have crumbled away that temple must fall unless we, their descendants, supply their places with other pillars, hewn from the solid quarry of sober reason.”

Abraham Lincoln (1809–1865) 16th President of the United States

1830s, The Lyceum Address (1838)

Emil M. Cioran photo

“Of all calumnies the worst is the one which attacks our indolence, which contests its authenticity.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

All Gall Is Divided (1952)

Charlie Chaplin photo

“As I began to love myself I found that anguish and emotional suffering are only warning signs that I was living against my own truth.
Today, I know, this is “AUTHENTICITY."”

Charlie Chaplin (1889–1977) British comic actor and filmmaker

Quoted by many sites and blogs as "speech that Charlie Chaplin gave on his 70th birthday". Actually, a re-translation (from Portuguese-BR) of a text from the book "When I Loved Myself Enough" by Kim & Alison McMillen (2001). https://authorjoannereed.net/charlie-chaplin-self-love-poem-subtle-art-of-myth-busting/
Misattributed

Pope Francis photo
Theodor W. Adorno photo

“The jargon of authenticity … is a trademark of societalized chosenness, … sub-language as superior language.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: Jargon der Eigentlichkeit [Jargon of Authenticity] (1964), pp. 5-6

Pope Francis photo
Antonio Gramsci photo
Shirin Ebadi photo
Emil M. Cioran photo
George Washington photo

“The basis of our political systems is the right of the people to make and to alter their Constitutions of Government. But the Constitution which at any time exists, till changed by an explicit and authentic act of the whole people, is sacredly obligatory upon all.”

George Washington (1732–1799) first President of the United States

1790s, Farewell Address (1796)
Context: The basis of our political systems is the right of the people to make and to alter their Constitutions of Government. But the Constitution which at any time exists, till changed by an explicit and authentic act of the whole people, is sacredly obligatory upon all. The very idea of the power and the right of the people to establish Government presupposes the duty of every individual to obey the established Government.

Isaac Newton photo

“We account the Scriptures of God to be the most sublime philosophy. I find more sure remarks of authenticity in the Bible than in any profane history whatever.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Anecdote reported by Dr. Robert Smith, late Master of Trinity College, to his student Richard Watson, as something that Newton expressed when he was writing his Commentary On Daniel. In Watson's Apology for the Bible. London 8vo. (1806), p. 57

Philip Kotler photo
Premchand photo
Chuck Klosterman photo
Brené Brown photo

“Authenticity is a collection of choices that we have to make every day. It's about the choice to show up and be real. The choice to be honest. The choice to let our true selves be seen.”

Brené Brown (1965) US writer and professor

Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

Warren Ellis photo
Cheryl Strayed photo
Elizabeth Gilbert photo
Stephen Fry photo
Edgar Lee Masters photo
Ben Okri photo
Brené Brown photo

“When two people relate to each other authentically and humanly, God is the electricity that surges between them.”

Brené Brown (1965) US writer and professor

Source: Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead

Jeff Lindsay photo

“Feeling - what authentic human fun!”

Source: Dexter in the Dark

Rick Warren photo

“Pretentiousness repels but authenticity attracts, and vulnerability is the pathway to intimacy.”

Rick Warren (1954) Christian religious leader

Source: The Purpose Driven Life: What on Earth Am I Here for?

Sam Harris photo
Gary Zukav photo
Howard Thurman photo
Gustavo Gutiérrez photo
David Foster Wallace photo
John Wesley photo
Philip K. Dick photo
Martin Buber photo
Brené Brown photo

“Because true belonging only happens when we present our authentic, imperfect selves to the world, our sense of belonging can never be greater than our level of self-acceptance.”

Brené Brown (1965) US writer and professor

Oprah.com http://www.oprah.com/spirit/Life-Lessons-We-All-Need-to-Learn-Brene-Brown#ixzz28s3kPWdP
Source: Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead
Context: Belonging is not fitting in... Belonging starts with self-acceptance. Your level of belonging, in fact, can never be greater than your level of self-acceptance, because believing that you're enough is what gives you the courage to be authentic, vulnerable and imperfect. When we don't have that, we shape-shift and turn into chameleons; we hustle for the worthiness we already possess.

Brené Brown photo

“Accepting the reality of our sinfulness means accepting our authentic self. Judas could not face his shadow; Peter could. The latter befriended the impostor within; the former raged against him.”

Brennan Manning (1934–2013) writer, American Roman Catholic priest and United States Marine

Source: Abba's Child: The Cry of the Heart for Intimate Belonging

Mitch Albom photo
Juhani Pallasmaa photo

“I see the task of architecture as the defense of the authenticity of human experience.”

Juhani Pallasmaa (1936) Finnish architect

Encounters (2006).

Walter Benjamin photo
Alan Hirsch photo
Sigitas Tamkevičius photo
Paul Joseph Watson photo
Richard Rodríguez photo
Aram Manukian photo

“In these conditions, our people can make miracles. I have often had the opportunity to realize that the sense of duty of our villagers is authentic. It is a sign of awareness. One call by the National Council is enough for him to leave his home and to rush to arms, when there is nothing that compels him to do so. At the time, the mobilization by the Russian government was always executed on the force of terror.”

Aram Manukian (1879–1919) Armenian revolutionary, politician and general who managed and led the Van Resistance and instrumented the …

On January 5, 1918, on the eve of Armenian Christmas. Attributed without citation in [Death of Aram Manoukian - January 29, 1919, http://thisweekinarmenianhistory.blogspot.com/2013/01/death-of-aram-manoukian-january-29-1919.html, thisweekinarmenianhistory.com, 29 January 2013, 15 March 2014]

Tim Parks photo
Nathanael Greene photo
Bill Hybels photo
Will Tuttle photo
Michael Elmore-Meegan photo
Joshua Casteel photo
Roger Ebert photo

“Much has been written about Generation X and the films about it. Clerks is so utterly authentic that its heroes have never heard of their generation. When they think of "X," it's on the way to the video store.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/clerks-1994 of Clerks (4 November 1994)
Reviews, Three star reviews

Jacques Maritain photo
Bill Hybels photo
Rollo May photo
Dinesh D'Souza photo
Lew Rockwell photo
Bob Woodward photo

“It would be absurd for me or any other editor to review the authenticity or accuracy of stories that are nominated for prizes.”

Bob Woodward (1943) American journalist

Post Reporter's Pulitzer Prize Is Withdrawn; Pulitzer Board Withdraws Post Reporter's Prize (19 April 1981)

Manuel Castells photo

“Let me start a different/ analysis by recalling an idea from Max Weber. He characterized cultural modernity as the separation of the substantive reason expressed in religion and metaphysics into three autonomous spheres. They are science, morality and art. These came to be differentiated because the unified world-views of religion and metaphysics fell apart. Since the 18th century, the problems inherited from these older world-views could be arranged so as to fall under specific aspects of validity: truth, normative rightness, authenticity and beauty. They could then be handled as questions of knowledge, or of justice and morality, or of taste. Scientific discourse, theories of morality, Jurisprudence, and the production and criticism of art could in turn be institutionalized. Each domain of culture could be made to correspond to cultural professions in which problems could be dealt with as the concern of special experts. This professionalized treatment of the cultural tradition brings to the fore the intrinsic structures of each of the three dimensions of culture. There appear the structures of cognitive-instrumental, of moral-practical and of aesthetic-expressive rationality, each of these under the control of specialists who seem more adept at being logical in these particular ways than other people are. As a result, the distance grows between the culture of the experts and that of the larger public. What accrues to culture through specialized treatment and reflection does not immediately and necessarily become the property of everyday praxis. With cultural rationalization of this sort, the threat increases that the life-world, whose traditional substance has already been devalued, will become more and more impoverished.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: Modernity — An Incomplete Project, 1983, p. 8-9

E.E. Cummings photo
Antoni Tàpies photo

“Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote from 1976
1945 - 1970
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 25

Guity Novin photo
Elizabeth Kucinich photo
Stanley Kunitz photo
Edgar Froese photo
Kurien Kunnumpuram photo
Piero Manzoni photo
Frank Welker photo
Pope Benedict XVI photo
Gloria Estefan photo
Koenraad Elst photo

“…H. K. Srivastava, made a proposal to attack the problem of communal friction at what he apparently considered its roots. He wanted all press writing about the historical origins of temples and mosques to be banned. And it is true : the discussion of the origins of some mosques is fundamental to this whole issue. For, it reveals the actual workings of an ideology that, more than anything else, has caused countless violent confrontations between the religious communities. However, after the news of this proposal came, nothing was heard of it anymore. I surmise that the proposal was found to be juridically indefensible in that it effectively would prohibit history-writing, a recognized academic discipline of which journalism makes use routinely. And I surmise that it was judged politically undesirable because it would counterproductively draw attention to this explosive topic. The real target of this proposal was the book Hindu Temples : What Happened to Them (A Preliminary Survey) by Arun Shourie and others. In the same period, there has been a proposal in the Rajya Sabha by Congress MP Mrs. Aliya to get this book banned,… The really hard part of the book is a list of some two thousand Muslim buildings that have been built on places of previous Hindu worship (and for which many more than two thousand temples have been demolished). In spite of the threat of a ban on raking up this discussion, on November 18 the U. P. daily Pioneer has published a review of this book, by Vimal Yogi Tiwari,…. "History is not just an exercise in collection of facts though, of course, facts have to be carefully sifted and authenticated as Mr. Sita Ram Goel has done in this case. History is primarily an exercise in self-awareness and reinforcement of that self-awareness. Such a historical assessment has by and large been missing in our country. This at once gives special significance to this book."”

Koenraad Elst (1959) orientalist, writer

1990s, Ayodhya and After: Issues Before Hindu Society (1991)

“The authentic British poetry of the second world war was not a poetry of protest, still less was it inspired by patriotic enthusiasm”

Vernon Scannell (1922–2007) British boxer and poet

Introductory Essay 'Setting the Scene'
Not Without Glory, 1976

Edith Stein photo
Johannes Grenzfurthner photo
Thomas Jefferson photo