“[The hardest thing about '90 Millas' was the concept of] combining the old and the new without losing the authenticity. The simple solution, of course, would have been to record covers. [But] emotionally it wouldn't have been the same We left Cuba as children: Gloria was 1, I was 14. So, there ia a part that does exist in nostalgia, but a the same [time] there is another part that is contemporary music that we've made all over the world.”

Emilio Estefan, Reuters (July 23, 2007)
2007, 2008

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Gloria Estefan195

Cuban-American singer-songwriter, actress and divorciada 1957

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“[Is "90 Millas" another crossover -- into World Music? ] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

“Esperando (Cuando Cuba Sea Libre) is probably one of the most personal songs from the new [September, 2007] CD, "90 Millas"... as it really speaks about the celebration, nostalgia and emotion that will happen the day Cuba is free. If we're to move forward in Cuba, we really have to have a lot of forgiveness for each other and look towards the future.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.gloriaestefan.com (March 28, 2007)
2007, 2008

“It is so important for me to keep authentic Cuban sounds alive. All of these great artists have changed the landscape of Latin music and it's an honor to have them on this album ["90 Millas," released in September of 2007]. I believe this album will expose a new generation to the richness of Cuban music.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

news release (July 20, 2007)
2007, 2008

“The existing scientific concepts cover always only a very limited part of reality, and the other part that has not yet been understood is infinite.”

Werner Heisenberg (1901–1976) German theoretical physicist

Physics and Philosophy (1958), p. 201

“I have a feeling it is more or less the same part of my brain which does both [math and music]… they speak to the same place, the same aesthetic…”

Noam Elkies (1966) American mathematician

Response to the question "What is behind this mysterious math-music link?"
Music + Math: A Common Equation?, 1988

“You will be one of the 10% of people out there who are in that bracket because you've succeeded, 90% of people don't live their dream, they talk about it. We've all been in the pub when your mate says 'I'm going to do this' and you go back a year later and he's sitting in the same chair saying the same thing. We've all been there or know someone who's been there.”

Paul Oakenfold (1963) British record producer and a trance music DJ

Tony Blair Steals Oakey’s Parking Space. Trackitdown.net, October 12, 2007. http://www.trackitdown.net/news/101585.html

“Since whatever we do has to be part of a team, part of a community, we have to attempt to bring together those who have the same conviction, see the same things. Then it becomes a matter of time, when one or the other will prevail. Fortunately, there is all this diversity, and if not for that, problems would not be solved.”

Jonas Salk (1914–1995) Inventor of polio vaccine

Academy of Achievement interview (1991)

“There has been 32 isms since the advent of Cubism, yet after all there are essentially the same two old strings, the Romantic and the Classical. We've just be confused by the storm. Science and psychology have played a great part to say nothing of sex.”

Mark Tobey (1890–1976) American abstract expressionist painter

The Tigers Eye 1, Mark Tobey, 1952; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 103
1950's

“Roger: Umm.. I couldn't tell you! I don't really know what the secret is. I've never been in any other situation. For us, we just really try to really deliver when we play and make that the focal point of what's going on. And then there's the live show. We try to be really good to our fans in the way of musically by having things up. Fans that have been fans of our records will always have something to relate and not have a record that is completely different ever, but also not doing the same thing over and over and over again. Trying to have a steady change on what kind of music we're writing and stuff like that. I think touring is the key to it. We've always been a touring based band. We play a lot, a lot of shows and that's what keeps us fresh in peoples' minds.”

Roger Manganelli (1973) American musician

“Morning View is I think collectively probably our favorite record that we have made as a band because it was the most effortless… um… in its conception… you know? It was a lot less slaving over parts and trying to just get together in this big beautiful room with a view of the ocean and parts and sounds and melodies and lyrics would just happen… they would just sort of spill out of us without us really trying… so to me that's sort of the most amazing way to write music or do any kind of art, which is by letting it happen… but one of the most important parts in any sort of.. uh… journey so to speak.. Is uh… the ride… and we've had a really good time riding to where ever it is we are going… and I don't even think any of us know particularly where it is going to take us… But it's been really fun sort of chasing it.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Discussing Morning View on Boogie TV interview was done the day of their concert at Vega, Copenhagen

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