Quotes about actor
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“A major advancement in the strategy field is the development of models where firm heterogeneity is an endogenous creation of economic actors.”

Richard Rumelt (1942) American economist

Source: "Towards a strategic theory of the firm." 1997, p. 134

“Scientific language that is correct and serious so far as teachers and students are concerned must follow these stylistic norms:
# Be as verbally explicit and universal as possible…. The effect is to make `proper' scientific statements seem to talk only about an unchanging universal realm….
# Avoid colloquial forms of language and use, even in speech, forms close to those of written language. Certain words mark language as colloquial…, as does use of first and second person…
# Use technical terms in place of colloquial synonyms or paraphrases….
# Avoid personification and use of specifically or usually human attributes or qualities…, human agents or actors, and human types of action or process…
# Avoid metaphoric and figurative language, especially those using emotional, colorful, or value laden words, hyperboles and exaggeration, irony, and humorous or comic expressions.
# Be serious and dignified in all expression of scientific content. Avoid sensationalism.
# Avoid personalities and reference to individual human beings and their actions, including (for the most part) historical figures and events….
# Avoid reference to fiction or fantasy.
# Use causal forms of explanation and avoid narrative and dramatic accounts…. Similarly forbidden are dramatic forms, including dialogue, the development of suspense or mystery, the element of surprise, dramatic action, and so on.”

Jay Lemke (1946) American academic

Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).

Color, Teachers, Universe, Parting

“The man is a complete wackadoo, but so is every great actor who ever lived. You gotta separate the artist from his/her art, or you won't be able to enjoy anything.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

Art

“Rome has an ambiance, puerile yet unmatchable. Rome hints at the possibility of becoming the main actor in the drama of one’s own life. (The hint is false, of course; but the stolid northern cities do not even possess the hint.)”

Robert Sheckley (1928–2005) American writer

Source: The 10th Victim (1965), Chapter 2 (pp. 19-20)

Life, Falseness

“What bustle and confusion, as one set of actors exits and another enters,
Each taking the illusory for the real.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 15

“Actors are lucky, they have glory without responsibility.”

Alfred De Vigny (1797–1863) French poet, playwright, and novelist

Les acteurs sont bien heureux, ils ont une gloire sans responsabilité.
Page 44.
Journal d'un poète (1867)

“The free market tide has now receded. In its place has come state capitalism, a system in which the state functions as the leading economic actor and uses markets primarily for political gain.”

Ian Bremmer (1969) American political scientist

"State Capitalism Comes of Age," http://www.foreignaffairs.com/articles/64948/ian-bremmer/state-capitalism-comes-of-age Foreign Affairs (May/June 2009).

“In the discussion we had last year at Siegen, in this regard, emphasis was put on the sort of emptiness that has to be obtained from mind and body by a Japanese warrior-artist when doing calligraphy, by an actor when acting: the kind of suspension of ordinary intentions of mind associated with habitus, or arrangements of the body. It’s at this cost, said Glenn and Andreas, … that a brush encounters the “right” shapes, that a voice and a theatrical gesture are endowed with the “right” tone and look. The soliciting of emptiness, this evacuation—very much the opposite of overweening, selective identificatory activity—doesn’t take place without some suffering. … The body and mind have to be free of burdens for grace to touch us.”

Jean-François Lyotard (1924–1998) French philosopher

Source: Thought Without a Body? (1994), p. 296

Suffering

“Who the hell wants to hear actors talk?”

Harry Warner (1881–1958) Film studio executive

Full comment: "Who the hell wants to hear actors talk? The music — that's the big plus about this." Harry Warner, Warner Bros., as movies with sound made their debut in 1927 ( "Tech titans wish we wouldn't quote them on this baloney" http://www.usatoday.com/money/industries/technology/maney/2005-07-05-famous-quotes_x.htm)

Hell

“We are all actors: being a citizen is not living in society, it is changing it.”

Augusto Boal (1931–2009) Brazilian writer

World Theater Day Message, Geneva, Switzerland (2009)

Change

“I may not be as unambiguously hostile to capitalism as many people are, but what I don't like about it is the commodification of personal experiences, it turns everyone into actors.”

John Gray (1948) British philosopher

Quoted in Will Self, "John Gray: Forget everything you know," http://web.archive.org/web/20080403080859/http://www.independent.co.uk/news/people/john-gray-forget-everything-you-know-641878.html The Independent (2002-09-03)

Hostility, People, Personality

“When my dad died at the end of my sophomore year [at university], I stopped and took stock of my life. There was this real sense that my childhood was officially over. I decided I wanted to be an actor. I knew I was loved as a kid. The thing you can always rely on, your core person, comes from your family's attention and love. When my mother got sick, and I'd see her fight to survive, it gave me an early view of bravery and what life was about. I was able to prepare for it. Your mother dies, and you're eighteen, and you face a choice. Are you going to take drugs? Become a drunk? Or are you going to try to become more spiritual? Why not go with the thing that seems more positive? [pause] Why do I tend to be optimistic? Because the alternative is just crushing to my soul.”

Martin Short (1950) Canadian stand-up comedian

Parade Magazine; January 23rd, 2000

Love, Life, Family, Soul

“I love the life of an actor because you spend brief amounts of time with other people and then you just leave. I need to be alone a lot, and I need the outdoors.”

Madeleine Stowe (1958) American actress

As quoted in The Los Angeles Times (30 January 1994)

Love, Life, People, Time

“Suppose you went back to Ada Lovelace and asked her the difference between a script and a program. She'd probably look at you funny, then say something like: Well, a script is what you give the actors, but a program is what you give the audience. That Ada was one sharp lady…”

Larry Wall (1954) American computer programmer and author, creator of Perl

Public Talks, The State of the Onion 11

“In my opinion you are a little similar to Rudolph Valentino. I don't know if you remember such an actor. It is a great direction for you - he acted in silent films.”

Kuba Wojewódzki (1963) Polish journalist

Dla mnie jesteś trochę jak Rudolph Valentino, nie wiem, czy pamiętasz takiego bohatera kina. Znakomity kierunek dla ciebie: on był bohaterem kina niemego.
To Idol contestants

“I'm the luckiest broad in Hollywood now. To be the lead actor on Scandal and to be in the highest-earning Tarantino movie- I don't get to ask for more.”

Kerry Washington (1977) American actress

“Outlaw consciousness is born the moment I drop out, stop the world, cease being an actor identified with the mythic roles I have been playing in society. Change begins when I do nothing except observe. The wisdom of the railroad crossing: Stop. Look. Listen. Meditation is the healthy form of voyeurism.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 135

Wisdom, World, Change

“I try to avoid repetitions of any shot. It isn't easy to find one in my films. You might, I suppose, see something twice, but it would be rare. And then, you know, every line requires its own kind of shot. The American method of shooting one actor continuously, then moving to the other, then intercutting both — this method is wrong. A scene has to have a rhythm of its own, a structure of its own.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

“The basis of social skill is the ability to relate to the situation of the ‘other.’ This means that whereas a given strategic actor has interests, he or she must take other people’s interests into account… to imaginatively identify with the states of others.”

Neil Fligstein (1951) American sociologist

Source: "Social skill and institutional theory." 1997, p. 398

People, Imagination

“Drew Barrymore: Eddie Vedder said something like, "The more you're known as a personality, the less you're accepted as an entertainer."
Edward Norton: I would agree with that. On the other hand, I hate the "dark prince" act that some actors put on when they're doing publicity. If it's for real, if you're really a dark prince, then don't sit down with an interviewer and act like a dark prince. I don't necessarily love doing these things, but once you've agreed to do them, I think you ought to get on board.”

Edward Norton (1969) american actor

Interview by Drew Barrymore (Interview Magazine - April 1996)

Love, Hate, Thinking, Personality

“It's absurdly foolish to hail me as a method actor, no one can be anymore mistaken. Method is a technique practicable only by the initiated few across the world. However, some amount of method is certainly inherent in every actor who applies it in their performances to some extent, myself included, so at the other end of the spectrum, I wouldn't believe an actor who says he doesn't follow any method either just as I wouldn't any other actor loosely claiming to be a method actor.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

World

“Unfortunately, throughout the housing crisis we’ve seen innocent homeowners who have been victims of shady mortgage lenders and unscrupulous individuals who have used a down market to line their own pockets at the expense of others. This bill is designed to send a message by revising our laws to ensure criminals are brought to justice and that law enforcement has the tools to uncover these fraudulent schemes and go after the bad actors. Criminals should be put on notice that ripping off homeowners and taxpayers won’t be tolerated.”

Chuck Grassley (1933) American politician

Quoted in "Congress Targets Mortgage Fraud: Justice for Victims, Jail for the Guilty," http://tri-statedefenderonline.com/articlelive/articles/3561/1/Congress-Targets-Mortgage-Fraud-Justice-for-Victims-Jail-for-the-Guilty Tri-State Defender (2009-02-12)

Justice, Law, Housing

“…my favourite [co-actor] is always the recent one I'm working with. But I think one of my personal favourites is Shah Rukh, he's one of the best actors I've worked with.”

Preity Zinta (1975) film actress

Famous quotes

Thinking, Personality

“Social, political and economic institutions have become larger, considerably more complex and resourceful, and prima facie more important to collective life. Many of the major actors in modern economic and political systems are formal organizations, and the institutions of law and bureaucracy occupy a dominant role in contemporary life.”

Johan Olsen (1939) Norwegian political scientist

James G. March and Johan Olsen, (1989) Rediscovering Institutions: The Organizational Basis of Politics. New York: Free Press. p. 1-2

Life, Law

“(John Steiner) was a good actor, but we didn't get along well. I am Irish, he is British, maybe that's why…”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

“Directing films obviously there’s a ton more responsibility rather than just coming in and directing the action on the film because you’re responsible for every little nuance in the film from fingernail polish to jewelry to wardrobe to hair and you’re dealing with actors, you’re dealing with studio critics, and studios. You’re responsible for budget, more responsibility on all fronts, but it’s a great art form!”

David R. Ellis (1952–2013) American film director and actor

Exclusive Interview with David R. Ellis https://geektyrant.com/news/2011/8/31/exclusive-interview-with-david-r-ellis-director-of-shark-nig.html (August 31, 2011)

Art

“I think the purpose of the actor is to illuminate the human condition. When you go to a film and you see a good actor, it's because you identify with them—you know what they're feeling—and a good actor draws, I believe, from their own experience. And when it's true for him, it's true for you. If a director imposes a performance or you try to mimic somebody, it can be funny or brilliant, but it isn't moving.”

Shelley Winters (1920–2006) actress

On acting, interview https://www.youtube.com/watch?v=lWftZbSG-lY with Skip E. Lowe (1989)

Feeling, Thinking, Drawing

“[Adler] established the value of the actor putting himself in the place of the character rather than vice versa … More than anyone else, Stella Adler brought into public awareness all the close careful attention to text and analysis Stanislavski endorsed.”

Stella Adler (1901–1992) American actress and teaching coach

Robert Barton, Acting: Onstage and Off (2009), p. 160
About

“Writing the book (The Hottest State) had to do with dropping out of college, and with being an actor. I didn't want my whole life to go by and not do anything but recite lines. I wanted to try making something else. It was definitely the scariest thing I ever did. And a huge learning experience about how not everybody's going to like you, or like what you do. And you have to ask yourself, is it worthwhile? Or am I just doing it to be liked? And it was just one of the best things I ever did. The second book (Ash Wednesday) was so much more fun because of that. The first was just a novelty act, like, 'The kid from Reality Bites wrote a book? Who does he think he is?”

Ethan Hawke (1970) American actor and writer

And I understand that. The Guardian http://www.guardian.co.uk/film/2005/oct/08/features.fiction (2005-10-08) 2005&ndash;2009

Life, Books, Understanding, Thinking

“One’s moviegoing tastes and habits change — I still like in movies what I always liked but now, for example, I really want documentaries. After all the years of stale stupid acted-out stories, with less and less for me in them, I am desperate to know something, desperate for facts, for information, for faces of non-actors and for knowledge of how people live — for revelations, not for the little bits of show-business detail worked up for us by show-business minds who got them from the same movies we’re tired of.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

People, Stupidity, Business, Knowledge

“It's not a third way between state capitalism and free markets, it is the free market way. Multi-national corporations should be the principal actors, but they should be properly regulated.”

Ian Bremmer (1969) American political scientist

"The West Should Fear the Growth of State Capitalism," http://www.telegraph.co.uk/finance/economics/7883061/The-West-should-fear-the-growth-of-state-capitalism-Ian-Bremmer.html The Daily Telegraph (July 10, 2010).

Way

“One of the reasons I've hesitated to be an actor is you have to do talk shows and interviews. I'm really a private person and not into telling everything about me. Michelle [Pfeiffer] told me to think of doing publicity as the work and acting as the fun part.”

Alison Lohman (1979) American actress

Interview in USA Today, 7 Oct 2002

Thinking, Parting, Personality

“I love coming in with a battle plan, but I also love the freedom to make things up with my actors, and my DP, too. Sometimes we’ll be in a scene and I see new things we can do, so I will throw whatever stuff that has been cooking away in my brain for a long time because I think what I'm coming up with on the set might serve the film better. You know, your instinct will tell you, “This is a better way, try this other way instead,” and that's very important for me, and that is my style of filmmaking, for better or for worse. That's how I like to approach it. And a lot of it comes to me when I'm designing the script, the screenplay. I'm generally very involved in the screenplay, even the ones I'm not on officially as a writer, I'm still extremely involved in how I craft the screen with the writers. I like to get in there and I really craft the world so I can have an idea of how all that will play out before I go on set. Then when I go on set, I like to keep it free, so that I can improvise with my actors.”

James Wan (1977) Malaysian-born Australian film director, screenwriter and producer

Interview: James Wan on His Creative Process, Returning to Horror with The Conjuring 2 and His Approach to Aquaman https://dailydead.com/interview-james-wan-creative-process-returning-horror-conjuring-2-approach-aquaman/ (June 9, 2016)

Love, World, Way, Idea

“Mr. Honda, like Mr. Tsuburaya, was a gentleman. He was very likeable. Mr. Kurosawa always told the actors with whom he worked exactly what to do, but Mr. Honda would give those with whom he worked as much freedom as he could. That's the way Mr. Tsuburaya worked as well.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Way, Freedom

“ One is reminded of the actor, playing the role of a villain in a traveling theatrical troupe, who, at a particularly tense moment in the play, was shot by an excited cowpuncher in the audience. But this kind of confusion does not seem to be confined to unsophisticated theatergoers. […] Paul Muni, after playing the part of Clarence Darrow in Inherit the Wind, was invited to address the American Bar Association; Ralph Bellamy, after playing the role of Frankin D. Roosevelt in Sunrise at Campobello, was invited by several colleges to speak on Roosevelt. Also, there are those astonishing patriots who rushed to the recruiting offices to help defend the nation when, on October 30, 1938, the United States was "invaded" by an "army from Mars" in a radio dramatization. ”

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Pitfalls of Drama, p. 28

Travel, Help, Parting

“There are huge differences in the way male and female actors are perceived. Women have to be a certain size, in order to get good roles. The only successful, larger-than-average female actor I can think of is Kathy Bates. And once women reach a certain age, they can only expect one or two good roles per year, whereas male actors can continue working regularly well into their forties. Then there are the types of roles available to women. We're constantly depicted as sidekicks, ingenues, and hangers-on, rarely as independent and capable individuals. And the enormous, huge discrepancies in pay…. the amounts that some male actors make are astronomically obscene. Women in Hollywood are constantly shown that there's a difference between them and men, and that that's okay. But it's not okay.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

On inequality in Hollywood — reported in Lynne Melcombe, BC Woman "Supernatural SuXXess" http://www.gilliananderson.ws/transcripts/94_95/95bcwoman.shtml (October, 1995) 1990s

Women, Men, Age, Way

“I was always a character actor. I just looked like Little Red Riding Hood.”

Paul Newman (1925–2008) American actor and film director

Quoted in Maureen Dowd, "Testing Himself," The New York Times (1986-09-28), section 6, page 16, column 1

“When I was 5 or 6, I already was telling people, I want to be a movie star. I was already a movie fan, though at the time I thought the actors were actually behind the screen. As a boy, my dream was just to be a movie star; later, I wanted to be an actor.”

Earl Holliman (1928) American actor

"Earl Holliman: actor with desire for variety" (1973)

People, Dreams, Star, Boy

“In my collection, to me at least, the theatre of the past lives again and those long-dead playwrights and actors have in me an enthralled audience of one, and I applaud them across the centuries.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

How to Be a Collector (1995).

Past, Dead

“When I came to faith, I thought I would have to stop being an actor, because it’s all about artifice and manipulation. But we’re living in a world where God doesn’t really have an influence, unless it’s fundamentalists, so I’ll always be an outsider because of my faith. And when you think about it, faith and acting are all about stories, so the two are not mutually exclusive.”

Tamsin Greig (1966) English actress

About being a Christian
From an interview with the Sunday Times, "The eyebrows have it."

God, World, Faith, Thinking

“Acting in conformity with reason, in the singular, and acting for good reasons, in the plural, are two different things insofar as reason is objective, whereas reasons are subjective. From an external point of view, we can evaluate a policy as being in conformity with reason or not. From an internal point of view, one can evaluate an action as being rational or not. From this difference it follows that only rationality can be used for explanatory ends. It is only insofar as the agent has made the demands of reason his own that the latter may give rise to, and possibly explain, specific behaviors. The assessment of the actor and that of the observer need not coincide.”

Jon Elster (1940) Norwegian academic

Reason and Rationality (2009)

Behavior

“Playing gay in the theater is more fulfilling than on film because you can create a whole character and a backstory and you get to chip away at something over a long period of time. When you’re acting on film you sort of have one afternoon in front of a crew to just do it. And you don’t want to then be too overt and like that stereotype. But when I was doing A Paris Letter with Josh [Radnor], I was playing someone overtly flamboyant from the ’60s seducing him, and if I did that on film, I think it would look like I was acting too hard. It’s one of the fun things one wants to do as an actor, to play the flamboyant gay guy. But when you are gay that ends up being offensive to people. Say I was asked to play a flamboyant steward in an Airplane!–type farce. It would be a difficult decision to say yes to that role at this point because a lot of people would accuse me of making a mockery of gay people.”

Neil Patrick Harris (1973) American actor and host

Out Magazine; September 2008.

People, Guy, Thinking, Decision

“Many of us go through life feeling as an actor might feel who does not like his part, and does not believe in the play.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Theater

Life, Feeling, Parting

“As an actor, you're sort of the court-appointed lawyer for the character. And that's what used to draw me to scripts – something in a woman that I wanted to defend, something that I recognized or wanted to understand, something that turned my head.”

Vera Farmiga (1973) American actress

As quoted in " Vera Farmiga interview: Chats 'Up in the Air' and her craft http://www.nj.com/entertainment/movies/index.ssf/2009/12/vera_farmiga_interview_chats_up_in_the_air_and_her_craft.html" by Stephen Whitty at NewJersey.com (December 7, 2009)

Understanding, Drawing

“The thought definitely crosses my mind, but for me, it has always been about reading great scripts and finding things I relate to, and this was one of those. As an actor, I think you always want your work to do well, and I think that’s hopefully what’s going to happen. Hopefully this movie does turn out as great as everyone wants it to be, and hopefully we don’t disappoint anyone.”

Liam Hemsworth (1990) Australian actor

On risks of becoming famous after The Hunger Games. — November 1, 2012, Q&A: Liam Hemsworth on The Hunger Games and Losing Weight for His Role, Krista Smith, November 8, 2011, Vanity Fair, Conde Nast http://www.vanityfair.com/online/daily/2011/11/Liam-Hunger-Games-Post,

Disappointment, Thinking, Reading

“What ends up happening with musicians and actors is, they're famous, so when somebody has an issue, it's something that gets talked about. People die of drug overdoses every day that nobody talks about. It's a shame that famous people get all the focus, because it then gets glorified a little bit, like, 'This person was too sensitive for the world,' and, 'A light twice as bright lives half as long,' and all that. Which is all bullshit. It's not true.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell talks about his latest reinvention, living in Florida, Tampa Bay Times, 9 June 2016 http://www.tampabay.com/things-to-do/music/rocker-is-in-tune-with-florida-life/2280927, Soundgarden Era

People, World, Light, Personality

“Frankly I've never really subscribed to these adjectives tagging me as an 'icon', 'superstar', etc. I've always thought of myself as an actor doing his job to the best of his ability.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

“The relative stability of the system is… largely determined by its capacity to adjust to the demands of the actors affected by changing political and environmental conditions.”

Robert Gilpin (1930–2018) Political scientist

p, 125
War and Change in World Politics (1981)

Change

“The environment is located in the mind of the actor and is imposed by him on experience in order to make that experience more meaningful. It is seldom dawns on organizational theorists to look for environments inside of heads rather than outside of them.”

Karl E. Weick (1936) Organisational psychologist

Karl. E. Weick (1977, p. 273), as cited in: James R. Taylor, Elizabeth J. Van Ever. The Emergent Organization: Communication As Its Site and Surface. (1999), p. 285
1970s

“I always preferred those movies I would have a large role in. If I had to choose between a small movie with a big role and a big movie with a small role, I'd take the one with more screen time. It's not very satisfying for an actor to get work and then ending up on the cutting room floor.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Time

“Basically I am just another actor who loves his work and this thing about age only exists in the media.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Love, Age

“The play is done; the curtain drops,
Slow falling to the prompter’s bell
A moment yet the actor stops
And looks around to say farewell.
It is an irksome word and task:
And when he’s laughed and said his say
He shows, as he removes the mask,
A face that’s anything but gay.”

William Makepeace Thackeray (1811–1863) novelist

The End of the Play, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“The preceding verse explained that together the three factors: 1) the knowledge (jnanam), 2) the known (jneyam), and 3) the knower (parijnata) motivate action. It was also stated that the organ (karanam), the action (karma), and the agent (karta) execute the action. In this verse the threefold distinction of knowledge, action, and the actor is explain according to the three gunas of Samkhya philosophy.”

Baba Hari Dass (1923–2018) master yogi, author, builder, commentator of Indian spiritual tradition

Srimad Bhagavad Gita, Ch. XIII-XVIII, 2015

Motivation, Knowledge

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

People, Food, Fools, Art

“I feel that in order to truly be an actor, you have to differentiate yourself and your roles.”

Michelle Trachtenberg (1985) American actress

Interview by Michael J. Lee, Executive Editor for Radio Free Entertainment May 24, 2005 http://www.radiofree.com/profiles/michelle_trachtenberg/interview01.shtml

Feeling

“A filmed play like this doesn't offer the sensual enjoyment that movies can offer, but you don't go to it for that; you go for O'Neill's crude, prosaic virtuosity, which is also pure American poetry, and for the kind of cast that rarely gathers for a stage production. […] Larry, a self-hating alcoholic, is a weak man and a windbag, but Ryan brings so much understanding to Larry's weakness that the play achieves new dimensions. Ryan becomes O'Neill for us; he has O'Neill's famous "tragic handsomeness" and at the end, when Larry is permanently "iced" — that is, stripped of illusion — we can see that this is the author's fantasy of himself […] Fredric March interprets Harry Hope with so much quiet tenderness that when Harry regains his illusions and we see March's muscles tone up, we don't know whether to smile for the character or the actor.”

Pauline Kael (1919–2001) American film critic

"The Iceman Cometh," pp. 353-354
5001 Nights at the Movies (1982)

Hate, Alcohol, Smile, Hope

“The main problem actors face is uncertainty caused by difficulties in finding suppliers and customers and in controlling their own firm.”

Neil Fligstein (1951) American sociologist

Source: The architecture of markets, 2001, p. 16

Problem

“To try to live in posterity is to be like an actor who leaps over the footlights and talks to the orchestra.”

Samuel Butler (1835–1902) novelist

Posthumous Life, i
The Note-Books of Samuel Butler (1912), Part XXIV - The Life of the World to Come

“Eisenhower had about the most expressive face I ever painted, I guess. Just like an actor's. Very mobile. When he talked, he used all the facial muscles. And he had a great, wide mouth that I liked. When he smiled, it was just like the sun came out.”

Norman Rockwell (1894–1978) Armatian

As quoted in A Rockwell Portrait : An Intimate Biography‎ (1978) by Donald Walton, p. 198

Smile, Sun, Painting

“It's funny – if you told me five years ago that Netflix was producing quality content and they have actors and filmmakers all over Hollywood super excited to be in business with them, I would've been like, what?”

Jason Biggs (1978) American actor

On debut in show Orange Is the New Black, interviewed in: — [December 4, 2014, http://www.rollingstone.com/movies/news/q-a-jason-biggs-changes-stripes-in-orange-is-the-new-black-20130710, Rolling Stone, Q&A: Jason Biggs Changes Stripes in 'Orange Is the New Black', July 10, 2013, James Sullivan]

Business

“When we approach history, we are dealing with a conglomeration of irrational continua. Those who deal with history by nonrational processes are the ones who make history, the actors in it.”

Carroll Quigley (1910–1977) American historian

Source: The Evolution of Civilizations (1961) (Second Edition 1979), Chapter 4, Historical Analysis, p. 99

History

“To be an actor you need four things: energy, concentration, a lot of luck and, of course, good roles.”

Charlton Heston (1923–2008) American actor

Sunday Times interview (1990)

“So from there on I made all their science fiction films, and the more I did of these films the more I liked it because the studio left me alone. No one at that time was an expert at making sf films so I claimed to be one. I wasn't, of course, but the studio didn't know that so they never argued with me, no matter what I did. In most of my sf films I tried to create an atmosphere because I think if you shoot an imaginative film--a film in which you ask an audience to believe things that are bizarre--you have to make them believe it. You can't do this with the story or actors alone, you have to create a kind of atmosphere while shooting it in which the audience's credibility will be suspended to the point where they don't say to themselves: "That's impossible!"”

Jack Arnold (director)

Jack Arnold in The Horror People http://eric.b.olsen.tripod.com/arnold.html (1976)

Imagination, Thinking, Science, Time

“As a philosophical problem, it comes down to a better way to engage with the passage of time; and I think we're getting close to one, because the imaginative loss of the future is becoming acute.
The most effective political actors on the planet now are people who want to blow themselves up.
These are people who really don't want to get out of the bed in the morning and face another unpredictable day.”

Bruce Sterling (1954) American writer, speaker, futurist, and design instructor

in the Long Now talk "The Singularity: Your Future as a Black Hole" (2004).

People, Way, Imagination, Problem

“Exit and voice, that is, market and non market forces, that is, economic and political mechanisms, have been introduced as two principal actors of strictly equal rank and importance.”

Albert O. Hirschman (1915–2012) German-American economist; member of the French Resistance

Exit, Voice, and Loyalty (1970), Ch. 1. Introduction and Doctrinal Background.

“Often I think of that excellent painter Monticelli,... when I come back myself from the mental labor of balancing the six essential colors.... sheer work and calculation, with one's mind utterly on the stretch, like an actor on the stage in a difficult part, with a hundred things at once to think of in a single half-hour.
Don't think that I would artificially keep up a feverish condition, but do understand that I am in the midst of a complicated calculation which results in quick succession in canvases quickly executed, but calculated long beforehand. So now, when anyone says that such and such is done too quickly, you can reply that they have looked at it too quickly.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 507) p. 32 1880s, 1888

Color, Understanding, Thinking, Success

“I never had a misunderstanding of what [acting] was about. Unfortunately, overall, movies are a conglomerate. People buy and sell people in this business, which can get really ugly unless you have the right set of values and understand why you’re doing it. Luckily, I was raised by people who’d already gotten to that point, and seen all the yuck stuff—which is probably why they originally didn’t want me to act. I also understood the difference between getting a part at a Hollywood party and really getting a job. I knew you had to go in and audition and maybe then they’d hire you, and that’s where you start. I also had a good understating about press: that it’s the actor’s responsibility to publicize his or her films, that the press can be fun, that it’s not about hyping yourself into stardom or trying to sell yourself as a hot ticket.”

Laura Dern (1967) American actress, director, producer

On understanding the theatrical film business in Hollywood
Interview Magazines interview (September 1990)

People, Understanding, Business, Parting

“Actors already striving in the theatre wouldn't dream of putting themselves on these shows; it means that only about 10% of the talent out there is being auditioned for parts.”

Elaine Paige (1948) English singer and actress

Regarding Any Dream Will Do; as quoted in "Portrait of the artist: Elaine Paige, actor" by Laura Barnett in The Guardian http://arts.guardian.co.uk/theatre/drama/story/0,,2085160,00.html (22 May 2007)

Dreams, Parting

“The actors feel that the music played before the curtain rises will put the audience in the wrong mood. The playwright suggests that the (purposefully lugubrious) music be played at twice-speed. This peps it up somewhat while retaining its essentially dark and gloomy character. The actors listen carefully, and are pleased.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“Opening", opening
Forty Stories (1987)

Music, Feeling, Mood, Speed

“We are not going to sit idly by and permit state actors to go after our information, our private-sector information or our public-sector information.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), First presidential debate (September 26, 2016)

“When I analyse myself and my reactions or behaviour, there is the act and the actor. There is a division between the two and that creates conflict between "what is" and "what should be."”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

1st Question & Answer Meeting, Brockwood Park, UK (7 September 1971)
1970s

“Films and filmmakers and actors are part of a strange art form, which is only measured by the yardstick of commerce. So it's a dichotomy; it'll always be so.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Anshul Chaturvedi

Art, Parting

“Most people want to be actors because they want unconditional love and power and money and to be able to act out a character fantasy that involves themselves. So if one is truly honest about themselves in that way, then you're on the right path. If not, the process becomes convoluted. You have to go out grab it, and demand it.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

AOL Interview

Love, Money, People, Way

“When I was on my way to the podium a gentleman stopped me and said I was as good a politician as I was an actor. What a cheap shot.”

Arnold Schwarzenegger (1947) actor, businessman and politician of Austrian-American heritage

2000s, Speech at the Republican National Convention (31 August 2004)

Way

“What does Sullivan do? He points at people. Rub meat on actors and dogs will do the same thing.”

Fred Allen (1894–1956) comedian

As quoted in Always On Sunday. Ed Sullivan: An Inside View (1968)

People, Dogs

“When a young woman tells me that she wants to become and actor, I say, 'No, be a writer. Or go to business school and learn how to run a studio.' The only real change will come from behind the scenes.”

Halle Berry (1966) American actress

On gender issues in the entertainment industry — reported in Geoff Pevere (April 13, 2007) "Berry almost chose bylines over marquees", The Toronto Star, p. D06.

School, Business, Learning, Change

“When one confesses to an act, one ceases to be an actor in it and becomes its witness, becomes a man that observes and narrates it and no longer the man that performed it.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"Guayaquil", in Brodie's Report (1970); tr. Andrew Hurley, Collected Fictions (1998)

“Against the background of this luminous and sparkling stage Bond stood in the sunshine and felt his mission to be incongruous and remote and his dark profession an affront to his fellow actors.”

Ian Fleming book Casino Royale

Source: Casino Royale (1953), Ch. 5 : The Girl From Headquarters

“Quite often, when actors have such a strong charisma in real life, eventually it has to affect the characters they play. For myself I'm not charismatic in that way. I'm not a "performer". Ideally I would stay mute as River. That's the reason why, for a long time, I've said the opposite of what I really thought. In interviews, I've also played characters that I wasn't. I've lied and often contradicted myself to dumbfound people. It's all over now, because I have nothing left to hide. Eventually, I'm quite an ordinary person.”

River Phoenix (1970–1993) American actor, musician, and activist

Last interview, Premier, (October 1993)

Life, People, Way, Strong

“What goes on between an actor and the audience, at its best, is a dialogue. Sometimes you watch an actor on stage and somehow the performance isn’t getting through. The fourth wall is not only closed, it’s soundproofed. That’s because the actor isn’t connecting with the living and breathing human beings in the room with him. The audience feels the distance and they react accordingly. As an actor, you have to fire up your sensors at 100 percent all the time. You have to be in touch with all those heartbeats in the audience, connect with them. Sometimes during the Grinch performances, a child will shout out something. And I’ll turn right around, look them in the eye and respond to them.”

Stefán Karl Stefánsson (1975–2018) Icelandic actor

"Industry Insider Interview: Stefan Karl" https://valenti29.wordpress.com/2013/11/20/industry-insider-interview-stefan-karl/ (20 November 2013)

Feeling, Time

“So much of acting is technical. Actually, I don’t want people to think that acting is technical, that you don’t need to have a rich fountain of emotional life and all those kinds of things, and know how to focus and concentrate and have good imagination and all of the other things that really make up an actor. One of the things they teach you, for example, in acting class is respond to your instinct, to your moment-to-moment instincts. If they just did that, they’d never get the shot, you know? Because you’d be walking all over… You’d be doing it differently every time. And the camera guys and the light guys, they need to know what you’re going to do. That’s what I mean by, if you just followed your instinct, or follow your impulses, which is what they say to you in acting class, you have to do that but you have to do it in a very confined window.”

Tobin Bell (1942) American actor

Interview: Tobin Bell Discusses His Career and His New Horror Film Dark House https://editorial.rottentomatoes.com/article/interview-tobin-bell-discusses-his-career-and-his-new-horror-film-dark-house/ (March 14, 2014)

Life, People, Guy, Imagination

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008) Reviews, Four star reviews

Life, People, Education, Food

“She’s an extraordinarily talented actor who is tremendously photogenic. She’s also a dead ringer for Jill Valentine.”

Sienna Guillory (1975) British actress

Resident Evil: Apocalypse Production Article http://www.hollywoodjesus.com/resident_evil_apocalypse_about.htm. hollywoodjesus.com. September 13, 2004 Resident Evil: Apocalypse producer Don Carmody speaks about Guillory. About

Dead

“My family likes me as a person and not because I am an actor. I never mix the two. I don't know how much I earn or how many awards I have received.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Amrita Mulchandani

Family, Personality

“Change is healthy. Any actor can depart this show and it will survive. In my mind, there is nothing unclear about how I got here. You go to different shows and hear the chirping about who’s No. 1 on the call sheet or who has the biggest trailer. For me, it’s about doing a job as well as you can. If your job is to get somebody coffee—and I did that in my early days—then make it the best cup of coffee possible. Do the work. And do it with pride.”

Mark Harmon (1951) actor from the United States

TV Insider interview (2017)

Coffee, Change

“I'm not a voice-over actor, I do Sebastian because Sebastian is a part of me, but I can't sit there and make up a voice for you.”

Samuel E. Wright (1946) American actor

“What More Is You Looking For?” Meet Samuel E. Wright, The Voice Of Sebastian On “The Little Mermaid” http://madamenoire.com/311323/looking-meet-samuel-e-wright-voice-sebastian-little-mermaid/ (October 10, 2013)

Parting

“It seemed to be the policy of the Secretary of War to lose no opportunity to throw a stone at those who had made themselves prominent in the Rebellion. Even if Sherman had made a mistake, his great services entitled him to better treatment than he received at the hands of Mr. Stanton. How deeply he felt this treatment was shown when he arrived in Washington with his troops, and was invited upon the platform whence the President and his Cabinet were reviewing them. He deliberately refused to take Stanton's hand when the secretary stepped forward to greet him. It is now twenty years since the interesting events referred to took place; most of the actors in those scenes have gone to their final resting places.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), pp. 317–318

War

“It is always amazing to see how wide a spectrum of results can be obtained from replicating an identical negotiation with different principal actors; it makes no difference whether there subjects are inexperienced or whether they are senior executives and young presidents of business firms. That is an important lesson to be learned here.”

Howard Raiffa (1924–2016) American academic

Part II, Chapter 7, Acquisitions and Mergers, p. 94.
The Art and Science of Negotiation (1982)

Business, Learning

“The plight of the actor, even if he's a star, is the plight of the women's movement. They're saying the same thing to us: get into bed, give me a good time, then give me something to eat, go get the laundry, be a good girl.”

Dustin Hoffman (1937) American actor

Interview, Films Illustrated, May-June 1980.

Women, Girl, Star, Time

“In fine, a condition of our making freedom possible in a world ordered by the rigour of natural law is that we accept an idealistic philosophy of Nature: the laws of Nature must issue from the free actor himself, and upon a world consisting of states in his own consciousness, a world in so far of his own making.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.325

World, Law, Nature, Freedom

“I don't mean to criticize anyone in any way that I wouldn't criticize myself. I think people should have fun, and have a good time, and enjoy the luck that we have to be lazy and dwell in consumerism. But I think that it's a balance. And our job as actors is empathy. Our job is to imagine what someone else's life is like. And if you can't do that in real life, if you can't do that as a human being, then good luck as an actor…. I just think it's an important thing to engage in the world. And it's just too easy not to in our society.”

Natalie Portman (1981) Israeli-American actress

Inside the Actor's Studio interview by James Lipton, New School University, November 21, 2004 http://www.natalieportman.com/npcom.php?page_number=24&limit=100&view=

Life, People, World, Way