Quotes about actor
page 5

“SPAN ID=In_the_case> In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. […] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Pitfalls of Drama, pp. 27-28

People, Imagination, Appearance

“I wouldn't call myself an actor or a singer for that matter, just a journeyman. […] I feel I must have a talent somewhere for doing something but I'm still not terribly sure what it is. I suppose it's a talent for being myself.”

Ronnie Drew (1934–2008) Irish musician

Source: Ronnie (2008, posthumous), p. 196; Quoting from Sunday Times, June 2000

Feeling

“I think actors look for good material and I had heard about this script by Aaron and I read it and thought I had to come back to television. I'm here mostly because of how good the script is and how bad The Whole 10 Yards was.”

Matthew Perry (actor) (1969) American actor

On joining the NBC program Studio 60 on the Sunset Strip – Kevin D. Thompson (September 18, 2006) "'Studio 60' Is Best Show of the Fall", Palm Beach Post, Palm Beach Newspapers, Inc., p. 1D.

Thinking, Reading

“I am a die hard fan of dancing and would take my dad's clothes and my mom's clothes and dance in front of the mirror. I loved my dad's clothes as they had a lot of glitter in them. My whole family speaks in this sing song way and, for a short period of time, I would practice these air hostess speeches. While my dad was comfortable with me being an actor, the only thing he said no was to becoming an air hostess.”

Shraddha Kapoor (1987) Indian film actress & Singer

I was most upset with the way people were talking about my dad: Shraddha via The Times of India (April 21, 2013) http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news-interviews/I-was-most-upset-with-the-way-people-were-talking-about-my-dad-Shraddha/articleshow/19649087.cms

Love, Family, Way, Moms

“Aristo the Bald, a native of Chios and nicknamed the Siren, said that the chief good was to live in perfect indifference to all those things that are of an intermediate character between virtue and vice; making not the slightest difference between them, but regarding them all on a footing of equality. For that the wise man resembles a good actor; who, whether he is filling the part of Agamemnon or Thersites, will perform them both equally well.”

Aristo of Chios (-300) ancient greek philosopher

Diogenes Laërtius, vii. 160

Parting, Perfection, Indifference

“A lot of the times with porn, it's instant fame. The only thing I can compare it to is being a child actor. You get it fast, then there's a shelf-life for it. With mainstream films, you've got to go to acting classes, you've really got to hustle, there's so much competition, but with these [porn] guys, if you're good-looking with a great body, you're in like Flynn.”

John Roecker (1966) American film director

[The Bay Area Reporter, Erotic superstars, up-close & personal: here!TV's 'Everything You Wanted to Know About Gay Porn Stars', December 4, 2008, David, Lamble, Benro Enterprises, Inc.]

Life, Guy, Time

“Joseph was correct when he spoke of entities creating stages upon which to act out their problems. The point is that once the play begins, the actors are so completely engrossed in their roles that they forget that they themselves wrote the play, constructed the sets or are even acting. The reason is rather apparent: If you know that a situation is 'imaginary,' you are not going to come to grips with it.”

Jane Roberts (1929–1984) American Writer

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 184, quoting from Seth Session 31

Problem, Forgetting

“Perhaps if movie theaters also played the national anthem before their main attractions, the Internal Revenue Service would allow Hollywood studios to depreciate their actors.”

Andrew Zimbalist (1947) American economist

Source: Baseball And Billions - Updated edition - (1992), Chapter 2, Baseballs Barons, p. 35.

“God felt sorry for actors, so he gave them a place in the sun and a lot of money. All they had to sacrifice was their talent.”

Claude Rains (1889–1967) English-born actor

Of Hollywood; Halliwell's Who's Who in the Movies (2001 ed): Art. Claude Rains p. 362

Money, God, Sun

“When I was younger and started acting, I wasn't good at sports and didn't have any other special talents. Acting was my after-school activity. I never planned on growing up and becoming an actor. I always wanted to go to school and become a veterinarian so I think when I got older and suddenly realized that it was my passion, it was just a natural moment. I never felt pushed. My family has always supported me completely and kept me grounded. I never got lost in child Hollywood actor weirdness.”

Sara Paxton (1988) American actress, model and singer

Sara Paxton on The Innkeepers, Shark Night 3-D and Julia Roberts Marathons (June 23, 2011)

School, Family, Support, Nature

“I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes depicted the forerunners of the contemporary actor – a popular musician, a wedding jester, a good woman dancing, a copyist of the Torah, the first poet dreamer, and finally a modern couple flying over the stage. The friezes were decorated with dishes and food, beigels and fruits spread out on well-laid tables. I looked forward to meeting the actors who passed me: 'Let us agree. Let's join forces and throw out all this old rubbish. Let's work a miracle!”

Marc Chagall (1887–1985) French artist and painter

c. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 101
1920's

Food, Wedding, Dance, Flying

“Use cases, scenarios or scripts are roughly synonymous terms for important ways to focus our design activities. I prefer the term use case (although quickly saying it three times can leave your tongue tied) because it emphasizes usage. A use case is a textual description of a sequence of interactions between an actor (roughly corresponding to an external agent or class of users) and the system we are designing. Use cases were first described by Ivar Jacobson in his book “Object Oriented Software Engineering A Use Case Driven Approach.”
Use cases have been around in various forms for quite some time. Jacobson, however, made the keen observation that use cases can be treated as refineable, extensible and even reusable specifications of system requirements. We’ve had these same goals for object designs. We know that it is harder to actually accomplish them than it is to talk about them.”

Rebecca Wirfs-Brock (1953) American software engineer

About What is a Use Case?
Designing scenarios: Making the case for a use case framework (1993)

Books, Way, Time

“I've never been one for late nights, which is why I have always preferred making films to theatre. A play takes over your life: you start to feel sick at lunchtime and by mid-afternoon you're wishing for a bomb scare so the whole thing will be called off. Of course, if the evening goes well and you get the applause then it's wonderful. We're a strange bunch, we actors.”

Charles Dance

Charles Dance's diary http://www.standard.co.uk/lifestyle/esmagazine/charles-dances-diary-6407964.html (June 3, 2011)

Life, Feeling, Night

“The first of the two cases which we are about to discuss concerns a large-scale Parisian administrative organization which may be described as rigid, standardized, and impersonal, and which seems unable to cope with the human and technical problems engendered by its recently accelerated growth. Its hierarchical structure, its promotional system, and its principles of organization are extremely simple. The behavior of its different categories of personnel, as actors within its social system, is therefore much easier to analyze. The actors appear to be both extremely rational and extremely predictable, as if they were playing a game that followed an experimental model. We shall use the opportunity afforded by such a situation to try to understand better one of the most fundamental problems usually associated with the concept of bureaucracy, the problem of routine.”

Michel Crozier (1922–2013) French sociologist

Source: The Bureaucratic Phenomenon, 1954, p. 12; Lead paragraph chapter 1

Behavior, Game, Understanding, Problem

““Scholars of Paderevski Foundation who were fortunate enough to have witnessed the fragments of Swapnavāsavadattam as performed by your splendid actors, were unanimous in their praise of the high cultural and aesthetic level of the Koodiyattam. It was a most enjoyable experience and the Paderevski Founadtion is proud to have co-sponsored the appearances of the Theatre in Northern India”
- Paderewski Foundation (New York) Certificate (New Delhi, 1964) - First International recognition for Kutiyattam and the maestro.”

Mani Madhava Chakyar (1899–1990) Indian actor

Awards

Appearance

“It’s been my great fortune to be surrounded by people that have reminded me of how important process is, not outcome. When you’re an actor, or really an artist of a collaborative form, you have so little control of the outcome. And if you are only focused on that…it won’t turn out well. If you’re focused on the outcome, chances are you’re focused on people’s perceptions of the outcome—how much money something makes, how it looks, rather than how it feels. And I think that has been the most valuable—one of the most valuable—lessons I’ve learned is to really appreciate, recognize, and practice the process, not the outcome.”

Zoey Deutch (1994) American actress

Interview with Coveteur Magazine, 2018 http://coveteur.com/2018/05/14/zoey-deutch-talks-beauty-secrets-career/

Money, People, Feeling, Thinking

“Awards at each different stage have a special meaning and significance. They mean differently to everyone. When you get an award at the start of your career, it definitely is a stepping stone, and in the middle stages, awards become a source of inspiration, a source of happiness. It is a memento of something that is probably well deserved for the amount of effort put in. Filmfare Awards are something to be proud of. When one gets a Filmfare Award, people know an actor has arrived.”

Rani Mukerji (1978) Indian film actress

[filmfare.com, What do Filmfare Awards mean to me?, http://www.filmfare.com/awards2001/spotpoll.html, 23 April, 2006]
Famous Quotes

Happiness, People, Effort

“As an actor I don't admit to any limitations. In rehearsal one comes up against apparently insuperable barriers, but if one can imaginatively get past them, overreach one's natural reach, it is astonishing how elastic one can become. I've got to go not so far as I can, but as far as is needed. It's up to somebody else to say if I've made a fool of myself.”

Paul Scofield (1922–2008) English actor

Quoted in Lyn Gardner, Obituary: Paul Scofield http://arts.guardian.co.uk/theatre/obituary/0,,2266899,00.html, The Guardian (2008-03-20)

Fools, Imagination, Nature, Past

“[O'Brien joined the Dublin Gate Theatre) where Orson Welles had started. Very few people know that he started in Dublin, most people think it was the Mercury in New York. James Mason, Peggy Cummins, Edward Mulhare - they all used to work for the Gate Theatre. My father was extremely furious when he found out that I was wasting my time being an actor. He also got wind of the fact that the star of the production (Micheál Mac Liammóir) was one of the biggest queens alive. He also played the part of Jago in Orson Welles' OTHELLO. This really didn't help. He cut my money off.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Money, People, Star, Thinking

“Thank you. If there's one thing that actors know, other than that there weren't any WMDs, it's that there is no such thing as best in acting. And That's proven by these great actors that I was nominated with as well as the — as well as the Giamattis, Cages, Downey Jrs., Nicholsons, etc. that were not nominated. We know how great all of you were. My daughter Dylan and son Hopper find it presumptuous and embarrassing to write a speech, and so I'm gonna give it a go without. God, I really thank Clint Eastwood professionally and humanly for coming into my life. The great, great cast that I had to work with, my friends. Where do you go? Dennis Lehane, Brian Helgeland, Ma. Dad. Robin, for being an undying emotional inspiration on this rollercoaster I'm learning to enjoy. Thank you all very much.”

Sean Penn (1960) American actor, screenwriter, and film director

Oscar acceptance speech for Mystic River, 76th Annual Academy Awards - Best Actor in a Leading Role http://www.oscars.org/76academyawards/winners/01_lead_actor.html (2004-02-29)

Life, God, Learning, Daughters

“If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.”

Edith Evans (1888–1976) British actress

As quoted in Dame Edith Evans, ch. 12, by Bryan Forbes (1977)

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

Feeling

“The bounded rationality of each actor in a system may not lead to decisions that further the welfare of the system as a whole.”

Donella Meadows (1941–2001) American environmental scientist, teacher, and writer

Pages 188-191.
Thinking in systems: A Primer (2008)

Decision

“You know, I used to not understand fashion, a lot of it, but I completely understood being a playwright or a screenwriter and suddenly having an actor say your words and making them come to life. That I can understand. Finally, I'm starting to understand this.”

Reese Witherspoon (1976) American film actress and producer

Interview for Vogue magazine, November 2008.

Life, Fashion, Understanding

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

Life, People, World, Color

“Adam and I had a special friendship for more than 50 years. We shared some of the most fun times of our lives together; our families have deep love and respect for each other. This is a terribly unexpected loss of my lifelong friend, I will forever miss him. There are several fine actors who have portrayed Batman in films, in my eyes there was only one real Batman and that is and always will be Adam West; He was truly the Bright Knight.”

Burt Ward (1945) American actor

Hollywood Reacts to Adam West's Death http://www.hollywoodreporter.com/heat-vision/hollywood-reacts-adam-wests-death-a-sweet-nutty-guy-1012217 (June 10, 2017)

Love, Friendship, Family, Loss

“Most actors are basically neurotic people. Terribly, terribly unhappy. That's one of the reasons they become actors. Nobody well adjusted would ever want to expose himself or herself to a large group of strangers. Think of it. Insanity! Generally, by their very nature - that is if they're at all dedicated - actors do not make good parents. They are altogether egotistical and selfish. The better the actor - and I hate to say it, the bigger the star - why, the more that seems to be true. Honestly, I don't think I've ever known one - not one!”

Margaret Sullavan (1909–1960) actress

star who was successfully able to combine a career and family life
from Haywire (1977) by Brooke Hayward. Jonathan Cape Ltd., p. 218. ISBN 0224014269.

Life, Hate, People, Family

“Surely the liberal ideal one is where, instead of obsessing about the ethnic backgrounds of actors, we treat their skin-colour as just one more attribute, like hair-colour or the ability to speak the appropriate accent for the production.”

Daniel Hannan (1971) British politician

2010s, Identity politics (2018)

“The new institutionalism in organization theory and sociology comprises a rejection of rational-actor models, and interest in institutions as independent variables, a turn toward cognitive and cultural explanations, and an interest in properties of supra-individual units of analysis that cannot be reduced to aggregations or direct consequences of individual’s attributes or motives.”

Paul DiMaggio (1951) American sociologist

Source: Introduction to The New Institutionalism and Organizational Analysis, 1991, p. 8

Motivation

“I never wanted to be an actor. I never want to be an actor. I want to be a movie star. The whole idea of having to act is too gruesome. It's too ambitious for me.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

AOL Interview

Star, Idea

“(Cary Grant) is, along with Fred Astaire, the best-dressed actor in American movies”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Benjamin Schwarz in " Becoming Cary Grant http://www.theatlantic.com/magazine/archive/2007/01/becoming-cary-grant/5548/" The Atlantic, January/February 2007

“I'm Christian Bale", Russel, says, taking [her hand].
"Oh right," she says. "Yeah, I thought I recognized you. You're the actor.”

Bret Easton Ellis book Glamorama

Glamorama (1998)

“I recently saw The Last American Virgin, one of those early-'80s coming-of-age movies. And the actors, they look like kids you grew up with! Today's teen movies, I didn't know anybody who looked like that. The standards now are so unbelievably high.”

Beck (1970) American Musician (b.1970)

Spin magazine, December 1999

Age

“Wealth, power, the struggle for ephemeral social and political prestige, which so absorb our attention and energy, are but the passing phase of every age; ninety-day wonders which pass from man’s recollection almost before the actors who have striven from them have passed from the stage. … What is significant in the record of man’s development is none of these. It is rather those forces in society and the lives of those individuals, who have, in each generation, added something to man’s intellectual and moral attainment, that lay hold on the imagination and compel admiration and reverence in each succeeding generation.”

Harlan F. Stone (1872–1946) United States federal judge

Reported in Alpheus Thomas Mason, Harlan Fiske Stone, Pillar of the Law (1956), p. 209
Attributed

Age, Imagination, Wealth

“Hitchcock: You know that I think all actors are cattle?
George Raft: Yes, I know—but I'm no actor.”

Alfred Hitchcock (1899–1980) British filmmaker

On the set of The House Across the Bay; as quoted in "The New Yorker" http://www.mediafire.com/view/t6bdmd0wg1hvd8m/%20.png by Leonard Lyons, in The Washington Post (26 July 1940).

Thinking

“Mr. Tsuburaya was a gentleman. He was very charismatic. Mr. Tsuburaya would never express his anger at me or the other monster actors. However, he would express his anger at the members of his staff. Mr. Tsuburaya often pretended to be asleep when he in fact was just thinking about his work. Once he had decided what he wanted to do, he would pretend to wake up. He then would begin giving instructions to the members of his staff. There were two things Mr. Tsuburaya hated. One was snakes and the other was bloodshed. I remember that someone once asked Mr. Tsuburaya why he never showed bloodshed in the monster films on which he worked. Mr. Tsuburaya replied that he never showed it because he knew that children went to see the movies. One day, a Toho employee suggested that the studio produce a film about a giant snake. Mr. Tsuburaya didn't like the idea, so the movie was never made. Mr. Tsuburaya would try to inspire the people with whom he worked. His inspiration helped me keep playing giant monsters for eighteen years.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Hate, Children, People, Idea

“Most institutional theories see local actors – whether individuals, organizations, or national states – as affected by institutions built up in much wider environments. Individuals and organizations are affected by societal institutions, and national-states by a world society.”

John W. Meyer (1935) Sociologist and professor at Stanford University

Source: "Reflections on institutional theories of organization,." 2008, p. 790

World

“As an actor… we all have our own methods and approaches to creating a character, whether that's from the inside going in or vice versa. I spoke, mainly, to the executive producer Bill Dozier. We got along very well and we really shared the same ideas about the show, what it could and should be. We knew to play it on several levels - something that could be lasting for the children but also with funny, social satire for the adults.”

Adam West (1928–2017) American actor

"Adam West interview: on being Batman" http://www.denofgeek.com/us/tv/batman/241310/adam-west-interview-on-being-batman by Brendon Connelly, Den of Geek, (November 14, 2014)

Children, Idea

“Got the same attitude I had when I started. Haven't changed anything but my underwear. I've played everything except midgets and women. People can't make up their minds whether I'm the greatest actor in the world - or the worst. Matter of fact, neither can I. It's been said I underplay so much, I could have stayed home. But I must be good at my job. Or they wouldn't haul me around the world at these prices.”

Robert Mitchum (1917–1997) American film actor, author, composer and singer

Speaking at the 1989 Deauville American Film Festival, as quoted in "Obituary: Robert Mitchum" by Gilbert Adair, in The Independent (July 3, 1997)

Women, People, World, Home

“One of the things that was introduced to me at an early stage in life was to try to make stuff happen. But nothing ever worked that way for me. What I learned on my own was that to try and play God with your life will wreck your brain and your nervous system, and mess up your natural direction in the course that's already there…But look, I just don't want to read about me being made into a basket case because of my work. It's self-pity that I hate. I mean, it comes with the territory. An actor with any conviction goes the extra mile.”

River Phoenix (1970–1993) American actor, musician, and activist

Movieline (1991)

Life, God, Hate, Way

“I remember watching Gene Hackman, or Robert Duvall. To just see them as actors. You think of them as these icons. But you see them mess up their lines, flub their lines, whatever, you just see the human being. But then when they're "in" it's totally about playing pretend. The game of it.”

Ray Liotta (1954) American actor

As quoted in "Tribeca Film Festival Interview: Ray Liotta Takes a Rare Comedic Turn in Snowmen" by Cynthia Ellis at Huffington Post (26 April 2010) http://www.huffingtonpost.com/cynthia-ellis/tribeca-film-festival-int_b_551768.html

Game, Thinking

“In Hollywood the man who cleans your pool is an actor. The man who sells you your copy of Variety is an actor. I don't think there's a real person left in the place.”

Neil Gaiman book Signal to Noise

Signal to Noise (1992)

Thinking, Personality

“Oh, my best part was in The Rainmaker (1956). It was my 15th movie and my first co-starring role. I played Katharine Hepburn's younger brother, and I won the Hollywood Foreign Press Association's Golden Globe Award for Best Supporting Actor. My competition that year included Anthony Quinn in Lust for Life, Karl Malden and Eli Wallach in Baby Doll and Herbert Lom in War and Peace. But the big blow came when I failed to get nominated for an Oscar. I was at Louella Parsons home, doing an interview, when the news came. It was a crushing blow to me that I wasn't nominated. Louella tried to console me, saying, You're young, you'll get lots of opportunities.”

Earl Holliman (1928) American actor

Well, I'm still waiting.
"Earl Holliman: actor with desire for variety" (1973)

Life, War, Peace, Home

“I am here to act, entertain and make good films. I don't want to work hard for a film which does not even get released. I will cooperate with my director and help him make a good film. I get disappointed if my co-actors don't put in as much as I do. Today I am looking for banners and costars who have the same goal as me --- to work towards making a good film with dedication. I have made mistakes in my career, but that is just the learning process.”

Rani Mukerji (1978) Indian film actress

[rediff.com, Rani: I am an entertainer, http://www.rediff.com/entertai/2002/may/09rani.htm, 1 June, 2006]
Famous Quotes

Disappointment, Learning, Help

“Acting can truly take a toll on your nerves. I mean we have to be larger than life. Worse, I've seen actors acting off the sets too.”

Preity Zinta (1975) film actress

Famous quotes

Life

“Actors are cattle. I've always said actors are cattle. In fact, Carole Lombard once built a corral on set and put three live calves into it, in recognition of my feelings. I tell them that, and treat them as such, and we get along fineǃ”

Alfred Hitchcock (1899–1980) British filmmaker

As quoted in "New York Close-Up" http://www.mediafire.com/view/sllj68n3ug6dgju/Concert_Thursday_to_Aid_Memori.jpg by Tex McCrary and Jinx Falkenburg, in New York Herald Tribune (27 February 1950).

Feeling

“I don't resent being identified with B science fiction movies at all -why should I? Even though they were not considered top of the line, for those people that like sci-fi, I guess they were fun. My whole feeling about working as an actor is, if I give anybody any enjoyment, I'm doing my job, and that's what counts.”

John Agar (1921–2002) American actor

Interview with Fangoria (1986)

People, Feeling, Science

“Don't let your flaws define you. Become who you are. Be the best version of yourself. If you're a nice person, just be nice. If you make art to please people or to make people like you—well, it's never going to happen. Before I was an actor, I was a human and a citizen. As an actor, your job is to inhabit different people's lives and honor their feelings and be empathetic to other people's struggles. Just because you are an actor, you are not immediately an activist. But if you do have the platform and the opportunity to speak out, then I think it is your civic duty—especially right now—to be on the right side of history. We only have so long on this planet.”

Zoey Deutch (1994) American actress

Marie Claire Fresh Faces 2017 https://www.marieclaire.com/celebrity/a26335/fresh-faces-2017/

People, Art, Feeling, History

“If we accept values as given and consistent, if we postulate an objective description of the world as it really is, and if we assume that the decision maker's computational powers are unlimited, then two important consequences follow. First, we do not need to distinguish between the real world and the decision maker's perception of it: he or she perceives the world as it really is. Second, we can predict the choices that will be made by a rational decision maker entirely from our knowledge of the real world and without a knowledge of the decision maker's perceptions or modes of calculation. (We do, of course, have to know his or her utility function.)
If, on the other hand, we accept the proposition that both the knowledge and the computational power of the decision maker are severely limited, then we must distinguish between the real world and the actor's perception of it and reasoning about it. That is to say, we must construct a theory (and test it empirically) of the processes of decision. Our theory must include not only the reasoning processes but also the processes that generate the actor's subjective representation of the decision problem, his or her frame.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

H.A. Simon (1986), " Rationality in psychology and economics http://www.kgt.bme.hu/targyak/msc/ng/BMEGT30MN40/data/JoBus-86-rationality-HSimon.pdf," Journal of Business, p. 210-11” <br class="br">1980s and later

World, Knowledge, Problem, Decision

“Actors always have to fight for the good parts. There are so few good roles written for women each year, and when one is written like this every actress in town covets the role.”

Halle Berry (1966) American actress

On her role in the film Things We Lost In The Fire — Western Mail staff (February 1, 2008) "From the grave to the cradle", Western Mail.

Women, Fight, Parting

“As actors, we need public relations to campaign for our next possible role, and any media promoting our work seems positive in nature; but whether in theater or on a film set, a bad unprofessional photograph at the wrong angle may not be as flattering to some actors, and may be considered a harmful exposure.”

Carson Grant (1950) American actor

Ernest Dempsey, "Camera Shy?", Digital Journal: Arts, Jan 10, 2011, p. 1
Pointing to the negative publicity factor with unsolicited photographs, article printed in Digital Journal 2011.

Nature

“Are we not like that actor of old time,
Who wore his mask so long his face took
Its likeness?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A Summer Evening’s Tale
The Venetian Bracelet (1829)

Time

“Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.”

Billy Wilder (1906–2002) American filmmaker

As quoted in The New Hollywood : American Movies in the '70s (1975) by Axel Madsen

Parting

“Careers are not often as chosen as people think they are. People talk to me about my choices. I don't make choices, hardly. Things happen, and you say yes or no - usually 'yes', because it's always better to do something. What's the choice? Somebody will say, 'Don't do that part, you don't need to do that part.' And I'll say, 'Why not? What am I going to do? Sit around the house? I'd much rather go to work, and see actors, and have fun.”

Christopher Walken (1943) American actor

William Leith (January 25, 2003) "Dancing in the Dark: He was a baby when he got his first showbiz break in the 1940s, and then firmly schooled in the song-and-dance tradition. So how did Christopher Walken end up as a master of evil?", The Guardian.

People, Thinking, Parting, Housing

“Innovative e-business projects start with a design of the e-business model. We often encounter the view, in research as well as industry practice, that an e-business model is similar to a business process model, and so can be specified using UML activity diagrams or Petri nets. In this paper, we explain why this is a misunderstanding. The root cause is that a business model is not about process but about value exchanged between actors. Failure to make this separation of concerns leads to poor business decision-making and inadequate business requirements.”

Hans van Vliet (1949) Dutch computer scientist

Jaap Gordijn, Hans Akkermans, and Hans Van Vliet. "Business modelling is not process modelling." International Conference on Conceptual Modeling. Springer Berlin Heidelberg, 2000. Abstract

Failure, Business, Decision

“I never chose money, I always chose people. I wanted to be around people who knew more than I did. I think that’s why I never fell in love with an actor. They never seemed to know any more than I did. I wanted to be with writers… My idea of a dream man was Thornton Wilder.”

Lillian Gish (1893–1993) American actress

Love, Money, People, Dreams

“I've also grown as an actor as I've got older in life. I've learnt how to go to work, immerse myself 100 per cent in the character and, at the end of the day, take it all off and go back, get a nice bubble bath, have a nice massage and realise that is not my life. And that feels good.”

Halle Berry (1966) American actress

Steve Pratt (March 27, 2004) "Blazing a trail with Halle's comet", The Northern Echo, p. 10.

Life, Feeling

“Of course I see both the things. For an actor you don’t have as many years to work as others do. I cannot work from 18 – 50 years of age. No doubt now there are different genres that are giving equally importance to older woman. It’s like make hay when there’s sunshine. I don’t take up a show for money, I take it up for the concept and then I see if the money is good or not.”

Drashti Dhami (1985) Indian television actress and model

First offer money or character? http://www.bollywoodlife.com/news-gossip/drashti-dhami-i-dont-take-weight-criticism-negatively-because-i-know-i-need-to-cut-down-a-few-kilos/

Money, Age

“I am, constitutionally, an actress and I think to be an actor is not only a different kind of discipline, but it’s completely introspective. So the solitude which is absolutely mandatory to write well is, I think, is hard for me. It’s training muscles I haven’t used very much. I love to write. I can write. But I’ve done nothing like this before and it will be a challenge.”

Kate Mulgrew (1955) American actress

Catching Up with Kate Mulgrew http://www.startrek.com/article/catching-up-with-kate-mulgrew-part-2 (January 19, 2011)

Love, Thinking, Solitude, Training

“Who's to say that every performer should be a good actor? Why can't you just be yourself?”

Ed Harcourt (1977) British musician

" MusicOMH.com Interview http://www.musicomh.com/interviews/ed-harcourt.htm" (2004).

“Any kind of recognition for the work that you've done is a terrific thing. As a film actor, you don't often get that opportunity to meet with your audience and take your applause on stage. It's quite nice to meet people and hear them say, "I really enjoyed your work in this." I really enjoyed the Leprechaun films, and people who enjoy Leprechaun are quite obsessed.”

Warwick Davis (1970) English actor and television presenter

Warwick Davis Interview http://www.ign.com/articles/2012/04/11/warwick-davis-interview (April 11, 2012)

People

“The great, rewarding thing about directing is that you're overseeing the whole thing. When you're an actor, you're just one department.”

Matt Dillon (1964) American actor

Ruthe Stein, Carla Meyer (May 4, 2003) "Matt Dillon takes charge on 'City' - He got to know Cambodia to direct first film", San Francisco Chronicle, p. O1.

“I wasn't cut out for office life, I always wanted to be an actor.”

Peter Cushing (1913–1994) English actor

Peter Cushing Interview 1973 http://www.bbc.co.uk/programmes/p048plh0 (1973)

Life

“Yeah, I'm unique—like an actor who has only one eye in the middle of his forehead. Or the Elephant Man. I've got a patent on the type. To be an actor is to be a moveable freak. Once you have been up there on that giant screen, everybody knows you—and you know no one. It counts as a source of embarrassment.”

Robert Mitchum (1917–1997) American film actor, author, composer and singer

As quoted in "Roberto Mitchum: After all these years, still one of a kind"

“I bring excitement on the sets. I’m an exciting actor, overrated, exaggerated. But I’m not an unexciting actor. I excite people. I never lose hope. If I feel that a film is going wrong somewhere, I do even better.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Komal Nahta

People, Hope, Feeling

“I prefer character-driven stuff. I am an actor and I come from theater and I love creating a scene and working with actors as opposed as opposed to working with CGI. But there is some fun to be had with the B-movie monster movies as well especially today because they are so self-aware, you can have a lot of fun. But I definitely prefer the more straightforward horror.”

Griff Furst (1981) American actor, director and musician

SLIFF 2016 Interview: Griff Furst – Director of COLD MOON http://www.wearemoviegeeks.com/2016/10/slif-2016-interview-cold-moon-director-griff-furst/ (October 31, 2016)

Love

“Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators?”

Percy Bysshe Shelley Adonaïs

St. XXI
Adonais (1821)

Love

“Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.”

Bion of Borysthenes (-325–-246 BC) ancient greek philosopher

As quoted by Teles of Megara, fr. 2, On Self-Sufficiency

Support

“The most successful behaviour-liars are those who, instead of consciously concentrating on modifying specific signals, think themselves into the basic mood they wish to convey and then let the small details take care of themselves. This method is frequently used with great success by professional liars, such as actors and actresses. Their entire working lives are spent performing behavioural lies, a process which can sometimes be extremely damaging to their private lives. Politicians and diplomats are also required to perform an undue amount of behavioural lying, but unlike the actors they are not socially 'licensed to lie', and the resultant guilt feelings tend to interfere with their performances. Also, unlike the actors, they do not undergo prolonged training courses.”

Desmond Morris book The Naked Ape

(2000), p. 116
The Naked Ape (1967)

Lie, Feeling, Lying, Mood

“Get the right actor, and the job's halfway done. I've only miscast major people twice in my life – out of respect to them, I won't tell you who. After a couple of days' shooting, I had to tell them I was letting them go. It was hideous.”

Peter Weir (1944) Australian film director

Portrait of the artist: Peter Weir, director (2011)

Life, People

“If you’re a serious actor, you wouldn’t put yourself up for one of those shows in case you got bumped off the first week and all your colleagues saw it.”

Elaine Paige (1948) English singer and actress

Regarding Any Dream Will Do; as quoted in "The turning of the Paige" by Brian Logan in The Times http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/theatre/article1877776.ece (4 June 2007)

“Property rights, governance structures and rules of exchange are arenas in which modern states establish rules for economic actors. States provide stable and reliable conditions under which firms organize, compete, cooperate and exchange. The enforcement of the laws affects what conceptions of control can produce stable markets. There are political contests over the content of laws, their applicability to given firms and markets, and the extent and direction of state intervention into economy. Such laws are never neutral. They favor certain groups of firms.”

Neil Fligstein (1951) American sociologist

Source: Markets as politics: A political-cultural approach to market institutions, 1996, p. 657

Law

“I never considered myself a comic. I don't have much experience doing improv or stand-up. I moved to New York and studied at the Strasberg Institute. I wanted to be a serious, dramatic actor.”

Will Arnett (1970) Canadian actor

"The Wit & Wisdom of Will Arnett," Playboy Magazine (March 29, 2007) http://blutharnett.blogspot.com/search/label/Playboy%20Magazine <br class="br">2007

Study

“There must be a lot of shy actor in puppeteering. His work is the puppeteer's statement. It's his outlet. If I had to face the audience myself, as Jim Henson, I'm sure I'd be just a bit shy. But when it's your puppets that face the audience, it's different. That I can do very easily.”

Jim Henson (1936–1990) American puppeteer

In response to Don Freeman's question: "Is the puppeteer a shy actor?"
Interview with Copley News Service (1976)

“When you have a good actor, in a good makeup, and he's been sitting in the makeup chair looking at himself in the mirror, seeing himself become something else, and then he walks onto a set and he knows where he is, he knows what he looks like, he gives a performance that he's never going to give on a motion-capture stage.”

Rick Baker (1950) American special makeup effects artist

Legendary Special-Effects Artist Rick Baker on How CGI Killed His Industry https://www.vice.com/en_us/article/jma87d/legendary-rick-bakers-retirement-auction-marks-the-end-of-the-non-cgi-era-888 (June 8, 2015)

“An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.”

Billy Wilder (1906–2002) American filmmaker

As quoted in The Bright Side of Billy Wilder, Primarily (1970) by Tom Wood, p. 20

“I open up the paper,
there's the story of an actor
who had died while he was drinking,
it was no one I had heard of.”

Suzanne Vega (1959) American singer

Tom's Diner
Solitude Standing (1987)

Drink

“Actors and technicians were being demobbed every day. Very soon the only ham actor left in the combined forces would be General George Patton.”

Michael Powell (1905–1990) English film director

Attributed

“There was a great director who directed a picture that I wrote who barred me from the set— quite appropriately— and said, “I’m sorry, Jim. When you’re directing, you don’t need to know everything. You need the illusion that you do.” And, you know, and I WOULD be there— behind him trying to signal the actors in, you know, in a way I wasn’t even aware of.”

James L. Brooks (1940) American director, producer and screenwriter

In the documentary Dreams on Spec

Way

“I have a lot of respect and admiration for Anthony Rapp as an actor. I'm beyond horrified to hear his story. I honestly do not remember the encounter, it would have been 30 years ago. But if I did behave then as he describes, I owe him the sincerest apology for what would have been deeply inappropriate drunken behavior, and I am sorry for the feelings he describes having carried with him all these years. This story has encouraged me to address other things about my life. I know that there are stories about me and that some have been fueled by the fact that I have been so protective of my privacy. As those closest to me know, in my life I have had relationships with both men and women. I have loved and had romantic encounters with men throughout my life, and I choose now to live as a gay man. I want to deal with this honestly and openly and that starts with examining my own behavior.”

Kevin Spacey (1959) American actor, director and producer

official statement on Twitter https://twitter.com/kevinspacey?lang=en regarding Anthony Rapp's allegations of sexual assault, October 29, 2017

Love, Life, Women, Men

“Knowledge, action, and actor are declared in the science of the gunas to be of three kinds only, according to distinctions of gunas; hear them also duly.”

Baba Hari Dass (1923–2018) master yogi, author, builder, commentator of Indian spiritual tradition

Bhagavad Gita, Ch XVIII, verse 19
Srimad Bhagavad Gita, Ch. XIII-XVIII, 2015

Knowledge, Science

“The growing pains of … being an actor, that was a little frustrating at times because you feel like you have great capacity to do many things. And yet there seems to be a misunderstanding about who you are and what you're trying to do. And that requires patience, and people eventually will understand.”

Matt Dillon (1964) American actor

Bill Muller (June 24, 2005) "Dillon Bucks Wayward-Youth Roles", The Arizona Republic, p. P3.

Pain, People, Feeling, Understanding

“People do… need… things… that are bad for them. They do. Stimulants and so on. They always have. Every so often, some politician or footballer or actor or whoever it is is caught in a hotel room, surrounded by hookers and cocaine. And everybody else goes: "Oh, the shame of it! How could he? How absolutely dreadful! I'd never do that… I've never had a chance, but I'd never ever do that! Oh, the disgust that courses through me right now — you could bottle it!" But what else are you supposed to give hookers in a hotel room? "Yogurt, anybody? I made some yogurt this morning, would you like some? It's got Granola and everything. You sure? Go on, have a bit."”

Dylan Moran (1971) Irish actor and comedian

On public figures who get caught in hotel rooms with prostitutes and cocaine.
Monster (2004)

People, Chance, Football

“Who will wonder that Barbara had a headache, or that Barbara's mother was disposed to be cross, or that she slightly underrated Astley's, and thought the clown was older than they had taken him to be last night? Kit was not surprised to hear her say so--not he. He had already had a misgiving that the inconstant actors in that dazzling vision had been doing the same thing the night before last, and would do it again that night, and the next, and for weeks and months to come, though he would not be there. Such is the difference between yesterday and today. We are all going to the play, or coming home from it.”

Charles Dickens book The Old Curiosity Shop

Source: The Old Curiosity Shop (1841), Ch. 40

Home, Night

“I've never liked Welles as an actor, because he's not really an actor. In Hollywood you have two categories, you talk about actors and personalities. Welles was an enormous personality, but when he plays Othello, everything goes down the drain, you see, that's when he's croaks. In my eyes he's an infinitely overrated filmmaker.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Orson Welles
Jan Aghed interview (2002)

Personality

“A proficient signer can see accents in any particular sign language, even between, say, the south or north of Italy. Any actor pretending to sign in a movie stands out as doing exactly that: pretending.”

Emilio Insolera (1979) Actor and film producer

Source: As quoted in Emilio Insolera. The film director, visual community member and activist is a man on a mission. https://www.kansaiscene.com/2009/12/emilio-insolera/ (December 1, 2016), Kansai Scenel)

“I feel like you kind of have to live life to its fullest in order to be a good actor. Draw on experiences. The more experiences the better, and I really have had a lot of experiences in life, even at my young age.”

Paz de la Huerta (1984) American actress

Blackbookmag interview http://www.blackbookmag.com/movies/paz-de-la-huerta-bares-all-1.28620

Life, Age, Feeling, Drawing

“Let's be clear: all professions look bad in the movies. And there's a good reason for this. Movies don't portray career paths, they conscript interesting lifestyles to serve a plot. So lawyers are all unscrupulous and doctors are all uncaring. Psychiatrists are all crazy, and politicians are all corrupt. All cops are psychopaths, and all businessmen are crooks. Even moviemakers come off badly: directors are megalomaniacs, actors are spoiled brats. Since all occupations are portrayed negatively, why expect scientists to be treated differently?”

Michael Crichton (1942–2008) American author, screenwriter, film producer

"Ritual Abuse, Hot Air, and Missed Opportunities: Science Views Media" http://www.crichton-official.com/speeches/speeches_quote01.html - Speech to the American Association for the Advancement of Science, Anaheim, California (25 January 1999)

“I hear that the no-smoking crowd are now operating at the National. Surely that sort of mentality doesn't belong in a theatre, it isn't a place where you impose rules on people, it's a dirty radical place where an actor can work with a fag in his hand.”

Michael Gambon (1940) British actor

Quoted in "The trickster," http://www.guardian.co.uk/film/2004/apr/23/guesteditors2 The Guardian (2004-04-23)

People

“I became an actor because it was the only thing I could do. I didn't have any friends, I didn't fit in. But when I started acting everything in my life shifted and I felt happy.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Steve Pratt (April 14, 2007) "Straight talking", The Northern Echo, p. 18.
2000s

Life, Happiness

“"Would you like to go to New Zealand to do a commercial?" That's the sort of question an actor likes to hear from his agent in freezing mid -January.”

Tom Baker (1934) English actor

Question

“The proponents of a mandatory retirement age and term limits have underestimated the degree to which the rational actor model applies to Justices. In making many decisions, as the empirical evidence demonstrates, Justices attempt to maximize their own preferences, whether based on policy considerations or other factors. The retirement decision is no exception. Scholars who dispute the applicability of the rational actor model to Justices have either not focused on the persuasive empirical evidence advanced by political scientists or have failed to consider all of the variables that touch upon judicial utility.”

David Stras (1974) American judge

The Incentives Approach to Judicial Retirement https://poseidon01.ssrn.com/delivery.php?ID=550083013021092016089124092101123109019053019081050000104123078004026111095112098007032035042036057108108088070117116005124105087007061001121113115101118119116088029023111029064077104010121092024068066031005116087002001031092011074124095102105073&EXT=pdf (October 25, 2005)

Age, Justice, Decision

“At one time, I was an actor in the conduct of foreign policy. I became convinced that I was accomplishing nothing in that capacity, that the problems were deeper, that the answer lay in a direct approach to the public and in an effort to explain to the public what it was really about. Today, even that seems futile. Myths and errors are being established in the public mind more rapidly than they can be broken down. The mass media are too much for us. There is nothing that can be done about it. To correct this, you would have to educate the educators. I must say that I have lost all confidence in the freedom of the mass media. The fact of the matter is that in this country McCarthyism has already won, in the sense of making impossible the conduct of an intelligent foreign policy.”

George F. Kennan (1904–2005) American advisor, diplomat, political scientist and historian

April 17, 1951
The Kennan Diaries

Education, Error, Confidence, Intelligence

“It's fashionable for modern actors to talk about getting 'inside' a character. But you can't get to the inside without getting the outside right first.”

Charlton Heston (1923–2008) American actor

Sunday Times interview (1990)

Fashion

“Working with a great director is wonderful for an actor because it means that you're not forced to take the advice of an idiot.”

Klaus Kinski (1926–1991) German actor

Fangoria interview

“Is a museum
Peace? I asked. Am I the keeper
Of the heart's relics, blowing the dust
In my own eyes? I am a man;
I never wanted the drab role
Life assigned me, an actor playing
To the past's audience upon a stage
Of earth and stone; the absurd label
Of birth, of race hanging askew
About my shoulders. I was in prison
Until you came; your voice was a key
Turning in the enormous lock
Of hopelessness. Did the door open
To let me out or yourselves in?”

R.S. Thomas (1913–2000) Welsh poet

"A Welsh Testament"
Tares (1961)

Life, Peace, Birth, Past

“In a loosely coupled system there is more room available for self-determination by the actors. If it is argued that a sense of efficacy is crucial for human beings. ihen a sense of efficacy might be greater in a loosely coupled system with autonomous units than it would be in a tightly coupled system where discretion is limited.”

Karl E. Weick (1936) Organisational psychologist

Source: 1970s, "Educational organizations as loosely coupled systems," 1976, p. 8

Sense

“Now (Burt Lancaster) was a guy, terrific. I've worked with some Hollywood actors, but he was worth all of them. He used to be a circus acrobat. He had this marvellous physique, and while other actors would choose to act like primadonnas when it came to dangerous scenes, Lancaster would do most of the stuff himself. And he was a friendly guy, always helping us little-knowns when we had problems. This was one of my first more important parts and I was very unsure of myself. He was always telling us what we could do to improve our stuff. A great guy.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Guy, Problem, Help, Parting

“Gallows, n. A stage for the performance of miracle plays, in which the leading actor is translated to heaven. ”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

“An example may clarify more precisely the relation between the psychologist and the anthropologist. If both of them investigate, say, the phenomenon of anger, the psychologist will try to grasp what the angry man feels, what his motives and the impulses of his will are, but the anthropologist will also try to grasp what he is doing. In respect of this phenomenon self-observation, being by nature disposed to weaken the spontaneity and unruliness of anger, will be especially difficult for both of them. The psychologist will try to meet this difficulty by a specific division of consciousness, which enables him to remain outside with the observing part of his being and yet let his passion run its course as undisturbed as possible. Of course this passion can then not avoid becoming similar to that of the actor, that is, though it can still be heightened in comparison with an unobserved passion its course will be different: there will be a release which is willed and which takes the place of the elemental outbreak, there will be a vehemence which will be more emphasized, more deliberate, more dramatic. The anthropologist can have nothing to do with a division of consciousness, since he has to do with the unbroken wholeness of events, and especially with the unbroken natural connection between feelings and actions; and this connection is most powerfully influenced in self-observation, since the pure spontaneity of the action is bound to suffer essentially. It remains for the anthropologist only to resign any attempt to stay outside his observing self, and thus when he is overcome by anger not to disturb it in its course by becoming a spectator of it, but to let it rage to its conclusion without trying to gain a perspective. He will be able to register in the act of recollection what he felt and did then; for him memory takes the place of psychological self-experience. … In the moment of life he has nothing else in his mind but just to live what is to be lived, he is there with his whole being, undivided, and for that very reason there grows in his thought and recollection the knowledge of human wholeness.”

Martin Buber (1878–1965) German Jewish Existentialist philosopher and theologian

Variant: An example may clarify more precisely the relation between the psychologist and the anthropologist. If both of them investigate, say, the phenomenon of anger, the psychologist will try to grasp what the angry man feels, what his motives and the impulses of his will are, but the anthropologist will also try to grasp what he is doing. In respect of this phenomenon self-observation, being by nature disposed to weaken the spontaneity and unruliness of anger, will be especially difficult for both of them. The psychologist will try to meet this difficulty by a specific division of consciousness, which enables him to remain outside with the observing part of his being and yet let his passion run its course as undisturbed as possible. Of course this passion can then not avoid becoming similar to that of the actor, that is, though it can still be heightened in comparison with an unobserved passion its course will be different: there will be a release which is willed and which takes the place of the elemental outbreak, there will be a vehemence which will be more emphasized, more deliberate, more dramatic. The anthropologist can have nothing to do with a division of consciousness, since he has to do with the unbroken wholeness of events, and especially with the unbroken natural connection between feelings and actions; and this connection is most powerfully influenced in self-observation, since the pure spontaneity of the action is bound to suffer essentially. It remains for the anthropologist only to resign any attempt to stay outside his observing self, and thus when he is overcome by anger not to disturb it in its course by becoming a spectator of it, but to let it rage to its conclusion without trying to gain a perspective. He will be able to register in the act of recollection what he felt and did then; for him memory takes the place of psychological self-experience. … In the moment of life he has nothing else in his mind but just to live what is to be lived, he is there with his whole being, undivided, and for that very reason there grows in his thought and recollection the knowledge of human wholeness.
Source: What is Man? (1938), pp. 148-149

Life, Feeling, Motivation, Nature

Quotes about actor page 5

Quotes about actor
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