Quotes about reading
page 22

Jim Starlin photo
Frederick Douglass photo

“Although I cannot accuse myself of being remarkably unstable, I do not pretend that I have never altered my opinion both in respect to men and things. Indeed, I have been very much modified both in feeling and opinion within the last fourteen years. When I escaped from slavery, and was introduced to the Garrisonians, I adopted very many of their opinions, and defended them just as long as I deemed them true. I was young, had read but little, and naturally took some things on trust. Subsequent experience and reading have led me to examine for myself. This had brought me to other conclusions. When I was a child, I thought and spoke as a child. But the question is not as to what were my opinions fourteen years ago, but what they are now. If I am right now, it really does not matter what I was fourteen years ago. My position now is one of reform, not of revolution. I would act for the abolition of slavery through the Government — not over its ruins. If slaveholders have ruled the American Government for the last fifty years, let the anti-slavery men rule the nation for the next fifty years. If the South has made the Constitution bend to the purposes of slavery, let the North now make that instrument bend to the cause of freedom and justice. If 350,000 slaveholders have, by devoting their energies to that single end, been able to make slavery the vital and animating spirit of the American Confederacy for the last 72 years, now let the freemen of the North, who have the power in their own hands, and who can make the American Government just what they think fit, resolve to blot out for ever the foul and haggard crime, which is the blight and mildew, the curse and the disgrace of the whole United States.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, The Constitution of the United States: Is It Pro-Slavery or Anti-Slavery? (1860)

Poul Anderson photo

“If you read quickly to get through a poem to what it means, you have missed the body of the poem.”

M. H. Abrams (1912–2015) American literary theorist

Cornell Chronicle interview (1999)

Margaret Sanger photo
George S. Patton photo

“Rommel, you magnificent bastard! I read your book!”

George S. Patton (1885–1945) United States Army general

Spoken by George C. Scott in the film Patton, portraying his defeat of what he thought were forces under the command of Erwin Rommel; however, the book portrayed in that film is purely fictional — Rommel never finished the book he was writing on tank warfare, but did write a book on his experiences in WW I. It was widely read, regarded a classic of modern military tactics, and published in abbreviated form for study by US army officers.
Misattributed

Walker Percy photo
Ray Bradbury photo
Thomas Carlyle photo

“A man perfects himself by work much more than by reading.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1860s, On The Choice Of Books (1866)

St. Vincent (musician) photo
Yevgeny Yevtushenko photo
Tim Shadbolt photo
Gregory Benford photo
Stanisław Lem photo
James Joyce photo

“The demand that I make of my reader is that he should devote his whole Life to reading my works.”

James Joyce (1882–1941) Irish novelist and poet

Interview with Max Eastman in Harper's Magazine, as quoted in James Joyce (1959) by Richard Ellmann. Eastman noted "He smiled as he said that — smiled, and then repeated it."

“My current novel, Pallas, is all about that culture war - in fact it's been called the Uncle Tom's Cabin of the Sagebrush Rebellion - and yet what I hear all too often from libertarians is that they don't read fiction.”

L. Neil Smith (1946) American writer

"Merchants of Fear" http://www.lneilsmith.org/merchant.html Presented to the Boulder County Libertarian Party, 20 February 1994.

Letitia Elizabeth Landon photo
John Ruskin photo
Philippe Starck photo

“This museum is like a ghost train—at every stage you find a surprise. Intuition prepares you for enlightenment, not audio-visual lectures. There's less to read, more to fee.”

Philippe Starck (1949) French architect and industrial designer

Starck cited in: Priscilla Boniface, Peter Jon Fowler (1993) Heritage and Tourism: In the Global Village. p. 161: Starck is talking about the Groninger Museum.

Francis Galton photo
Peter Greenaway photo
Herman Cain photo
Matthew Simpson photo

“Wherever public worship has been established and regularly aintained, idolatry has vanished from the face of the earth. There is not now a temple to a heathen god where the word of God is read.”

Matthew Simpson (1811–1884) American bishop and academic

Matthew Simpson reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 34.

Brian Keith photo
Mark Pattison photo
Ted Chiang photo
Patrick Nielsen Hayden photo

“The idea - the core idea of humanism - is that the act of reading about great deeds will lead you to imitate them,..”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 10, Sentences That Are About Themselves (Aren't They All?), p. 137

Desmond Tutu photo
Bruce Schneier photo
David Cross photo
Amartya Sen photo

“John Kenneth Galbraith doesn't get enough praise. The Affluent Society is a great insight, and has become so much a part of our understanding of contemporary capitalism that we forget where it began. It's like reading Hamlet and deciding it's full of quotations.”

Amartya Sen (1933) Indian economist

Amartya Sen, quoted in Jonathan Steele, " Last of the old-style liberals http://www.theguardian.com/education/2002/apr/06/socialsciences.highereducation", The Guardian (2002)
2000s

Julia Ward Howe photo

“I have read a fiery gospel writ in burnished rows of steel:
"As ye deal with my contemners, so with you my grace shall deal;
Let the Hero, born of woman, crush the serpent with his heel,
Since God is marching on."”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

Published version, in the Atlantic Monthly (February 1862).
The Battle Hymn of the Republic (1861)

Gerhard Richter photo
Eminem photo

“You could try and read my lyrics off of this paper before I lay them. But, you won't take the sting out of these words before I say them.”

Eminem (1972) American rapper and actor

"Not Afraid"
2010s, Recovery (2010)

Bill Mollison photo
Utah Phillips photo
Robert G. Ingersoll photo
Robert Louis Stevenson photo

“You could read Kant by yourself, if you wanted; but you must share a joke with someone else.”

Virginibus Puerisque, Ch. 1. http://books.google.com/books?id=Alw-AAAAYAAJ&q=%22You+could+read+Kant+by+yourself+if+you+wanted+but+you+must+share+a+joke+with+some+one%22+else&pg=PA17#v=onepage
Cornhill Magazine, (August 1876) http://books.google.com/books?id=VoNHAAAAYAAJ&q=%22You+could+read+Kant+by+yourself+if+you+wanted+but+you+must+share+a+joke+with+some+one+else%22&pg=PA174#v=onepage
Virginibus Puerisque and Other Papers (1881)

Letitia Elizabeth Landon photo
Philip Pullman photo

“Everything has a meaning, if only we could read it.”

Lyra's Oxford (2003)

“The use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings. Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight. Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.”

Walerian Krasiński (1795–1855) historian

Introductory dissertation to John Calvin's Treatise on Relics (1854)

Lee Kuan Yew photo

“The final verdict will not be in the obituaries. The final verdict will be when the PhD students dig out the archives, read my old papers, assess what my enemies have said, sift the evidence and seek the truth. I'm not saying that everything I did was right, but everything I did was for an honourable purpose”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

Interview with the New York Times, September 2010 http://www.nas.gov.sg/archivesonline/data/pdfdoc/20100920006/transcript_of_minister_mentor_lee_kuan_yew.pdf
2010s

Richard Rodríguez photo
Maxwell D. Taylor photo
Henry Wadsworth Longfellow photo
Jerome David Salinger photo
Nguyễn Du photo

“West Lake flower garden: a desert, now.
Alone, at the window, I read through old pages.
A smudge of rouge, a scent of perfume, but
I still weep.
Is there a Fate for books?
Why mourn for a half-burned poem?
There is nothing, there is no one to question,
and yet this misery feels like my own.
Ah, in another three hundred years
will anyone weep, remembering my fate?”

Nguyễn Du (1765–1820) Vietnamese poet

"Reading Hsiao-ch'ing", in The Harpercollins World Reader: The Modern World, eds. Mary Ann Caws and Christopher Prendergast (HarperCollins Publishers, 1994), ISBN 978-0065013832, p. 1411
Hsiao-Ching was "a seventeenth-century poet who was forced to become a concubine to a man whose jealous primary wife burned almost all of her poems" — David Damrosch, "Global Scripts and the Formation of Literary Traditions", in Approaches to World Literature (2013), p. 98

Halldór Laxness photo
Pliny the Younger photo

“We should read much, we should not read many books.”
Multum legendum esse, non multa.

Pliny the Younger (61–113) Roman writer

Letter 9, 15.
Letters, Book VII

Thérèse of Lisieux photo
Roman Vishniac photo
T. E. Hulme photo
John Updike photo
L. Frank Baum photo
Seba Johnson photo

“When Hitler was fighting for power, he published a program of his Nazi Party. There, in the article 24, it was declared: "We are all for ‘positive Christianity’." Many genuine Christians got hooked for it. But when Hitler finally had acquired the full power in the country, it was suddenly disclosed what many had overlooked: The Positive Christianity was just disguised Nazism. At the same time, the fight against the Bible triggered its ramp. Especially the Old Testament was taken under the heavy attack. Everywhere you could hear and read: Well, the New Testament can be allowed to circulate for some time, because the teaching there in is about the God of love. Just one thing, the letters of Jew Paul must be eliminated from there, they smack too much of the Spirit of the Old Testament. As for the Old Testament itself - oh, that’s a terrible book, a dirty book, a horrifying book! There in, a voice of the Judeo-Syrian God of desert and revenge can be heard!”

Wilhelm Busch (pastor) (1897–1966) German pastor and writer

Testimony By Verdun, p. 100
Wilhelm Busch erzählt: Als Hitler um die Macht kämpfte, veröffentlichte er ein Parteiprogramm. In dem stand als Punkt 24: “Wir sind für positives Christentum.” Viele treue Christen sind darauf hereingefallen. Als aber Hitler an der Macht war, erfuhr man, was viele vorausgesehen hatten: Positives Christentum ist dasselbe wie Nationalsozialismus. Zu gleicher Zeit begann der Kampf gegen die Bibel. Namentlich das Alte Testament wurde unter Trommelfeuer genommen. Überall konnte man hören und lesen: Nun ja, das Neue Testament könne man noch einige Zeit gelten lassen; denn da werde der Gott der Liebe gelehrt. Nur die Briefe des Juden Paulus müsse man ausmerzen. In denen sei der Geist des Alten Testaments zu spüren. Das Alte Testament aber – oh, das sei ein fürchterliches Buch, ein schmutziges Buch, ein grauenvolles Buch! Da rede der jüdisch-syrische Wüsten-Rache-Gott. (German)
Testimony By Verdun

Georg Brandes photo
Chris Jericho photo
John Calvin photo

““The practice of employing images as ornaments and memorials to decorate the temple of the Lord is in a most especial manner approved by the Word of God himself. Moses was commanded to place two cherubim upon the ark, and to set up a brazen figure of the fiery serpent, that those of the murmuring Israelites who had been bitten might recover from the poison of their wounds by looking on the image. In the description of Solomon's temple, we read of that prince, not only that he made in the oracle two cherubim of olive tree, of ten 83 Vide supra, p. 17. 101 cubits in height, but that ‘all the walls of the temple round about he carved with divers figures and carvings.’ “In the first book of Paralipomenon (Chronicles) we observe that when David imposed his injunction upon Solomon to realise his intention of building a house to the Lord, he delivered to him a description of the porch and temple, and concluded by thus assuring him: ‘All these things came to me written by the hand of the Lord, that I may understand the works of the pattern.’ “The isolated fact that images were not only directed by the Almighty God to be placed in the Mosaic tabernacle, and in the more sumptuous temple of Jerusalem, but that [132] he himself exhibited the pattern of them, will be alone sufficient to authorise the practice of the Catholic Church in regard to a similar observance.”—(Hierurgia, p. 371.) All this may be briefly answered. There was no representation of the Jewish patriarchs or saints either in the tabernacle or in the temple of Solomon, as is the case with the Christian saints in the Roman Catholic and Græco-Russian Churches; and the brazen serpent, to which the author alludes, was broken into pieces by order of King Hezekiah as soon as the Israelites began to worship it.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), pp. 100-101

Ken Ham photo
Grant Morrison photo
Will Eisner photo
Donald J. Trump photo
Frank Buckles photo
Richard Brautigan photo

“A friend came over to the house
a few days ago and read one of my poems.
He came back today and asked to read the
same poem over again. After he finished
reading it, he said, "It makes me want to write poetry."”

Richard Brautigan (1935–1984) American novelist, poet, and short story writer

"Hey! This Is What It's All About"
The Pill Versus the Springhill Mining Disaster

Sean Carroll photo
Derren Brown photo
Paul R. Halmos photo
Neville Chamberlain photo
Ridley Scott photo

“Who now reads novels as a guide to life and love? Everyone wants to star in his or her own movie.”

Frederic Raphael (1931) British writer

Halliwell's Who's Who in the Movies (2001 ed.): Art. "Frederic Raphael", p. 363

Ralph Waldo Emerson photo

“Never read any book that is not a year old.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

In Praise of Books
Bartlett's Familiar Quotations, 10th ed. (1919)

Michael Moore photo

“I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political.
And keep it white!
It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny!
Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Oops, there I go playing the race card. You see, in America these days, we aren’t supposed to talk about race. We have been told to pretend that things have gotten better, that the old days of segregation and cross burnings are long gone, and that no one needs to talk about race again because, hey, we fixed that problem.
Of course, nothing could be further from the truth. Sure, the “whites only” signs are down, but they have just been replaced by invisible ones that, if you are black, you see hanging in front of the home loan department of the local bank, across the entrance of the ritzy suburban or on the doors of the U. S. Senate”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

100 percent Caucasian and going strong!
Foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).
2003

Auguste Rodin photo
Thomas Carlyle photo
Guillaume de Salluste Du Bartas photo

“And reads, though running, all these needful motions.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

First Week, First Day. Compare: "Shine by the side of every path we tread / With such a lustre, he that runs may read", William Cowper, Tirocinium, line 79.
La Semaine; ou, Création du monde (1578)

Noam Chomsky photo
Suze Robertson photo

“It is not so bad that my paintings have been placed in the so-called reading room [Amsterdam exhibition, probably Arti et Amicitiae at the Rokin? ]. But it will be just as you write, they will definitely have to serve for FW Jansen and others. They certainly must get the medals and have to show in a most favorable way... Are there many beautiful things exhibited or is everything rather mediocre? Is there something to see of Breitner and Bauer.”

Suze Robertson (1855–1922) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Suze Robertson's brief:) Het valt me nog mee dat mijn schilderijen in de zoogenaamde leeszaal geplaatst zijn [tentoonstelling Amsterdam, waarschijnlijk nl:Arti et Amicitiae aan het Rokin?]. Maar het zal wel net zijn zoals je schrijft, ze zullen zeker dienst moeten doen voor FW Jansen en anderen. Die moeten zeker de medailles hebben en moeten op zijn gunstigst uitkomen.. ..Is er veel moois of is alles nogal middelmatig? Is er van Breitner nog iets en Bauer.
In a letter of Suze Robertson from Heeze, 11 Sept. 1904, to her husband Richard Bisschop; as cited in Suze Robertson 1855-1922 – Schilderes van het harde en zware leven, exhibition catalog, ed. Peter Thoben; Museum Kemperland, Eindhoven, 2008, p. 12
1900 - 1922

Will Eisner photo