Quotes about nature
page 25

Thomas Kuhn photo
Ervin László photo
Walter Bagehot photo

“To a great experience one thing is essential — an experiencing nature.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

Shakespeare
Literary Studies (1879)

Wassily Kandinsky photo

“Paris [1933 - 1944] with its wonderful (intense soft) light had relaxed my palette — there were other colors, other entirely new forms, and some that I had used years earlier. Naturally I did all this unconsciously.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from his letter to Alfred Barr, Jr., 16 July, 1944; as cited in Vivian Endicott Barnett, et al., 'Kandinsky', exh. cat. [New York: Solomon R. Guggenheim Museum, 2009], p. 70
1930 - 1944

Robert Fludd photo
William Kingdon Clifford photo
Andrew Dickson White photo
Alfred Russel Wallace photo

“I thought of the long ages of the past, during which the successive generations of this little creature had run their course — year by year being born, and living and dying amid these dark and gloomy woods, with no intelligent eye to gaze upon their loveliness; to all appearance such a wanton waste of beauty. Such ideas excite a feeling of melancholy. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions, doomed for ages yet to come to hopeless barbarism; while, on the other hand, should civilized man ever reach these distant lands, and bring moral, intellectual, and physical light into the recesses of these virgin forests, we may be sure that he will so disturb the nicely-balanced relations of organic and inorganic nature as to cause the disappearance, and finally the extinction, of these very beings whose wonderful structure and beauty he alone is fitted to appreciate and enjoy. This consideration must surely tell us that all living things were not made for man. Many of them have no relation to him. The cycle of their existence has gone on independently of his, and is disturbed or broken by every advance in man’s intellectual development; and their happiness and enjoyments, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone, limited only by the equal well-being and perpetuation of the numberless other organisms with which each is more or less intimately connected.”

The Malay Archipelago (1869)

Democritus photo
Alfred Horsley Hinton photo

“… to put it into slightly different form, it is not the facts in nature that the good picture aims at portraying, but the effects of light and shade accompanied by a pleasing arrangement.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, How expression may be given to a picture, p. 34

Irene Dunne photo

“How do I remain what is called "normal"? Because for me it's the natural thing to do, and therefore easier than doing something else.”

Irene Dunne (1898–1990) American actress

How Do I Stay Normal in Hollywood (1942)

John Morley, 1st Viscount Morley of Blackburn photo
Thomas Friedman photo
Benjamin Graham photo
Jayachamarajendra Wadiyar photo
Jonas Salk photo
Paul Gauguin photo

“Don't copy nature too closely. Art is an abstraction; as you dream amide nature, extrapolate art from it and concentrate on what you will create as a result.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), pp. 5 & 22: Gauguin is advising a fellow painter, 1885

Caspar David Friedrich photo

“The artist's feeling is his law. Genuine feeling can never be contrary to nature; it is always in harmony with her. But another person's feelings should never be imposed on us as law. Spiritual affinity leads to similarity in work, but such affinity is something entirely different from mimicry. Whatever people may say of Y's paintings and how they often resemble Z's, yet they proceed from Y and are his sole property.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
Variant translation:
The artist's feeling is his law. Pure sensibility can never be Unnatural; it is always in harmony with nature. But the feelings of another must never be imposed on us as our law. Spiritual relationship produces artistic resemblance, but this relationship is very different from imitation. Whatever one may say about X.'s paintings, and however much they may resemble Y.'s, they originated in him and are his own. (** In: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated

Peter Mere Latham photo

“We should always presume the disease to be curable, until its own nature prove it otherwise.”

Peter Mere Latham (1789–1875) English physician and educator

Book I, p. 174.
Collected Works

Norbert Wiener photo
Ethan Allen photo
John Godfrey Saxe photo
Letitia Elizabeth Landon photo

“For perennialists, too, the nation is immemorial. National forms may change and particular nations may dissolve, but the identity of a nation is unchanging. Yet the nation is not part of any natural order, so one can choose one's nation, and later generations can build something new on their ancient ethnic foundations. The task of nationalism is to rediscover and appropriate a submerged past in order the better to build on it.”

Anthony D. Smith (1939–2016) British academic

As cited by Eric G.E. Zuelow " Anthony D. Smith, Nationalism and the Reconstruction of Nations http://www.nationalismproject.org/what/smith1.htm" on nationalismproject.org. 1999-2007.
Gastronomy or Geology? The Role of Nationalism in the Reconstruction of Nations. (1994)

Joseph Chamberlain photo

“What is to be the nature of the domestic legislation of the future? (Hear, hear.) I cannot help thinking that it will be more directed to what are called social subjects than has hitherto been the case.—How to promote the greater happiness of the masses of the people (hear, hear), how to increase their enjoyment of life (cheers), that is the problem of the future; and just as there are politicians who would occupy all the world and leave nothing for the ambition of anybody else, so we have their counterpart at home in the men who, having already annexed everything that is worth having, expect everybody else to be content with the crumbs that fall from their table. If you will go back to the origin of things you will find that when our social arrangements first began to shape themselves every man was born into the world with natural rights, with a right to a share in the great inheritance of the community, with a right to a part of the land of his birth. (Cheers.) But all these rights have passed away. The common rights of ownership have disappeared. Some of them have been sold; some of them have been given away by people who had no right to dispose of them; some of them have been lost through apathy and ignorance; some have been stolen by fraud (cheers); and some have been acquired by violence. Private ownership has taken the place of these communal rights, and this system has become so interwoven with our habits and usages, it has been so sanctioned by law and protected by custom, that it might be very difficult and perhaps impossible to reverse it. But then, I ask, what ransom will property pay for the security which it enjoys? What substitute will it find for the natural rights which have ceased to be recognized?”

Joseph Chamberlain (1836–1914) British businessman, politician, and statesman

Speech to the Birmingham Artisans' Association at Birmingham Town Hall (5 January 1885), quoted in ‘Mr. Chamberlain At Birmingham.’, The Times (6 January 1885), p. 7.
1880s

Edwin Abbott Abbott photo
Barbara Hepworth photo

“The naturalness of life… the sense of community is, I think, a very important factor in an artist's life.”

Barbara Hepworth (1903–1975) English sculptor

"A Pictorial Biography" (Tate Publishing, London, 1970)
1961 - 1975

Aristide Maillol photo

“The first thing that strikes [one] in Cézanne is not apples, but balance of tones. With elements drawn from nature, what did [Cézanne] attempt? To create, to arouse powerful feeling, to awaken in the hearts of men that which is eternal in men.”

Aristide Maillol (1861–1944) sculptor from France

in a writing of Maillol, quoted in 'Aristide Maillol', ed. Andrew C. Ritchie, Albright Art Gallery N Y 1945, p. 31; as quoted by Angelo Carnafa, in 'A sculpture of interior Solitude', Associated University Presse, 1999, p. 168

Dave Keon photo

“Most kids today slap the puck. The backhand takes time to learn. It's not something you do naturally. But it is an effective shot.”

Dave Keon (1940) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Dave Keon," http://www.legendsofhockey.net/html/spot_oneononep198602.htm Legends of Hockey.net (2002-04-15)

George Berkeley photo
Walt Whitman photo
Caspar David Friedrich photo

“Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children... There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840

Al Gore photo
James Burke (science historian) photo
Mahatma Gandhi photo
Vitruvius photo
Adyashanti photo
Vyasa photo
Richard K. Morgan photo
Aristophanés photo

“Man is naturally deceitful ever, in every way! ”

(tr. Hickie 1853, vol. 1, p. 326 http://books.google.com/books?id=Cm4NAAAAYAAJ&pg=PA326)
Birds (414 BC)
Variant: Man naturally is deceitful, ever indeed, and always, in every one thing.

Jack Herer photo
Kent Hovind photo
Marcus Terentius Varro photo

“It was divine nature which gave us the country, and man's skill that built the cities.”
Divina Natura dedit agros, ars humana ædificavit urbes.

Marcus Terentius Varro (-116–-27 BC) ancient latin scholar

Marcus Porcius Cato on Agriculture : Marcus Terentius Varro on Agriculture. W.D. Hooper & H.B. Ash. (translation). Harvard University Press, 1993. Bk. 3, ch. 1
De Re Rustica

Rudolph Rummel photo

“Though you expel Nature with a pitchfork, she will always return.”

Avram Davidson (1923–1993) novelist

Vergil in Averno (1987)

Viktor Schauberger photo

“Wherever we look the dreadful disintegration of the bridges of life, the capillaries and the bodies they have created, is evident, which has been caused by the mechanical and mindless work of man, who has torn away the soul from the Earth's blood - water. The more the engineer endeavors to channel water, of whose spirit and nature he is today still ignorant, by the shortest and straightest route to the sea, the more the flow of water weighs into the bends, the longer its path and the worse the water will become. The spreading of the most terrible disease of all, of cancer, is the necessary consequence of such unnatural regulatory works. These mistaken activities - our work - must legitimately lead to increasingly widespread unemployment, because our present methods of working, which have a purely mechanical basis, are already destroying not only all of wise Nature's formative processes, but first and foremost the growth of the vegetation itself, which is being destroyed even as it grows. The drying up of mountain springs, the change in the whole pattern of motion of the groundwater, and the disturbance in the blood circulation of the organism - Earth - is the direct result of modern forestry practices. The pulse-beat of the Earth was factually arrested by the modern timber production industry. Every economic death of a people is always preceded by the death of its forests. The forest is the habitat of water and as such the habitat of life processes too, whose quality declines as the organic development of the forest is disturbed. Ultimately, due to a law which functions with awesome constancy, it will slowly but surely come around to our turn. Our accustomed way of thinking in many ways, and perhaps even without exception, is opposed to the true workings of Nature. Our work is the embodiment of our will. The spiritual manifestation of this work is its effect. When such work is carried out correctly, it brings happiness, but when carried out incorrectly, it assuredly brings misery.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Charles Baudelaire photo

“It is at once by way of poetry and through poetry, as with music, that the soul glimpses splendors from beyond the tomb; and when an exquisite poem brings one’s eyes to the point of tears, those tears are not evidence of an excess of joy, they are witness far more to an exacerbated melancholy, a disposition of the nerves, a nature exiled among imperfect things, which would like to possess, without delay, a paradise revealed on this very same earth.”

Charles Baudelaire (1821–1867) French poet

C'est à la fois par la poésie et à travers la poésie, par et à travers la musique, que l'âme entrevoit les splendeurs situées derrière le tombeau; et, quand un poème exquis amène les larmes au bord des yeux, ces larmes ne sont pas la preuve d'un excès de jouissance, elles sont bien plutôt le témoignage d'une mélancolie irritée, d'une postulation des nerfs, d'une nature exilée dans l'imparfait et qui voudrait s'emparer immédiatement, sur cette terre même, d'un paradis révélé.
XI: "Notes nouvelles sur Edgar Poe III," IV
L'art romantique (1869)

Naum Gabo photo
Jean-Baptiste Say photo
William Hazlitt photo
Mary Midgley photo

“All moral doctrine, all practical suggestions about how we ought to live, depend on some belief about what human nature is like.”

Mary Midgley (1919–2018) British philosopher and ethicist

Beast and Man: The Roots of Human Nature (1979).

Arun Shourie photo
Katherine Paterson photo
Nyanaponika Thera photo
Marshall McLuhan photo

“The new media are not bridges between man and nature: they are nature.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Counterblast (1969), p. 14

David Attenborough photo
Ilana Mercer photo
Calvin Coolidge photo
Paula Modersohn-Becker photo

“I believe that one should not think so much about nature when painting, at least not during the conception of the picture. Make the color sketch exactly as one has felt something in nature. But my personal feeling is the main thing. Once I have established it, lucid in tone and color, I must bring in from nature the things that make my painting seem natural, so that a layman will only think that 1 have painted it from nature.”

Paula Modersohn-Becker (1876–1907) German artist

quote from her Diaries, 1 October, 1902; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 31
1900 - 1905

François Gautier photo

“Being married to a "daughter of India" is a natural complement of my being in this country for 30 years. My roots are very much in this country, even though I remain a Westerner.”

François Gautier (1959) French journalist

On his wife, as quoted in "There is an unconscious militant dislike of the Christian world towards Hindu India" http://www.rediff.com/news/1999/feb/12rajeev.htm, Rediff (12 February 1999)

F. H. Bradley photo
Thomas Hobbes photo
Henry Ward Beecher photo

“Every artist dips his brush in his own soul and paints his own nature into his picture.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Proverbs from Plymouth Pulpit (1887)

John James Audubon photo
Ralph Waldo Emerson photo
Albert Einstein photo
Henry Adams photo
Henry Adams photo

“…but he distinctly remembered standing at the house door one summer morning in a passionate outburst of rebellion against going to school. Naturally his mother was the immediate victim of his rage; that is what mothers are for, and boys also; but in this case the boy had his mother at unfair disadvantage, for she was a guest, and had no means of enforcing obedience. Henry showed a certain tactical ability by refusing to start, and he met all efforts at compulsion by successful, though too vehement protest. He was in fair way to win, and was holding his own, with sufficient energy, at the bottom of the long staircase which led up to the door of the President's library, when the door opened, and the old man slowly came down. Putting on his hat, he took the boy's hand without a word, and walked with him, paralyzed by awe, up the road to the town. After the first moments of consternation at this interference in a domestic dispute, the boy reflected that an old gentleman close on eighty would never trouble himself to walk near a mile on a hot summer morning over a shadeless road to take a boy to school, and that it would be strange if a lad imbued with the passion of freedom could not find a corner to dodge around, somewhere before reaching the school door. Then and always, the boy insisted that this reasoning justified his apparent submission; but the old man did not stop, and the boy saw all his strategical points turned, one after another, until he found himself seated inside the school, and obviously the centre of curious if not malevolent criticism. Not till then did the President release his hand and depart.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Koichi Tohei photo

“Philosophy establishes itself as a discourse by opposition to the authority of received opinion, especially the opinions sedimented as cult and as law. Philosophy puts into question the authority of what has been handed down. It is not just that there is a critique of philosophic authorities; rather, philosophy appears to be characterized by rejection of intellectual authority as such. How is philosophy to distinguish, then, a permissible authority from those many impermissible authorities which it must reject if it is to survive?
Perhaps it would be better to avoid the quandary altogether by dismissing authority in order to consider only the "content" of the claims under consideration, regardless of their pretensions. The dismissal fails for at least two reasons. The first is that there are no claims in philosophic texts that are wholly free at least from the implicit constructions of authority. If criticism takes only the content, then it ends up with something other than the texts that have constituted the discourse of philosophy. There is no Platonic "theory of Forms" dissociable from the Platonic pedagogy, that is, from the teaching authority of the Platonic Socrates. The second reason for not being able to dismiss authority altogether is that the very criticism that wants to look only at contents will impose itself as an authority in its choice of procedure. One will still have authority, but an authority that refuses to raise any question about authority.
Perhaps the question about legitimate authority could be avoided, again, by replying that the obvious criterion for claims in philosophy is the truth. The assumption here is that access to the truth is had entirely apart from the authority of philosophical traditions. Yet it is a biographical fact that one is brought into philosophy by education. First principles are learned most often not by simple observation or by the natural light of reason, but under the tutelage of some authoritative tradition.”

Authority and persuasion in philosophy (1985)

Frederick Douglass photo
Maimónides photo
Tim Powers photo

“How old are you, Brian? You ought to know by now that something always breaks up love affairs unless both parties are willing to compromise themselves. And that compromising is harder to do the older and less flexible and more independent you are. It just isn’t in you, Brian. You could no more get married now than you could become a priest, or a sculptor, or a greengrocer.”
Duffy opened his mouth to voice angry denials, then one corner turned up and he closed it. “Damn you,” he said wryly. “Then why do I want to, half the time?”
Aurelianus shrugged. “It’s the nature of the species. There’s a part of a man’s mind that can only relax and go to sleep when he’s with a woman, and that part gets tired of always being tensely awake. It gives orders in so loud a voice that it often drowns out the other components. But when the loud one is asleep at last, the others regain control and chart a new course.” He grinned. “No equilibrium is possible. If you don’t want to put up with the constant seesawing, you must either starve the logical components or bind, gag and lock away in a cellar that one insistent one.”
Duffy grimaced and drank some more brandy. “I’m used to the rocking, and I was never one to get motion-sick,” he said. “I’ll stay on the seesaw.”

Aurelianus bowed. “You have that option, sir.”
Source: The Drawing of the Dark (1979), Chapter 18 (p. 247)

Willem de Kooning photo
Adolf Hitler photo

“We want to build up a new state! That is why the others hate us so much today…. They are, after all, plutocracies in which a tiny clique of capitalists dominate the masses, and this, naturally, in close cooperation with international Jews and Freemasons.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Speech at the Berlin Sportpalast on the opening of the Kriegswinterhilfswerk, September 4, 1940, Adolf Hitler collection of speeches 1922-1945, part 2, p. 735 https://issuu.com/grupodeestudosfernandodeogum/docs/adolf_hitler_-_collection_of_speech
1940s

Lydia Maria Child photo
David Frawley photo
William Robertson (historian) photo
Franz Kafka photo

“What is meant by its nature for the highest and the best, spreads among the lowly people.”

Franz Kafka (1883–1924) author

Source: Franz Kafka: A Biography (1960), p. 74

Georg Wilhelm Friedrich Hegel photo

“The Church has consistently and justly refused to allow that reason might stand in opposition to faith, and yet be placed under subjection to it. The human spirit in its inmost nature is not something so divided up that two contradictory elements might subsist together in it. If discord has arisen between intellectual insight and religion, and is not overcome in knowledge, it leads to despair, which comes in the place of reconciliation. This despair is reconciliation carried out in a one-sided manner. The one side is cast away, the other alone held fast; but a man cannot win true peace in this way. The one alternative is, for the divided spirit to reject the demands of the intellect and try to return to simple religious feeling. To this, however, the spirit can only attain by doing violence to itself, for the independence of consciousness demands satisfaction, and will not be thrust aside by force; and to renounce independent thought, is not within the power of the healthy mind. Religious feeling becomes yearning hypocrisy, and retains the moment of non-satisfaction. The other alternative is a one-sided attitude of indifference toward religion, which is either left unquestioned and let alone, or is ultimately attacked and opposed. That is the course followed by shallow spirits.”

Georg Wilhelm Friedrich Hegel (1770–1831) German philosopher

Lectures on the philosophy of religion, together with a work on the proofs of the existence of God. Translated from the 2d German ed. by E.B. Speirs, and J. Burdon Sanderson: the translation edited by E.B. Speirs. Published 1895 p. 49-50
Lectures on Philosophy of Religion, Volume 1 (1827)

Jacques Maritain photo
George Fitzhugh photo
Piet Mondrian photo
H. G. Wells photo
Francis Bacon photo
John C. Baez photo

“(a) There is a general tendency towards integration in the various sciences, natural and social. (b) Such integration seems to be centered in a general theory of systems. (c) Such theory may be an important means of aiming at exact theory in the nonphysical fields of science. (d) Developing unifying principles running "vertically" through the universe of the individual sciences, this theory brings us nearer to the goal of the unity of sciences. (e) This can lead to a much needed integration in scientific education.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Variant: Mayor aims of general theory:
(1) There is a general tendency toward integration in the various sciences, natural and social.
(2) Such integration seems to be centered in a general theory of systems.
(3) Such theory may be an important means for aiming at exact theory in the nonphysical fields of science.
(4) Developing unifying principles running "vertically" through the universe of the individual sciences, this theory brings us nearer the goal of the unity of science.
(5) This can lead to a much-needed integration in scientific education.
Source: 1950s, "General systems theory," 1956, p. 38, cited in: Alexander Laszlo and Stanley Krippner (1992) " Systems Theories: Their Origins, Foundations, and Development http://archive.syntonyquest.org/elcTree/resourcesPDFs/SystemsTheory.pdf" In: J.S. Jordan (Ed.), Systems Theories and A Priori Aspects of Perception. Amsterdam: Elsevier Science, 1998. Ch. 3, pp. 47-74.

Edvard Munch photo

“I was walking along a path with two friends — the sun was setting — suddenly the sky turned blood red — I paused, feeling exhausted, and leaned on the fence — there was blood and tongues of fire above the blue-black fjord and the city — my friends walked on, and I stood there trembling with anxiety — and I sensed an infinite scream passing through nature.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote of an entry in his Diary (22 January 1892), on the experience which inspired his famous painting, '(The Scream)' ('Shrik'), originally titled: 'Der Schrei der Natur' ('The Cry of Nature')
1880 - 1895

Michael Swanwick photo
Michel Foucault photo
Peter F. Drucker photo