Quotes about heart
page 63

Cat Stevens photo

“"Peace Train" is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions. There is a powerful need for people to feel that gust of hope rise up again. As a member of humanity and as a Muslim, this is my contribution to the call for a peaceful solution.”

Cat Stevens (1948) British singer-songwriter

"Yusuf Islam Takes Stance for Peace" by Ali Asadullah at IslamOnline http://www.islamonline.net/servlet/Satellite?c=Article_C&pagename=Zone-English-ArtCulture%2FACELayout&cid=1158658359693

Letitia Elizabeth Landon photo
Winston S. Churchill photo
Thomas Fuller (writer) photo

“4649. The Memory of a Benefit soon vanisheth; but the Remembrance of an Injury sticketh fast in the Heart.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Auguste Rodin photo
Anne Sexton photo

“I am, each day,
typing out the God
my typewriter believes in.
Very quick. Very intense,
like a wolf at a live heart.”

Anne Sexton (1928–1974) poet from the United States

"Frenzy"
The Awful Rowing Toward God (1975)

Oliver Goldsmith photo
James Martineau photo
Hank Williams photo

“When I wrote about Hank Williams 'A hundred floors above me in the tower of song', it's not some kind of inverse modesty. I know where Hank Williams stands in the history of popular song. Your Cheatin' Heart, songs like that, are sublime, in his own tradition, and I feel myself a very minor writer.”

Hank Williams (1923–1953) American country music singer

Leonard Cohen, Who held a gun to Leonard Cohen's head? http://www.guardian.co.uk/arts/fridayreview/story/0,12102,1305765,00.html The Guardian (2006-06-20)
About

Neville Chamberlain photo
William Empson photo

“But as to risings, I can tell you why.
It is on contradiction that they grow.
It seemed the best thing to be up and go.
Up was the heartening and the strong reply
The heart of standing is we cannot fly.”

William Empson (1906–1984) English literary critic and poet

"Aubade", line 38; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 70.
The Complete Poems

Bawa Muhaiyaddeen photo
J. Sheridan Le Fanu photo
Victor Villaseñor photo
Anastacia photo
David Hare photo

“Some people carry their hearts in their heads; very many carry their heads in their hearts. The difficulty is to keep them apart, and yet both actively working together.”

David Hare (1947) British writer

Augustus William Hare and Julius Charles Hare Guesses at Truth (London: Macmillan, ([1827-48] 1867) p. 7.
Misattributed

Kris Kristofferson photo

“The dynamic of the group changes totally if the U. S. can hold on here. Gyan with a lovely ball, though. André Ayew, equalizes! It's a superb goal, to break American hearts! The resistance is broken!”

Ian Darke (1950) British association football and boxing commentator

Ghana v. United States http://www.listenonrepeat.com/watch/?v=gQC2SusDfIw (16 June 2014).
2010s, 2014, 2014 FIFA World Cup

“Her heart was warmed and melted like the dew on roses under the morning sun.”

Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 1019–1021

Florence Earle Coates photo
Frances Kellor photo
William Cowper photo
Caroline Elizabeth Sarah Norton photo

“Too innocent for coquetry, too fond for idle scorning—
Oh friend, I fear the lightest heart makes sometimes heaviest mourning.”

Caroline Elizabeth Sarah Norton (1808–1877) English feminist, social reformer, and author

Bingen on the Rhine.

Pythagoras photo

“True and perfect Friendship is, to make one heart and mind of many hearts and bodies.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

The Sayings of the Wise (1555)

John Erskine photo
Phil Brooks photo

“Look at you people. Look at what's become of the mighty United Kingdom. This land used to be filled with kings and knights and noblemen. You used to rule half the planet, and now you're just as sad and pathetic as the Americans. You can pretend you're not, you can pretend you don't spend your days tucked away in some little pub downing your pints of ale; you can pretend you don't spend every single night filling your lungs and those around you with carcinogens and poisons from your fancy cigarettes and trendy cigars; you can pretend you don't knowingly stuff chewing tobacco in your mouth in one of the most disgusting habits I've ever seen in my life—something that will give you cancer inside of two years. You people are weak-minded. You have no heart, your spirit is broken. You're practically decomposing right before my very eyes as I talk to you, and the only thing you can do is boo or wave a crooked little finger at me and accuse me of being preachy. You people need somebody as righteous as myself to preach to you the proper way to live. You should all aspire to be as great as I am. Do I think I'm better than you? Absolutely, and it's not that hard because my mind is clear; my body, free of poison. Look at me—I am perfect in every way. My strength comes from within, and I don't need a crutch to get through my everyday life like you people, and I certainly don't need a crooked official like Scott Armstrong to fight my battles for me. I filed a formal complaint with the Board of Directors; and as far as tonight goes, I will beat R-Truth just like I'll beat him at Survivor Series, and just like I can easily beat up everybody here in this arena today. Because I am the Choice of a New Generation, and R-Truth's gonna come out here and ask you people, "What's Up?"”

Phil Brooks (1978) American professional wrestler and mixed martial artist

I'll answer that little riddle for you right now. I tell you "what's up" Straight-edge—that is what's up. No narcotics, no drugs, no alcohol, no cigarettes, no prescription medication, and that, you sad, sad people, can save your entire pathetic country and the entire world.
November 13, 2009
Friday Night SmackDown

Eric Hoffer photo
Anne Brontë photo

“It is quite possible to be a good Christian without ceasing to be a happy, merry-hearted man.”

Source: The Tenant of Wildfell Hall (1848), Ch. XXIII : First weeks of Matrimony; Helen to Arthur

Orson Scott Card photo
J.C. Ryle photo

“When does the building of the Spirit really begin to appear in a man's heart? It begins, so far as we can judge, when he first pours out his heart to God in prayer.”

J.C. Ryle (1816–1900) Anglican bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 470.

Georges Rouault photo
Arthur Rubinstein photo

“My father, good or bad, mistakes or no, had a direct line from his heart to the music to the people, to the audience. He played with logic and his own inner truth.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

John Rubinstein — reported in Kevin Kelly (February 22, 1981) "Rubinstein a Chip Off Rubinstein: John Says His Father's Music Shaped His Approach to Acting", Boston Globe.
About

Johnny Cash photo

“The head never rules the heart, but just becomes its partner in crime.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Kate Bush photo
George Gordon Byron photo

“Here's a sigh to those who love me,
And a smile to those who hate:
And, whatever sky's above me,
Here's a heart for every fate.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

To Thomas Moore, st. 2.

Moshe Chaim Luzzatto photo
Paul Klee photo

“I cannot be grasped in the here and now. For I reside just as much with the dead as with the unborn. Somewhat closer to the heart of creation than usual. But not nearly close enough. The end has met the beginning.”

Paul Klee (1879–1940) German Swiss painter

German original version: Diesseitig bin ich gar nicht fassbar. Denn ich wohne grad so gut bei den Toten, wie bei den Ungeborenen. Etwas näher dem Herzen der Schöpfung als üblich. Und noch lange nicht nahe genug.
Quote from Exhibition catalogue, Galerie Goltz, Munich, published in the gallery's house journal Der Ararat (May 1920). These words were later used as Klee's epitaph in 1940.
Variant translation: I cannot be understood at all on this earth. For I live as much with the dead as with the unborn. Somewhat closer to the heart of creation than usual. But not nearly close enough.
As quoted in Paul Klee: His Work and Thought (1991) by Marcel Franciscono, p. 5
1916 - 1920

Andrew Marvell photo
Swami Vivekananda photo
Alicia Witt photo
Winston S. Churchill photo

“For on this my heart is set:
When the hour is nigh me,
Let me in the tavern die,
With a tankard by me.”

Meum est propositum<br/>in taberna mori,<br/>ut sint vina proxima<br/>morientis ori.

Archpoet (1130–1165) 12th century poet

Meum est propositum
in taberna mori,
ut sint vina proxima
morientis ori.
Source: "Confession", Line 89

Théodore Guérin photo
Ono no Komachi photo

“You do not come
On this moonless night.
I wake wanting you.
My breasts heave and blaze.
My heart burns up.”

Ono no Komachi (825–900) Japanese poet

Source: Kenneth Rexroth's translations, One Hundred More Poems from the Japanese (1976), p. 34

John McLaughlin photo

“For me, abstraction is real, probably more real than nature. I'll go further and say that abstraction is nearer my heart. I prefer to see with closed eyes.”

Josef Albers (1888–1976) German-American artist and educator

Quoted in: Arts/Canada, Vol. 23 (1966), p. 46

Don Soderquist photo
Anton Chekhov photo
Matthew Arnold photo
Ernst Kaltenbrunner photo

“I have loved my German people and my fatherland with a warm heart. I have done my duty by the laws of my people and I am sorry this time my people were led by men who were not soldiers and that crimes were committed of which I had no knowledge. Germany, good luck.”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

Last words, 10/16/46. Quoted in "The Mammoth Book of Eyewitness World War II" - Page 564 - by Jon E. Lewis - History - 2002

Kate Bush photo

“The Song of Solomon
The song of everyone
Who walks the path
Of the solitary heart.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)

L. Ron Hubbard photo
Tim McGraw photo
George Lyttelton, 1st Baron Lyttelton photo

“What is your sex's earliest, latest care,
Your heart's supreme ambition? To be fair.”

George Lyttelton, 1st Baron Lyttelton (1709–1773) British politician

Advice to a Lady (1731)

Adam Smith photo

“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

George William Russell photo

“All the morn a spirit gay
Breathes within my heart a rhyme,
'Tis but hide and seek we play
In and out the courts of Time.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Richard Long photo
Brigham Young photo
Damien Hirst photo

“I was with this guy who was a plasterer, and at lunchtime he was eating a stuffed heart… I was thinking, "I'm not like these guys. I'm an artist." And I saw a bee come over to some flowers and get all the pollen out. I was looking and thinking, "How does it do that?" And then the guy who was eating the stuffed heart said, "How does that bee do that?"”

Damien Hirst (1965) artist

Beckett, Andy. "Arts: A Strange Case" http://findarticles.com/p/articles/mi_qn4158/is_19951112/ai_n14017521/pg_5?tag=artBody;col1, The Independent, 12 November 1995
Talking about when he worked as a builder after college

Farrokh Tamimi photo
John Major photo

“John Major: What I don't understand, Michael, is why such a complete wimp like me keeps winning everything.
Michael Brunson: You've said it, you said precisely that.
Major: I suppose Gus will tell me off for saying that, won't you Gus?
Brunson: No, no, no … it's a fair point. The trouble is that people are not perceiving you as winning.
Major: Oh, I know … why not? Because…
Brunson: Because rotten sods like me, I suppose, don't get the message clear [laughs].
Major: No, no, no. I wasn't going to say that - well partly that, yes, partly because of S-H-one-Ts like you, yes, that's perfectly right. But also because those people who are opposing our European policy have said the way to oppose the Government on the European policy is to attack me personally. The Labour Party started before the last election. It has been picked up and it is just one of these fashionable things that slips into the Parliamentary system and it is an easy way to proceed.
Brunson: But I mean you … has been overshadowed … my point is there, not just the fact that you have been overshadowed by Maastricht and people don't…
Major: The real problem is this…
Brunson: But you've also had all the other problems on top - the Mellors, the Mates … and it's like a blanket - you use the phrase 'masking tape' but I mean that's it, isn't it?
Major: Even, even, even, as an ex-whip I can't stop people sleeping with other people if they ought not, and various things like that. But the real problem is…
Brunson: I've heard other people in the Cabinet say 'Why the hell didn't he get rid of Mates on Day One?' Mates was a fly, you could have swatted him away.
Major: Yeah, well, they did not say that at the time, I have to tell you. And I can tell you what they would have said if I had. They'd have said 'This man was being set up. He was trying to do his job for his constituent. He had done nothing improper, as the Cabinet Secretary told me. It was an act of gross injustice to have got rid of him'. Nobody knew what I knew at the time. But the real problem is that one has a tiny majority. Don't overlook that. I could have all these clever and decisive things that people wanted me to do and I would have split the Conservative Party into smithereens. And you would have said, Aren't you a ham-fisted leader? You've broken up the Conservative Party.
Brunson: No, well would you? If people come along and…
Major: Most people in the Cabinet, if you ask them sensibly, would tell you that, yes. Don't underestimate the bitterness of European policy until it is settled - It is settled now.
Brunson: Three of them - perhaps we had better not mention open names in this room - perhaps the three of them would have - if you'd done certain things, they would have come along and said, 'Prime Minister, we resign'. So you say 'Fine, you resign'.
Major: We all know which three that is. Now think that through. Think it through from my perspective. You are Prime Minister. You have got a majority of 18. You have got a party still harking back to a golden age that never was but is now invented. And you have three rightwing members of the Cabinet actually resigned. What happens in the parliamentary party?
Brunson: They create a lot of fuss but you have probably got three damn good ministers in the Cabinet to replace them.
Major: Oh, I can bring in other people into the Cabinet, that is right, but where do you think most of this poison has come from? It is coming from the dispossessed and the never-possessed. You and I can both think of ex-ministers who are going around causing all sorts of trouble. Would you like three more of the bastards out there? What's the Lyndon Johnson, er, maxim?
Brunson: If you've got them by the balls their hearts and minds will follow.
Major: No, that's not what I had in mind, though it's pretty good.”

John Major (1943) Former Prime Minister of the United Kingdom

Andrew Culf, "What the `wimp' really said to the S-H-one-T", The Guardian, 26 July 1993.
'Off-the-record' exchange with ITN reporter Michael Brunson following videotaped interview, 23 July 1993. Neither Major nor Brunson realised their microphones were still live and being recorded by BBC staff preparing for a subsequent interview; the tape was swiftly leaked to the Daily Mirror.

Hugo Chávez photo

“It doesn't smell of sulphur any more. No, it smells of something else. It smells of hope, and you have to have hope in your heart.”

Hugo Chávez (1954–2013) 48th President of Venezuela

Speech at the U.N, welcoming the Obama administration. (September 2009) BBC http://www.bbc.co.uk/news/world-latin-america-20712033
2009

Robert Sarah photo
John Milton photo

“Yet I argue not
Against Heav'n's hand or will, nor bate one jot
Of heart or hope; but still bear up, and steer
Right onward.”

John Milton (1608–1674) English epic poet

To Cyriack Skinner, upon His Blindness (c. 1655)

Hugh Macmillan, Baron Macmillan photo
John Calvin photo
Tom Petty photo
Donald J. Trump photo
Lang Lang photo
Francis Burnand photo

“It ’s no matter what you do
If your heart be only true,
And his heart was true to Poll.”

Francis Burnand (1836–1917) British comic writer and dramatist

True to Poll.

Michael Moore photo

“I was tired of painting. So many collectors bought paintings and locked them in bank vaults. The stained-glass windows allowed me to make public art…. One day a woman stopped me in the street to talk to me about Champ-de-Mars metro station. "Whether it's sunny, rainy, or snowing, I love your stained-glass windows at Champ-de-Mars. Those big dancing shapes always warm my heart." That woman was neither a collector nor an art critic, but she understood the meaning I meant to give that work.”

Marcelle Ferron (1924–2001) Canadian artist

Original in French: J'étais dégoûtée de la peinture. Bon nombre de collectionneurs achetaient des tableaux pour les enfermer dans des voûtes de banques. Les verrières m'ont permis de faire de l'art public.... Un jour, une femme m'a abordée dans la rue pour me parler de la station de métro Champ-de-Mars. « Qu'il fasse beau, qu'il pleuve ou qu'il neige, j'adore vos verrières du Champ-de-Mars. Ces grandes formes qui dansent me font chaud au coeur. » Cette femme n'étaient ni une collectionneuse ni une critique d'art, mais elle avait compris le sens que j'avais voulu donner à cette oeuvre.
L'esquisse d'une mémoire, 1996

Christopher Hitchens photo
Mao Zedong photo
William Dalrymple photo
Bono photo
Jason Aldean photo
Edith Sitwell photo
Samuel T. Cohen photo

“Teller’s irascible behavior forced him out of the mainstream but not out of the lab, thanks to Oppenheimer who didn’t think we should be without geniuses, even those whose enormous egos caused serious friction. As bright and innovative as Teller was, his overall performance during the war left a lot to be desired. He was not content to be part of a team effort (like yours truly) and preferred to work off to the side on new and different and sometime pretty far-out ideas (like yours truly). This caused considerable resentment. After all there was a war going on and most people thought future nuclear weapon concepts should be worked on sometime in the future, after we had finished our primary assignment. Edward’s behavior was like a colonel on a planning staff during a military campaign who tells his commanding general that he’d like to plan for the next war. That would be the end of the colonel, who would be demoted and shipped off to some base in the Aleutian Islands.
[5]Oppenheimer, however, realized that guys like Teller, despite their shortcomings, were necessary to have around; one never knows when a guy like that can be worth his weight in gold, which to the best of my recollection never happened with Teller. So an arrangement was worked out where Teller and a handful of like-minded theoretical physicists, willing to put up with his domineering ways, formed a small group dedicated to doing what they pleased, realizing their efforts stood precious little chance of impacting on the project.
[5]The one idea dearest to Teller’s heart was the H-bomb. He and a couple of his cronies applied themselves to devising various schemes on designing such a weapon. All of them turned out to be impractical and most of them unworkable. Which never slowed him down in the slightest for reasons we’ll never know nor will he. I’ve known Edward for a very long time and although I’ve never known him well, one thing about him became clear to me from the very beginning: he was a creature possessed. By what? Again, who knows? Many, if not most, who have read about his life and what he has done, plus those who have known him directly and observed him close at hand and at great length, would say by Satan (which has been said all over the world about me). I wouldn’t go along with that and although I have seen Teller give some of the most impassioned statements morally defending his positions, some of which I have found deeply moving and thoroughly convincing, I would not say that the God I’ve been told exists has had a tight hold on him. If Edward has been possessed by anyone it’s been himself. I’d say the same for myself, and I’ve given you some reasons why, but hardly all of them. I don’t know all of them and would be ashamed to tell you if I did.”

Samuel T. Cohen (1921–2010) American physicist

F*** You! Mr. President: Confessions of the Father of the Neutron Bomb (2006)

William Morris photo
Ray Bradbury photo
Arthur Waley photo

“Though the snow-drifts of Yoshino were heaped across his path, doubt not that whither his heart is set, his footsteps shall tread out their way.”

Arthur Waley (1889–1966) British academic

Source: Translations, The Tale of Genji (1925–1933), Ch. 19: 'A Wreath of Cloud'

Emily Brontë photo
Alexander Maclaren photo

“Trust Christ! and a great benediction of tranquil repose comes down upon the calm mind and the tranquil heart.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 589.

John Ruskin photo
Bruce Palmer Jr. photo

“Both Abrams and Westmoreland would have been judged as authentic military "heroes" at a different time in history. Both men were outstanding leaders in their own right and in their own way. They offered sharply contrasting examples of military leadership, something akin to the distinct differences between Robert E. Lee and Ulysses S. Grant of our Civil War period. They entered the United States Military Academy at the same time in 1932- Westmoreland from a distinguished South Carolina family, and Abrams from a simpler family background in Massachusetts- and graduated together with the Class of 1936. Whereas Westmoreland became the First Captain (the senior cadet in the corps) during their senior year, Abrams was a somewhat nondescript cadet whose major claim to fame was as a loud, boisterous guard on the second-string varsity football squad. Both rose to high rank through outstanding performance in combat command jobs in World War II and the Korean War, as well as through equally commendable work in various staff positions. But as leaders they were vastly different. Abrams was the bold, flamboyant charger who wanted to cut to the heart of the matter quickly and decisively, while Westmoreland was the more shrewdly calculating, prudent commander who chose the more conservative course. Faultlessly attired, Westmoreland constantly worried about his public image and assiduously courted the press. Abrams, on the other hand, usually looked rumpled, as though he might have slept in his uniform, and was indifferent about his appearance, acting as though he could care less about the press. The sharply differing results were startling; Abrams rarely receiving a bad press report, Westmoreland struggling to get a favorable one.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 134

Mike Oldfield photo
Khalil Gibran photo
Jorge Luis Borges photo

“Thus fought the heroes, tranquil their admirable hearts, violent their swords, resigned to kill and to die.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

The Garden of Forking Paths (1942), The Garden of Forking Paths