Quotes about feelings
page 51

Edsger W. Dijkstra photo
Aldo Capitini photo

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Pete Doherty photo
Garry Kasparov photo

“Putin hasn’t come out of the blue, you know? It’s not just Putin. That’s why again in my book Winter is Coming, I emphasize why Vladimir Putin and enemies of the free world must be stopped. Because Putin, you may call him bosses of bosses, Capo dei Capi, he’s like a spider in the center of this web. Because Putin helps other bad guys, other thugs, dictators, and terrorists to sort of feel free to attack the free world. Because they all know that unless they attack the free world, unless they attack the United States as the leader of the free world, they will have no credibility with their own people because neither Putin nor Iranian mullahs, nor Al Qaeda, Islamic State or other dictators around the globe, they have nothing to offer but confrontation. They have to present themselves of the protectors of their own people against the world evil. And of course, they have to attack the free world that produces everything that, by the way, they use quite effectively against us. They cannot compete in innovations, they cannot compete in ideas, in productivity. But they can compete in something quite different because for us, each human life is unique. *For them, killing a thousand people, hundreds of thousands of people, a million is a demonstration of strengths. So we should realize that they have no allergy for blood. And they will keep pressing their advantage, and it’s not that we have grown – that our enemies have grown stronger. It’s our resolve that has grown weaker.”

Garry Kasparov (1963) former chess world champion

2010s, Interview with Bill Kristol (2016)

Nicholas Murray Butler photo

“The moral ideal has disappeared in all that has to do with international relations. The gain-seeking impulse supported by brute force has taken its place, and so far as the surface of things is concerned human civilization has gone back a full thousand years. Inconceivable though it be, we are brought face to face in this twentieth century with governments of peoples once great and highly civilized, whose word now means absolutely nothing. A pledge is something not to be kept, but to be broken. Cruelty and national lust have displaced human feeling and friendly international co-operation. Human life has no value, and the savings of generations are wasted month by month and almost day by day in mad attempts to dominate the whole world in pursuit of gain.
How has all this been possible? What has happened to the teachings and inspiring leadership of the great prophets and apostles of the mind, who for nearly three thousand years have been holding before mankind a vision of the moral ideal supported by intellectual power? What has become of the influence and guidance of the great religions Christian, Moslem, Hebrew, Buddhist with their counsels of peace and good-will, or of those of Plato and of Aristotle, of St. Augustine and of St. Thomas Aquinas, and of the outstanding captains of the mind Spanish, Italian, French, English, German who have for hundreds of years occupied the highest place in the citadel of human fame? The answer to these questions is not easy. Indeed, it sometimes seems impossible.
Are we, then, of this twentieth century and of this still free and independent land to lose heart and to yield to the despair which is becoming so widespread in countries other than ours? Not for one moment will we yield our faith or our courage! We may well repeat once more the words of Abraham Lincoln: "Most governments have been based on the denial of the equal rights of men, ours began by affirming those rights. We made the experiment, and the fruit is before us. Look at it think of it!"
However dark the skies may seem now, however violent and apparently irresistible are the savage attacks being made with barbarous brutality upon innocent women and children and non-combatant men, upon hospitals and institutions for the care of the aged and dependent, upon cathedrals and churches, upon libraries and galleries of the world s art, upon classic monuments which record the architectural achievements of centuries we must not despair. Our spirit of faith in the ultimate rule of the moral ideal and in the permanent establishment of liberty of thought, of speech, of worship and of government will not, and must not, be permitted to weaken or to lose control of our mind and our action.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Liberty-Equality-Fraternity (1942)

George William Curtis photo
Frederick Douglass photo

“Although I cannot accuse myself of being remarkably unstable, I do not pretend that I have never altered my opinion both in respect to men and things. Indeed, I have been very much modified both in feeling and opinion within the last fourteen years. When I escaped from slavery, and was introduced to the Garrisonians, I adopted very many of their opinions, and defended them just as long as I deemed them true. I was young, had read but little, and naturally took some things on trust. Subsequent experience and reading have led me to examine for myself. This had brought me to other conclusions. When I was a child, I thought and spoke as a child. But the question is not as to what were my opinions fourteen years ago, but what they are now. If I am right now, it really does not matter what I was fourteen years ago. My position now is one of reform, not of revolution. I would act for the abolition of slavery through the Government — not over its ruins. If slaveholders have ruled the American Government for the last fifty years, let the anti-slavery men rule the nation for the next fifty years. If the South has made the Constitution bend to the purposes of slavery, let the North now make that instrument bend to the cause of freedom and justice. If 350,000 slaveholders have, by devoting their energies to that single end, been able to make slavery the vital and animating spirit of the American Confederacy for the last 72 years, now let the freemen of the North, who have the power in their own hands, and who can make the American Government just what they think fit, resolve to blot out for ever the foul and haggard crime, which is the blight and mildew, the curse and the disgrace of the whole United States.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, The Constitution of the United States: Is It Pro-Slavery or Anti-Slavery? (1860)

Max Scheler photo

“These two characteristics make revenge the most suitable source for the formation of ressentiment. The nuances of language are precise. There is a progression of feeling which starts with revenge and runs via rancor, envy, and impulse to detract all the way to spite, coming close to ressentiment. Usually, revenge and envy still have specific objects. They do not arise without special reasons and are directed against definite objects, so that they do not outlast their motives. The desire for revenge disappears when vengeance has been taken, when the person against whom it was directed has been punished or has punished himself, or when one truly forgives him. In the same way, envy vanishes when the envied possession becomes ours. The impulse to detract, however, is not in the same sense tied to definite objects—it does not arise through specific causes with which it disappears. On the contrary, this affect seeks those objects, those aspects of men and things, from which it can draw gratification. It likes to disparage and to smash pedestals, to dwell on the negative aspects of excellent men and things, exulting in the fact that such faults are more perceptible through their contrast with the strongly positive qualities. Thus there is set a fixed pattern of experience which can accommodate the most diverse contents. This form or structure fashions each concrete experience of life and selects it from possible experiences. The impulse to detract, therefore, is no mere result of such an experience, and the experience will arise regardless of considerations whether its object could in any way, directly or indirectly, further or hamper the individual concerned. In “spite,” this impulse has become even more profound and deep-seated—it is, as it were, always ready to burst forth and to betray itself in an unbridled gesture, a way of smiling, etc. An analogous road leads from simple *Schadenfreude* to “malice.””

Max Scheler (1874–1928) German philosopher

The latter, more detached than the former from definite objects, tries to bring about ever new opportunities for *Schadenfreude*.
Das Ressentiment im Aufbau der Moralen (1912)

Alasdair MacIntyre photo
Thomas Moore photo

“Beholding heaven, and feeling hell.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part V-VIII: The Fire-Worshippers

Pete Doherty photo
Philip K. Dick photo

“Playing that music delivered me from the pressures of my life. I played with my eyes closed and found that my backaches ceased and my headaches would go. The response to that rhythm was "My God, this makes me feel good." I never really remembered having that much fun with it before or thought about jazz making me feel good. But, at 46, it suddenly dawned on me that my body had priorities that my mind didn't allow, and I decided to (play Latin/jazz)✱ for myself and started having a helluva fine time.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "He Arranges, Composes, Performs: Fischer: A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer.
<center><sup>✱</sup> The parenthetical addition is Zan Stewart's; exactly what it's replacing – whether simply filling a space, or replacing an unintelligible word or two – is not revealed.</center>

Sufjan Stevens photo

“Should I tear my eyes out now?
Everything I see returns to you somehow
Should I tear my heart out now?
Everything I feel returns to you somehow”

Sufjan Stevens (1975) American singer-songwriter and multi-instrumentalist

"The Only Thing"
Lyrics, Carrie and Lowell (2015)

Daniel Defoe photo

“Hail, hieroglyphic State machine,
Contrived to punish fancy in;
Men that are men in thee can feel no pain,
And all thy insignificance disdain!”

Daniel Defoe (1660–1731) English trader, writer and journalist

Hymn to the Pillory (1703).

Brad Paisley photo
Warren Farrell photo
Henri Matisse photo
Conor Oberst photo
Douglas Coupland photo
André Maurois photo

“Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul. Upon crossing the shadow line, it is more the desire to act than the power to do so that is lost. Is it possible, after fifty years of experiences and disappointments, to retain the ardent curiosity of youth, the desire to know and understand, the power to love wholeheartedly, the certainty that beauty, intelligence, and kindness unite naturally, and to preserve faith in the efficacy of reason? Beyond the shadow line lies the realm of even, tempered light where the eyes, not being dazzled any more by the blinding sun of desire, can see things and people as they are. How is it possible to believe in the moral perfection of pretty women if you have loved one of them? How is it possible to believe in progress when you have discovered throughout a long and difficult life that no violent change can triumph over human nature and that it is only the most ancient customs and ceremonies that can provide people with the flimsy shelter of civilization? "What's the use?" says the old man to himself. This is perhaps the most dangerous phrase he can utter, for after having said: "What's the use of struggling?" he will say one day: "What's the use of going out?" then: "What's the use of leaving my room?" then: "What's the use of leaving my bed?" and at last comes "What's the use of living?"”

André Maurois (1885–1967) French writer

which opens the portals of death.
Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Ayaan Hirsi Ali photo
Simon Newcomb photo

“The probing knife of madness
Can start a dullard brain;
Cold cheeks feel kisses
And warm with tears again”

Donald Davidson (1893–1968) American poet, essayist, critic and author

Redivivus

Ridley Scott photo
Joan Crawford photo

“Learn to breathe, learn to speak, but first.. learn to feel.”

Joan Crawford (1904–1977) American actress

Interview, Town Hall (1973)

Walker Percy photo
Hans Arp photo

“Structures of lines, surfaces, forms, colours. They try to approach the eternal, the inexpressible above men. They are a denial of human egotism. They are the hatred of human immodesty, the hatred of images, of paintings.. Wisdom [is] the feeling for the coming reality, the mystical, the definite indefinite, the greatest definite.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp's quote from his text in a catalogue of his exhibition, in Zürich 1915; quoted by Arp himself in his text 'Abstract Art, Concrete Art,' Hans Arp, c. 1942; as quoted in Theories of Modern Art: A Source Book by Artists and Critics, by Herschel Browning Chipp, Peter Selz, p. 390
1910-20s

Frederick William Robertson photo
David Cronenberg photo

“In similar fashion we may approach the personality and induce the individual to reveal his way of organizing experience by giving him a field (objects, materials, experiences) with relatively little structure and cultural patterning so that the personality can project upon that plastic field his way of seeing life, his meanings, significances, patterns, and especially his feelings, Thus we elicit a projection of the individual's private world, because he has to organize the field, interpret the material, and react affectively to it. More specifically, a projection method for study of personality involves the presentation of a stimulus-situation designed or chosen because it will mean to the subject, not what the experimenter has arbitrarily decided it should mean (as in most psychological experiments using standardized stimuli in order to be “objective”), but rather whatever it must mean to the personality who gives it, or imposes it, his private, idiosyncratic meaning and organization. The subject then will respond to his meaning of the presented stimulus-situation by some form of action and feeling that is expressive of his personality.”

Lawrence K. Frank (1890–1968) American cyberneticist

Source: Projective methods for the study of personality (1939), p. 402-403; As cited in: Edwin Inglee Megargee, Charles Donald Spielberger (1992) Personality assessment in America: a retrospective on the occasion of the fiftieth anniversary of the Society for Personality Assessment. p. 20-21

“If there is any person to whom you feel a dislike, that is the person of whom you ought never to speak.”

Richard Cecil (clergyman) (1748–1810) British Evangelical Anglican priest and social reformer

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 214.

David Gerrold photo
Matthew Stover photo
Lindsay Lohan photo
Warren Farrell photo

“A man becomes successful by repressing his feelings, not expressing his feelings.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 16.

Rollo May photo

“Physical courage in whatever scene … seems to hinge on whether the individual can feel he is fighting for others as well as himself.”

Rollo May (1909–1994) US psychiatrist

Source: Power and Innocence (1972), Ch. 8 : Ecstasy and Violence, p. 176

Martin Amis photo
Parker Palmer photo
Benjamin Zephaniah photo
William Ellery Channing photo
Richard Feynman photo
Lu Xun photo
Paz de la Huerta photo

“For me there’s no good or bad, as long as I’m feeling everything to the greatest degree, whether it’s sadness or happiness.”

Paz de la Huerta (1984) American actress

Blackbookmag interview http://www.blackbookmag.com/movies/paz-de-la-huerta-bares-all-1.28620

Cora L. V. Scott photo
Vincent Van Gogh photo
Peter Greenaway photo
Dawn Hampton photo

“Don’t count, feel! The only count I know, is Count Basie!”

Dawn Hampton (1928–2016) American musician and songwriter

when asked about her preference for six-count or eight-count in Lindy Hop http://www.it-must-schwing.de/wir-ueber-uns

Herman Cain photo
Zisi photo
Ai Weiwei photo
Akio Morita photo

“I have had my difficulties with the American legal system, and so I feel qualified to talk about it.”

Akio Morita (1921–1999) Japanese businessman

Source: Made in Japan (1986), p. 175.

Isabel II do Reino Unido photo
Henry Adams photo
Mary Wollstonecraft Shelley photo

“The last man! Yes I may well describe that solitary being's feelings, feeling myself as the last relic of a beloved race, my companions extinct before me…”

Mary Wollstonecraft Shelley (1797–1851) English novelist, short story writer, dramatist, essayist, biographer, and travel writer

Journal entry on the writing of her science-fiction novel The Last Man (14 May 1824)

Tom Petty photo

“There is no sense in pretending,
Your eyes give you away.
Something inside you is feeling like I do,
We've said all there is to say.”

Tom Petty (1950–2017) American musician

Breakdown
Lyrics, Tom Petty And The Heartbreakers (1974)

Amitabh Bachchan photo

“There are no withdrawal symptoms yet (post retirement in 1992). I'm enjoying the feeling of being faltu.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

John Calvin photo
Shanna Moakler photo
Stanley Baldwin photo

“I have often thought, with reference to the late War…that it has shown the whole world how thin is the crust of civilisation on which this generation is walking. The realisation of that must have come with an appalling shock to most of us here. But more than that. There is not a man in this House who does not remember the first air raids and the first use of poisoned gas, and the cry that went up from this country. We know how, before the War ended, we were all using both those means of imposing our will upon our enemy. We realise that when men have their backs to the wall they will adopt any means for self-preservation. But there was left behind an uncomfortable feeling in the hearts of millions of men throughout Europe that, whatever had been the result of the War, we had all of us slipped down in our views of what constituted civilisation. We could not help feeling that future wars might provide, with further discoveries in science, a more rapid descent for the human race. There came a feeling, which I know is felt in all quarters of this House, that if our civilisation is to be saved, even at its present level, it behoves all people in all nations to do what they can by joining hands to save what we have, that we may use it as the vantage ground for further progress, rather than run the risk of all of us sliding in the abyss together.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1923/jul/23/military-expenditure-and-disarmament in the House of Commons (23 July 1923).
1923

Brandon Boyd photo

“It feels like trading brains with an imbecile.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Make Yourself (1999)

Piet Mondrian photo

“The first thing to change in my painting was the color [c. 1908-09]. I forsook natural color for pure color. I had come to feel that the colors of nature cannot be reproduced on canvas. Instinctively I felt that painting had to find a new way to express the beauty of nature.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian about 1905-1910; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 40

Nathanael Greene photo
Jason Mraz photo
Julius Streicher photo

“Can't you feel that the German people has carried for seven years from one station of pain to another a huge cross? Can't you feel that it is persecuted, hounded and whipped bloody like the Nazarene? If you cannot feel that it is gasping under the weight of the cross which was burdened on it and that it walks on its way to Golgatha -- then you're not worth that God the Lord will again let the sun of his mercy shine upon you. …
Help us so that in this decisive hour the German people will be freed from the weight of the cross of the yoke of Jewry! Help us, so that a mighty man who's been gifted by God can give us back our freedom and that it will again be a proud people in a German country! Take care that Germany is freed from the chains she has been bound with for seven years. Put an end to this slavery! Our people shall again be great, proud and beautiful!”

Julius Streicher (1885–1946) German politician

Fühlt Ihr denn nicht, dass das deutsche Volk sieben Jahre lang von einer Leidensstation zur anderen ein Riesenkreuz geschleppt hat? Fühlt Ihr nicht, dass es gejagt, gehetzt und blutig gepeitscht worden ist wie jener Nazarener? Wenn Ihr nicht fühlt, dass unser Volk sich keuchend unter der Last des Kreuzes, das man ihm auflud, auf dem Weg nach Golgatha schleppt, dann seid Ihr nicht wert, dass unser Herrgott Euch noch einmal mit seiner Gnadensonne bescheint. ...
Helft in dieser entscheidungsvollen Stunde mit, dass das deutsche Volk von der Kreuzeslast des jüdischen Joches befreit wird! Helft mit, dass ein starker, von Gott begnadeter Mann ihm die Freiheit schenkt und dass es wieder ein stolzes Volk in deutschen Landen wird! Sorgt, dass Deutschland von der Kette, die es sieben Jahre lange tragen musste, frei wird. Deshalb heraus aus der Sklaverei! Unser Volk muss wieder groß, stolz und schön werden!
03/07/1932, speech in the convention center (Kongresshalle) in Nuremberg ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

Clarence Darrow photo

“Life cannot be reconciled with the idea that back of the universe is a Supreme Being, all merciful and kind, and that he takes any account of the human beings and other forms of life that exist upon the earth. Whichever way man may look upon the earth, he is oppressed with the suffering incident to life. It would almost seem as though the earth had been created with malignity and hatred. If we look at what we are pleased to call the lower animals, we behold a universal carnage. We speak of the seemingly peaceful woods, but we need only look beneath the surface to be horrified by the misery of that underworld. Hidden in the grass and watching for its prey is the crawling snake which swiftly darts upon the toad or mouse and gradually swallows it alive; the hapless animal is crushed by the jaws and covered with slime, to be slowly digested in furnishing a meal. The snake knows nothing about sin or pain inflicted upon another; he automatically grabs insects and mice and frogs to preserve his life. The spider carefully weaves his web to catch the unwary fly, winds him into the fatal net until paralyzed and helpless, then drinks his blood and leaves him an empty shell. The hawk swoops down and snatches a chicken and carries it to its nest to feed its young. The wolf pounces on the lamb and tears it to shreds. The cat watches at the hole of the mouse until the mouse cautiously comes out, then with seeming fiendish glee he plays with it until tired of the game, then crushes it to death in his jaws. The beasts of the jungle roam by day and night to find their prey; the lion is endowed with strength of limb and fang to destroy and devour almost any animal that it can surprise or overtake. There is no place in the woods or air or sea where all life is not a carnage of death in terror and agony. Each animal is a hunter, and in turn is hunted, by day and night. No landscape is beautiful or day so balmy but the cry of suffering and sacrifice rends the air. When night settles down over the earth the slaughter is not abated. Some creatures are best at night, and the outcry of the dying and terrified is always on the wind. Almost all animals meet death by violence and through the most agonizing pain. With the whole animal creation there is nothing like a peaceful death. Nowhere in nature is there the slightest evidence of kindness, of consideration, or a feeling for the suffering and the weak, except in the narrow circle of brief family life.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Source: The Story of My Life (1932), p. 383

Norman Mailer photo
Benazir Bhutto photo
Elton John photo

“Daniel my brother you are older than me.
Do you still feel the pain of the scars that won't heal?
Your eyes have died but you see more than I.
Daniel you're a star in the face of the sky.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Daniel
Song lyrics, Don't Shoot Me I'm Only the Piano Player (1973)

Thomas Moore photo

“I feel like one,
Who treads alone
Some banquet-hall deserted,
Whose lights are fled,
Whose garlands dead,
And all but he departed!”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Oft in the Stilly Night, st. 2 (1815).

Natalie Merchant photo

“speak to me
don't mislead me, the calm I feel means a storm is swelling
there's no telling where it starts or how it ends”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, Blind Man's Zoo (1989), Trouble Me

Linda Evangelista photo
Wilhelm Liebknecht photo
Parker Palmer photo
Subramanian Swamy photo

“I feel that only those who have been oppressed by the society and have been forced to live a backward life should given reservations. If Muslims want to study, then should be given scholarships, good schools, But Muslims and Christians can't have reservation as they have ruled our country.”

Subramanian Swamy (1939) Indian politician

On giving reservations to Muslims and Christians, as quoted in "Muslims and Christians shouldn't ask for reservation, says Subramanian Swamy" http://www.dnaindia.com/india/report-muslims-and-christians-shouldn-t-ask-for-reservation-says-subramanian-swamy-1995886, DNA India (16 June 2014)
2011-2014

Ursula K. Le Guin photo

“The experience was disagreeable. I began to feel like an atheist praying.”

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 18 “On the Ice” (p. 252)

Letitia Elizabeth Landon photo
Rollo May photo
Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Winston S. Churchill photo

“…to-morrow the proclamation of her sovereignty will command the loyalty of her native land and of all other parts of the British Commonwealth and Empire. I, whose youth was passed in the august, unchallenged and tranquil glories of the Victorian Era, may well feel a thrill in invoking, once more, the prayer and the Anthem, GOD SAVE THE QUEEN.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Broadcast (7 February 1952) upon the accession of Elizabeth II, quoted in Winston Churchill, Stemming the Tide: Speeches 1951 and 1952 (London: Cassell & Co, 1953), p. 240
Post-war years (1945–1955)

Chaim Soutine photo
Winston S. Churchill photo
Bell Hooks photo
Baba Amte photo

“Each time you sit down to practice, take a few minutes to feel in your heart why this is important to you.”

Ken McLeod (1948) Canadian lama

Practice Tip http://eofcentre.wordpress.com/2012/06/25/just-practice-so-simple-really/. (2012-06-25) (Topic: Practice)