Quotes about drawing (1692 quotes, page 7)

“Hereafter follows the “unity without difference,” For the love of God Is not only to be considered as flowing out With all good and drawing in into unity, But it is also above all distinction In essential enjoyment according to The bare essence of the Divinity. And for this reason enlightened people Have found within themselves An essential inward gazing Above reason and without reason, And an enjoyable inclination Surpassing all modes (methods or systems) And all essence, Sinking away from themselves Into a modeless abyss of fathomless beatitude, Where the Trinity of the divine Persons Possess their nature in essential unity.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Love , God , People , Nature

“Believe me,… the bitterness of life, or at least of mine, which runs through it like a strand of red, and becomes less and less endurable as I grow older, is not compensated in the hundredth part by the joy of life. I will freely admit that these burdens, which to me have been so grievous, would have been lighter to many another; but our temperament is part of ourselves, given to us by the Creator with our very existence, and we have very little power to change it. I find, on the other hand, in this very consciousness of the vanity of life, which nearly all men must confess to as they draw near the end, my strongest assurance of the approach of a more beautiful metamorphosis. In this, my dear friend, let us find comfort, and endeavour to call up calmness to bear life out to the end.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

As quoted in Kneller, Karl Alois, Kettle, Thomas Michael, 1911. "Christianity and the leaders of modern science; a contribution to the history of culture in the nineteenth century" https://archive.org/stream/christianitylead00kneluoft#page/44/mode/2up, Freiburg im Breisgau, p. 44-45

Life , Men , Beauty , Change

“The subject reports itself, it is never looked for. Afterwards a small drawing will follow for the color-planes which are determined immediately. These colors will be printed by large logs and updated and enlivened with the hand-roller. For pressing I use an old hand-press with lever (from c. 1800)... Sometimes it is necessary to press heavily, other times only very light. Sometimes one half of the block is rolled in [with ink] bold, the other half only skimpy. By first printing sometimes the first layer of paint on a piece of paper, a gentle tint appears which is then printed on the original. Another time I print the first print of the paper back on the original... As soon as the color-planes have been applied, the first state is reached, so to say..
.. Of course all kinds of side-steps can be made, while working. In case of enlivening the picture - both in terms of color or decoration - the main goal I always keep in mind.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Het onderwerp meldt zichzelf en wordt nooit gezocht, daarna volgt een kleine tekening voor de kleurvlakken die meteen vaststaan. Deze kleuren worden met groote houtblokken gedrukt en met de handrol bijgewerkt en verlevendigt. Als pers gebruik ik een oude handpers met hefboom (c. 1800).. .Soms is het noodig zwaar te drukken, soms heel licht; soms wordt de ene helft van het blok vet ingerold [met inkt], de andere helft schraal, ook wordt door eerst op een stuk papier de eerste laag verf af te drukken een lichte tint gekregen die dan op het origineel afgedrukt wordt, een andere keer druk ik de eerste druk van het papier weer op het origineel af.. Zijn de kleurvlakken aangebracht, dan is als het ware de eerste staat bereikt..
.Het spreekt vanzelf dat onder het werk verschillende zijsprongetjes gemaakt kunnen worden. Ter verlevendiging, zowel wat kleur als wat versiering aangaat: het hoofddoel staat steeds voor oogen.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's

Color , Light , Appearance , Time

“From the beginning, the forces of light and the forces of darkness have polarized the field of organizational analysis, and the struggle has been protracted and inconclusive. The forces of darkness have been represented by the mechanical school of organizational theory — those who treat the organization as a machine. This school characterizes organizations in terms o£ such things as:
:* centralized authority
:* clear lines of authority
:* specialization and expertise
:* marked division of labor
:* rules and regulations
:* clear separation of staff and line
The forces of light, which by mid-twentieth century came to be characterized as the human relations school, emphasizes people rather than machines, accommodations rather than machine-like precision, and draws its inspiration from biological systems rather than engineering systems. It has emphasized such things as:
:* delegation of authority
:* employee autonomy
:* trust and openness
:* concerns with the "whole person"
:* interpersonal dynamics
The forces of darkness formulated their position first, starting in the early part of this century. They have been characterized as the scientific management or classical management school…”

Charles Perrow (1925–2019) American sociologist

Source: 1970s, "The short and glorious history of organizational theory", 1973, p. 3

People , School , Light , Parting

“Christianity is ever-present, with its wonderful parable of the prodigal son, to urge us to counsels of forbearance and forgiveness. Jesus was full of love for souls of women wounded by the passions of men, and He loved to bind their wounds, drawing from those same wounds the balm which would heal them. Thus he said to Mary Magdalene: "Your sins, which are many, shall be forgiven, because you loved much?" a sublime pardon which was to awaken a sublime faith.
Why should we judge more strictly than Christ? Why, clinging stubbornly to the opinions of the world which waxes hard so that we shall think it strong, why should we too turn away souls that bleed from wounds oozing with the evil of their past, like infected blood from a sick body, as they wait only for a friendly hand to bind them up and restore them to a convalescent heart?”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

Le christianisme est là avec sa merveilleuse parabole de l'enfant prodigue pour nous conseiller l'indulgence et le pardon. Jésus était plein d'amour pour ces âmes blessées par les passions des hommes, et dont il aimait à panser les plaies en tirant le baume qui devait les guérir des plaies elles-mêmes. Ainsi, il disait à Madeleine : - "il te sera beaucoup remis parce que tu as beaucoup aimé", sublime pardon qui devait éveiller une foi sublime. Pourquoi nous ferions-nous plus rigides que le Christ ?
Pourquoi, nous en tenant obstinément aux opinions de ce monde qui se fait dur pour qu'on le croie fort, rejetterions-nous avec lui des âmes saignantes souvent de blessures par où, comme le mauvais sang d'un malade, s'épanche le mal de leur passé, et n'attendant qu'une main amie qui les panse et leur rende la convalescence du coeur ?
La Dame aux Camélias, English translation by David Coward; Oxford University Press, Sep 18, 1986.

Love , Women , Men , World

“While reading the Times of India each morning, my father spares a minute for the cartoon by R. K. Laxman. While my mother is, like a magician, making untidy sheets disappear in the bedroom and producing fresh towels in the bathroom, or braving bad weather in the kitchen, my father, in the extraordinary Chinese calm of the drawing-room, is dmiring the cartoon by R. K. Laxman, and, if my mother happens to be there, unselfishly sharing it with her. She, as expected, misunderstands it completely, laughing not at the joke but at the expressions on the faces of the caricatures, and at the hilarious fact that they talk to each other like human beings.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Afternoon Raag (1993)

Time , Reading , Weather

“Now the Father draws us from the evil of sin to the goodness of His grace with the might of His measureless power, and He needs all the resources of His strength in order to convert sinners, more than when He was about to make heaven and earth, which He made with His own power without help from any creature. But when He is about to convert a sinner, He always needs the sinner's help. "He converts thee not without thy help," as St. Augustine says.”

Meister Eckhart (1260–1328) German theologian

Sermon I : The Attractive Power of God
Meister Eckhart’s Sermons (1909)

Evil , Help

“Biography can be the most middle-class of all forms, the judgment of little people avenging themselves on the great. One English critic took me to task for not saying that Genet was "afraid of intimacy" all his life because he'd been abandoned by his mother at the age of seven months. All the evidence needed to make such an interpretation is in my book, but I don't myself draw the vulgar conclusion. Since most literary biographies ignore the work except for potted plot summaries, they strip the biographee of everything redeeming and leave his or her subject to this spiteful revenge, this half-baked Freudian-Christian-bourgeois moralizing.”

Edmund White (1940) American novelist and LGBT essayist

Self-interview, Dalkey Archive Press (1994).
Articles and Interviews

Life , People , Books , Age

“The social media is making conventional media obsolete. So its becoming necessary to hawk anything to keep going. I don’t blame the media. But where do you draw the line? Within the scheme of things, is it not possible to keep track of one’s responsibility and help nurture cultural legacy? How else will the coming generations know of our culture?”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

Help

“The photograph reproduces objects in a different way from the painted picture, because the camera does not apprehend objects: it sees them. In 'free-hand drawing' the object is apprehended in all it parts... By tracing the outlines with the aid of a projector you can bypass and elaborate this process of apprehension. You no longer apprehend but see and make (without design) what you have not apprehended. And when you don't know what you are making, you don't know, either, what to alter or distort.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 51, note 60

Way , Parting , Painting

“Lang kept at it until everyone had had a turn shooting an AK-47. Then he said, "This weapon can do one other thing I haven't shown you yet. When you move the change lever all the way down instead of to the middle position, this is what happens." He stuck a fresh clip in the repeater, turned toward the target circle, and blasted away. He went through the whole magazine almost before Caudell could draw in a startled breath. "Good God almighty," Rufus Daniel said, peering in awe at the brass cartridge cases scattered around Lang's feet. "Why didn't he show us that in the first place?" He was not the only one to raise the question; quite a few shouted it. Caudell kept quiet. By now, he was willing to assume Lang knew what he was doing. The weapons instructor stayed perfectly possessed. He said, "I didn't show you that earlier because it wastes ammunition and because the weapon accurate past a few meters- yards- on full automatic. You can only carry so many rounds. If you shoot them all off in the first five minutes of battle, what will you do once they're gone? Think hard on that, gentlemen, and drill it into your private soldiers. This weapon requires fire discipline- requires it, I say again."”

Harry Turtledove book The Guns of the South

Source: The Guns of the South (1992), p. 31

God , Way , Question , Thinking

“In every country the intellectual class is the most influential class. This is the class which can foresee, advise and lead. In no country does the mass of the people live the life for intelligent thought and action. It is largely imitative and follows the intellectual class. There is no exaggeration in saying that the entire destination of the country depends upon its intellectual class. If the intellectual class is honest and independent, it can be trusted to take the initiative and give a proper lead when a crisis arises. It is true that the intellect by itself is no virtue. It is only a means and the use of a means depends upon the ends which an intellectual person pursues. An intellectual man can be a good man but he may easily be a rogue. Similarly an intellectual class may be a band of high-souled persons, ready to help, ready to emancipate erring humanity or it may easily be a gang of crooks or a body of advocates of narrow clique from which it draws its support.”

Bhimrao Ramji Ambedkar (1891–1956) Father of republic India, champion of human rights, father of India's Constitution, polymath, revolutionary…

Speech delivered to the Bombay Presidency Mahar Conference (31 May 1936) http://www.columbia.edu/itc/mealac/pritchett/00ambedkar/txt_ambedkar_salvation.html

Life , People , Soul , Intelligence

“I want to drive home the message that we have to go beyond Copenhagen, beyond drawing room politics and sensitise ourselves, and try and make a change on an individual level.”

Manav Gupta (1967) Indian artist

"Beyond Politics, Beyond Copenhagen, For Our Children" : Treatise, Travelling trilogy, Lectures and Films on Sustainable development by Manav Gupta (2009 -2010), as quoted in Hindustan Times (25 December 2009)
2000s

Home , Change

“When night was drawing near, I ran down the flowery slopes exhilarated, thanking God for the gift of this great day. The setting sun fired the clouds. All the world seemed new-born. Every thing, even the commonest, was seen in new light and was looked at with new interest as if never seen before.”

John Muir (1838–1914) Scottish-born American naturalist and author

Travels in Alaska http://www.sierraclub.org/john_muir_exhibit/writings/travels_in_alaska/ (1915), chapter 7: Glenora Peak
1910s

God , World , Light , Sun

“Stand near me and you get sick. Why? It reminds you that you’re an animal too, because you get a full dose of me. So we go round and round in our endless feedback. You hate me because you learn things about your own soul by getting near me. And I hate you because you must draw back from me. What I am, you see, is a plague carrier, and the plague I carry is the truth. My message is that it’s a lucky thing for humanity that we’re shut up each in his own skull. Because if we had even a little drop of telepathy, even the blurry nonverbal thing I’ve got, we’d be unable to stand each other. Human society would be impossible.”

Robert Silverberg book The Man in the Maze

Source: The Man in the Maze (1969), Chapter 8 (p. 120)

Hate , Truth , Soul , Learning

“You never know what a man—or a woman—has inside: how much grit, how much courage, how much willingness to change. When someone draws on those qualities, you're looking at a person of substance. And power. And promise. This world needs more of those.”

Victoria Moran (1950) American writer

Source: Main Street Vegan (2012), Ch. 27: Rethink Macho

World , Courage , Change , Personality

“The analogy with bibliographic classifications and thesauri is obvious… despite the differences, it is to be regretted that 'ontological engineers' make little or no reference to work in information science. As a consequence, they do not appear to draw at all on the rich experience of constructing knowledge schedules … or… developing concept lexicons.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: Information history – an introduction (2009), p. 284; As cited in: Lyn Robinson and David Bawden (2011).

Knowledge , Appearance , Science

“I am going to seek a grand perhaps; draw the curtain, the farce is played.”

Francois Rabelais (1494–1553) major French Renaissance writer

Je m'en vais chercher un grand peut-être; tirez le rideau, la farce est jouée.
Last words, according to the Life of Rabelais (1694) by Peter Anthony Motteux.
Variant translations:
I am going to seek the great perhaps.
I am going to search for the great perhaps.

“The artist who parades his drawing, the writer who calls attention to his style, is like the farmer who devotes his energies to polishing farm implements and never uses them.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

“The animals of the Burgess Shale are holy objects—in the unconventional sense that this word conveys in some cultures. We do not place them on pedestals and worship from afar. We climb mountains and dynamite hillsides to find them. We quarry them, split them, carve them, draw them, and dissect them, struggling to wrest their secrets. We vilify and curse them for their damnable intransigence. They are grubby little creatures of a sea floor 530 million years old, but we greet them with awe because they are the Old Ones, and they are trying to tell us something.”

Stephen Jay Gould book Wonderful Life

Source: Wonderful Life (1989), p. 52

Secret , Mountain , Sense , Animals

“There are here two assumptions about 'evaluations ', which I will call assumption (1) and assumption (2). Assumption (1) is that some individual may, without logical error, base his beliefs about matters of value entirely on premises which no one else would recognise as giving any evidence at all. Assumption (2) is that, given the kind of statement which other people regard as evidence for an evaluative conclusion, he may refuse to draw the conclusion because this does not count as evidence for him.”

Philippa Foot (1920–2010) British philosopher

"Moral Beliefs"

People , Error

“.. [I] reprobate the mechanically systematic approach of drawing.... so generally diffused. I think it can produce nothing but manner and sameness.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote of Turner's remark, c. 1799 to his colleague Joseph Farington; as cited in the essay 'Draughtsman and Watercolourist', by David Blayney Brown http://www.tate.org.uk/art/research-publications/jmw-turner/essays-g2010028 on Tate.org
Turner claimed then to have broken free of conventional methods
1795 - 1820

Thinking

“Of course, there is drawing in art as there is style in literature. Style that is mannered, that strains after effect, is bad. No style is good except that which effaces itself in order to concentrate all the attention of the reader upon the subject treated, upon the emotion rendered.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 96

Art , Literature

“The moon draws back its waters from the shore.
By the lake's edge, I see a silver swan,
And she is what I would. In this light air,
Lost opposites bend down —
Sing of that nothing of which all is made,
Or listen into silence, like a god.”

Theodore Roethke (1908–1963) American poet

"The Swan," ll. 15-20
Words for the Wind (1958)

God , Light , Silence , Water

“Well, I think it is accidental. It’s just something I started doing naturally and it had a lot to do with reading. I think that Dylan Thomas, his prose and poetry, was a big influence on me. Just his use of words… He would use so many odd words: like these three- and four-syllable words that you just don’t normally hear. And they’re not used in a manner that sets the text apart from the reader. Rather they’re drawing the reader in. It’s entirely based on the alliteration of the word itself—onomatopoeia and things like that. I feel like a lot of the words I use don’t stick out in the song because they keep the feel of the song in mind. The rhythm—that’s the primary thing. They’re put in there for rhythm and alliteration as much as they are for meaning. And as long as they are not used extraneously, they’re real lightning rods for people listening to the lyrics. If the words are really helping out the rhythm of the song then all they’re going to do is draw the listener in even more”

Colin Meloy (1974) American musician

On his songwriting technique. Interview with Colin Meloy, 2004-06 http://www.believermag.com/issues/200406/?read=interview_meloy,

People , Feeling , Nature , Thinking

“It is my conviction and shraddha (faith) that even on economic issues, Gandhi is relevant even today…. So in every aspect of my social reform efforts, you will see the imprint of Gandhi…. I bring every little aspect of Gandhi ji’s life into my work. In social forestry, that is, in planting trees outside forest areas, Gujarat is number one in India… We have also incentivized every village to have a panchvati (a green belt drawing its name from the forest in which Ram, Lakshman, and Sita lived during their years of exile)…. This is part of putting our traditions and Gandhian values to creative use.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi quoted from Kishwar, Madhu (2014). Modi, Muslims and media: Voices from Narendra Modi's Gujarat. p.381-386
2013

Life , Faith , Effort , Tree

“The best way, of course, to understand the animator is to see that he parallels the actor. He has the same responsibility a fine actor has. […] Even the people who write about animation just don't seem to understand that when you have a drawing, you don't have a character. […] "This is the first Bugs Bunny" has no meaning. It's how Bugs came to stand and move and act, and what his feelings were, and his thoughts, and what kind of personality he was. That developed over a period of time. And you need fine animators to do that.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Adamson, "Witty Birds and Well-Drawn Cats", 61.

People , Way , Feeling , Understanding

“A fundamental requirement of a Foreign Service Officer is that he or she report on a given situation as observed or understood. It is only in this way that any government can draw conclusions knowledgeably and make its considered decisions, even if at variance with the reports received.”

Jacques Roy (diplomat) Canadian diplomat

Way , Knowledge , Decision

“Let no-one mistake. This Church, and other faith groups, have the ability to be agents for change and change for the better. … You have worked to promote understanding among faiths. To tackle sectarianism. To promote development worldwide. … And let me say that for our Parliament, that is something that may not yet be formally our responsibility. But it is, in reality, our obligation. … In ancient times it was said that Sparta had no city walls. It did not need them, the people were the walls of Sparta. This church and our other institutions - spiritual and secular are the walls of Scotland - the rocks on which reform and renewal will be built. … We will continue to draw on this Church as a source of wisdom. A source of strength. A source of hope.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Scotland in the World Forum (February 4, 2008), Church of Scotland (May 25, 2009)

Wisdom , People , Faith , Hope

“I liked drawing and I had a passion for sculpture, after all goldsmithing is nothing but a miniature sculpture.”

James Rivière (1949) Italian Jewellery and sculptor

Dalla bottega al Vaticano con i gioielli per il Papa http://www.ilgiornale.it/news/bottega-vaticano-i-gioielli-papa.html, ilgiornale.it, Marta Bravi, Thursday 12 February 2009.

Passion

“The work of art has its origin in an unconscious impulse that springs from collective substrata of universal values common to all men, from which all men draw their gestures, and from which the artist derives the 'archaic' of organic existence. Every man of his own accord extracts the human element from this base, without realizing it, and in an elementary and immediate way.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

Men , Art , Way , Spring

“To Donham, the case study stood squarely in the legal and cultural tradition of Anglo-American thought. Unlike French or Spanish law. Donham emphasized, English law was grounded on the doctrine of stare decisis, in which the written case decisions of the past shape, and instantiate, the law. Just as the recording of cases allowed English common law to break the arbitrariness of local law. Donham argued in 1925, business needed to universalize its procedures by itself adopting the case system. The chaos of local law that ruled in England before the common law. Donham contended, "is exactly the same situation that we have [in the world of business] where practically every large corporation is tightly hound by traditions which are precedents in its particular narrow field and narrow held only The recording of decisions from industry to industry [enables] us to start from facts and draw inferences from those facts; [it] will introduce principle… in the field of business to such an extent that it will control executive action in the field where executive action is haphazard or unprincipled or bound by narrow, instead of broad precedent and decision"”

Peter Galison (1955) American physicist

W. Donham, transcript of talk to the Association of Coll. School of Business Committee Reports and Other Literature, 5-7 May 1925. Harvard Business School, box 17, folder 10. 62
Source: Image and Logic, 1997, p. 57, footnote 66

World , School , Law , Literature

“We tax our ingenuity to draw nice distinctions. We are told of political liberty — of religious liberty — of moral liberty. Yet, after all, is there more than one liberty; and these divisions, are they not the more and the less of the same thing? The provision we have referred to in our political institutions, as framed in accordance with the principle inherent in ourselves, insures to us all of free action that statues can insure.”

Frances Wright (1795–1852) American activist

Independence Day speech (1828)

“The merging of different motif areas in her drawings and the transformation of spacial relationships into flat correspondences gathers towards a distortion of depicted reality and the dissolution of its phenomenal form.' I didn't try to reach the sense of this. I understood the point of it was to transpose the locus of authority from the works to the discussion of the works. The writer had assumed the role of validating authority for the images he discussed. In order to do this he had been required to transform what he saw with his eyes into ideologies that he could 'see' with his intellect.”

Alex Miller book The Ancestor Game

Page 18.
The Ancestor Game (1992)

Reality , Sense

“There is no reason why the U. S. cannot achieve our objectives in Iraq. Our aim must be to create a viable federal state under the rule of law which does not: enslave its own people, threaten its neighbors, or produce weapons of mass destruction. This is a 10-year task. We should be able to draw down most of our combat forces in 3–5 years. We have few alternatives to the current U. S. strategy, which is painfully but gradually succeeding. This is now a race against time. Do we have the political will, do we have the military power, will we spend the resources required to achieve our aims?”

Barry McCaffrey (1942) United States Army general

As quoted in "The Bottom Line – Observations from Iraqi Freedom" http://www.jerrypournelle.com/reports/jerryp/Iraqreport.html (4 May 2006), Chaos Manor Special Reports

People , Law , Time

“My observation of the flight of buzzards leads me to believe that they regain their lateral balance when partly overturned by a gust of wind, by a torsion of the tips of the wings. If the rear edge of the right wing tip is twisted upward and the left downward the bird becomes an animated windmill and instantly begins to turn, a line from its head to its tail being the axis. It thus regains its level even if thrown on its beam’s end, so to speak, as I have frequently seen them. I think the bird also in general retains its lateral equilibrium, partly by presenting its two wings at different angles to the wind, and partly by drawing in one wing, thus reducing its area. I incline to the belief that the first is the more important and usual method….
My business requires that my experimental work be confined to the months between September and January and I would be particularly thankful for advice as to a suitable locality where I could depend on winds of about 15 miles per hour without rain or too inclement weather. I am certain that such localities are rare.”

Wilbur Wright (1867–1912) American aviation pioneer

Letter to Octave Chanute (13 May 1900)

Business , Bird , Thinking , Animals

“You know how much I admire Che Guevara. In fact, I believe that the man was not only an intellectual but also the most complete human being of our age: as a fighter and as a man, as a theoretician who was able to further the cause of revolution by drawing his theories from his personal experience in battle.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

As quoted in Marianne Sinclair's !Viva Che!: Contributions in Tribute to Ernesto 'Che' Guevara (1968)

Age , Personality

“Sometimes people associate getting big with selling out, which is funny because that's not something you necessarily have choice in. That's not a matter that is entirely up to you and at the same time, who hasn't sold out? If you've heard of a specific artist, they're big enough--they got to you. Where do you draw the line between what's big and what's too big?”

Patrick Stump (1984) American musician

AbsolutePunk.net, Patrick Stump, Part 1 - 10.06.08

People , Time

“I saw verily that the inward part is master and sovereign to the outward, and doth not charge itself with, nor take heed to, the will of that: but all the intent and will is set to be oned unto our Lord Jesus. That the outward part should draw the inward to assent was not shewed to me; but that the inward draweth the outward by grace, and both shall be oned in bliss without end, by the virtue of Christ, — this was shewed.”

Julian of Norwich (1342–1416) English theologian and anchoress

The Eighth Revelation, Chapter 19

Christ , Parting

“The future painter must feel what is useful for his development – drawing or even sculpture everything that will let him become one with Nature, identify himself with her, by entering into the things – which is what I call Nature – that arouse his feelings. I believe study by means of drawing is most essential. If drawing is of the Spirit and color of the Senses, you must draw first, to cultivate the spirit and to be able to lead color into spiritual paths.”

Henri Matisse (1869–1954) French artist

In a letter to Mr. Clifford, February 14, 1948; as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 238-239
1940s

Color , Feeling , Nature , Sense

“It is for the philosophic student to trace the train of thought which underlies the magicians practice; to draw out the few simple threads of which the tangled skein is composed; to disengage the abstract principles from their concrete applications; in short, to discern the spurious science from the bastard art.”

James Frazer book The Golden Bough

Source: The Golden Bough (1890), Chapter 3, Sympathetic Magic.

Art , Science , Training

“When I looked at the science of engineering and saw that it had disappeared after its ancient heritage, that its masters have perished, and that their memories are now forgotten, I worked my wits and thoughts in secrecy about philosophical shapes and figures, which could move the mind, with effort, from nothingness to being and from idleness to motion. And I arranged these shapes one by one in drawings and explained them.”

Al-Muradi

Al-Muradi, The Book of Secrets in the Results of Ideas, 11th century; Translated and cited at leonardo3.net/bookofsecrets/index http://www.leonardo3.net/bookofsecrets/index_eng.html, 2015

Effort , Memory , Science

“I was taking LSD periodically, every couple of months. I was in a strange state of mind, influenced by these visions. … I was trying to draw it in my sketchbook, and that began to coalesce into these comic strips that were stylistically based on grotesque, vulgar humor comics of the thirties and forties. … All of those characters came out of that crazy visionary period that I couldn’t shut off. It was spontaneous, but I was so crazy, I was really out of my mind, it was like schizophrenia. It was like what produces art by crazy people in a madhouse. Anything could be an influence, anything I heard. I was in Chicago in early ’66 and the radio was on, there was some tune playing, it was a black station, and this announcer said, That was Mr. Natural. I just started drawing Mr. Natural, this bearded guru-type character in my sketchbook, it just came out.”

Robert Crumb (1943) American cartoonist

"R. Crumb, The Art of Comics No. 1" http://www.theparisreview.org/interviews/6017/the-art-of-comics-no-1-r-crumb, The Paris Review, Summer 2010, No. 193.

People , Art , Nature

“From the nation they draw all the benefits of civilisation, enlightenment, progress, and social and political institutions, as well as advances in the arts and sciences.”

Friedrich List (1789–1846) German economist with dual American citizenship

Source: The Natural System of Political Economy (1837), p. 30

Art , Science

“There’s only one faith, for example, that kills you or wants to kill you if you draw a bad cartoon of the prophet. There’s only one faith that kills you or wants to kill you if you renounce the faith… obviously, most Muslim people are not terrorists. But ask most Muslim people in the world, if you insult the prophet, do you have what’s coming to you? It’s more than just a fringe element.”

Bill Maher (1956) American stand-up comedian

Bill Maher: Jeff Poor, "Bill Maher: Comparing violence of Islam to Christianity ‘liberal bullsh*t’ [VIDEO"], The Daily Caller, April 20, 2013 (archived).

People , World , Faith

“Whenever I am embraced by land and seascape I draw ideas for new sculptures; new forms to touch and walk around, new people to embrace, with an exactitude of form that those without sight can hold and realize.... It is essentially practical and passionate.”

Barbara Hepworth (1903–1975) English sculptor

Studio International 171 – June 1966, p. 280
1961 - 1975

People , Idea , Passion

“We are honored for research which is today referred to as the "Two Neutrino Experiment". How does one make this research comprehensible to ordinary people? In fact "The Two Neutrinos" sounds like an Italian dance team. How can we have our colleagues in chemistry, medicine, and especially in literature share with us, not the cleverness of our research, but the beauty of the intellectual edifice, of which our experiment is but one brick? This is a dilemma and an anguish for all scientists because the public understanding of science is no longer a luxury of cultural engagement, but it is an essential requirement for survival in our increasingly technological age: In this context, I believe this Nobel Ceremony with its awesome tradition and pomp has as one of its most important benefits; the public attention it draws to science and its practitioners.”

Leon M. Lederman (1922–2018) American mathematician and physicist

Lederman's speech at the Nobel Banquet, December 10, 1988 http://nobelprize.org/nobel_prizes/physics/laureates/1988/lederman-speech.html (URL accessed on October 20, 2008)

People , Age , Beauty , Literature

“.. learn to draw: that's where most of you [Troyon's pupils] are falling down today.... draw with all your might; you can never learn to much. However, don't neglect painting, go to the country from time to time and make studies and above all develop them.”

Constant Troyon (1810–1865) French painter

quoted by Monet, in his letter to Boudin, 1859; as quoted in Discovering Art, – The life time and work of the World's greatest Artists, MONET; K.E. Sullivan, Brockhamptonpress, London 2004, p. 11
Monet is quoting in his letter Troyon, who was a good friend of his first art-teacher Eugène Boudin in Le Havre

Study , Learning , Time , Painting

“Then said the people to the prophet: “Shall not black hills draw round in some forsaken land, to make a vale-wide cauldron wherein the molten rock shall seethe and roar, and where the crags of mountains shall be hurled upward to the surface and bubble and go down again, that there our enemies may boil for ever?”
And the prophet answered: “It is writ large about the bases of Pegāna’s mountains, upon which sit the gods: ‘Thine Enemies Are Forgiven.’””

Lord Dunsany book The Gods of Pegāna

The Gods of Pegāna, Pegāna

God , People , Mountain

“I very much enjoyed working on the drawing, so much so that I made a whole series of small watercolors that I can use at any time for application on embroidered purses, pillows, rugs and wall hangings.”

Sophie Taeuber-Arp (1889–1943) Swiss artist

Quote in a letter to her sister Erika Schlegel, 22 February, 1922; from: Today is Tomorrow, Sophie Taeuber-Arp, ed. Thomas Schmutz; Aargauer Kunsthaus, and Zurich: Scheidegger & Spiess, 2014, p. 221
Taeuber describes creating a series of watercolors that she intends to rework across carpets, bags, pillows, and wall covers

Time

“Back in those days, when I heard a mod that was better than mine I went back to the drawing board and tried to figure out how this sound was made and how the idea was thought up. I still think this way.”

Jesper Kyd (1972) musician

Amiga Music Preservation interview, 2006

Way , Idea , Thinking

“I am just an ordinary bloke, I draw lines around things and fill them in.”

Rigby Graham (1931–2015) British author and illustrator

Obituary, Daily Telegraph,London, 20th May 2015

“Trudeau keeps pushing his “diversity is our strength” slogan. Yes, Canada is a huge and diverse country. This diversity is part of us and should be celebrated. But where do we draw the line?
Ethnic, religious, linguistic, sexual and other minorities were unjustly repressed in the past. We’ve done a lot to redress those injustices and give everyone equal rights. Canada is today one of the countries where people have the most freedom to express their identity.
But why should we promote ever more diversity? If anything and everything is Canadian, does being Canadian mean something? Shouldn’t we emphasize our cultural traditions, what we have built and have in common, what makes us different from other cultures and societies?
Having people live among us who reject basic Western values such as freedom, equality, tolerance and openness doesn’t make us strong. People who refuse to integrate into our society and want to live apart in their ghetto don’t make our society strong.
Trudeau’s extreme multiculturalism and cult of diversity will divide us into little tribes that have less and less in common, apart from their dependence on government in Ottawa. These tribes become political clienteles to be bought with taxpayers $ and special privileges.
Cultural balkanisation brings distrust, social conflict, and potentially violence, as we are seeing everywhere. It’s time we reverse this trend before the situation gets worse. More diversity will not be our strength, it will destroy what has made us such a great country.”

Maxime Bernier (1963) Canadian politician

12 August 2018 on Twitter https://twitter.com/MaximeBernier/status/1028800406535716864

People , Freedom , Strong , Time

“The Rigveda stated that the earth was a …globe suspended freely in space. The Vedic texts disclosed that the Sun held the earth and heavenly bodies in its orbit. The Shatapatha Brahmana, a treatise of untold antiquity, recognized and explained the fact that the earth was spherical.. Aryabhata explained the daily rising and setting of planets and stars in terms of the earth’s constant revolutionary motion. The Surya Siddhantha said that the earth, owing to its gravitational force draw all things to itself. In physics, the thinker Kanada, explained light and heat as different aspects of the same element, thus anticipating Clarke Maxwell's Electro-magnetic Theory, which unified different forms of radiant energy. Sankaracharya, in his Advaita thought expanded the concept of unity of matter and energy. Vacaspati recognized light as composed of minute particles emitted by substances, anticipating Newton’s Corpuscular Theory of Light and the later discovery of the Photon. In Botany, Sankara Mishra and Kanada have discussed the circulation of sap in the Plant and the Santiparva of Mahabharata has clearly stated that the plants develop on the strength of nutrients made through interaction of sunlight and materials obtained from the air and ground. Bhaskarcharya's concept of Differential Calculus preceded Newton by many centuries. His study of time identified Truti: The 3400th part of a second as the unit of time.”

Shankar Dayal Sharma (1918–1999) Indian politician

He has rightly brought out the rationality and application of Sanskrit literature in diverse fields
Source: Aruna Goel Good Governance and Ancient Sanskrit Literature http://books.google.co.in/books?id=El_VADF13pUC&pg=PA16, Deep and Deep Publications, 1 January 2003, p. 16-17

Star , Study , Light , Time

“Care to our coffin adds a nail, no doubt,
And every grin so merry draws one out.”

John Wolcot (1738–1819) English satirist

Expostulatory Odes, Ode xv; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Beside my own intense, multiple impressions of him, I also had to contend with his 'world image' created by the endless newspaper photographs, TV appearances, caricatures. Realizing this, I began to collect hundreds of photographs torn from newspapers and magazines and never missed an opportunity to draw him when he appeared on TV. These snapshots covered every angle, from above, below, profile, back, standing, sitting, walking, close-up, off in the distance. I particularly liked tiny shots where the features were indistinct yet unmistakable. Covering my walls with my own sketches and these photographs, I worked from canvas to canvas (the smallest 2 feet high, the largest, 11) always striving for a composite image.”

Elaine de Kooning (1918–1989) American painter

n.p.
1950 - 1971, Painting a Portrait of the President', Elaine de Kooning (1964)

World , Appearance

“Many of my Hamptstead friends may remember this 'young lady' [an ash tree] at the entrance to the village. Her fate was distressing, for it is scarcely too much to say that she died of a broken heart. I made this drawing [Study of Trees, pencil on paper, circa 1821] when she was in full health and beauty; on passing some times afterwards, I saw, to my grief, that a wretched board had been nailed to her side, on which was written in large letters: 'All vagrants and beggars will be dealt with according to law.' The tree seemed to have felt the disgrace, for even then some of the top branches had withered. Two long spike nails had been driven far into her side. In another year one half became paralysed, and not long after the other shared the same fate, and this beautiful creature was cut down to a stump, just high enough to hold the board.”

John Constable (1776–1837) English Romantic painter

Quote from Constable's Lecture, given at Hamptstead (July 1836), as quoted in Leslie Parris and Ian Fleming-Williams, Constable, Tate Gallery Publications, London 1993, p. 391
1830s, his lectures History of Landscape Painting (1836)

Fate , Health , Law , Beauty

“The desire for security, very marked in women, draws the weaker among them to men who, by their strength or ability, seem to offer protection and support. In time of war they count a warrior's scalps; in time of peace they hunt for genius or wealth. To the man in love the giving of gifts is a way of asserting his power. The penguin and the banker offer pebbles of varying brilliance to their respective loved ones. The finch presents twigs and leaves to its mate as the young man presents woolen threads in the form of carpets and curtains to his fiancee. The swallow and the woman begin to thing of the nest the moment they have chosen their males.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

Love , Women , Men , War

“If in looking at a picture you have been profoundly moved by it, but have not noticed the color or drawing, you may be sure that they are technically perfect.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Color , Perfection

“Some things fail and others succeed. Well, then you get quite desperate, and you think: 'I am going to work and work and I'm not going to have any failures.' But then you find out that failures are inevitable; you can't even draw a straight line, you know that.”

Agnes Martin (1912–2004) American artist

as quoted in A House Divided: American Art Since 1955, Anne M. G. Wagner, Univ. of California Press 2012, p. 205 - note 8
1980 - 2000

Failure , Thinking

“We cannot suppose that our opposition has made a corrupt and dissipated nation more friendly to America, or created in them a greater respect for the rights of mankind. We can therefore expect a restoration and establishment of our privileges, and a compensation for the injuries we have received, from their want of power, from their fears, and not from their virtues. The unanimity and valor, which will effect an honorable peace, can render a future contest for our liberties unnecessary. He who has strength to chain down the wolf is a madman if he let him loose without drawing his teeth and paring his nails.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Speech about Declaration of Independence (1776)

Fear , Peace , Wolf , Future

“Notwithstanding the quasi-religious enthusiasms of ultra-Darwinists, their own understanding of theology is a combination of ignorance and derision, philosophically limp, drawing on clichés, and happily fuelled by the idiocies of the so-called scientific creationists.”

Simon Conway Morris (1951) British palaeontologist

Source: Life's Solution (2003), p. 316.

Understanding

“When our two souls stand up erect and strong,
Face to face, silent, drawing nigh and nigher,
Until the lengthening wings break into fire
At either curvèd point, — what bitter wrong
Can the earth do to us, that we should not long
Be here contented?”

Elizabeth Barrett Browning book Sonnets from the Portuguese

No. XXII
Sonnets from the Portuguese (1850)

Soul , Strong

“Take care for purity in the paint and not so stinky thick of grease, thin, thin, thin! And just on the light [parts in the painting] here and there a small push of thick [paint].... thick house-interiors are unpleasant - long drawing before you start and arrange pleasantly together all things before you start to paint - if the money does not bother you, it is always useful to visit Rott. [Rotterdam].”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Zorg voor zuiverheid in de verf en niet zoo stinkerig dik van smeerderij, dun, dun, dun, en zo op het licht hier en daar een zetje dik[ke verf].. ..dikke binnenhuizen zijn onaangenaam - lang teekenen voor je begint en het prettig bij elkaar arrangeren voor gij aan het verwen gaat - als het geld u niet begroot, is het altijd nuttig om eens naar Rott. [Rotterdam!?] te gaan.
Quote of a letter by Jozef Israels to painter David de la Mar, 1867; as cited in Mythen van het Atelier, ed. Mayken Jonkman & Eva Geudeker; d'jonge Hond, Zwolle/The Hague, 2010 – ISBN 9789089102065 ( source online http://delamar.bntours.nl/!mad1832-bronnen.html)
Israels' painting technique did develop only rather slowly. In 1867 he still gave this rather traditional academic advice to the young painter nl:David de la Mar
Quotes of Jozef Israels, 1840 - 1870

Money , Light , Parting , Painting

“Hmm…hmm. A stag hunt. To what elaborate lengths the equestrian classes go in order to draw out the simple business of butchering venison.”

Avram Davidson book The Phoenix and the Mirror

Source: The Phoenix and the Mirror (1969), Chapter 6

Business

“The search for the most effective conflict resolution procedure requires identification of the primary objective in resolving different kinds of disputes. This article focuses on the kind of disputes considered in the legal system and draws on the results of the authors' empirical studies to develop a general theory of procedure for attaining the objectives of "truth" and "justice" in situations of cognitive conflict, conflict of interest, and in "mixed" disputes.”

John Thibaut (1917–1986) American social psychologist

Source: "A theory of procedure." 1978, p. 541, Abstract

Truth , Justice , Search , Study

“When we tell the story about what's happening today with browsers ten years from now, I want the thing that replaces Windows to be Windows. I don't want to wake up in a position one day where the guys at Netscape say, "Isn't Windows just that little thing that we use to put up menus and draw lines? Let's just write our own and suck it up into our client."”

Steve Ballmer (1956) American businessman who was the chief executive officer of Microsoft

Interview by CNET https://www.cnet.com/news/microsoft-vp-steve-ballmer-speaks/ (May 1996)
1990s

Guy

“After starting to draw manga, a lot of unexpected things happened, leaving me quite stunned. But it is these sudden events that make life interesting.”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

Life

“There are two young Englishmen in the next rooms to ours who are superb; their two sisters, looking like umbrellas, are here too, dressed in pink, with a little friend in blue with red hair. She is a type I have tried to draw on horseback but have not succeeded.”

Henri de Toulouse-Lautrec (1864–1901) French painter

Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 56 - in a letter, Winter 1881 from Nice, where he stayed with his mother

Sister

“Those Fear and Loathing drawings were only possible for me because of the America's Cup six months earlier, which injected the the drawings with the eerie sense of being there to record the sensations. It was a regurgitation, a psycho-artistic vomit - a creative, cathartic cleansing of my inner being.”

Ralph Steadman book The Joke's Over

The America's Cup, p. 63
The Joke's Over (2006)

Fear , Sense

“In this case, therefore, the worms judged with a considerable degree of correctness how best to draw the withered leaves of this foreign plant into their burrows; notwithstanding that they had to depart from their usual habit of avoiding the foot-stalk.”

Charles Darwin book The Formation of Vegetable Mould through the Action of Worms

Source: The Formation of Vegetable Mould through the Action of Worms (1881), Chapter 2: Habits of Worms, p. 70. http://darwin-online.org.uk/content/frameset?pageseq=85&itemID=F1357&viewtype=image

“The artist who parades his drawing, the writer who wishes to attract praise to his style, resemble the soldier who plumes himself on his unif onn but refuses to go into battle, or the farmer who polishes the ploughshare instead of driving it into the earth.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 96

“The most perfect ape cannot draw an ape; only man can do that; but, likewise, only man regards the ability to do this as a sign of superiority.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

J 115
Aphorisms (1765-1799), Notebook J (1789)

Perfection

“Everyone thinks they can write a play; you just write down what happened to you. But the art of it is drawing from all the moments of your life.”

Neil Simon (1927–2018) playwright, writer, academic

New York Times, March 24, 1985

Life , Art , Thinking

“The Dada movement was an anti-movement which corresponded to a need born of the first World War. Although neither literary nor pictorial in essence, Dada found its exponents in painters and writers scattered all over the world. Max Ernst's activities in Cologne in 1917 made him the foremost representative of the Dada painters. Between 1919 and 1921 his paintings, drawings and collages depicting the world of the subconscious were already a foretaste of Surrealism... In fact his previous achievements had certainly influenced, to a great extent, the literary Surrealist exploration of the subconscious.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote in 'Appreciations of other artists': Max Ernst (painter, sculptor author) 1945, by Marcel Duchamp; as cited in Catalog, Collection of the Societé Anonyme, eds. Michel Sanouillet / Elmer Peterson, London 1975, pp. 143- 159
1921 - 1950

War , World , Painting

“I mixed [early 1950's] funny shades of colors and used them but I used them because they made the drawing in my picture move. It wasn't because I was in love with the idea of putting color down. But these colors were the expedient things to use for the way I drew and I say 'draw' not meaning line, though it might have included line. But the way I drew or envisioned or made my work. And it happened that it came out stressing color. But I did not have a vision or a notion about color per se being the thing that would make me or my pictures work or operate.”

Helen Frankenthaler (1928–2011) American artist

quote about shades and drawing
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Love , Color , Way , Idea

“Especially do the evils of the times, the folly and blindness of the masses, the injustice of rulers, the perversion of religion in unfruitful ceremonialism work upon the souls more finely attuned as a stimulus and spur; the feeling of the evil stirs their moral judgment or conscience to the criticism of the existing situation, and out of the criticism there grows for them the new ideal which impresses itself upon them as the truth that has the power to save from the corruption of the time; and while they first raise themselves to this ideal, they also win power and courage to draw others toward it. Thus they become the proclaimers of a higher truth which, over against the antecedent error, appears as something wholly new, as a revelation from above, but which is, indeed, nothing else than a higher development of the impulse toward truth and righteousness that is a natural quality of the human mind.”

Otto Pfleiderer (1839–1908) German Protestant theologian

Source: Evolution and Theology (1900), p. 11.

Truth , Religion , Error , Feeling

“Ask the faithful youth
Why the cold urn of her whom long he loved
So often fills his arms; so often draws
His lonely footsteps at the silent hour
To pay the mournful tribute of his tears?
Oh! he will tell thee that the wealth of worlds
Should ne'er seduce his bosom to forego
That sacred hour, when, stealing from the noise
Of care and envy, sweet remembrance soothes
With virtue's kindest looks his aching breast,
And turns his tears to rapture.”

Mark Akenside book The Pleasures of the Imagination

Book II, lines 683–693
The Pleasures of the Imagination (1744)

Love , Youth , World , Faith

“We thus derive that the essence of a man's existence in this world is solely the fulfilling of mitzvoth, the serving of God and the withstanding of trials, and that the world's pleasures should serve only the purpose of aiding and assisting him, by way of providing him with the contentment and peace of mind requisite for the freeing of his heart for the service which devolves upon him. It is indeed fitting that his every inclination be towards the Creator, may His Name be blessed, and that his every action, great or small, be motivated by no purpose other than that of drawing near to the Blessed One and breaking all the barriers (all the earthy elements and their concomitants) that stand between him and his Possessor, until he is pulled towards the Blessed One just as iron to a magnet. Anything that might possibly be a means to acquiring this closeness, he should pursue and clutch, and not let go of; and anything which might be considered a deterrent to it, he should flee as from a fire.”

Moshe Chaim Luzzatto book Mesillat Yesharim

Mesillat Yesharim (1738), Chapter 1

God , Pleasure , World , Peace

“But I would like to think for a moment about a man who in the morning teaches his students that a false attribution of a Watteau drawing or an inaccurate transcription of a fourteenth-century epigraph is a sin against the spirit and in the afternoon or evening transmits to the agents of Soviet intelligence classified, perhaps vital information given to him in sworn trust by his countrymen and intimate colleagues. What are the sources of such scission? How does the spirit mask itself?”

George Steiner (1929–2020) American writer

"The Cleric of Treason," The New Yorker (1980-12-08).
George Steiner: A Reader (1984)

Intelligence , Thinking , Falseness

“Although trade is important, there are other and stronger bonds of Empire, and since the Conference of 1926 nothing but common interests and traditions have held the Empire together. But those are mighty ties, incomprehensible to Europeans, which have drawn millions of men from the far corners of the earth to the battlefields of France, and we must trust to them to continue to draw us together.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech in Toronto (16 August 1929), quoted in Martin Gilbert, The Churchill Documents, Volume 12: The Wilderness Years, 1929–1935 (Michigan: Hillsdale Press, 2012), p. 51
Early career years (1898–1929)

Men

“The short winter’s day was drawing to a close. It seems to me sometimes that these are the only days I have ever known, and especially that most charming moment of all, just before night wipes them out.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

The Expelled (1946)

Winter , Night

“[About experts' disbelief that Egyptians could build pyramids] It hardly seems possible that the ancient Egyptians were as smart as these experts. Still, they went right ahead and did it, and you can draw your own conclusions.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part I: It Seems There Were Two Egyptians, Cheops, or Khufu

“In discussing the distinction between minor inventions, whose cumulative impact is decisive in productivity growth, and major technological breakthroughs, it may be useful to draw an analogy between the history of technology and the modem theory of evolution ( … ) Some biologists distinguish between micromutations, which are small changes in an existing species and which gradually alter its features, and macromutations, which creates new species. The distinction between the two could provide a useful analogy for our purposes. I define micro inventions as the small, incremental steps that improve, adapt an extremeline existing techniques already in use, reducing costs, improving form and function, increasing durability, and reducing energy and raw material requirements. Macroinventions, on the other hand, are those inventions in which a radical new idea, without clear precedent, emerges more or less ab nihilo. In terms of sheer numbers, micro inventions are far more frequent and account for most gains in productivity. Macroinventions, however, are equally crucial in technological history.”

Joel Mokyr (1946) Israeli American economic historian

Source: The lever of riches: Technological creativity and economic progress, 1992, p. 12-13 as cited in: Pol, Eduardo, and Peter Carroll. "Innovation heterogeneity and schumpeterian growth models." (2004): 1.

History , Idea , Decision , Change

“I once had a dispute with a group of Swedish professors at the University of Uppsala as to which country, Sweden or Canada, was the dullest in the world. It was a draw; they claimed superiority because of their long history, and I claimed it because of Canada's immense land mass, which gives us space for tremendous expansion, even of such things as dullness.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Opera and Humour (1991)

World , History , Universe , Country

“What are the hallmarks of a competent writer of fiction? The first, it seems to me, is that he should be immensely interested in human beings, and have an eye sharp enough to see into them, and a hand clever enough to draw them as they are. The second is that he should be able to set them in imaginary situations which display the contents of their psyches effectively, and so carry his reader swiftly and pleasantly from point to point of what is called a good story.”

H.L. Mencken (1880–1956) American journalist and writer

The American Mercury (May 1933), p. 136
1930s

“The spirit acquires an increase of knowledge and experience in each of his corporeal existences. He loses sight of part of these gains during his reincarnation in matter, which is too gross to allow of his remembering them in their entirety; but he remembers them as a spirit. It is thus that some somnambulists give evidence of possessing knowledge beyond their present degree of instruction, and even of their apparent intellectual capacity. The intellectual and scientific inferiority of a somnambulist in his waking state, therefore, proves nothing against his possession of the knowledge he may display in his lucid state. According to the circumstances of the moment and the aim proposed, he may draw this knowledge from the stores of his own experience, from his clairvoyant perception of things actually occurring, or from the counsels which he receives from other spirits; but, in proportion as his own spirit is more or less advanced, he will make his statements more or less correctly.”

Allan Kardec (1804–1869) systematizer of Spiritism

Source: The Spirits' Book, p. 221.

Knowledge , Parting

“Boughton together with Abbey are making for Harper in New York drawings called "Picturesque Holland".... now I say to myself if the Graphic and Harper send their draughtsmen to Holland they would perhaps not be unwilling to accept a draughtsman from Holland [Vincent himself], if he can furnish some good work for not too much money. I should prefer to be accepted on regular monthly wages rather than to sell a drawing now and then at a relatively high price.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 288) p. 21
1880s, 1883

Money

“In illustration of his entire preoccupation with his studies, we are told that he would forget all about his food and such necessities of life, and would be drawing geometrical figures in the ashes of the fire, or, when anointing himself, in the oil on his body.”

Thomas Little Heath (1861–1940) British civil servant and academic

p, 125
Achimedes (1920)

Life , Food , Study , Forgetting

“I like the heat the tenderness the edible the lusciousness the song of a single person the bathtub full of water to bathe myself beneath the water. I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings of Seurat and that man [=Pablo Picasso ]. I measure all things by weight.”

Arshile Gorky (1904–1948) Armenian-American painter

1942 - 1948
Source: text for MoMA, describing the 'Garden in Sochi' - series, 26 June 1942

Water , Painting , Personality

“They [mathematicians] only take those things into consideration, of which they have clear and distinct ideas, designating them by proper, adequate, and invariable names, and premising only a few axioms which are most noted and certain to investigate their affections and draw conclusions from them, and agreeably laying down a very few hypotheses, such as are in the highest degree consonant with reason and not to be denied by anyone in his right mind. In like manner they assign generations or causes easy to be understood and readily admitted by all, they preserve a most accurate order, every proposition immediately following from what is supposed and proved before, and reject all things howsoever specious and probable which can not be inferred and deduced after the same manner.—Barrow, Isaac.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 66

Idea

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

Life , People , Education , Religion

“This inscription awakens the memory of people whose sons and daughters were destined for total extermination. This people draws its origin from Abraham, our Father in faith. The very people that received from God the commandment, thou shalt not kill, itself experienced in a special measure what is meant by killing. It is not permissible for anyone to pass by this inscription with indifference.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

About a Hebrew commemorative plaque in the homily during the Holy Mass at the Auschwitz-Birkenau Nazi German concentration camp on 7 June 1979, during the pope's first apostolic journey to Poland
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/homilies/1979/documents/hf_jp-ii_hom_19790607_polonia-brzezinka_it.html (Italian)

God , People , Faith , Memory

“Six-year-old girls in a place like Hyderabad did not play; tennis was a recreation like badminton or gardening. So I draw inspiration from my parents. Steffi Graf has always been my tennis idol; always Steffi Graf. Just the way she was and the way she carried herself on the court and off the court. She does inspire me today. Everyone asks me "Who is your favorite tennis player?" And I always say "Steffi Graf." I just cannot imagine anyone being better than her, you know? I think a lot of people love Steffi Graf for the way she was on and off the court.”

Sania Mirza (1986) Indian tennis player

Source: Tennis Week "The Tennis Week Interview: Sania Mirza"

Love , People , Way , Imagination

“To gain a better understanding, I'm just trying to make it real/reel. Like a fisherman,
Pon De River fam. I Pon My Bank, deposit my thoughts. Till my mind draws a blank
and I withdraw from checking. I'll leave that with ya'll for a second…”

Lupe Fiasco (1982) rapper

"Run Down"
Mixtapes, Fahrenheit 1/15 Part I: The Truth Is Among Us (2006)

Understanding

“Iron has powers to draw a man to ruin.”

Homér The Odyssey (Cowper)

XIX. 13 (tr. Robert Fagles); Odysseus to Telemachus.
Odyssey (c. 725 BC)

“I decide who's right and who's wrong, and go from there. But I can't just comment on an issue. I've got to take an editorial position. Too many cartoonists simply illustrate the news. Well, the readers know the news, and a cartoon that illustrates doesn't tell them a thing they don't already know. So, I formulate an opinion and draw it.”

Paul Conrad (1924–2010) German theologian

Paul Conrad. (2010) [1992]. Contemporary Authors Online. Gale. As quoted in Lebo, Harlan H. (December 1977). Writer's Digest.

“What was good about Bill was that whenever he wrote a plot, he did a lot of research for it. Whether the setting was a railroad station or a factory, he would find a photo reference, usually from National Geographic, and give Bob all the research to draw from. He was very orderly and methodical. His only problem was that he couldn't sustain the work… he couldn't produce material regularly enough”

Bill Finger (1914–1974) American comic strip and comic book writer

George Roussos as quoted by George Roussos in Gruenwald, Mark (April 1983). "George Roussos". Comics Interview (2) (Fictioneer Books). pp. 45–51.
About

Photo , Problem

“For one who knows how to speak, it is like water pouring out of Eta [a device to draw water from a well]. For one who does not know, it is just the rope hanging down.”

Sarvajna Kannada poet, pragmatist and philosopher

Tripadis

Water

“The capitalist has no heart, but harpoon him in the pocketbook and you will draw blood.”

Bill Haywood (1869–1928) Labor organizer

Bread and Roses: Mills, Migrants, and The Struggle for the American Dream, Bruce Watson. Viking-Penguin, 2005; pg. 93.

Heart

Quotes about drawing page 7

Quotes about drawing
page 7