Quotes about art
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“Art means to dare — and to have been right.”

Ned Rorem (1923–2022) American composer

W magazine (10 October 1980).

“Cybernetics is the science or the art of manipulating defensible metaphors; showing how they may be constructed and what can be inferred as a result of their existence.”

Gordon Pask (1928–1996) British psychologist

Pask (1966) The Cybernetics of Human Performance and Learning. Cited in: George J. Klír (2001) Facets of Systems Science. p. 429.

Science

“We know well that all new cultural beginnings today must be part of world culture; that no truly intellectual life can occur if the mind is restricted; that no art can have genuine and everlasting value if it is not in a universal language. East and West. God knows there is enough restriction. Enough laziness of stereotypes. Smash them, we say to ourselves. And the only way to do that is to open up a true world forum that is absolutely free.”

C. Wright Mills (1916–1962) American sociologist

Listen Yankee (1960), pp. 144-145.
1960s

Life, God, World, Way

“To make the material speak to man in the name of man, this is the aim and reality of art.”

Asger Jorn (1914–1973) Danish artist

Statement of 1971; as quoted in Asger Jorn (2002) by Arken Museum of Modern Art, p. 145
1959 - 1973, Various sources

Reality

“Prior art is as effective as US soldiers in Iraq: They control the ground they stand on, and nothing more. I used to say Vietnam, but, well, you know…”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

In a talk on Software Patents; Frankfurt am Main, Germany, (26 September 2004)
2000s

“What the heck is a neocon anyway in 2003? A friend of mine suggests it means the kind of right-winger a liberal wouldn't be embarrassed to have over for cocktails. That's as good a definition as any, since the term has clearly come unmoored from its original meaning. … In social policy, it stands for a broad sympathy with a traditionalist agenda and a rejection of extreme libertarianism. Neocons have led the charge to combat some of the wilder excesses of academia and the arts. But there is hardly an orthodoxy laid down by Neocon Central. I, for one, am not eager to ban either abortion or cloning, two hot-button issues on the religious right. On economic matters, neocons--like pretty much all other Republicans, except for Mr. Buchanan and his five followers--embrace a laissez-faire line, though they are not as troubled by the size of the welfare state as libertarians are.”

Max Boot (1969) American writer and historian

[What the Heck Is a ‘Neocon’?, http://web.archive.org/web/20030210064645/http://www.opinionjournal.com/editorial/feature.html?id=110002840, OpinionJournal.com, The Wall Street Journal, December 30, 2002]

“We must grant the artist his subject, his idea, what the French call his donnée; our criticism is applied only to what he makes of it. Naturally I do not mean that we are bound to like it or find it interesting: in case we do not our course is perfectly simple — to let it alone. We may believe that of a certain idea even the most sincere novelist can make nothing at all, and the event may perfectly justify our belief; but the failure will have been a failure to execute, and it is in the execution that the fatal weakness is recorded. If we pretend to respect the artist at all we must allow him his freedom of choice, in the face, in particular cases, of innumerable presumptions that the choice will not fructify. Art derives a considerable part of its beneficial exercise from flying in the face of presumptions, and some of the most interesting experiments of which it is capable are hidden in the bosom of common things.”

Henry James (1843–1916) American novelist, short story author, and literary critic

The Art of Fiction http://public.wsu.edu/~campbelld/amlit/artfiction.html (1884)

Exercises, Idea, Failure, Nature

“Thou art unseen, but yet I hear thy shrill delight.”

Percy Bysshe Shelley To a Skylark

St. 4
To a Skylark (1821)

“It looked like lively abstract art. Symbols in search of context.”

Jeff VanderMeer book Finch

Source: Finch (2009), p. 74

“I say all the time, if I sell that to you, you pay me for 3 colors. And I sell you 4, I betray you. Not to cheat you, but to pet you. You see I betray you in a positive way. I make you see more than there is. And that's in all my art that way. Absolutely something else. And that's what my book is about. You never see what you see. I lead you to see something else. And therefore I direct you. That's help.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Books, Color, Way, Time

“Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art on the Edge, (1975), p. 251, "What's New: Ritual Revolution"

“ENGLAND has invited the civilized world to meet in its great commercial centre; asking it, in friendly rivalry, to display for the common advantage of all, those objects which each country derives from the gifts of nature, and on which it confers additional utility by processes of industrial art.
This invitation, universally accepted, will bring from every quarter a multitude of people greater than has yet assembled in any western city: these welcome visitors will enjoy more time and opportunity for observation than has ever been afforded on any previous occasion. The statesman and the philosopher, the manufacturer and the merchant, and all enlightened observers of human nature, may avail themselves of the opportunity afforded by their visit to this Diorama of the Peaceful Arts, for taking a more correct view of the industry, the science, the institutions, and the government of this country. One object of these pages is, to suggest to such inquirers the agency of those deeper seated and less obvious causes which can be detected only by lengthened observation, and to supply them with a key to explain many of the otherwise incomprehensible characteristics of England.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. v-vi: Preface

People, World, Peace, Nature

“This book is not for the engineer content with hardware, nor for the biologist uneasy outside his specialty; for it depicts that miscegenation of Art and Science which begets inanimate objects that behave like living systems. They regulate themselves and survive: They adapt and they compute: They invent. They co-operate and they compete. Naturally they evolve rapidly.
Pure mathematics, being mere tautology, and pure physics, being mere fact, could not have engendered them; for creatures to live, must sense the useful and the good; and engines to run must have energy available as work : and both, to endure, must regulate themselves. So it is to Thermodynamics and to its brother Σp log p, called Information Theory, that we look for the distinctions between work and energy and between signal and noise.
For like cause we look to reflexology and its brother feedback, christened Multiple Closed Loop Servo Theory, for mechanical explanation of Entelechy in Homeostasis and in appetition. This is that governance, whether in living creatures and their societies or in our living artefacts, that is now called Cybernetics.”

Warren S. McCulloch (1898–1969) American neuroscientist

McCulloch (1961) in: Pask An approach to Cybernetics http://www.pangaro.com/pask/pask%20approach%20to%20cybernetics.pdf. Preface. p. 7

Books, Mathematics, Nature, Sense

“If America is to produce great painters and if young artists wish to assume a place in the history of the art of their country, their first desire should be to remain in America to peer deeper into the heart of American life, rather than spend their time abroad obtaining a superficial view of the art of the Old World. In the days when I studied abroad conditions were entirely different. The facilities for study in this country were meagre. There were even no life classes in our art schools and schools of painting. Naturally one had to seek instruction elsewhere, abroad. Today we need not do that.”

Thomas Eakins (1844–1916) American painter

Interview, Philadelphia Press; quoted in Lloyd Goodrich, Thomas Eakins (1933).

Life, World, School, History

“The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I "The Education of the Architect" Sec. 1

Knowledge, Study, Learning

“Business is the highest evolution of consciousness, responsibility, and morality. No other living organism is even remotely able to function on a business level. The essences of business are honesty, effort, responsibility, integration, abstraction, conceptualization, objectivity, long-range planning, discipline, thought, control. Business creates essentially every major human value, ranging from the development of consciousness, language, mathematics, the arts, up to the electronic and biogenic revolutions.”

Frank R. Wallace (1932–2006) Philosopher, author, entrepreneur

Wallace, Frank. The Neo-Tech Discovery. Appendix F http://www.neo-tech.com/discovery/appendixf.html

Mathematics, Business, Effort

“About staying in the south, even if it's more expensive — Look, we love Japanese painting, we've experienced its influence — all the Impressionists have that in common — and we wouldn't go to Japan, in other words, to what is the equivalent of Japan, the south? So I believe that the future of the new art still lies in the south after all. But it's bad policy to live there alone when two or three could help each other to live on little.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In a letter to brother Theo, from Arles, c. 5 June 1888, in 'Van Gogh's Letters', letter 620 http://vangoghletters.org/vg/letters/let620/letter.html, Van Goghmuseum Vincent was busy, trying to convince a. o. Paul Gauguin to come to Arles, and to settle there 1880s, 1888

Love, Future, Help, Painting

“My father was very sure about certain matters pertaining to the universe. To him, all good things — trout as well as eternal salvation — come by grace and grace comes by art and art does not come easy.”

Norman Maclean (1902–1990) American author and scholar

"A River Runs Through It", p. 4
A River Runs Through It (1976)

Universe

“What's in my veins makes me free
Oh what you have done for me!
Two who made a work of art
Mama brought the armor, Daddy engineered the heart.”

Ysabella Brave (1979) American singer

"Baby One (new original song by Ysabella Brave)" (26 August 2007) http://www.youtube.com/watch?v=QKJ7eaDWsAk

Heart

“Child rearing is an art, and what makes art art is that it is doing several things at once.”

Adam Gopnik (1956) American journalist

How to Raise a Prodigy, The New Yorker (2018)

“A bullfighter can never see the work of art that he is making. He has no chance to correct it as a painter or writer has. He cannot hear it as a musician can. He can only feel it and hear the crowd's reaction to it. When he feels it and knows that it is great it takes hold of him so that nothing else in the world matters. All the time that he is making his work of art he knows that he must keep within the limits of his skill and his knowledge of the animal. Those matadors are called cold who visibly show that they are thinking of this. Antonio was not cold and the public belonged to him now. He looked up at them and let them know, modestly but not humbly, that he knew it and as he circled the ring with the ear in his hand he looked at the different segments of Bilbao, a city that he loved, as they stood up as he passed and was happy that he owned them.”

Ernest Hemingway (1899–1961) American author and journalist

Source: The Dangerous Summer (1985), Ch. 13

Love, Happiness, World, Feeling

“Why do we forget our childhood? With rare exceptions we have no memory of our first four, five, or six years, and yet we have only to watch the development of our own children during this period to realize that these are precisely the most exciting, the most formative years of life. Schachtel’s theory is that our infantile experiences, so free, so uninhibited, are suppressed because they are incompatible with the conventions of an adult society which we call ‘civilized’. The infant is a savage and must be tamed, domesticated. The process is so gradual and so universal that only exceptionally will an individual child escape it, to become perhaps a genius, perhaps the selfish individual we call a criminal. The significance of this theory for the problem of sincerity in art (and in life) is that occasionally the veil of forgetfulness that hides our infant years is lifted and then we recover all the force and vitality that distinguished our first experiences—the ‘celestial joys’ of which Traherne speaks, when the eyes feast for the first time and insatiably on the beauties of God’s creation. Those childhood experiences, when we ‘enjoy the World aright’, are indeed sincere, and we may therefore say that we too are sincere when in later years we are able to recall these innocent sensations.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Source: Collected Poems (1966), pp. 16-17

Life, God, Children, World

“The anagram 'Avida Dollars' was a talisman for me [referring to 'Divine Dali', so called by André Breton ]. It rendered the rain of dollars fluid, sweet and monotonous. Someday I shall tell the whole truth about the way in which this blessed disorder of Danae was garnered. It will be a chapter of a new book, probably my masterpiece: On the Life of Salvador Dali, considered as a Work of Art”

Salvador Dalí (1904–1989) Spanish artist

never written
Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 35

Life, Truth, Books, Way

“All good science is art. And all good art is science.”

John Fowles book Daniel Martin

Daniel Martin (1977)

Science

“With any work of art, what happens is if you're open to seeing it you probably have a sensation," he tells the talk show host, "and that sensation leads to an experience and that experience is private and deals with your background, where you were born, what you've been exposed to, who you know, what your education was; and it will lead to other ways of thinking about other things.”

Richard Serra (1939) American sculptor

Charlie Rose interview (2013)

Education, Way, Thinking

“So, ungentle reader, (as you and I value what we should ashamed—after witnessing a few minor circus-marvels—to call our "lives,") let us never be fooled into taking seriously that perfectly superficial distinction which is vulgarly drawn between the circus-show and "art" or "the arts." Let us not forget that every authentic "work of art" is in and of itself alive and that, however "the arts" may differ among themselves, their common function is the expression of that supreme alive-ness which is known as "beauty." This being so, our three ring circus is art—for to contend that the spectacle in question is not an authentic manifestation of "beauty" is as childish, as to dismiss the circus on the ground that it is "childish," is idiotic.”

E.E. Cummings (1894–1962) American poet

"The Adult, the Artist and the Circus." Vanity Fair (October 1925)

Beauty, Fools, Question, Forgetting

“Words are powerless to tell. —
Such the image in my heart, —
Painter, try thy glorious art!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(16th November 1822) Fragments in Rhyme III: Outline for a Portrait
23rd November 1822) Fragments in Rhyme IV: Arion see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Heart

“I believe that art should sanctify nature.”

Maurice Denis (1870–1943) French painter

Nouvelles théories sur l'art moderne..., 1922

Nature

“…if we intend to pursue the history of our species in its further attainments, we may soon enter on subjects which will confine our observation to more narrow limits. The genius of political wisdom and civil arts appears to have chosen his seats in particular tracts of the earth, and to have selected his favourites in particular races of men.”

Adam Ferguson book An Essay on the History of Civil Society

PART III, SECTION I.
An Essay on the History of Civil Society (1767)

Wisdom, Men, History, Appearance

“I think it is important to distinguish between the traditional notion of patronage and the public relations maneuvers parading as patronage today. Invoking the name of Maecenas, corporations give themselves an aura of altruism. The American term sponsoring more accurately reflects that what we have here is really an exchange of capital: financial capital on the part of the sponsors and symbolic capital on the part of the sponsored. Most business people are quite open about this when they speak to their peers. Alain-Dominique Perrin, for example, says quite bluntly that he spends Cartier's money for purposes that have nothing to do with the love of art.”

Hans Haacke (1936) conceptual political artist

Pierre Bourdieu and Hans Haacke, Free Exchange, Stanford: Stanford University, (1995), p. 17.
1990s

Love, Money, People, Business

“Too nicely Jonson knew the critic's part;
Nature in him was almost lost in Art.”

William Collins (1721–1759) English poet, born 1721

To Sir Thomas Hammer on his Edition of Shakespeare.

Nature, Parting

“All art should have a certain mystery and should make demands on the spectator. Giving a sculpture or a drawing too explicit a title takes away part of that mystery so that the spectator moves on to the next object, making no effort to ponder the meaning of what he has just seen. Everyone thinks that he or she looks but they don't really, you know.”

Henry Moore (1898–1986) English artist

Elizabeth Day, "The Moore Legacy," http://www.guardian.co.uk/artanddesign/2008/jul/27/1 The Observer (2008-07-27), Henry Moore is quoted here by Mary Moore, the artist's niece 1970 and later

Thinking, Effort, Parting, Drawing

“[…] we very much praise this art [riding] because a healthy man, with strong will, if he does nor get fat, is able to keep his skill as he ages, which does not happen with most arts.”

Bem Cavalgar (1391–1438) King of Portugal

Part I

Age, Strong

“.. because his applying paint to it [the sculpture 'Painted Bronze, two painted ale cans', created by the American pré-Pop Art artist Jasper Johns ] was absolutely mechanical or, at least, as close to the printed thing as possible. It was not an act of painting; actually, the printing [or painting? ] was just like printing except it was made by hand by him. That doesn’t add a thing to it.”

Marcel Duchamp (1887–1968) French painter and sculptor

it's just the idea of imitating the beer can that is important.
Quote from 'Some late thoughts of Marcel Duchamp', an interview with Jeanne Siegel, p. 21; as quoted in 'The New York school – the painters & sculptors of the fifties' Irving Sandler, Harper & Row, Publishers, 1978, p. 194
posthumous

Idea, Beer, Painting

“I was surprised by photography, which we all use so massively every day. Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting, but use painting as a means to photography.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Way, Time, Painting, Personality

“Logic, n. The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding.”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

Thinking

“The art of music is good, for the reason, among others, that it produces pleasure; but what proof is it possible to give that pleasure is good? If, then, it is asserted that there is a comprehensive formula, including all things which are in themselves good, and that whatever else is good, is not so as an end, but as a mean, the formula may be accepted or rejected, but is not a subject of what is commonly understood by proof.”

John Stuart Mill book Utilitarianism

Source: Utilitarianism (1861), Ch. 1

Pleasure, Music

“Nietzsche understands the aesthetic state of the observer and recipient on the basis of the state of the creator. Thus the effect of the artwork is nothing else than a reawakening of the creator’s state in the one who enjoys the artwork. Observation of art follows in the wake of creation. Nietzsche says (SM, 821), “—the effect of artworks is arousal of the art-creating state, rapture.””

Martin Heidegger (1889–1976) German philosopher

Source: Nietzsche (1961), p. 117

Understanding

“Having spent a lifetime analyzing the game of chess and comparing the capacity of computers to the capacity of the human brain, I've often wondered, where does our success come from? The answer is synthesis, the ability to combine creativity and calculation, art and science, into a whole that is much greater than the sum of its parts. Chess is a unique cognitive nexus, a place where art and science come together in the human mind, and are then refined and improved by experience.”

Garry Kasparov (1963) former chess world champion

Opening Gambit, Why Chess?, p. 4
2000s, How Life Imitates Chess (2007)

Game, Science, Success, Parting

“But there was something else that the Abstract Expressionists taught us: they began to use something besides the conventional means of art; to want other kinds of paint, or kinds of canvas, or ways of making pictures that weren't the usual ways. Some of the next generation, the Pop Art artists [like Roy Lichtenstein and Andy Warhol, picked up this attitude and began to put actual things into art. We [=w:Morris Louis and Noland] were making abstract art, but we wanted to simplify the selection of materials, and to use them in a very economical way. To get to raw canvas, to use the canvas un-stretched – to use it in more basic or fundamental ways, to use it as fabric rather than as a stretched surface.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Way, Painting

“The past is a work of art, free of irrelevancies and loose ends.”

Max Beerbohm (1872–1956) English writer

Comment

Past

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34 1908 - 1920

Women, Beauty, Nature, Appearance

“Economy is the art of making the most of life. The love of economy is the root of all virtue.”

George Bernard Shaw (1856–1950) Irish playwright

Source: 1900s, Man and Superman (1903), p. 235

Love, Life

“Regardless of its purpose, the humpback-whale song is the most complex piece of nonhuman composition on earth. Whether it's art, prayer, or booty call, the humpback song is an amazing thing to experience firsthand, and I suspect that even once the science of it is put to bed, it will remain, as long as they sing, magic.”

Christopher Moore book Fluke, or, I Know Why the Winged Whale Sings

Author's notes : Science and Magic
Fluke, or, I Know Why the Winged Whale Sings (2003)

Science, Singing

“Mir Bahadur Ali is, as we have seen, incapable of evading the most vulgar of art's temptations: that of being a genius.”

Jorge Luis Borges book The Approach to Al-Mu'tasim

"The Approach to Al-Mu'tasim" (1935)

“If then the Courts of justice are to be considered as the bulwarks of a limited Constitution, against Legislative encroachments, this consideration will afford a strong argument for the permanent tenure of Judicial offices, since nothing will contribute so much as this to that independent spirit in the Judges, which must be essential to the faithful performance of so arduous a duty. This independence of the Judges is equally requisite to guard the Constitution and the rights of individuals, from the effects of those ill humors, which the arts of designing men, or the influence of particular conjunctures, sometimes disseminate among the People themselves, and which, though they speedily give place to better information, and more deliberate reflection, have a tendency, in the mean time, to occasion dangerous innovations in the Government, and serious oppressions of the minor party in the community.”

Alexander Hamilton Federalist Papers

No. 78
The Federalist Papers (1787–1788)

Men, People, Faith, Justice

“Technology adds nothing to art. Two thousand years ago, I could tell you a story, and at any point during the story I could stop, and ask, Now do you want the hero to be kidnapped, or not? But that would, of course, have ruined the story. Part of the experience of being entertained is sitting back and plugging into someone else's vision.”

Penn Jillette (1955) American magician

Wired Issue 2.09 (September 1994) http://www.wired.com/wired/archive/2.09/penn.html 1990s

Parting

“Only the great distance that separates Paris from my native town prevented me from going back… It was the Louvre that put end to all these hesitations. When I walked around the circular Veronese room and the rooms that the works of Manet, Delacroix and Courbet are in, I desired nothing more. In my imagination Russia [where Chagall was born] took the form of a basket suspended from a parachute. The deflated pear of the balloon was hanging down, growing cold and descending slowly in the course of the years. This was how Russian art appeared to me, or something of the sort… It was as if Russian art had been fatally condemned to remain in the wake of the West.”

Marc Chagall (1887–1985) French artist and painter

a later quote on his first arrival in Paris, 1910
Quote in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, p. 261, (translation Daphne Woodward)
1920's, My life (1922)

Quotes, Imagination, Appearance

“I started to introduce letters into my pictures [his first collage art]. These were forms which could not be deformed, because, being two-dimensional, they existed outside three-dimensional space; their inclusion in a picture allowed a distinction to be made between objects which were situated in space and those which belonged outside space”

Georges Braque (1882–1963) French painter and sculptor

the letters
Source: posthumous quotes, Braque', (1968), p. 68

“Pop art is neither an American invention nor an import, yet the terms and names were coined in the US, where they were popularised much faster than in Germany. This kind of art has evolved organically and independently over here, yet at the same time it becomes an analogy to American pop art due to certain psychological, cultural and economical preconditions that are the same in Germany as they are in the US.... For the first time we are showing paintings in Germany that relate to those terms, representing pop art, junk culture, imperial or capitalistic realism, new figuration, naturalism, German pop and other comparable terms.”

Gerhard Richter (1932) German visual artist, born 1932

Quote from Richter's letter to 'Neue Deutsche Wochenschau', 29 April 1963; as cited on collected quotes on the website of Gerhard Richter: 'on Art' https://www.gerhard-richter.com/en/quotes/art-1 1960's

Nature, Time, Painting

“Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

Aldous Huxley book The Doors of Perception

The Doors of Perception (1954)

Dead

“I believe in the time when we shall be able to create works of art in the Theatre without the use of the written play, without the use of actors.”

Edward Gordon Craig (1872–1966) Modernist stage designer and theatre director

As quoted in On the Art of the Theatre http://books.google.pl/books?id=ZQv533ZK6IQC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false (2009), p. 53. Quote

Time

“I would say that my aims of writing this book are less concerned with the facts of history than with the truth of art.”

Vernon Scannell (1922–2007) British boxer and poet

Argument of Kings, 1987

Truth, Books, History

“… Her aunt is an agnostic, an ardent advocate of women's rights, an internationalist who rests all her hopes on Esperanto, is devoted to Bernard Shaw, and spends her spare time in campaigns of anti-vivisection. Her elder brother, whom she admires exceedingly, has just spent two years at Oxford. He is an Anglo-Catholic, an enthusiast concerning all things medieval, writes mystical poetry, reads Chesterton, and means to devote his life to seeking for the lost secret of medieval stained glass. Her mother's younger brother is an engineer, a strict materialist, who never recovered from reading Haeckel in his youth; he scorns art, believes that science will save the world, scoffs at everything that was said and thought before the nineteenth century, and ruins his health by experiments in the scientific elimination of sleep. Her mother is of a quietistic frame of mind, very much interested in Indian philosophy, a pacifist, a strict non-participator in life, who in spite of her daughter's devotion to her will not make any move to enlist her enthusiasms. And this may be within the girl's own household. Add to it the groups represented, defended, advocated by her friends, her teachers, and the books which she reads by accident, and the list of possible enthusiasms, of suggested allegiances, incompatible with one another, becomes appalling.”

Margaret Mead (1901–1978) American anthropologist

Source: 1920s, Coming of Age in Samoa (1928), p. 161

Life, Women, Health, Secret

“Can loveliness lose its power? Ah, yes! when love can lose its truth. Weak and impetuous, yielding to temptation, but trembling to enjoy the reward of the committed crime; such is the man of whom my heart made its divinity, — for whose sake I would have toiled as a slave; ay, and do; but with far other aim now. Let us but once meet again, Jehanghire, and thou art mine! but I — I can never be thine again. Life, throne, fortunes, we will yet share together; but my heart, never, never more!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Other Gift Books

Love, Life, Truth, Heart

“The arts which achieve their effect through purity have never been arts that were good for everything. Greek sculpture (among others) with its decadence, teaches us this.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 422 - Braque's quote, Paris 1917

“Everywhere there is craft and technique, everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of it awkwardness it obstructs that inner element… All craft, technique, and artistry, like anything beautiful, results in futility and vulgarity.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

critical quote on Constructivism artists
1910 - 1920
Source: 'On poetry'; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 65

Beauty, Quotes

“Education is the acquisition of the art of the utilisation of knowledge.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

1920s, The Aims of Education (1929)

Education, Knowledge

“Film contains potentialities for the combination of all the arts such as Wagner never dreamt of.”

Ralph Vaughan Williams (1872–1958) English composer

"Film Music", The R. C. M. Magazine, February 1944.

“Our aim is to create an island of tranquility in our own country which, amid the joyful hum of arts and crafts, would be welcome to anyone who professes faith in Ruskin and Morris.”

Josef Hoffmann (1870–1956) Austrian architect and product designer

Declaration in work programme of Wiener Werkstätte (Vienna Workshop, 1903)

Faith, Country

“More and more, the subject of an exhibition tends not be the display of artworks, but the exhibition of the exhibition as a work of art. Here, the Documenta team, headed by Harald Szeemann, exhibits (artworks) and exposes itself”

Daniel Buren (1938) sculptor from France

to critiques
Daniel Buren (1972), cited in: Marina Abramović, ‎Jens Hoffmann (2004). The next Documenta should be curated by an artist.
1970s

“Engraving is, in brief terms, the Art of Scratch.”

John Ruskin (1819–1900) English writer and art critic

Ariadne Florentina: Six Lectures on Wood and Metal Engraving, with Appendix, lecture I: Definition of the Art of Engraving, section 34 (1872).

“What a disgrace to live at the beginning of the 20th century. … One is always influenced by one's own time. And ours is that of Sarah Bernhardt and Rostand. Things will be much better in another ten years. You will see a new art born, new and beautiful. You will see that, but I shall not. I shall be dead. But … Sarah Bernhardt will live forever, and go on playing L'AIGLON forever!”

Renée Vivien (1877–1909) British poet who wrote in the French language

Quoted in Mercure de France, I-XII (1953), trans. Jeannette H. Foster (1977)

Beauty, Time, Dead

“I believe we have to put art back at the center of everyday life rather than allowing it to become a specialist activity at the margins of society.”

Martin Firrell (1963) British artist and activist

Quoted in The International Herald Tribune (19 September 2005).

Life

“In the field of ideas not involving productive activities it is easier to distinguish the division between material and spiritual necessity. For a long time man has been trying to free himself from alienation through culture and art. While he dies every day during the eight or more hours that he sells his labour, he comes to life afterwards in his spiritual activities.
But this remedy bears the germs of the same sickness; it is as a solitary individual that he seeks communion with his environment.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Man and Socialism in Cuba (1965)

Life, Idea, Time

“Art is the expression of the conviction that we can have a rational relationship with the world and each other. It isn't the faith or hope that we can, it is the demonstration that we can.”

Edward Bond (1934) English writer best known as a dramatist

Source: Programme note for We Come to the River (1976); cited from Lear (London: Methuen, 1983) p. xii.

World, Faith, Hope

“After the first day there [In 1961, at the invitation of Tatyana Grosman, Frankenthaler ventured out to Universal Limited Art Editions (ULAE), Grosman's Long Island printmaking studio, and began making lithographs for the first time] I felt no hesitation. I was very committed. All I had to do was start work on that print. It was a whole new road - and a very connected road.”

Helen Frankenthaler (1928–2011) American artist

Quote from Artists and Prints: Masterworks from The Museum of Modern Art, New York, Deborah Wye; The Museum of Modern Art, 2004, p. 146 http://www.moma.org/collection/object.php?object_id=69050 1990s - 2000s

Universe, Time

“As some of you know, I some years ago — a few — painted a picture of Mr. Whitman. I began in the usual way, but soon found that the ordinary methods wouldn't do — that technique, rules and traditions would have to be thrown aside; that before all else, he was to be treated as a man, whatever became of what are commonly called the principles of art.”

Thomas Eakins (1844–1916) American painter

Testimonial dinner, Camden NJ, for Walt Whitman on his seventy-second birthday (1891-05-31) .

Way, Painting

“This is why we believe that a well-ordered idea of ecology and professionalism can stem only from art – art in the sense of the sole, revolutionary force, capable of transforming the earth, humanity, the social order etc.... Art is, then, a genuinely human medium for revolutionary change in the sense of completing the transformation from a sick world to a healthy one. In my opinion only art is capable of doing it.”

Joseph Beuys (1921–1986) German visual artist

1980's
Source: Times Thermic Machine, 1982

World, Idea, Sense, Change

“Lernaeodiscus porcellanae turns control of the host into a fine art. After castration by the parasite, male crabs develop female characteristics in both anatomy and behavior, while females become even more feminized. The emerging externa then takes the same form and position as the crab's own egg mass… The crabs then treat the externa as their own brood. In other words, the parasite usurps all the complex care normally invested in the crab's own progeny.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

Triumph of the Root-Heads, p. 368
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Behavior

“But somewhere [during the 1950's, in East-Germany at the Art Academy] along the way we all began to notice that there was something wrong. We saw a few art magazines from the West and got a sense of another world. We began to talk about a third way between capitalism and Communism in art. I saw the work of graphic designers from Poland, the only ones [in communist area] I came across who seemed to be doing something for society but in a style that was more modern.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

World, Way, Communication, Sense

“Tracking the individual learning curves of the major technologies that comprise the infrastructure of information technology provides a more detailed account of the present and future state-of-the art of the technologies underlying convergence. The base technologies of digital electronics, general-purpose computer architectures, software and interaction are mature and provide solid foundations for computer science. The upper technologies of knowledge representation and acquisition, autonomy and sociality, support product innovation and provide the beginnings of foundations for knowledge science. Well's dream of a world brain making available all of human knowledge is well on its way to realization and it is in the representation, acquisition, and access and effective application of that knowledge that the commercial potential and socio-economic impact of convergence lies.”

Brian R. Gaines (1938) British computer scientist

Last paragraph
Convergence to the Information Highway (1996)

World, Dreams, Way, Support

“Perhaps the best reason to consider the hard sciences is that, well, one study suggests science, engineering, medicine, and dentistry graduates live longer than arts graduates (or law grads). So whatever money you make you can keep a bit longer.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Earn More (2005), p. 18.

Money, Law, Study, Science

“Thou wilt draw nigh!
Father — it is no dream that Thou art near —
No dream that, in my sin and misery,
I may look up to Thee,—
May hide beneath the shadow of Thy wings,
From all the restlessness of outward things,
And from my own heart's self-accusing fears —
For Thou art nigh.”

Hetty Bowman (1838–1872)

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 432.

Fear, Dreams, Heart, Drawing

“If Vasari really knew the nature of the Greek style of which he speaks, he would deal with it differently in what he says. He compares it with Giotto, but what Giotto did is simple in comparison, because the Greek style is full of ingenious difficulties.”

El Greco (1541–1614) Greek painter, sculptor and architect

full of ingenious difficulties [= translation of Greek art historian Nicos Hadjinicolau] / full of deceptive difficulties [= translation of Spanish art historians Xavier de Salas and Fernando María] Quote of El Greco, as cited in 'Hand-written Note Shows El Greco Defending Byzantine Style In Face Of Western Art', Dec. 2008 https://www.sciencedaily.com/releases/2008/12/081218132252.htm the different translation by Nicos Hadjinicolau leads him to the conclusion that El Greco was defending Byzantine art; which is rejected by Fernando María

Nature

“The geometrical spirit is not so tied to geometry that it cannot be detached from it and transported to other branches of knowledge. A work of morals or politics or criticism, perhaps even of eloquence, would be better (other things being equal) if it were done in the style of a geometer. The order, clarity, precision and exactitude which have been apparent in good books for some time might well have their source in this geometric spirit. …Sometimes one great man gives the tone to a whole century; [Descartes], to whom one might legitimately be accorded the glory of having established a new art of reasoning, was an excellent geometer.”

Bernard Le Bovier de Fontenelle (1657–1757) French writer, satirist and philosopher of enlightenment

"The Utility of Mathematics," i.e. "Préface sur l'utitlité des mathématiques et de la physique et sur les travaux de le Académie des Sciences," Œuvres de Monsieur de Fontenelle (1753) Vol. 6, pp.37-50, as quoted by Herbert Butterfield, The Origins of Modern Science 1300-1800 (1949).

Books, Knowledge, Time

“I don't think that Kandinsky was ever really a communist. He just happened to be in Russia [Kandinsky went to Russia in 1914, because of the outbreak of the war, ànd his Russsian nationality] and to become involved in some revolutionary artistic activities because of his reputation as a revolutionary in the arts. In any case, he left Russia as soon as an opportunity arose. But we had parted, by that time, and I prefer not to express any opinion on Kandinsky's later ideas and beliefs, with which I was never familiar.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), pp. 118-119

War, Idea, Thinking, Time

“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Quoted in: Richard Roud, Godard, introduction (1970).

Life, Literature, Painting

“The production of a work of art is determined by the material and intellectual climate in which a man lives and dies.”

Hippolyte Taine (1828–1893) French critic and historian

Philosophy of Art (1865)

“The more I look at most of the art movements, it’s all occultism, when you get down to it. The Surrealists were openly talking about being magicians.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)

“I started out like most people just finding my local martial arts gym … and it's quite easy to start thinking that whatever you're in is the best thing that you can do, so … I assumed that Taekwondo is the best. … I started thinking, “Well, maybe there's something else that the other arts have offer,” so I started cross-training. Anyway, that got me into competing in mixed martial arts. So, I thought my diet was pretty good … and it was until I got injured … that I actually had some time to sit back and really analyze what I was eating, and I realized I hadn't applied the same scrutiny to my diet as I had to the martial arts training. So I saw a parallel there, that in martial arts there's a lot of nonsense out there, people teaching stuff that really doesn't work, and I'd realized that and started finding the truth in martial arts, and basically I realized I hadn't found the truth in nutrition, so last year I spent over 1,000 hours looking at peer reviewed medical science and realized that a plant-based diet is superior and optimal for health and athletic performance.”

James Wilks (1978) English martial artist

Speech at the Healthy Lifestyle Expo, in Woodland Hills, California (October 12-15, 2012). Video in “MMA Ultimate Fighter - James "Lighting" Wilks - Is Vegan”, in VegSource.com http://www.vegsource.com/news/2012/12/mma-ultimate-fighter---james-lighting-wilks---is-vegan-video.html.

People, Health, Truth, Optimism

“Art is not a Trojan horse.”

Elfriede Jelinek book The Piano Teacher

P 260
The Piano Teacher (1988)

Horse

“If thy words are wise, they will not seem so to the foolish: if they are deep the shallow will not appreciate them. Think not highly of thyself, then, when thou art praised by many.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 164

Thinking

“Most of Europe has outlawed the Neo-Nazis, but the French Communist Party was from 1999 to 2002, part of a ruling government. One may not fly the swastika, but one may proudly hoist the hammer and sickle at official events. In most of Europe, the denial of Hitler's dead, or the minimization of the Nazi Holocaust, is literally a crime. The denial or minimization of communist crimes, on the other hand, is an intellectual and political art form. The Khmer Rouge of Cambodia enslaved the nation and slaughtered a fourth to a fifth of the entire Cambodian population, as if an American regime had slaughtered some 56 million to 70 million of its people.”

Alan Charles Kors (1943) American academic

2010s, Socialism's Legacy (2011)

People, Parting, Flying, Dead

“Though Frank Shallard might have come to admire pictures, great music, civilized furniture, he had been trained to regard them as worldly, and to content himself with art which 'presented a message,' to regard 'Les Miserables' as superior because the bishop was a kind man, and 'The Scarlet Letter' as a poor book because the heroine was sinful and the author didn't mind.”

Sinclair Lewis book Elmer Gantry

Elmer Gantry (1927)

Books, Music, Training

“The first major discovery of prehistoric art was the Spanish cave of Altamira, which, like Lascaux, is one of the most spectacular examples of Upper Paleolithic art yet known.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

“In the summer camp mentality of American universities, the ferocity of genuine intellectual debate would just seem like spoiling everyone’s fun. Ambitious humanities professors go about the business behind a brick wall of “theory,” which they imagine is the dernier cri, but which has long been out of fashion, even in Paris. Drab, uncultivated philistines, without broad knowledge of the arts, have seized the top jobs in the Ivy League, simply because they have the right opinions and know the right people. In the past twenty years, conferences became the infernal engine driving the academic profession. The conference crowd, an international party circuit of literary luminaries ever on the move, was put together by the new humanities centers. These programs had the initially laudable aim of fostering interdisciplinary exchanges outside the repressive framework of the conservative, static and over-tenured university departments. But the epidemic of French theory was abroad in the world. The humanities centers quickly became careerist stockyards, where greedy speculation and insider trading were as much the rules of the game as on Wall Street.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), p. 101

People, World, Imagination, Game

“Conversation is an art in which a man has all mankind for his competitors, for it is that which all are practising every day while they live.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Considerations by the Way
1860s, The Conduct of Life (1860)

“.. Besides of all things I hated and detested was painting. They told me I had a talent for it, and was a clever chap and could make as much money as I liked. Money always the principal thing and so it happens that I got forced into it. Being considered a very clever talented chap, after the war or siege of Paris [1870-71], a young fellow of the name of Vincent van Gogh [not painting yet, but still art-seller at Goupil in Paris] came around asking me for advice... The law of the pocket: 'full' signifies 'rich'; empty 'poor', all the world over the same; black, brown, yellow or white skinned. Heathen, barbarians, Mahommetans; pocket full, 'power”

Matthijs Maris (1839–1917) Dutch painter

empty, 'helpless'. in a letter to David Croal Thomson (1907), as cited in: The Brothers Maris (James – Matthew – William), ed. Charles Holme; text: D.C. Thomson https://ia800204.us.archive.org/1/items/cu31924016812756/cu31924016812756.pdf; publishers, Offices of 'The Studio', London - Paris, 1907, p. BMxxxviii

Money, Hate, War, World

“Without the aid of these, then, it is not possible to deal accurately with the forms of being nor to discover the truth in things, knowledge of which is wisdom, and evidently not even to philosophize properly, for "just as painting contributes to the menial arts toward correctness of theory, so in truth lines, numbers, harmonic intervals, and the revolutions of circles bear aid to the learning of the doctrines of wisdom," says the Pythagorean Androcydes. Likewise Archytas of Tarentum, at the beginning of… On Harmony, says… in about these words: "It seems to me that they do well to study mathematics, and it is not at all strange that they have correct knowledge about each thing, what it is. For if they knew rightly the nature of the whole, they were also likely to see well what is the nature of the parts. About geometry, indeed, and arithmetic and astronomy, they have handed down to us a clear understanding, and not least also about music. For these seem to be sister sciences; for they deal with sister subjects, the first two forms of being."”

Nicomachus (60–120) Ancient Greek mathematician

Nicomachus of Gerasa: Introduction to Arithmetic (1926)

Wisdom, Truth, Music, Mathematics

“Again I only gave numbers [of her art-works, she sent for the next Sturm-exhibition]. I stick to my idea of not giving titles... Titles are really disgusting romantic, and now in a while people will have hundreds of Spring's, Summers, Trees [paintings], to Liebknecht, Eberts, etc.. Above everything color and line have their own specific language, which doesn't want to be captured in a title.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder nur Nummern gegeben. Ich bleibe bei meiner Idee, keine Titel zu geben. .. ..Titel sinds o widerlich romantisch, und jetz wird man in einiger Zeit hunderte Frühlings, Sommer, Bäume, an Liebknechts, Eberts und so weiter haben. Farbe und Linien haben für alle eine verschiedene eigene Sprache, die nicht im Titel festgelegt werden woll.
in a letter to Herwarth Walden, 14 Jan. 1920; as cited in the catalogue Der Sturm, Herwarth Walden und die Europäische Avantgarde, Berlin 1912-1932 Taschenbuch – 1961
Already in 1914 Jacoba started to number her paintings and drawings
1920's

People, Color, Spring, Idea

“In art progress does not consist in extension, but in the knowledge of limits.
Limitation of means determines style, engenders new form, and give impulses to creation.
Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
New means, new subjects.
The subject is not the object; it is a new unity, a lyricism which grows completely from the means.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 423 - short quotes by Georges Braque on 'Means' - Paris, 1917

Knowledge, Painting

“I don't want to make plop art — sculpture that just gets plopped down in places. I wouldn't want to litter every corner of the world with my sculpture.”

Rachel Whiteread (1963) British sculptor

As quoted in "Boxing clever" by Lynn Barber inThe Guardian (16 October 2005) http://observer.guardian.co.uk/review/story/0,6903,1593050,00.html

World

“With your spirit open and unconstricted, look at things from a high point of view. You must cultivate your wisdom and spirit. Polish your wisdom: learn public justice, distinguish between good and evil, study the Ways of different arts one by one. When you cannot be deceived by men you will have realised the wisdom of strategy.
The wisdom of strategy is different from other things. On the battlefield, even when you are hard-pressed, you should ceaselessly research the principles of strategy so that you can develop a steady spirit.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Water Book

Wisdom, Men, Justice, Way

“I have said as much as that the aim of art was to destroy the curse of labour by making work the pleasurable satisfaction of our impulse towards energy, and giving to that energy hope of producing something worth its exercise.”

William Morris (1834–1896) author, designer, and craftsman

This has sometimes appeared in paraphrased form as: "The aim of art is to destroy the curse of labour by making work the pleasurable satisfaction of our impulse towards energy, and giving to that energy hope of producing something worth the exercise".
Signs of Change (1888), The Aims of Art

Pleasure, Hope, Exercises

“Artists have never worked with the model – just with the painting. What you [G. R. Swenson, the interviewer] are really saying is that an artist like Cézanne transforms what we think the painting ought to look like into something he thinks it ought to look like. He’s working with paint, not nature; he’s making a painting, he's forming. I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art. What I do is form, whereas the comic strip is not formed in the sense I’m using the word; the comics have shapes but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Nature, Thinking, Sense, Effort

“I think we were all more interested in being honest than in being modern. That's why there could be such great differences between the styles of the various members of our group... They had great faith in each other. I think that each of them knew that the other, as an artist, was absolutely honest. Whenever Kubín came to Munich from his nearby country retreat, they [Kandinsky and Kubin] spent many hours together, and I wish I had been able to take down in shorthand some of their conversations. Their ideas about art and life were so different.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 118

Life, Faith, Idea, Thinking

“Pollock.... left us [c. 1958] at the point where we must be preoccupied with and even dazzled by the space and objects of our everyday life, either our bodies, clothes, rooms, or, if need be, the vastness of Forty-Second Street [New York].... Objects of every sorts are materials for the new art, paints, chairs, food, electric and neon-lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.... All will become materials for this new concrete art.”

Allan Kaprow (1927–2006) American artist

In his essay 'The legacy of Jackson Pollock', published in 'ARTnews', Fall of 1958; as quoted by Christina Bryan Rosenberger, in 'Drawing the Line: The Early Work of Agnes Martin', Univ. of California Press, July 2016, p 121
this essay of 1958 became more or less an art-manifesto for the generation American artists after Abstract Expressionism

Life, Food, Dogs, Light

“When I left Paris in 1954, I saw no art that was being 'made' like mine and returning to the U. S. I found no one 'making' art that way either. In my own work, I have never been interested in painterliness (or what I find is) a very personal handwriting, putting marks on a canvas. My work is a different way of seeing and making something and which has a different use.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

Way, Personality

“Art and work and art and life are very connected and my whole life has been absurd. There isn't a thing in my life that has happened that hasn't been extreme - personal health, family, economic situations…absurdity is the key word…”

Eva Hesse (1936–1970) German-born American sculptor

Art since 1940, strategies of being, Jonathan Fineberg, copyright Prentice Hall, Inc. 1995. ISBN 0 13 045469 9

Life, Health, Family, Personality

Quotes about art page 34

Quotes about art
page 34