Quotes about wall
page 5

“What's Wal-mart? Do they sell Walls and stuff?”

Paris Hilton (1981) American socialite

The Simple Life

“Writing in English is like throwing mud at a wall.”

Joseph Conrad (1857–1924) Polish-British writer

“Colleges typically did not tell you that ninety percent of your education came after you hung the parchment on the wall. People might ask for a rebate.”

Tom Clancy book The Teeth of the Tiger

Source: The Teeth of the Tiger

People, Education

“Stupidity is like bumping into a wall all the time. After a while you get tired of it and try to look the situation over and see if there’s a doorway somewhere. I think most people eventually do look for the doorway and stop bumping into the wall”

Robert Anton Wilson (1932–2007) American author and polymath

People, Stupidity, Thinking, Time

“All the pictures on the walls, they all white as lilies and smiling like alligators.”

Charlaine Harris book Living Dead in Dallas

Source: Living Dead in Dallas

Smile

“My tea's gone cold, I'm wondering why I got out of bed at all
the morning rain clouds up my window and I can't see at all
And even if I could it'd all be grey, but your picture on my wall
it reminds me that it's not so bad
it's not so bad”

Dido (1971) English singer-songwriter

Thank You
Song lyrics, No Angel (1999)

Tea

“The CDO was, in effect, a credit laundering service for the residents of Lower Middle Class America. For Wall Street it was a machine that turned lead into gold.”

Michael Lewis book The Big Short

Source: The Big Short (2010), Chapter Three, " How Can A Guy Who Can't Speak English Lie?", p. 73

“The sublime is to approach the subject or wall with an attitude that is grand, noble, and in no way petty..”

Maurice Denis (1870–1943) French painter

Quote, 1922; from Bouillon 2006, p. 89; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [35] 1921 and later

Way

“Far down the street I saw the building where Vera lived. Hanging from the wall, like a man crucified, was the bed.”

John Fante book Ask the Dust

Source: Ask the Dust (1939), Chapter Twelve

“He had gone to church and brought back this little flame and had nowhere to put it on the dark damp walls of the apartment, so it had flickered and gone out. And he realised that he wouldn't always be able to produce this flame.”

John Updike book Rabbit, Run

Rabbit, Run (1960)

“The 'establishment of religion' clause of the First Amendment means at least this: Neither a state nor the Federal Government can set up a church. Neither can pass laws which aid one religion, aid all religions or prefer one religion over another. Neither can force nor influence a person to go to or to remain away from church against his will or force him to profess a belief or disbelief in any religion. No person can be punished for entertaining or professing religious beliefs or disbeliefs, for church attendance or non-attendance. No tax in any amount, large or small, can be levied to support any religious activities or institutions, whatever they may be called, or whatever form they may adopt to teach or practice religion. Neither a state nor the Federal Government can, openly or secretly, participate in the affairs of any religious organizations or groups and vice versa. In the words of Jefferson, the clause against establishment of religion by law was intended to erect 'a wall of separation between Church and State.”

Hugo Black (1886–1971) U.S. Supreme Court justice

Writing for the court, Everson v. Board of Education, 330 U.S. 1 (1947).

Religion, Law, Support, Personality

“The little hen poked her head up from the hole she had dug and looked at the crowing rooster. She thoughtfully looked from the rooster in the window sill to the high row of nests that rose against the end wall of the hen house. She started to dig again, but then she hurried through the loose straw to the nests. The time had come to lay an egg.”

Meindert DeJong book Along Came a Dog

Along Came a Dog (1958)

Time, Housing

“I've always wanted to invest. That’s why I started working on Wall Street in the first place, back in 1986 when I went through the Salomon Brothers training program. My move to investing was delayed in part because I just loved what I was doing. I took a step back and said, ‘If I don’t do this now, I never will.”

Mary Meeker (1959) American venture capitalist and securities analyst

Forbes: "Mary Meeker: New Job, But Still Queen of the 'Net" https://www.forbes.com/sites/ericsavitz/2012/07/19/mary-meeker-new-job-but-still-queen-of-the-net/#571d2644119a (19 July 2012)

Love, Parting, Training

“We lived in a large wooden house, with one room succeeding another [Zadkine, recalling in this quote his childhood's days in Smolensk, Russia]. The house was at the end of a blind alley. On one side were a beautiful garden and an orchard. In the summer there was an atmosphere of fragrance and peace. A large room with three windows looked out into the courtyard. Bookshelves along the walls with books and more books; a black table and six ugly Viennese chairs, also black, and in the center of the bare, inhospitable table, a sort of vase in coloured plaster representing a hand holding a goblet. It was the only piece of sculpture in the house!”

Ossip Zadkine (1890–1967) French sculptor

As quoted in: 'The artist, his life and his epoch' (excerpt), Ionel Jianou, 1964; for the Zadkine Research Center https://www.zadkine.com/writing 1960 - 1968

Books, Peace, Beauty, Quotes

“The signs on Bell’s door read “J. Bell” and “M. Bell.” I knocked and was invited in by Bell. He looked about the same as he had the last time I saw him, a couple of years ago. He has long, neatly combed red hair and a pointed beard, which give him a somewhat Shavian figura. On one wall of the office is a photograph of Bell with something that looks like a halo behind his head, and his expression in the photograph is mischievous. Theoretical physicists’ offices run the gamut from chaotic clutter to obsessive neatness; the Bells’ is somewhere in between. Bell invited me to sit down after warning me that the “visitor’s chair” tilted backward at unexpected angles. When I had mastered it, and had a chance to look around, the first thing that struck me was the absence of Mary. “Mary,” said Bell, with a note of some disbelief in his voice, “has retired.” This, it turned out, had occurred not long before my visit. “She will not look at any mathematics now. I hope she comes back,” he went on almost plaintively; “I need her. We are doing several problems together.” In recent years, the Bells have been studying new quantum mechanical effects that will become relevant for the generation of particle accelerators that will perhaps succeed the LEP. Bell began his career as a professional physicist by designing accelerators, and Mary has spent her entire career in accelerator design. A couple of years ago Bell, like the rest of the members of CERN theory division, was asked to list his physics speciality. Among the more “conventional” entries in the division such as “super strings,” “weak interactions,” “cosmology,” and the like, Bell’s read “quantum engineering.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

Hope, Mathematics, Problem, Study

“The laws of the state forbid that walls abutting on public property should be more than a foot and a half thick. …Now brick walls, unless two or three bricks thick, cannot support more than one story; certainly not if they are only a foot and a half in thickness.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 17

Law, Support

“Good marriages seem to function something like a buddy system-- the people in them swim in their own waters but keep a protective eye on each other, and should the whistle blow, turn up quickly to hold each other's hand. It's more important today than ever before to know what your priorities are because life links us with more people than our hearts can hold, so men who know what they will go to the wall for, as well as for whom, are the ones whom it is nicest to be married to, presuming you're the one they have at the top of their list.”

Merle Shain (1935–1989) Canadian writer

Some Men are More Perfect Than Others (1973)

Life, Men, Marriage, People

“Patel's speech at Bahaddin College, Junagadh: "If Hyderabad does not see the writing on the wall, it goes the way Junagadh has gone. Pakistan attempted to set off Kashmir against Junagadh. When we raised the question of settlement in a democratic way, they (Pakistan) at once told us that they would consider it if we applied that policy to Kashmir. Our reply was that we would agree to Kashmir if they agreed to Hyderabad.”

Sardar Vallabhbhai Patel (1875–1950) Indian freedom fighter who forged united India

Gandhi, Rajmohan. Patel: A Life, p. 438

Way, Question

“Decoration. Very rapidly executed, at one go, spontaneously [reflection of making a mural on the site for the terrace plaza hotel in Cincinnati]. What takes a long time in my case is the work of silent reflection; it is impossible for me to predict the duration of this preparatory period. You have to keep in mind that it is by no means a matter of just doing a large picture, and though it will not be possible to paint a true mural by attacking the wall directly, in fresco, to do so will require persistence while maintaining, as much as possible, the spirit of the great tradition of mural painting. I shall have to go to Cincinnati in advance as soon as I can, to view the architecture and its environs, because otherwise I would only create an easel painting in large format.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

In a letter to Pierre Matisse, 26 January 1946; as quoted in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 70
1940 - 1960

Time, Painting

“Have you hit an obstacle that appears impenetrable? Maybe God will guide you to see something that you couldn't have seen if he'd just removed the wall.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

God, Appearance

“A world view which supports than they are by Jews (the liberals, the Wall Street people, journalists from the East Coast, lovers of black people, Hillary Clinton’s friends), we have struck quite a good deal. Trump and his friends see Israel as a forefront against the barbarians, and they are not exactly very observant.”

Yaron London (1940) Israeli journalist, actor and songwriter

Why Israel isn’t shocked by anti-Semites in White House (November 21, 2016)

People, World, Lovers, Support

“[Describing her visit to a slaughter facility in Pennsylvania] The floor was very slippery and the walls and everything else were covered with blood. Dried blood had formed a crust on the chains. I surely didn't want to fall down in all that blood and guts. The workers wore non-slip boots, yellow aprons, and helmets. It was a scene of controlled, mechanized chaos.”

Sue Coe (1951) British artist

Dead Meat, as quoted in A Plea for the Animals by Matthieu Ricard (Boulder, CO: Shambhala, 2016), p. 78 https://books.google.it/books?id=bTLuDAAAQBAJ&pg=PA78.

“I have to believe… the reason I got the part is that in their eyes I represented the character and what he’d really be like if he were alive. But the reason I represented him is that as a kid growing up I constantly thought about it. I was a bit of a loner. I used to come back home from school and then while I was kicking a ball against the wall for hours, I’d daydream about this. I really believe this shapes our lives and brings things to us. Fans like to think that there’s an element of kismet when an actor is cast as a superhero — that the actor was somehow fated to play the character. I believe that if there is such a thing that it would apply in my case. If you look at my screen test, which you can see online, you can see the dedication that I had… even in the screen test. I was so into it, that for me, it was real.”

Burt Ward (1945) American actor

Burt Ward — A Slice of SciFi Interview http://www.sliceofscifi.com/2011/04/27/burt-ward-a-slice-of-scifi-interview/ (April 27, 2011)

Fate, School, Home, Thinking

Josef Albers (1888–1976) German-American artist and educator

4 quotes from: 'The Color in my Painting'
Homage to the square' (1964)

Color, Painting, Dependency

“The window-lights, myriads and myriads,
Bloom from the walls like climbing flowers.”

Sara Teasdale (1884–1933) American writer and poet

"Evening: New York"
Flame and Shadow (1920)

Flowers, Light

“Why do I always bang my head against the wall
So sick and tired of doing, doing everything wrong”

Beef Bonanza punk rock musician in The Bones

Flatline Fever
Lyrics

“I wanted to be a poet as a child and I have a wall in my study dedicated to poetry books, all in alphabetical order, that reminds me daily of my failure.”

Colm Tóibín (1955) Irish novelist and writer

World of Colm Tóibín, writer http://www.telegraph.co.uk/culture/books/authorinterviews/9108553/World-of-Colm-Toibin-writer.html, The Daily Telegraph (27 February 2012)

Books, Failure, Study

“A writer who denies the need for structure in his work is like a squash player who claims his brilliance removes the need for a wall.”

David Baboulene (1960) UK author

The Story Book (2010)

“I heard the trailing garments of the Night
Sweep through her marble halls!
I saw her sable skirts all fringed with light
From the celestial walls!”

Henry Wadsworth Longfellow (1807–1882) American poet

Hymn to the Night, st. 1 (1839).

Light, Night

“Why do people build houses to keep the climate out, then cut holes in the walls to let it in again? I shall never understand.”

Kyril Bonfiglioli (1928–1985) British art dealer

Source: The Mortdecai Trilogy, Don't Point That Thing At Me (1972), Ch. 3.

People, Understanding, Housing

“When I was 17, I saw a program on television about African Elephants and how they were endangered at that time. It really struck a chord with me. It awoken something inside of me, a sensitivity, that had been suppressed by my schooling, family and upbringing. … Since then, that sensitivity has always been a part of me, admittedly, it was a part of me that I lost and buried away and suppressed myself in many years of self-denial and self-loathing, but that I am very happy to have regained. … I first went Vegan in 1991 or so. I had been leaning towards that type of lifestyle before I’d ever even heard the word. My own sensitivity and understanding of myself was what initially lead me in that direction. I was a vegetarian between 1987 and 1999 but then I lost my way. In 2013, I found myself outside the walls of a pig slaughterhouse in Louisville, Kentucky. The screams that I heard will haunt me forever. They were distinct, individual voices screaming out in sheer terror and pain. It woke me up.”

Mike Vallely (1970) American skateboarder and singer

"Pro Skater Mike Vallely On Being Vegan" https://www.punkglobe.com/mikevallelyinterview0816.php, interview with Punk Globe (August 2016).

Pain, School, Family, Way

“The sharp side of the knife goes away from you. Pure reason does not trump brute force but suprisingly few people know what hot peppers look like when the teacher asks if you have enough to share with everyone. Never take the lid of a pressure cooker 'to see if it's done yet'. Even if you are careful with the picric acid that won't matter if you are careless with other items next to it. Move *away* from mysterious burglar alarms. Do not append 'you moron' to exposition directed at people who have just broken into your building. 'We need to talk' is overwhelmingly unlikely to precede good news. A rough brick wall may be used to sort socks or as a backdrop for sock-art (The Neglected Art). A silent cat is Up to Something. Lungs are unsuited for many possible atmospheres, including that of London, and anything with a high content of industrial cleaners. Youth will not save you from Newton's Laws. Or Darwin's.”

James Nicoll (1961) Canadian fiction reviewer

Facebook post (2014) https://www.facebook.com/james.nicoll.927/posts/10152710405547985 2010s

People, Youth, Law, Art

“To write his views or his observations, his ideas, but not his judgments. Our judgments limit our views of things. Some enclosures, but no walls. The man who always write his judgments places before his eyes the calpe and abyla. He goes no further and creates a nec plus ultra. Thus, in the study of wisdom, many views and few judgments.”

Joseph Joubert (1754–1824) French moralist and essayist

Wisdom, Idea, Study

“The labeling of products of the Jewish state by the European Union brings back dark memories. Europe should be ashamed of itself. It took an immoral decision. Of the hundreds of territorial conflicts around the world, it chose to single out Israel and Israel alone, while it's fighting with its back against the wall against the wave of terror.”

Benjamín Netanyahu (1949) Israeli prime minister

As quoted in "EU: Products from West Bank and Golan cannot be labeled 'from Israel'" http://www.cnn.com/2015/11/11/europe/eu-labeling-israel-territories/ (11 November 2015), by Don Melvin and Oren Liebermann, CNN, State of Georgia: Cable News Network. 2010s, 2015

World, Decision, Memory, Fight

“What picture of American society is likely to be imprinted on the consciousness of average Europeans? Given what they read or hear every day from intellectuals and politicians, they can hardly have any choice in the unpleasant particulars, especially if they happen to be French. The picture repeatedly sketched for them is as follows: American society is entirely ruled by money. No other value, whether familial, moral, religious, civic, cultural, professional, or ethical has any potency in itself. Everything in America is a commodity, regarded and used exclusively for its material value. A person is judged solely by the worth of his bank account. Every U. S. President has been in the pockets of the oil companies, the military-industrial complex, the agricultural lobby, or the financial manipulators of Wall Street. America is the "jungle" par excellence of out-of-control, "savage" capitalism, where the rich are always becoming richer and fewer, while the poor are becoming poorer and more numerous. Poverty is the dominant social reality in America. Hordes of famished indigents are everywhere, while luxurious chauffeured limousines with darkened windows glide through the urban wilderness.”

Jean-François Revel (1924–2006) French writer and philosopher

2000s, Europe's Anti-American Obsession (2003)

Money, Family, Reality, Reading

“The breath coming out of your chest
Turns into a dark cloud
And stands like a wall
In front of your eyes”

Mehdi Akhavan-Sales (1928–1990) Iranian poet

Cited in: Newsweek (2009). Vol. 153-154. p. 548

“Stout men, not stout walls, make a well-held city.”

Andre Norton (1912–2005) American writer of science fiction and fantasy

Source: Dragon Magic (1972), Chapter 5, “Shui Mien Lung—Slumbering Dragon” (p. 158)

Men

“Kafka could never have written as he did had he lived in a house. His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he’d never have written a word.”

Alan Bennett (1934) English actor, author

Diary entry for June 27, 1988, p. 177.
Writing Home (1994)

Life, Housing

“What had he been taught? For the social good, you must be your own policeman and witness. You must assume responsibility for any crime which might conceivably be yours.
The face of the informer stared impassively at him. It was Barrent’s own face, reflected back from a mirror on the wall.”

Robert Sheckley book The Status Civilization

Source: The Status Civilization (1960), Chapter 29 (p. 123)

“The writings on the wall at North Point
Speak to a silent room
They shut the bars down, leave you to the gloom…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Islands (1987)

“I am not meet for petty men, the book a boss:
They saw not Arthur's virtue beyond the Fort of Glasses.
Three score centuries of men stationed on the wall:
to speak with its sentinel was not easy.
Three fulnesses of Prydwen we went with Arthur,
Save for seven none came up from Fort Hindrance.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Spoils of Annwn

Men, Books

“Too many Oregonians know the heartbreak of a jobless economic recovery. To create new, high-paying jobs, we need investment in Main Street as well as Wall Street.”

David Wu (1955) American politician

David Wu (January 20, 2004) "Oregon Issues and the President's State of the Union." United States House of Representatives. ( Available online at 108th Congress (2003-2004) http://www.house.gov/wu/floor_speeches.shtml)

“The laurel-tree grew large and strong,
Its roots went searching deeply down;
It split the marble walls of Wrong,
And blossomed o'er the Despot's crown.”

Richard Henry Horne (1802–1884) English poet and critic

The Laurel Seed; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 439.

Search, Tree, Strong

“Somewhere "out there," beyond the walls of the courthouse, run currents and tides of public opinion which lap at the courtroom door.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

Address at Suffolk University Law School; quoted in The New York Times (17 April 1986).
Books, articles, and speeches

“I remain detached and distant, but it is under my eyes and my orders that the work of art must create itself [Klein directed on 9 March 1960 for the first time nude models who were painting the walls with their moving naked bodies, he called this "Anthropometry"]. Then, when the creation starts, I stand there, present at the ceremony, immaculate, calm, relaxed, perfectly aware of what is going on and ready to welcome the work of art that is coming into existence in the tangible world... Hours of preparation for something that is executed, with extreme precision, in a few minutes. Just as with a judo throw.”

Yves Klein (1928–1962) French artist

In 1960; pp. 55-57
1960 -1964, "Yves Klein, 1928 – 1962, Selected Writings"

World, Art, Distant, Time

“It was, I saw, a flat to get out of rather than one to stay in. It was a machine for eating and sleeping in, a suitable dwelling place for a working woman, whose main interest is in her work. I disliked this version of myself, which seemed to negate my other activities, reduced them to after-hours amusements, whereas I had always thought them pretty central. These mute, white walls had been silent witnesses to many encounters; nevertheless, they withheld comment, and their very withholding struck me as unfriendly. Unheimlich was the word which came to mind when I stood on the threshold of my bedroom.”

Anita Brookner (1928–2016) British novelist and art historian.

A Friend From England (1987)

Sleep

“It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the times to run away tho the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch?
And now I know. It's because you have no choice.”

Suzanne Collins (1962) American television writer and novelist

Katniss Everdeen, pp. 347-348
The Hunger Games trilogy, The Hunger Games (2008)

Love, Home, Tree, Time

“There's thieves among us
Painting the walls
All kinds of lies, and lies
I never told it all”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Thieves".
Volume Two (2010)

Painting

“She realized now that she knew little about people outside the courts of Nabban and Erkynland, although she had always thought herself a shrewd judge of humanity. However, it was a larger and much more complicated world on the other side of the castle walls than she had ever suspected.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, To Green Angel Tower (1993), Part 1, Chapter 13, “The Nest Builders” (p. 406).

People, World

“My idea of painting was that those yellow squares, being put on the wall as delineating a virtual square or rectangle, were involving the wall itself within the piece and, in this sense, compared to what is usually a work of art, a painting, this piece was somehow reversing the usual terms of the esthetic proposition. Usually, you see the painting and you ignore the wall. Here you had the wall coming through the painting — and the painting itself, the painted pieces, become a standpoint to make the wall appear.”

Robert Barry (1936) American artist

Robert Barry (1980) in: Alexander Alberro (2003). Conceptual Art and the Politics of Publicity. Alberro noted: "Barry has since discussed the way in which this painting accented the structural support..."

Art, Idea, Sense, Appearance

“Ron Paul: What's happening is, there's transfer of wealth from the poor and the middle class to the wealthy. This comes about because of the monetary system that we have. When you inflate a currency or destroy a currency, the middle class gets wiped out. So the people who get to use the money first which is created by the Federal Reserve system benefit. So the money gravitates to the banks and to Wall Street. That's why you have more billionaires than ever before. Today, this country is in the middle of a recession for a lot of people… As long as we live beyond our means we are destined to live beneath our means. And we have lived beyond our means because we are financing a foreign policy that is so extravagant and beyond what we can control, as well as the spending here at home. And we're depending on the creation of money out of thin air, which is nothing more than debasement of the currency. It's counterfeit… So, if you want a healthy economy, you have to study monetary theory and figure out why it is that we're suffering. And everybody doesn't suffer equally, or this wouldn't be so bad. It's always the poor people -- those who are on retired incomes -- that suffer the most. But the politicians and those who get to use the money first, like the military industrial complex, they make a lot of money and they benefit from it.
John McCain: Everybody is paying taxes and wealth creates wealth. And the fact is that I would commend to your reading, Ron, "Wealth of Nations," because that's what this is all about. A vibrant economy creates wealth. People pay taxes. Revenues are at an all time high.”

Ron Paul (1935) American politician and physician

GOP debate, Dearborn, Michigan, October 9, 2007 http://www.freep.com/apps/pbcs.dll/article?AID=/20071009/NEWS02/71009073 2000s, 2006-2009

Money, People, Home, Study

“The resources would have to come from that absurd wall project. The city was too big to surround effectively. The project could not be justified. It was a tool for transferring the wealth of the state to a few individuals.”

Glen Cook Dreams of Steel

Source: Dreams of Steel (1990), Chapter 29 (p. 332)

Wealth

“And I live with the dead – my mother, my sister [Sophie], my grandfather, my father [who died in 1889, when Munch was in France]... Every day is the same – my friends have stopped coming – their laughter disturbs me, tortures me.... my daily walk round the old castle becomes shorter and shorter, it tires me more and more to take walks. The fire in the fireplace is my only friend – the time I spend sitting in front of the fireplace gets longer and longer.... at its worst I lean my head against the fireplace overwhelmed by the sudden urge – Kill yourself and then it’s all over. Why live? I light the candle – my huge shadow springs across half the wall, clear up to the ceiling and in the mirror over the fireplace I see the face of my own ghost.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

a note from Saint Cloud, 1898; as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 115
1896 - 1930

Spring, Sister, Laughter, Light

“I'm not an "American First" (and maybe because I read science fiction) I'm a "Terran First". I'm a human being first. And I have this sympathy for other human beings no matter what side of the giant ice wall they happen to be born on.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

At Tuscon 43 http://dndjourneyofthefifthedition.podbean.com/e/tuscon-43-an-hour-with-george-r-r-martin/ (2016)

Science, Reading

“The harp that once through Tara's halls
The soul of music shed,
Now hangs as mute on Tara's walls
As if that soul were fled.
So sleeps the pride of former days,
So glory's thrill is o'er;
And hearts that once beat high for praise
Now feel that pulse no more.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Harp That Once Through Tara's Halls, st. 1. Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Music, Feeling, Soul, Sleep

“This mighty wall of four score miles in length is only exceeded by the Chinese wall, which makes a considerable figure upon the terrestrial globe, and may be discerned at the moon.”

William Stukeley (1687–1765) English antiquarian

Private letter published in The Family Memoirs of the Rev. William Stukeley (1887) Vol. 3, p. 142. (1754).

“One long-past innocent day, in my prefolly youth, I came upon a statement in an undistinguished textbook on psychiatry that, as when Kant read Hume, woke me forever from my garden-of-eden slumber. "The psychotic does not merely think he sees four blue bivalves with floppy wings wandering up the wall; he does see them. An hallucination is not, strictly speaking, manufactured in the brain; it is received by the brain, like any 'real' sense datum, and the patient act in response to this to-him-very-real perception of reality in as logical a way as we do to our sense data. In any way to suppose he only 'thinks he sees it' is to misunderstand totally the experience of psychosis."”

Philip K. Dick (1928–1982) American author

"Drugs, Hallucinations, and the Quest for Reality" (1964) quoting an unknown psychiatric text, reprinted in The Shifting Realities of Philip K. Dick (1995) Lawrence Sutin, ed.

Youth, Way, Thinking, Reality

“Each footstep taken in this society bristles with privileges, and is marked with a bloodstain; each turn of the government machinery grinds the tumbling, gasping flesh of the poor; and tears are running from everywhere in the impenetrable night of suffering. Facing these endless murders and continuous tortures, what's the meaning of society, this crumbling wall, this collapsing staircase?”

Octave Mirbeau (1848–1917) French journalist, art critic, travel writer, pamphleteer, novelist, and playwright

Tear, Suffering, Night

“Look at the ivy on the cold clinging wall
Look at the flowers and the green grass so tall
It's not a matter of when push comes to shove
It's just an hour on the wings of a dove.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Warm Love
Song lyrics, Hard Nose the Highway (1973)

Flowers, Grass

“Novelist Michael Crichton wrote Jurassic Park as a screenplay option for the Steven Spielberg flick. I am ambiguous about Crichton’s body of work, as it includes dubious anti-scientific elements. But I can’t be too upset about a fellow who includes me in the acknowledgements of his bestselling novel. I ended up doing some preliminary studies of Tyrannosaurus and Deinonychus for the movie(s). These were significantly altered by Spielberg and Stan Winston and his effects team for copyright purposes. In the film, some of my skeletals show up posted on Sam Neill's (ak. a. Dr. Grant's) trailer wall. I was accidentally responsible for the avian term 'raptor' being improperly applied to dromaeosaurs. In another Hunteria paper and PDW, I synonymized Deinonychus with Velociraptor, which Crichton picked up on and shortened into the convenient handle 'raptor'. The movie was okay, but I will never forgive them for presenting Brachiosaurus as such a heavy limbed clunker. I had nothing to do with that. I thought it was too bad the potentially omnivorous brachiosaurs – which were unlikely to have been as placid as cattle – missed the opportunity to snarf up the bratty kids when they were up in the tree.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Autobiography, part IV http://gspauldino.com/part4.html, gspauldino.com

Forgiveness, Tree, Study

“The relevance of canonicity has nothing to do with the notion of codified establishments of hierarchical judgment (for which it typically attracts revisionist hostility). Instead, canonicity is important as the capacity to permit vibrant reading relationships to works from the past. … Whatever else the canon may do, its primary function has been the preservation of the reception of literature across periodic borders, thereby calling into question the significance of those borders or the fetishism of contexts. The canon tunnels under the Berlin Wall that periodizers erect between literary regimes. As a fundamental level, therefore, periodization stands at odds with canonicity. Canonicity maintains, cultivates, and develops community over time and across generations; periodization breaks up that identity and suppresses the historical continuities through a strategy of temporal separation.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 19.

Hostility, Communication, Literature, Question

“Had another dream about the lions at the door
They were not half as frightening as they were before
But I'm thinking about eternity
Some kind'a ecstasy's got a hold on me
Walls, windows, trees, waves coming through
You be in me I'll be in you
Together in eternity
Some kind'a ecstasy's got a hold on me
Up among the firs where it smells so sweet
Or down in the valley were the river used to be
I got my mind on eternity
Some kind'a ecstasy's got a hold on me, and I'm
Wondering where the lions are and I'm
Wondering where the lions are…”

Bruce Cockburn (1945) Canadian folk/rock guitarist and singer-songwriter

Wondering Where the Lions Are, Track 6 (See also:Ottawa Valley and Algonquin Park)
Dancing in the Dragon's Jaws (1979)

Dreams, Thinking, Tree

“The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Sleep, Sun, Sea, Night

“… Then you start building things like the Berlin wall to keep people inside your community. In anthropological terms, that's tribalism. A tribal Perl programmer might say, "If you leave the Perl tribe to go and join the Python tribe, we will hunt you down, cook you, and eat you." Or if you join the Ruby tribe, you will explode. By and large, I am not in favor of tribalism. Except for my tribe, of course.”

Larry Wall (1954) American computer programmer and author, creator of Perl

ibid.
Other

People, Communication, Cooking

“Politics, the crooked timber of our communal lives, dominates everything because, in the end, everything — high and low and, most especially, high — lives or dies by politics. You can have the most advanced and efflorescent of cultures. Get your politics wrong, however, and everything stands to be swept away. This is not ancient history. This is Germany 1933. […] Politics is the moat, the walls, beyond which lie the barbarians. Fail to keep them at bay, and everything burns.”

Charles Krauthammer (1950–2018) American journalist

Introduction
2010s, 2013, Things That Matter: Three Decades of Passions, Pastimes and Politics (2013)

Lie, History, Communication

“Headmaster: Mark my words, when a society has to resort to the lavatory for its humour, the writing is on the wall.”

Alan Bennett Forty Years On

Act 2, p. 80.
Forty Years On (1972)

“Architecture as the wall between the inside and the outside becomes the spatial record of this resolution and its drama. And by recognizing the difference between the inside and the outside, architecture opens the door once again to an urbanistic point of view.”

Robert Venturi book Complexity and Contradiction in Architecture

9. The Inside and the Outside
Complexity and Contradiction in Architecture (1966)

“The Democratic Party, whatever that is, lacks a vision or an ideology. But many people have said this. Why? That is because it is a conglomeration of mutually exclusive parts. It contains a large part of the American working class, which has suffered greatly since the Great Recession began. But it also contains a lot of Wall Street people and well-to-do people, and new technologists. What policies is going to unite these people? It's hard to find a unifying theme among them, other than they don’t want the Republicans in power. Now, that often gets you fairly far, but it doesn't allow you to govern very effectively.”

Eric Foner (1943) American historian

"How Radical Change Occurs: An Interview With Historian Eric Foner" http://www.thenation.com/article/how-radical-change-occurs-interview-historian-eric-foner/ (3 February 2015), by Mike Konczal, The Nation 2010s

People, Suffering, Parting

““We don’t go to Fort Chicago,” said Ta-Kumsaw. “We go to the holy place.”
“A church?” asked Alvin.
Ta-Kumsaw laughed. “You White people, when you make a place holy you build walls so nothing of the land can get in. Your god is nothing and nowhere, so you build a church with nothing alive inside, a church that could be anywhere, it doesn’t matter—nothing and nowhere.”
“Well what does make a place holy?” asked Alvin.
“Because that’s where the Red man talks to the land, and the land answers.””

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Red Prophet (1988), Chapter 7.

God, People

“He replaced the gray of the walls with a darker shade by closing his eyes. It felt good to shut out some of the light. Not all, but just some. Just enough so there was a gray without images or threatening corners. Not the blackness that gives birth to those sudden flashes of stinging light that slashes your eyes, or the velvety darkness that thickens and become animated and flows and somehow moves around and over you. Just a soothing gray. Nothing to see.”

Hubert Selby Jr. book The Room

The Room (1971)

Birth, Light, Animals

“A boy is born in hard time Mississippi,
Surrounded by four walls that ain't so pretty,
His parents give him love and affection,
To keep him strong, moving in the right direction,
Living just enough, just enough for the city.”

Stevie Wonder (1950) American musician

Living For The City
Song lyrics, Innervisions (1973)

Love, Boy, Parent, Strong

“Right now I could take you in my jeep for a ride of any 25 miles through the streets of Hamburg and pay you dollar for every undamaged house you could point out. I don’t believe I would lose a five dollar bill in doing so. There is acre after acre of nothing but bricks and rubble. Particularly in the port and manufacturing area do you see nothing but twisted steel and shattered walls and broken bricks.”

Bill Downs (1914–1978) American journalist

Broadcast from liberated Hamburg (1945)

Housing

“It is a secret but I have pulled the chain out of the wall. I can see out the little window all I like.”

Richard Matheson (1926–2013) American fiction writer

Born of Man and Woman (1950)

Secret

“As for principles of law, he should know those which are necessary in the case of buildings having party walls, with regard to water dripping from the eaves, and also the laws about drains, windows, and water supply. And other things of this sort should be known to architects, so that… they may be careful not to leave disputed points for the householders to settle after the works are finished, and so that in drawing up contracts the interests of both employer and contractor may be wisely safe-guarded.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 10

Law, Water, Drawing

“The harvest of your Summer [1910] is displayed on our walls. I like some of them terrifically. The 'certainty' with which most of it is done makes me feel ashamed of myself. The thousand steps that I need to take for a picture are of no advantage, as I sometimes foolishly used to think. Things must change.”

Franz Marc (1880–1916) German painter

In a letter to August Macke, Nov. 1910; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 128
Franz Marc is reacting on Macke who focused in his exhibited works strongly on the independent power of color
1905 - 1910

Feeling, Thinking, Change, Summer

“We are going to build a great border wall to stop illegal immigration, to stop the gangs and the violence, and to stop the drugs from pouring into our communities.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, July, (21 July 2016)

Communication

“Propaganda must be total. The propagandist must utilize all of the technical means at his disposal — the press, radio, TV, movies, posters, meetings, door-to-door canvassing. Modern propaganda must utilize all of these media. There is no propaganda as long as one makes use, in sporadic fashion and at random, of a newspaper article here, a poster or a radio program there, organizes a few meetings and lectures, writes a few slogans on walls: that is not propaganda.”

Jacques Ellul book Propaganda: The Formation of Men's Attitudes

Vintage, p. 9
Propaganda: The Formation of Men's Attitudes (1965)

Fashion

“When a strong central authority protects borders and reduces internal crime, people have little need for fortified dwellings, although the rulers may build walls and towers to define legitimate residents and defend the country against external threats. When central authority breaks down, however, individuals are more likely to fortify their homes. The presence of castles in the landscape indicates a decline in stability and peace.”

Marilyn Stokstad (1929–2016) art historian

Overview: Castles in Context
Medieval castles (2005)

People, Peace, Home, Strong

“On a mellow evening in September, I was coming from the garden with a heavy basket of apples which I had been gathering. It had got dusk, and the moon looked over the high wall of the court, causing undefined shadows to lurk in the corners of the numerous projecting portions of the building. I set my burden on the house steps by the kitchen door, and lingered to rest, and draw in a few more breaths of the soft, sweet air; my eyes were on the moon, and my back to the entrance, when I heard a voice behind me say”

Emily Brontë book Wuthering Heights

Nelly Dean (Ch. X).
Wuthering Heights (1847)

Drawing, Housing

“At this season of the year we draw close to Good Friday. All the eyes of the world will turn back to "a green hill far away, without a city wall," where the founder of Christianity was crucified by those forces of selfishness, greed, and lust for gain that are still at work in the world. It seems to me that unless we do something in Canada about the question of the export of war materials there will be another crucifixion - the crucifixion of a generation of young men, crucified upon a cross of nickel.”

Tommy Douglas (1904–1986) Scottish-born Canadian politician

Debate, House of Commons, Ottawa, Ontario, April 3, 1939.

Men, War, World, Question

“Revenge is good. I think revenge is healthy too, and if you can use music in that way, a sort of therapeutic way for yourself, it can't do any harm. So if King (For A Day…Fool For A Lifetime) is angry in any way, it's angry in a random, chaotic, healthy way. Like the guy who goes into a building, shoots a bunch of holes in the wall and then leaves. He didn't kill anybody.”

Mike Patton (1968) American singer

"Faith No More" - (CMJ New Music Monthly, April 1995)

Fools, Music, Way, Guy

“A good book is never exhausted. It goes on whispering to you from the wall.”

Anatole Broyard (1920–1990) American literary critic

‘About Books, Recoiling, Rereading, Retelling’, New York Times, February 22, 1987.

Books

“6 A wall is called isodomum when all the courses are of equal height; pseudisodomum, when the rows of courses do not match but run unequally. Both kinds are strong: first, because the rubble itself is of close texture and solid, unable to suck the moisture out of the mortar, but keeping it in its moist condition for a very long period; secondly, because the beds of the stones, being laid smooth and level to begin with, keep the mortar from falling, and, as they are bonded throughout the entire thickness of the wall, they hold together for a very long period.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 6

Strong

“Behind her chair, from a wall covered in a very expensive velvet-flock paper, a portrait of her grandfather looked down. He had been an Episcopalian bishop, but the picture showed him in the costume of a New England gentleman keeping up the Old English custom of riding to hounds: red coat, brown boots, distinguished with a white dog-collar and black silk front.
Hugh referred to him as being dressed to kill.
The salad was replaced—though Hugh had sampled only a mouthful of his—by a dish of cold fish with mayonnaise. He didn’t even touch this course. He was suddenly afraid of it because it had come from the sea.”

John Brunner book The Sheep Look Up

February “DISGRACE”
The Sheep Look Up (1972)

Dogs, Fish, Sea

“One I have loved, uneluding, dearly possessed,
Two I have wooed, by greater praise be they blessed –
Three, yea, and four, with fortune lavish of gold,
Five maidens I've won their white flesh fair to behold,
And six more bright than the sun on my city's strong walls
With never a treacherous rede to blemish delight;
Seven by heaven! though hardly won was the fight –
Yea eight of whom I have sung: but to bridle the tongue
Lest heedless a careless word slip – the teeth they are strong!”

Hywel ab Owain Gwynedd poet

Keueisy vun dunn diwyrnawd;
keueisy dwy, handid mwy eu molawd;
keueisy deir a pheddir a phawd;
keueisy bymp o rei gwymp eu gwyngnawd;
keueisy chwech heb odech pechawd;
gwen glaer uch gwengaer yt ym daerhawd;
keueisy sseith ac ef gweith gordygnawd;
keueisy wyth yn hal pwyth peth or wawd yr geint;
ys da deint rac tauaed.
"Gorhoffedd" (The Boast), line 75; translation from Robert Gurney Bardic Heritage (London: Chatto & Windus, 1969) p. 41.

Love, Strong, Sun, Fight

“But at some point, you know that— you know what poem keeps going through my mind is, "first they came for the Jews." People, all of us, are like, "Well, this news doesn't really affect me." "Well, I'm not a bondholder." "Well, I'm not in the banking industry." "Well, I'm not a big CEO." "Well, I'm not on Wall Street." "Well, I'm not a car dealer." "I'm not an auto worker."”

Glenn Beck (1964) U.S. talk radio and television host

Gang, at some point, they're going to come for you!
The Glenn Beck Program
Premiere Radio Networks
2009-06-10
Beck compares car dealership closures to Nazis; warns "Gang, at some point, they're going to come for you"
Media Matters for America
2009-06-10
http://mediamatters.org/mmtv/200906100012
2000s, 2009

People, Cars

“Stand us against a wall and shoot us, well and good, you are victors. But why should I be brought before a Tribunal like a c-c-c-… I can't even get the word [criminal] out!”

Robert Ley (1890–1945) Nazi politician

To G.M. Gilbert. Quoted in Albert Speer: His Battle With Truth - Page 573 - by Gitta Sereny - History - 1996

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Pain, War, Feeling, Idea

“The width of a line may present the idea of infinity. An epigram may contain a world. In the same way, a small picture format may be much more living, much more leavening, stirring, awakening, than square yards of wall space.”

Hans Hofmann (1880–1966) American artist

As quoted in Abstract Expressionist Painting in America (1983) by W.C, Seitz, p. 88
1970s and later

World, Way, Idea

“Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.”

Robert Frost (1874–1963) American poet

" The Cow in Apple-Time http://www.poemhunter.com/poem/cow-in-apple-time-the/" 1910s

Fools, Thinking

“Instead of celebrating the richness of our diverse cultures, our distinguishing features became cruel dividing walls to keep us apart in ministering to the affairs of our common home.”

Vijay R. Singh (1931–2006) Fijian politician

Speaking Out (2006)

Home

“Of the range of images in Upper Paleolithic art, the most arresting are the therianthropes. There are not many… but they seize the imagination. The most famous is the so-called sorcerer… In a manner unusual for Upper Paleolithic images, the sorcerer is staring directly out of the wall, a full-face stare that transfixes the spectator.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Art, Imagination

“The barbed wire that encircled us like a wall did not fill us with real fear. In fact, we felt this was not a bad thing: we were entirely among ourselves. A small Jewish republic…”

Elie Wiesel book Night

Night (1960)

Fear

““I Critic am. Critics follow Festival for many lifetimes. We come to Criticize. First want I to know, am I Criticizing sapients? Or is just puppet show on cave wall of reality? Zombies or zimboes? Shadows of mind? Amusements for Eschaton?
A shiver ran up and down Burya’s spine. “I think I’m sapient,” he said cautiously. “Of course, I’d say that even if I wasn’t, wouldn’t I? Your question is unanswerable. So why ask it?”
Sister Seventh leaned forward. “None of your people ask anything,” she hissed. “Food, yes. Guns, yes. Wisdom? No. Am beginning think you not aware of selves, ask nothing.””

Charles Stross book Singularity Sky

Source: Singularity Sky (2003), Chapter 6, “Telegram from the Dead” (p. 143)

Wisdom, People, Food, Question

“After a time the minute colourless particles which are imbedded in the flowing protoplasm are drawn towards and unite with the aggregated masses; so that the protoplasm on the walls being now rendered quite transparent is no longer visible, though some is still present, and still flows, as may be inferred from the occasional transport of particles in the cell-sap.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

"The action of carbonate of ammonia on chlorophyll-bodies" Journal of the Linnean Society of London (Botany) (read 6 March 1882) volume 19, pages 262-284, at page 262 http://darwin-online.org.uk/content/frameset?pageseq=1&itemID=F1801&viewtype=text Detractors sometimes claim Darwin thought that the cell was an undifferentiated mass of protoplasm. Anyone reading this paper will realize that Darwin thought no such thing. Other letters, notebooks, journal articles, recollected statements

Time

“the art-critic has provided the products of my lab with a (new) label: 'abracadabra'.... [but] one can not speak about abracadabra-ism, and that is its advantage on all –isms: it doesn't know time and limits and especially not the 'periods of time' [but] only seasons.... all -isms are dead, blown away, sprayed in the air, gone (here imagery does not fit, imagery is always wrong) - only for the 'abracadabra' is the future wall, the coming wall in the next house - how much the 'peinture' of other fabrics is curving and folding itself, polished or blown-up, it's all for nothing... We are not addressing those offspring but only the artists in this world..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): de critiek heeft de producten van mijn laboratorium voorzien van een (nieuw) etiket: abracadabra.. ..van abacadabraïsme kan men niet spreken en dat is haar voorsprong op alle ismen: het kent geen tijd en geen grenzen en vooral geen 'perioden' [maar] slechts jaargetijden.. ..alle ismen zijn dood, verwaaid, verstoven, weg (hier past beeldspraak niet, beeldspraak is altijd valsch) slechts voor het abracadabra is de toekomstige wand, de komende wand in het komende huis hoe ook de peintuur van ander maaksel zich kromt en plooit, poets of opblaast, het is al om niet.. ..wij richten ons immers niet tot deze nakomers maar uitsluitend tot de artisten op deze globe..
Quote of Werkman from his 'Proclamatie / Procamation 2. Nov. 1932, published at nr. 13, at the left border of the river Aa'; print on paper; (transl. Fons Heijnsbroek) - from the collection of Gemeentemuseum The Hague
Werkman is referring to an article by nl:Johan Dijkstra in the 'Provinciale Groninger Courant' who called Werkman's art-works 'abacadraba', but meant in a rather positive sense, because Dijkstra missed it at the exhibition of De Ploeg, Autumn 1932
1930's

World, Art, Time, Future

“Beside the garden walls,
We walk in haunts of ancient peace.
At night we rest and go to sleep
In haunts of ancient peace.
The love and light we seek,
The words we do not need to speak,
Here in this wondrous way we keep
These haunts of ancient peace.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Haunts Of Ancient Peace
Song lyrics, Common One (1980)

Love, Peace, Way, Sleep

“But in this world every thing has its evil; the dust is on the wheels of the conqueror's chariot—the silken-wrought tapestry covers the mouldering wall;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

World, Evil

“In what people irritatingly call "iconic" terms, Bin Laden certainly had no rival. The strange, scrofulous quasi-nobility and bogus spirituality of his appearance was appallingly telegenic, and it will be highly interesting to see whether this charisma survives the alternative definition of revolution that has lately transfigured the Muslim world. The most tenaciously lasting impression of all, however, is that of his sheer irrationality. What had the man thought he was doing? Ten years ago, did he expect, let alone desire, to be in a walled compound in dear little Abbottabad?…Ten years ago, I remind you, he had a gigantic influence in one rogue and failed state—Afghanistan—and was exerting an increasing force over its Pakistani neighbor. Taliban and al-Qaida sympathizers were in senior positions in the Pakistani army and nuclear program and had not yet been detected as such. Huge financial subventions flowed his way, often through official channels, from Saudi Arabia and other gulf states…. Then, not only did he run away from Afghanistan, leaving his deluded followers to be killed in very large numbers, but he chose to remain a furtive and shady figure, on whom the odds of a successful covert "hit," or bought-and-paid-for betrayal, were bound to lengthen every day…It seems thinkable that he truly believed his own mad propaganda, often adumbrated on tapes and videos, especially after the American scuttle from Somalia. The West, he maintained, was rotten with corruption and run by cabals of Jews and homosexuals. It had no will to resist. It had become feminized and cowardly. One devastating psychological blow and the rest of the edifice would gradually follow the Twin Towers in a shower of dust. Well, he and his fellow psychopaths did succeed in killing thousands in North America and Western Europe, but in the past few years, their main military triumphs have been against such targets as Afghan schoolgirls, Shiite Muslim civilians, and defenseless synagogues in Tunisia and Turkey. Has there ever been a more contemptible leader from behind, or a commander who authorized more blanket death sentences on bystanders?”

Christopher Hitchens (1949–2011) British American author and journalist

2011-05-02
http://www.slate.com/articles/news_and_politics/fighting_words/2011/05/death_of_a_madman.html
Death of a Madman
Slate
1091-2339
2010s, 2011

Death, People, World, Way

“This Nation has tossed its cap over the wall of space, and we have no choice but to follow it. Whatever the difficulties, they will be overcome. Whatever the hazards, they must be guarded against. With the vital”

John F. Kennedy (1917–1963) 35th president of the United States of America

The original anecdote from whence Kennedy derived this comparison is in An Only Child, Frank O'Connor, London: MacMillan & Co. Ltd., 1961; p. 180.
1963, President John F. Kennedy's last formal speech and public words
Context: This Nation has tossed its cap over the wall of space, and we have no choice but to follow it. Whatever the difficulties, they will be overcome. Whatever the hazards, they must be guarded against. With the vital help of this Aerospace Medical Center, with the help of all those who labor in the space endeavor, with the help and support of all Americans, we will climb this wall with safety and with speed-and we shall then explore the wonders on the other side.

Quotes about wall page 5

Quotes about wall
page 5