Quotes about wall
page 5

Paris Hilton photo

“What's Wal-mart? Do they sell Walls and stuff?”

Paris Hilton (1981) American socialite

The Simple Life

Joseph Conrad photo
Tom Clancy photo
Robert Anton Wilson photo
Charlaine Harris photo
Dido photo
Michael Lewis photo

“The CDO was, in effect, a credit laundering service for the residents of Lower Middle Class America. For Wall Street it was a machine that turned lead into gold.”

Source: The Big Short (2010), Chapter Three, " How Can A Guy Who Can't Speak English Lie?", p. 73

Maurice Denis photo

“The sublime is to approach the subject or wall with an attitude that is grand, noble, and in no way petty..”

Maurice Denis (1870–1943) French painter

Quote, 1922; from Bouillon 2006, p. 89; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [35]
1921 and later

John Fante photo
John Updike photo
Hugo Black photo
Mary Meeker photo

“I've always wanted to invest. That’s why I started working on Wall Street in the first place, back in 1986 when I went through the Salomon Brothers training program. My move to investing was delayed in part because I just loved what I was doing. I took a step back and said, ‘If I don’t do this now, I never will.”

Mary Meeker (1959) American venture capitalist and securities analyst

Forbes: "Mary Meeker: New Job, But Still Queen of the 'Net" https://www.forbes.com/sites/ericsavitz/2012/07/19/mary-meeker-new-job-but-still-queen-of-the-net/#571d2644119a (19 July 2012)

Ossip Zadkine photo

“The signs on Bell’s door read “J. Bell” and “M. Bell.” I knocked and was invited in by Bell. He looked about the same as he had the last time I saw him, a couple of years ago. He has long, neatly combed red hair and a pointed beard, which give him a somewhat Shavian figura. On one wall of the office is a photograph of Bell with something that looks like a halo behind his head, and his expression in the photograph is mischievous. Theoretical physicists’ offices run the gamut from chaotic clutter to obsessive neatness; the Bells’ is somewhere in between. Bell invited me to sit down after warning me that the “visitor’s chair” tilted backward at unexpected angles. When I had mastered it, and had a chance to look around, the first thing that struck me was the absence of Mary. “Mary,” said Bell, with a note of some disbelief in his voice, “has retired.” This, it turned out, had occurred not long before my visit. “She will not look at any mathematics now. I hope she comes back,” he went on almost plaintively; “I need her. We are doing several problems together.” In recent years, the Bells have been studying new quantum mechanical effects that will become relevant for the generation of particle accelerators that will perhaps succeed the LEP. Bell began his career as a professional physicist by designing accelerators, and Mary has spent her entire career in accelerator design. A couple of years ago Bell, like the rest of the members of CERN theory division, was asked to list his physics speciality. Among the more “conventional” entries in the division such as “super strings,” “weak interactions,” “cosmology,” and the like, Bell’s read “quantum engineering.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

Vitruvius photo
Sardar Vallabhbhai Patel photo
Joan Miró photo

“Have you hit an obstacle that appears impenetrable? Maybe God will guide you to see something that you couldn't have seen if he'd just removed the wall.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

Yaron London photo
Burt Ward photo

“But besides relatedness and influence I should like to see that my colors remain, as much as possible, a 'face' –their own 'face', as it was achieved – uniquely — and I believe consciously - in Pompeian wall-paintings - by admitting coexistence of such polarities as being dependent and independent — being dividual and individual.
Often, with paintings, more attention is drawn to the outer, physical, structure of the color means than to the inner, functional, structure of the color action... Here now follow a few details of the technical manipulation of the colorants which in my painting usually are oil paints and only rarely casein paints.
On a ground of the whitest white available – half or less absorbent – and built up in layers – on the rough side of panels of untempered Masonite – paint is applied with a palette knife directly from the tube to the panel and as thin and even as possible in one primary coat. Consequently there is no under or over painting or modeling or glazing and no added texture – so-called... As a result this kind of painting presents an inlay (intarsia) of primary thin paints films – not layered, laminated, nor mixed wet, half or more dry, paint skins.
Such homogeneous thin and primary films will dry, that is, oxidize, of course, evenly – and so without physical and/or chemical complication – to a healthy, durable paint surface of increasing luminosity.”

Josef Albers (1888–1976) German-American artist and educator

4 quotes from: 'The Color in my Painting'
Homage to the square' (1964)

Sara Teasdale photo

“The window-lights, myriads and myriads,
Bloom from the walls like climbing flowers.”

Sara Teasdale (1884–1933) American writer and poet

"Evening: New York"
Flame and Shadow (1920)

“Why do I always bang my head against the wall
So sick and tired of doing, doing everything wrong”

Beef Bonanza punk rock musician in The Bones

Flatline Fever
Lyrics

Colm Tóibín photo

“I wanted to be a poet as a child and I have a wall in my study dedicated to poetry books, all in alphabetical order, that reminds me daily of my failure.”

Colm Tóibín (1955) Irish novelist and writer

World of Colm Tóibín, writer http://www.telegraph.co.uk/culture/books/authorinterviews/9108553/World-of-Colm-Toibin-writer.html, The Daily Telegraph (27 February 2012)

David Baboulene photo
Henry Wadsworth Longfellow photo

“Why do people build houses to keep the climate out, then cut holes in the walls to let it in again? I shall never understand.”

Kyril Bonfiglioli (1928–1985) British art dealer

Source: The Mortdecai Trilogy, Don't Point That Thing At Me (1972), Ch. 3.

Mike Vallely photo
Joseph Joubert photo
Benjamín Netanyahu photo

“The labeling of products of the Jewish state by the European Union brings back dark memories. Europe should be ashamed of itself. It took an immoral decision. Of the hundreds of territorial conflicts around the world, it chose to single out Israel and Israel alone, while it's fighting with its back against the wall against the wave of terror.”

Benjamín Netanyahu (1949) Israeli prime minister

As quoted in "EU: Products from West Bank and Golan cannot be labeled 'from Israel'" http://www.cnn.com/2015/11/11/europe/eu-labeling-israel-territories/ (11 November 2015), by Don Melvin and Oren Liebermann, CNN, State of Georgia: Cable News Network.
2010s, 2015

Jean-François Revel photo
Mehdi Akhavan-Sales photo

“The breath coming out of your chest
Turns into a dark cloud
And stands like a wall
In front of your eyes”

Mehdi Akhavan-Sales (1928–1990) Iranian poet

Cited in: Newsweek (2009). Vol. 153-154. p. 548

“Stout men, not stout walls, make a well-held city.”

Andre Norton (1912–2005) American writer of science fiction and fantasy

Source: Dragon Magic (1972), Chapter 5, “Shui Mien Lung—Slumbering Dragon” (p. 158)

Alan Bennett photo
Robert Sheckley photo
Mike Oldfield photo

“The writings on the wall at North Point
Speak to a silent room
They shut the bars down, leave you to the gloom…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Islands (1987)

Taliesin photo
David Wu photo

“Too many Oregonians know the heartbreak of a jobless economic recovery. To create new, high-paying jobs, we need investment in Main Street as well as Wall Street.”

David Wu (1955) American politician

David Wu (January 20, 2004) "Oregon Issues and the President's State of the Union." United States House of Representatives. ( Available online at 108th Congress (2003-2004) http://www.house.gov/wu/floor_speeches.shtml)

Richard Henry Horne photo

“The laurel-tree grew large and strong,
Its roots went searching deeply down;
It split the marble walls of Wrong,
And blossomed o'er the Despot's crown.”

Richard Henry Horne (1802–1884) English poet and critic

The Laurel Seed; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 439.

William H. Rehnquist photo

“Somewhere "out there," beyond the walls of the courthouse, run currents and tides of public opinion which lap at the courtroom door.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

Address at Suffolk University Law School; quoted in The New York Times (17 April 1986).
Books, articles, and speeches

Yves Klein photo
Suzanne Collins photo
Zooey Deschanel photo

“There's thieves among us
Painting the walls
All kinds of lies, and lies
I never told it all”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Thieves".
Volume Two (2010)

Tad Williams photo
Ron Paul photo

“Ron Paul: What's happening is, there's transfer of wealth from the poor and the middle class to the wealthy. This comes about because of the monetary system that we have. When you inflate a currency or destroy a currency, the middle class gets wiped out. So the people who get to use the money first which is created by the Federal Reserve system benefit. So the money gravitates to the banks and to Wall Street. That's why you have more billionaires than ever before. Today, this country is in the middle of a recession for a lot of people… As long as we live beyond our means we are destined to live beneath our means. And we have lived beyond our means because we are financing a foreign policy that is so extravagant and beyond what we can control, as well as the spending here at home. And we're depending on the creation of money out of thin air, which is nothing more than debasement of the currency. It's counterfeit… So, if you want a healthy economy, you have to study monetary theory and figure out why it is that we're suffering. And everybody doesn't suffer equally, or this wouldn't be so bad. It's always the poor people -- those who are on retired incomes -- that suffer the most. But the politicians and those who get to use the money first, like the military industrial complex, they make a lot of money and they benefit from it.
John McCain: Everybody is paying taxes and wealth creates wealth. And the fact is that I would commend to your reading, Ron, "Wealth of Nations," because that's what this is all about. A vibrant economy creates wealth. People pay taxes. Revenues are at an all time high.”

Ron Paul (1935) American politician and physician

GOP debate, Dearborn, Michigan, October 9, 2007 http://www.freep.com/apps/pbcs.dll/article?AID=/20071009/NEWS02/71009073
2000s, 2006-2009

Glen Cook photo
Edvard Munch photo
George Raymond Richard Martin photo

“I'm not an "American First" (and maybe because I read science fiction) I'm a "Terran First". I'm a human being first. And I have this sympathy for other human beings no matter what side of the giant ice wall they happen to be born on.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

At Tuscon 43 http://dndjourneyofthefifthedition.podbean.com/e/tuscon-43-an-hour-with-george-r-r-martin/ (2016)

Thomas Moore photo

“The harp that once through Tara's halls
The soul of music shed,
Now hangs as mute on Tara's walls
As if that soul were fled.
So sleeps the pride of former days,
So glory's thrill is o'er;
And hearts that once beat high for praise
Now feel that pulse no more.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Harp That Once Through Tara's Halls, st. 1.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

William Stukeley photo

“This mighty wall of four score miles in length is only exceeded by the Chinese wall, which makes a considerable figure upon the terrestrial globe, and may be discerned at the moon.”

William Stukeley (1687–1765) English antiquarian

Private letter published in The Family Memoirs of the Rev. William Stukeley (1887) Vol. 3, p. 142. (1754).

Philip K. Dick photo
Octave Mirbeau photo
Van Morrison photo

“Look at the ivy on the cold clinging wall
Look at the flowers and the green grass so tall
It's not a matter of when push comes to shove
It's just an hour on the wings of a dove.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Warm Love
Song lyrics, Hard Nose the Highway (1973)

Gregory Scott Paul photo
Bruce Cockburn photo
Conrad Aiken photo
Larry Wall photo
Charles Krauthammer photo
Alan Bennett photo
Robert Venturi photo
Eric Foner photo
Orson Scott Card photo
Stevie Wonder photo
Bill Downs photo
Richard Matheson photo

“It is a secret but I have pulled the chain out of the wall. I can see out the little window all I like.”

Richard Matheson (1926–2013) American fiction writer

Born of Man and Woman (1950)

Vitruvius photo
Franz Marc photo

“The harvest of your Summer [1910] is displayed on our walls. I like some of them terrifically. The 'certainty' with which most of it is done makes me feel ashamed of myself. The thousand steps that I need to take for a picture are of no advantage, as I sometimes foolishly used to think. Things must change.”

Franz Marc (1880–1916) German painter

In a letter to August Macke, Nov. 1910; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 128
Franz Marc is reacting on Macke who focused in his exhibited works strongly on the independent power of color
1905 - 1910

Donald J. Trump photo
Jacques Ellul photo
Emily Brontë photo
Tommy Douglas photo
Mike Patton photo

“A good book is never exhausted. It goes on whispering to you from the wall.”

Anatole Broyard (1920–1990) American literary critic

‘About Books, Recoiling, Rereading, Retelling’, New York Times, February 22, 1987.

Vitruvius photo
Hywel ab Owain Gwynedd photo

“One I have loved, uneluding, dearly possessed,
Two I have wooed, by greater praise be they blessed –
Three, yea, and four, with fortune lavish of gold,
Five maidens I've won their white flesh fair to behold,
And six more bright than the sun on my city's strong walls
With never a treacherous rede to blemish delight;
Seven by heaven! though hardly won was the fight –
Yea eight of whom I have sung: but to bridle the tongue
Lest heedless a careless word slip – the teeth they are strong!”

Keueisy vun dunn diwyrnawd;
keueisy dwy, handid mwy eu molawd;
keueisy deir a pheddir a phawd;
keueisy bymp o rei gwymp eu gwyngnawd;
keueisy chwech heb odech pechawd;
gwen glaer uch gwengaer yt ym daerhawd;
keueisy sseith ac ef gweith gordygnawd;
keueisy wyth yn hal pwyth peth or wawd yr geint;
ys da deint rac tauaed.
"Gorhoffedd" (The Boast), line 75; translation from Robert Gurney Bardic Heritage (London: Chatto & Windus, 1969) p. 41.

Glenn Beck photo

“But at some point, you know that— you know what poem keeps going through my mind is, "first they came for the Jews." People, all of us, are like, "Well, this news doesn't really affect me." "Well, I'm not a bondholder." "Well, I'm not in the banking industry." "Well, I'm not a big CEO." "Well, I'm not on Wall Street." "Well, I'm not a car dealer." "I'm not an auto worker."”

Glenn Beck (1964) U.S. talk radio and television host

Gang, at some point, they're going to come for you!
The Glenn Beck Program
Premiere Radio Networks
2009-06-10
Beck compares car dealership closures to Nazis; warns "Gang, at some point, they're going to come for you"
Media Matters for America
2009-06-10
http://mediamatters.org/mmtv/200906100012
2000s, 2009

Robert Ley photo

“Stand us against a wall and shoot us, well and good, you are victors. But why should I be brought before a Tribunal like a c-c-c-… I can't even get the word [criminal] out!”

Robert Ley (1890–1945) Nazi politician

To G.M. Gilbert. Quoted in Albert Speer: His Battle With Truth - Page 573 - by Gitta Sereny - History - 1996

Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Robert Frost photo

“Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.”

Robert Frost (1874–1963) American poet

" The Cow in Apple-Time http://www.poemhunter.com/poem/cow-in-apple-time-the/"
1910s

Richard Leakey photo
Elie Wiesel photo
Charles Stross photo
Charles Darwin photo

“After a time the minute colourless particles which are imbedded in the flowing protoplasm are drawn towards and unite with the aggregated masses; so that the protoplasm on the walls being now rendered quite transparent is no longer visible, though some is still present, and still flows, as may be inferred from the occasional transport of particles in the cell-sap.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

"The action of carbonate of ammonia on chlorophyll-bodies" Journal of the Linnean Society of London (Botany) (read 6 March 1882) volume 19, pages 262-284, at page 262 http://darwin-online.org.uk/content/frameset?pageseq=1&itemID=F1801&viewtype=text
Detractors sometimes claim Darwin thought that the cell was an undifferentiated mass of protoplasm. Anyone reading this paper will realize that Darwin thought no such thing.
Other letters, notebooks, journal articles, recollected statements

Hendrik Werkman photo

“the art-critic has provided the products of my lab with a (new) label: 'abracadabra'.... [but] one can not speak about abracadabra-ism, and that is its advantage on all –isms: it doesn't know time and limits and especially not the 'periods of time' [but] only seasons.... all -isms are dead, blown away, sprayed in the air, gone (here imagery does not fit, imagery is always wrong) - only for the 'abracadabra' is the future wall, the coming wall in the next house - how much the 'peinture' of other fabrics is curving and folding itself, polished or blown-up, it's all for nothing... We are not addressing those offspring but only the artists in this world..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): de critiek heeft de producten van mijn laboratorium voorzien van een (nieuw) etiket: abracadabra.. ..van abacadabraïsme kan men niet spreken en dat is haar voorsprong op alle ismen: het kent geen tijd en geen grenzen en vooral geen 'perioden' [maar] slechts jaargetijden.. ..alle ismen zijn dood, verwaaid, verstoven, weg (hier past beeldspraak niet, beeldspraak is altijd valsch) slechts voor het abracadabra is de toekomstige wand, de komende wand in het komende huis hoe ook de peintuur van ander maaksel zich kromt en plooit, poets of opblaast, het is al om niet.. ..wij richten ons immers niet tot deze nakomers maar uitsluitend tot de artisten op deze globe..
Quote of Werkman from his 'Proclamatie / Procamation 2. Nov. 1932, published at nr. 13, at the left border of the river Aa'; print on paper; (transl. Fons Heijnsbroek) - from the collection of Gemeentemuseum The Hague
Werkman is referring to an article by nl:Johan Dijkstra in the 'Provinciale Groninger Courant' who called Werkman's art-works 'abacadraba', but meant in a rather positive sense, because Dijkstra missed it at the exhibition of De Ploeg, Autumn 1932
1930's

Van Morrison photo
Letitia Elizabeth Landon photo
Christopher Hitchens photo

“In what people irritatingly call "iconic" terms, Bin Laden certainly had no rival. The strange, scrofulous quasi-nobility and bogus spirituality of his appearance was appallingly telegenic, and it will be highly interesting to see whether this charisma survives the alternative definition of revolution that has lately transfigured the Muslim world. The most tenaciously lasting impression of all, however, is that of his sheer irrationality. What had the man thought he was doing? Ten years ago, did he expect, let alone desire, to be in a walled compound in dear little Abbottabad?…Ten years ago, I remind you, he had a gigantic influence in one rogue and failed state—Afghanistan—and was exerting an increasing force over its Pakistani neighbor. Taliban and al-Qaida sympathizers were in senior positions in the Pakistani army and nuclear program and had not yet been detected as such. Huge financial subventions flowed his way, often through official channels, from Saudi Arabia and other gulf states…. Then, not only did he run away from Afghanistan, leaving his deluded followers to be killed in very large numbers, but he chose to remain a furtive and shady figure, on whom the odds of a successful covert "hit," or bought-and-paid-for betrayal, were bound to lengthen every day…It seems thinkable that he truly believed his own mad propaganda, often adumbrated on tapes and videos, especially after the American scuttle from Somalia. The West, he maintained, was rotten with corruption and run by cabals of Jews and homosexuals. It had no will to resist. It had become feminized and cowardly. One devastating psychological blow and the rest of the edifice would gradually follow the Twin Towers in a shower of dust. Well, he and his fellow psychopaths did succeed in killing thousands in North America and Western Europe, but in the past few years, their main military triumphs have been against such targets as Afghan schoolgirls, Shiite Muslim civilians, and defenseless synagogues in Tunisia and Turkey. Has there ever been a more contemptible leader from behind, or a commander who authorized more blanket death sentences on bystanders?”

Christopher Hitchens (1949–2011) British American author and journalist

2011-05-02
http://www.slate.com/articles/news_and_politics/fighting_words/2011/05/death_of_a_madman.html
Death of a Madman
Slate
1091-2339
2010s, 2011

John F. Kennedy photo

“This Nation has tossed its cap over the wall of space, and we have no choice but to follow it. Whatever the difficulties, they will be overcome. Whatever the hazards, they must be guarded against. With the vital”

John F. Kennedy (1917–1963) 35th president of the United States of America

The original anecdote from whence Kennedy derived this comparison is in An Only Child, Frank O'Connor, London: MacMillan & Co. Ltd., 1961; p. 180.
1963, President John F. Kennedy's last formal speech and public words
Context: This Nation has tossed its cap over the wall of space, and we have no choice but to follow it. Whatever the difficulties, they will be overcome. Whatever the hazards, they must be guarded against. With the vital help of this Aerospace Medical Center, with the help of all those who labor in the space endeavor, with the help and support of all Americans, we will climb this wall with safety and with speed-and we shall then explore the wonders on the other side.