Quotes about vision
page 13

John F. Kennedy photo
Colin Wilson photo
K. R. Narayanan photo
Steve Blank photo

“A founder's skill is knowing how to recognize new patterns and to pivot on a dime. At times the pattern is noise, and the vision turns out to be a hallucination.”

Steve Blank (1953) American businessman

" Vision vs. Hallucination https://www.entrepreneur.com/article/224301/", Entrepreneur.com, 30 Aug 2012.

El Greco photo

“Anyway, I would not be happy to see a beautiful, well-proportioned woman, no matter from which point of view, however extravagant, not only lose her beauty in order to, I would say, increase in size according to the law of vision, but no longer appear beautiful, and, in fact, become monstrous.”

El Greco (1541–1614) Greek painter, sculptor and architect

Quote from the marginalia, which El Greco inscribed in his copy of Daniele Barbaro's translation of Vitruvius' De architectura; as quoted by Liane Lefaivre and Alexander Tzonis, The Emergence of Modern Architecture: A Documentary History from 1000 to 1810 https://books.google.com/books?id=4xB9k7-Neb8C&pg=PT184; Routledge, New York, 2004) p. 165

Revilo P. Oliver photo

“In the first four centuries A. D. the world was full of Gnostics peddling special revelations, and, of course, Christ was only one of the Saviors: others were Baruch, Gamaliel, Tat (= the Egyptian god Toth), Seth (Egyptian god), Balaam, Ezechiel, Adam (whose books had just been discovered), Moses, Enoch, Marsanes, Nicotheus, Phosilampes, Mithra, Zoroaster, Zervan, et al., et al. In the early centuries of our era, the Near East was a Bedlam filled with the insane ravings of fakirs peddling their Saviors and their forged Gospels, and at this distance it is impossible to tell the difference between madmen, hallucinés who got visions of god from eating the sacred mushroom, Amanita muscaria, and shysters fleecing the yokels with mystic gabble. One cannot read much of the gibberish without feeling queasy and dizzy, but for a quick survey of the stuff that our holy men want to sweep under the rug, see Jean Doresse, Les livres secrets des Gnostiques d'Égypte, Paris, 1959, which surveys the books found at Chenoboskion a few years before. The one significant thing is that the peddlers of all forms of Gnosticism (including Christian cults before the Third Century) were almost all Jews. If you will look in your Scientific American for January 1973, pp. 80-87, you will note that the author has to admit that "it becomes increasingly evident that much of Gnosticism is probably of Jewish origin." He is naturally cautious, wary of offending God's Peculiar People. Although I admit that one cannot identify the race of some of the more prominent Salvation-hucksters, I think it significant that those whom one can identify racially always turn out to be Jews, and I would delete "much of" and "probably" in the author's statement.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Jonah Goldberg photo
Calvin Coolidge photo

“It was so flat, you know, you could see the curves of the earth. And when a train came into vision at nine o'clock in the morning, it was still leaving at noon.... it took that long to get across the prairie.”

Agnes Martin (1912–2004) American artist

In Mary Lance's intimate documentary 'With My Back to the World' (2002)
Martin's quote about the landscape of her youth in Macklin, Saskatchewan, where her parents Malcolm and Margaret Martin farmed the vast, sometimes hard land
after 2000

Pope Benedict XVI photo
Sri Aurobindo photo
Northrop Frye photo
John P. Kotter photo
Mani Madhava Chakyar photo
Francis Jeffrey, Lord Jeffrey photo
Umberto Eco photo

“There is only one thing that arouses animals more than pleasure, and that is pain. Under torture you are as if under the dominion of those grasses that produce visions. Everything you have heard told, everything you have read returns to your mind, as if you were being transported, not toward heaven, but towards hell. Under torture you say not only what the inquisitor wants, but also what you imagine might please him, because a bond (this, truly, diabolical) is established between you and him.”

William of Baskerville http://books.google.com/books?id=XY2vXKsHbzIC&q="There+is+only+one+thing+that+arouses+animals+more+than+pleasure+and+that+is+pain+Under+torture+you+are+as+if+under+the+dominion+of+those+grasses+that+produce+visions+Everything+you+have+heard+told+everything+you+have+read+returns+to+your+mind+as+if+you+were+being+transported+not+toward+heaven+but+towards+helll+Under+torture+you+say+not+only+what+the+inquisitor+wants+but+also+what+you+imagine+might+please+him+because+a+bond+this+truly+diabolical+is+established+between+you+and+him"&pg=PA73#v=onepage
The Name of the Rose (1980)

Gary Snyder photo

“As a poet I hold the most archaic values on earth. They go back to the upper Paleolithic: the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.”

Gary Snyder (1930) American poet

"Statement for the Paterson Society" (1961), as quoted in David Kherdian, Six Poets of the San Francisco Renaissance: Portraits and Checklists (1967), p. 52. Snyder repeated the first part of this quote (up to "… common work of the tribe.") in the introduction to the revised edition of Gary Snyder, Myths & Texts (1978), p. viii.

Perry Anderson photo
Nathalie Kosciusko-Morizet photo
Don DeLillo photo

“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."”

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

Bram van Velde photo

“Painting is getting in touch with the truth. It's a matter of summoning up the vision I need.”

Bram van Velde (1895–1981) Dutch painter

1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Eliezer Yudkowsky photo
Tanith Lee photo
Sri Aurobindo photo

“No doubt, hatred and cursing are not the proper attitude. It is true also that to look upon all things and all people with a calm and clear vision, to be uninvolved and impartial in one's judgments is a quite proper yogic attitude. A condition of perfect samata [equanimity] can be established in which one sees all as equal, friends and enemies included, and is not disturbed by what men do or by what happens. The question is whether this is all that is demanded from us. If so, then the general attitude will be of a neutral indifference to everything. But the Gita, which strongly insists on a perfect and absolute samata, goes on to say, 'Fight, destroy the adversary, conquer.' If there is no kind of general action wanted, no loyalty to Truth as against Falsehood except for one's personal sadhana, no will for the Truth to conquer, then the samata of indifference will suffice. But here there is a work to be done, a Truth to be established against which immense forces are arrayed, invisible forces which can use visible things and persons and actions for their instruments. If one is among the disciples, the seekers of this Truth, one has to take sides for the Truth, to stand against the forces that attack it and seek to stifle it. Arjuna wanted not to stand for either side, to refuse any action of hostility even against assailants; Sri Krishna, who insisted so much on samata, strongly rebuked his attitude and insisted equally on his fighting the adversary. 'Have samata,' he said, 'and seeing clearly the Truth, fight.' Therefore to take sides with the Truth and to refuse to concede anything to the Falsehood that attacks, to be unflinchingly loyal and against the hostiles and the attackers, is not inconsistent with equality…. It is a spiritual battle inward and outward; by neutrality and compromise or even passivity one may allow the enemy force to pass and crush down the Truth and its children. If you look at it from this point, you will see that if the inner spiritual equality is right, the active loyalty and firm taking of sides is as right, and the two cannot be incompatible.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

September 13, 1936
India's Rebirth

Hillary Clinton photo
Mark Tobey photo
Seth Godin photo
Wendell Berry photo
Antoni Tàpies photo
John Cowper Powys photo
Theodore L. Cuyler photo
Ian Fleming photo
Rod Serling photo

“In his grave, we praise him for his decency - but when he walked amongst us, we responded with no decency of our own. When he suggested that all men should have a place in the sun - we put a special sanctity on the right of ownership and the privilege of prejudice by maintaining that to deny homes to Negroes was a democratic right. Now we acknowledge his compassion - but we exercised no compassion of our own. When he asked us to understand that men take to the streets out of anguish and hopelessness and a vision of that dream dying, we bought guns and speculated about roving agitators and subversive conspiracies and demanded law and order. We felt anger at the effects, but did little to acknowledge the causes. We extol all the virtues of the man - but we chose not to call them virtues before his death. And now, belatedly, we talk of this man's worth - but the judgement comes late in the day as part of a eulogy when it should have been made a matter of record while he existed as a living force. If we are to lend credence to our mourning, there are acknowledgements that must be made now, albeit belatedly. We must act on the altogether proper assumption that Martin Luther King asked for nothing but that which was his due… He asked only for equality, and it is that which we denied him.”

Rod Serling (1924–1975) American screenwriter

Letter to The Los Angeles Times in response to the assassination of Martin Luther King, Jr.; April 8, 1968.
Other

Bawa Muhaiyaddeen photo
William Ernest Henley photo

“A people, roaring ripe
With victory, rises, menaces, stands renewed,
Sheds its old piddling aims,
Approves its virtue, puts behind itself
The comfortable dream, and goes,
Armoured and militant,
New-pithed, new-souled, new-visioned, up the steeps
To those great altitudes, whereat the weak
Live not. But only the strong
Have leave to strive, and suffer, and achieve.”

William Ernest Henley (1849–1903) English poet, critic and editor

Epilogue
Hawthorn and Lavender (1901)
Context: A people, haggard with defeat,
Asks if there be a God; yet sets its teeth,
Faces calamity, and goes into the fire
Another than it was. And in wild hours
A people, roaring ripe
With victory, rises, menaces, stands renewed,
Sheds its old piddling aims,
Approves its virtue, puts behind itself
The comfortable dream, and goes,
Armoured and militant,
New-pithed, new-souled, new-visioned, up the steeps
To those great altitudes, whereat the weak
Live not. But only the strong
Have leave to strive, and suffer, and achieve.

Roger Ebert photo

“The film's coda provides a vision of an afterlife, a desolate landscape on which quiet people solemnly recognize and greet one another, and all is understood in the fullness of time.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of The Tree of Life (2 June 2011) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110602/REVIEWS/110609998
Reviews, Four star reviews
Context: Terrence Malick's The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives. The only other film I've seen with this boldness of vision is Kubrick's 2001: A Space Odyssey, and it lacked Malick's fierce evocation of human feeling. … I don't know when a film has connected more immediately with my own personal experience. In uncanny ways, the central events of The Tree of Life reflect a time and place I lived in, and the boys in it are me. If I set out to make an autobiographical film, and if I had Malick's gift, it would look so much like this. … There is a father who maintains discipline and a mother who exudes forgiveness, and long summer days of play and idleness and urgent unsaid questions about the meaning of things. … The film's portrait of everyday life, inspired by Malick's memories of his hometown of Waco, Texas, is bounded by two immensities, one of space and time, and the other of spirituality. The Tree of Life has awe-inspiring visuals suggesting the birth and expansion of the universe, the appearance of life on a microscopic level and the evolution of species. This process leads to the present moment, and to all of us. We were created in the Big Bang and over untold millions of years, molecules formed themselves into, well, you and me.
And what comes after? In whispered words near the beginning, "nature" and "grace" are heard. … The film's coda provides a vision of an afterlife, a desolate landscape on which quiet people solemnly recognize and greet one another, and all is understood in the fullness of time.

“What his vision of free commodity exchange omits are the constraints that governed the selection of particular commodities, and the political and military sanctions used to ensure the continuation of quiet asymmetrical exchanges that benefited one party while diminishing the assets of another.”

Eric Wolf (1923–1999) American anthropologist

Source: Europe and the People Without History, 1982, Chapter 11, The Movement of Commodities, p. 314.
Context: Where Adam Smith and David Ricardo had envisaged a growing worldwide division of labor, they had thought that each country would freely select the commodities it was most qualified to produce, and that each would exchange its optimal commodity for the optimal commodity of others. Thus in Ricardo's example, Britain would send Portugal its textiles, while Britons would consume Portuguese wines in turn. What his vision of free commodity exchange omits are the constraints that governed the selection of particular commodities, and the political and military sanctions used to ensure the continuation of quiet asymmetrical exchanges that benefited one party while diminishing the assets of another.

Andrew Sullivan photo

“Conservatism — from Burke and Hume to Hayek and Oakeshott — has always been, at its core, a critique of ideology in favor of reality. The world is as it is, the conservative argues. Any attempt to drastically overhaul it, to impose a utopian vision onto a messy, evolving human landscape will not just fail, it will likely make things worse. To pretend that the present exists for no good reason — and can be repealed or transformed in an instant — is a formula for ruin.”

Andrew Sullivan (1963) Journalist, writer, blogger

"The Triumph of Obama’s Long Game" in New York magazine (21 July 2017) http://nymag.com/daily/intelligencer/2017/07/the-triumph-of-obamas-long-game.html
Context: Conservatism — from Burke and Hume to Hayek and Oakeshott — has always been, at its core, a critique of ideology in favor of reality. The world is as it is, the conservative argues. Any attempt to drastically overhaul it, to impose a utopian vision onto a messy, evolving human landscape will not just fail, it will likely make things worse. To pretend that the present exists for no good reason — and can be repealed or transformed in an instant — is a formula for ruin. The leftist vision of perfect “social justice” is therefore as illusory and as pernicious as the reactionary’s dream of restoring a mythical past. And the great virtue of America’s deeply conservative Constitution is that it throws so many obstacles in the way of radical, ideological change — to the left or right — that it limits the harm that humans can do to themselves in moments of passion or certainty or in search of ideological perfection.

Anne Morrow Lindbergh photo

“So dazzling was the spread of constellations that it had the impact of a vision, of some hidden insight.”

Anne Morrow Lindbergh (1906–2001) American aviator and author

As quoted in No More Words : A Journal of My Mother, Anne Morrow Lindbergh (2001) by Reeve Lindbergh, p. 41
Context: So dazzling was the spread of constellations that it had the impact of a vision, of some hidden insight. I drove home saying to myself: The dead, too, are like this, blazing within us — invisibly.

Susan Sontag photo

“In my view, there can be no compromise with such a vision. And, no, I don't think we have brought this upon ourselves, which is of course a view that has been attributed to me.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Salon interview (2001)
Context: But just because I am a critic of Israeli policy — and in particular the occupation, simply because it is untenable, it creates a border that cannot be defended — that does not mean I believe the U. S. has brought this terrorism on itself because it supports Israel. I believe bin Laden and his supporters are using this as a pretext. If we were to change our support for Israel overnight, we would not stop these attacks.
I don't think this is what it's really about. I think it truly is a jihad, I think there is such a thing. There are many levels to Islamic rage. But what we're dealing with here is a view of the U. S. as a secular, sinful society that must be humbled, and this has nothing to do with any particular aspect of American policy. In my view, there can be no compromise with such a vision. And, no, I don't think we have brought this upon ourselves, which is of course a view that has been attributed to me.

Robert Chambers (publisher, born 1802) photo

“It has been among the visions of some dreaming philosophers that human life is capable of almost indefinite extension. The great Condorcet was one of these.”

Robert Chambers (publisher, born 1802) (1802–1871) Scottish publisher and writer

Source: Sanitary Economy (1850), p. 28-29
Context: It has been among the visions of some dreaming philosophers that human life is capable of almost indefinite extension. The great Condorcet was one of these. He thought that by the removal of the two causes of evil—poverty and superfluity—by destroying prejudices and superstitions, and by various other operations, which he considered the purification of mankind, but which other people would call their pollution, the approach of death would by degrees be farther and farther indefinitely protracted. It is desirable that the practical views entertained by sanitary reformers should be kept widely distinct from any such theories, the character of which has been well drawn by Malthus when he says—"... Though I may not be able in the present instance to mark the limit at which further improvement will stop I can very easily mention a point at which it will not arrive."

Eugene V. Debs photo

“How stupid and shortsighted the ruling class really is! Cupidity is stone blind. It has no vision.”

Eugene V. Debs (1855–1926) American labor and political leader

The Canton, Ohio Speech, Anti-War Speech (1918)
Context: How stupid and shortsighted the ruling class really is! Cupidity is stone blind. It has no vision. The greedy, profit-seeking exploiter cannot see beyond the end of his nose. He can see a chance for an "opening"; he is cunning enough to know what graft is and where it is, and how it can be secured, but vision he has none — not the slightest. He knows nothing of the great throbbing world that spreads out in all directions. He has no capacity for literature; no appreciation of art; no soul for beauty. That is the penalty the parasites pay for the violation of the laws of life.

Clive Staples Lewis photo

“Neither the temporal succession nor the phantom of what ye might have chosen and didn't is itself Freedom. They are a lens. The picture is a symbol: but it's truer than any philosophical theorem (or, perhaps, than any mystic's vision) that claims to go behind it. For every attempt to see the shape of eternity except through the lens of Time destroys your knowledge of Freedom."”

Source: The Great Divorce (1944–1945), Ch. 13
Context: "Ye can know nothing of the end of all things, or nothing expressible in those terms. It may be, as the Lord said to the Lady Julian, that all will be well, and all will be well, and all manner of things will be well. But it's ill talking of such questions."
"Because they are too terrible, Sir?"
"No. Because all answers deceive. If ye put the question from within Time and are asking about possibilities, the answer is certain. The choice of ways is before you. Neither is closed. Any man may choose eternal death. Those who choose it will have it. But if ye are trying to leap on into Eternity, if ye are trying to see the final state of all things as it will be (for so ye must speak) when there are no more possibilities left but only the Real, then ye ask what cannot be answered to mortal ears. Time is the very lens through which ye see — small and clear, as men see through the wrong end of a telescope — something that would otherwise be too big for ye to see at all. That thing is Freedom: the gift whereby ye most resemble your Maker and are yourselves parts of eternal reality. But ye can see it only through the lens of Time, in a little clear picture, through the inverted telescope. It is a picture of moments following one another and yourself in each moment making some choice that might have been otherwise. Neither the temporal succession nor the phantom of what ye might have chosen and didn't is itself Freedom. They are a lens. The picture is a symbol: but it's truer than any philosophical theorem (or, perhaps, than any mystic's vision) that claims to go behind it. For every attempt to see the shape of eternity except through the lens of Time destroys your knowledge of Freedom."

Ken Wilber photo

“The integral vision embodies an attempt to take the best of both worlds, ancient and modern. But that demands a critical stance willing to reject unflinchingly the worst of both as well.”

Ken Wilber (1949) American writer and public speaker

The Eye of Spirit : An Integral Vision for a World Gone Slightly Mad (1997)
Context: The integral approach is committed to the full spectrum of consciousness as it manifests in all its extraordinary diversity. This allows the integral approach to recognize and honor the Great Holarchy of Being first elucidated by the perennial philosophy and the great wisdom traditions in general.... The integral vision embodies an attempt to take the best of both worlds, ancient and modern. But that demands a critical stance willing to reject unflinchingly the worst of both as well.

Edmund Burke photo

“But if we think this necessity rather imaginary than real, we should renounce their dreams of society, together with their visions of religion, and vindicate ourselves into perfect liberty.”

A Vindication of Natural Society (1756)
Context: We are indebted for all our miseries to our distrust of that guide, which Providence thought sufficient for our condition, our own natural reason, which rejecting both in human and Divine things, we have given our necks to the yoke of political and theological slavery. We have renounced the prerogative of man, and it is no wonder that we should be treated like beasts. But our misery is much greater than theirs, as the crime we commit in rejecting the lawful dominion of our reason is greater than any which they can commit. If, after all, you should confess all these things, yet plead the necessity of political institutions, weak and wicked as they are, I can argue with equal, perhaps superior, force, concerning the necessity of artificial religion; and every step you advance in your argument, you add a strength to mine. So that if we are resolved to submit our reason and our liberty to civil usurpation, we have nothing to do but to conform as quietly as we can to the vulgar notions which are connected with this, and take up the theology of the vulgar as well as their politics. But if we think this necessity rather imaginary than real, we should renounce their dreams of society, together with their visions of religion, and vindicate ourselves into perfect liberty.

Mahāprajña photo

“The balance between karma and akarma gives holistic vision.”

Mahāprajña (1920–2010) Acharya or the Svetambar Terapanth sect of Jainism

Thought at Sunrise (2007)
Context: The balance between karma and akarma gives holistic vision.. Lots of discussions regarding Karmayoga. No work can be completed without karma. That is the truth. Everybody accepts this truth. Our world is one of incompleteness. Where there is incompleteness, there is relativity. Both karma and akarma are relative. No work is completed without akarma.

“It seems to me that the United States and France can learn from each other. French universalism, or its equivalent, is a powerful weapon against racism, which is based on the belief in innate unalterable differences among human groups. Stressing what rights all people have because of what they have in common remains at the heart of anti-racism. A stronger awareness of such human commonality may be needed in the United States at a time when a stress on diversity and ethnic particularism may deprive us of any compelling vision of the larger national community and impede cooperation in the pursuit of a free and just society.”

George M. Fredrickson (1934–2008) American professor and historian

2000s, National Identity in France and the United States (2003)
Context: It seems to me that the United States and France can learn from each other. French universalism, or its equivalent, is a powerful weapon against racism, which is based on the belief in innate unalterable differences among human groups. Stressing what rights all people have because of what they have in common remains at the heart of anti-racism. A stronger awareness of such human commonality may be needed in the United States at a time when a stress on diversity and ethnic particularism may deprive us of any compelling vision of the larger national community and impede cooperation in the pursuit of a free and just society. On the other hand the identification of such universalism with a particular national identity and with specific cultural traits that go beyond essential human rights can lead to an intolerance of the Other that approaches color-coded racism in its harmful effects.

Vita Sackville-West photo

“The country habit has me by the heart,
For he's bewitched for ever who has seen,
Not with his eyes but with his vision, Spring
Flow down the woods and stipple leaves with sun,
As each man knows the life that fits him best,
The shape it makes in his soul, the tune, the tone”

Vita Sackville-West (1892–1962) English writer and gardener

"Winter", p. 5
The Land (1926)
Context: The country habit has me by the heart,
For he's bewitched for ever who has seen,
Not with his eyes but with his vision, Spring
Flow down the woods and stipple leaves with sun,
As each man knows the life that fits him best,
The shape it makes in his soul, the tune, the tone,
And after ranging on a tentative flight
Stoops like the merlin to the constant lure.

Ken Wilber photo

“It is the integrative power of vision-logic, I believe, and not the indissociation of tribal magic or the imperialism of mythic involvement that is desperately needed on a global scale.”

Sex, Ecology, Spirituality (1995, 2000)
Context: It is the integrative power of vision-logic, I believe, and not the indissociation of tribal magic or the imperialism of mythic involvement that is desperately needed on a global scale. For it is vision-logic with its centauric/planetary worldview that, in my opinion, holds the only hope for the integration of the biosphere and the noosphere, the supranational organization of planetary consciousness, the genuine recognition of ecological balance, the unrestrained and unforced forms of global discourse, the nondominating and noncoercive forms of federated states, the unrestrained flow of worldwide communicative exchange, the production of genuine world citizens, and the enculturation of female agency (i. e., the integration of male and female, in both the noosphere and the biosphere) — all of which, in my opinion, is nevertheless simply the platform for the truly interesting forms of higher and transpersonal states of consciousness lying in our collective future — if there is one.

Edwin Abbott Abbott photo

“I could hear the mild voice of my Companion pointing the moral of my vision, and stimulating me to aspire, and to teach others to aspire.”

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 20. How the Sphere Encouraged Me in a Vision
Context: I could hear the mild voice of my Companion pointing the moral of my vision, and stimulating me to aspire, and to teach others to aspire. He had been angered at first — he confessed — by my ambition to soar to Dimensions above the Third; but, since then, he had received fresh insight, and he was not too proud to acknowledge his error to a Pupil. Then he proceeded to initiate me into mysteries yet higher than those I had witnessed, shewing me how to construct Extra-Solids by the motion of Solids, and Double Extra-Solids by the motion of Extra-Solids, and all "strictly according to Analogy", all by methods so simple, so easy, as to be patent even to the Female Sex.

“A good many playwrights who have been classed under this label, when asked if they belong to the Theatre of the Absurd, will indigniantly reply that they belong to no such movement — and quite rightly so. For each of the playwrights concerned seeks to express no more and no less his own personal vision of the world.”

Martin Esslin (1918–2002) Playwright, theatre critic, scholar

Introduction to Absurd Drama (1965) http://www.samuel-beckett.net/AbsurdEsslin.html
Context: The "Theatre of the Absurd" has become a catch-phrase, much used and much abused. What does it stand for? And how can such a label be justified? Perhaps it will be best to attempt to answer the second question first. There is no organised movement, no school of artists, who claim the label for themselves. A good many playwrights who have been classed under this label, when asked if they belong to the Theatre of the Absurd, will indigniantly reply that they belong to no such movement — and quite rightly so. For each of the playwrights concerned seeks to express no more and no less his own personal vision of the world.
Yet critical concepts of this kind are useful when new modes of expression, new conventions of art arise.

Ursula Goodenough photo

“As the forbears of our children we are called to transmit to them a joyous and sustainable vision of their future — meaning that we are each called to develop such a vision.”

Source: The Sacred Depths of Nature (1998), p. 129
Context: We nurture our children selflessly. But we also recognize them as our most tangible sources of renewal — for a child, the world is always new. Renewal has been a religious theme throughout the ages … All of us see in children — our own and all children — the hope and promise of what we humans can become. As the forbears of our children we are called to transmit to them a joyous and sustainable vision of their future — meaning that we are each called to develop such a vision.

Teresa of Ávila photo

“I saw an angel close by me, on my left side, in bodily form. This I am not accustomed to see, unless very rarely. Though I have visions of angels frequently, yet I see them only by an intellectual vision, such as I have spoken of before. It was our Lord's will that in this vision I should see the angel in this wise. He was not large, but small of stature, and most beautiful — his face burning, as if he were one of the highest angels, who seem to be all of fire: they must be those whom we call cherubim.”

Teresa of Ávila (1515–1582) Roman Catholic saint

Source: The Life of St. Teresa of Jesus (c.1565), Ch. XXIX, ¶ 16-17
Context: I saw an angel close by me, on my left side, in bodily form. This I am not accustomed to see, unless very rarely. Though I have visions of angels frequently, yet I see them only by an intellectual vision, such as I have spoken of before. It was our Lord's will that in this vision I should see the angel in this wise. He was not large, but small of stature, and most beautiful — his face burning, as if he were one of the highest angels, who seem to be all of fire: they must be those whom we call cherubim. Their names they never tell me; but I see very well that there is in heaven so great a difference between one angel and another, and between these and the others, that I cannot explain it.I saw in his hand a long spear of gold, and at the iron's point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual; though the body has its share in it, even a large one. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying.</p

Benazir Bhutto photo

“Leadership is a commitment to an idea, to a dream, and to a vision of what can be. And my dream is for my land and my people to cease fighting and allow our children to reach their full potential regardless of sex, status, or belief.”

Benazir Bhutto (1953–2007) 11th Prime Minister of Pakistan

"Reflections on Working Towards Peace" in Architects of Peace: Visions of Hope in Words and Images (2000) edited by Michael Collopy http://www.scu.edu/ethics/architects-of-peace/Bhutto/essay.html
Context: To make peace, one must be an uncompromising leader. To make peace, one must also embody compromise.
Throughout the ages, leadership and courage have often been synonymous. Ultimately, leadership requires action: daring to take steps that are necessary but unpopular, challenging the status quo in order to reach a brighter future.
And to push for peace is ultimately personal sacrifice, for leadership is not easy. It is born of a passion, and it is a commitment. Leadership is a commitment to an idea, to a dream, and to a vision of what can be. And my dream is for my land and my people to cease fighting and allow our children to reach their full potential regardless of sex, status, or belief.

Karen Armstrong photo

“Some of them even said that the Europeans … were better Muslims than they themselves, because their modern society had enabled them to create a fairer and more just distribution of wealth, than was possible in their pre-modern climates, and that accorded more perfectly with the vision of the Quran.”

Karen Armstrong (1944) author and comparative religion scholar from Great Britain

NOW interview (2002)
Context: At the beginning of the twentieth century, every single leading Muslim intellectual was in love with the west, and wanted their countries to look just like Britain and France. Some of them even said that the Europeans … were better Muslims than they themselves, because their modern society had enabled them to create a fairer and more just distribution of wealth, than was possible in their pre-modern climates, and that accorded more perfectly with the vision of the Quran.
Then there was the experience of colonialism under Britain and France, experiences like Suez, the Iranian revolution, Israel, and some people, not all by any means… have allowed this … these series of disasters to corrode into hatred. Islam is a religion of success. Unlike Christianity, which has as its main image, in the west at least, a man dying in a devastating, disgraceful, helpless death. … crucified, and that turned into victory. Mohammed was not an apparent failure. He was a dazzling success, politically as well as spiritually, and Islam went from strength to strength to strength. But against the West, it's been able to make no headway, and this is as disturbing for Muslims as the discoveries of Darwin have been to some Christians. The Quran says that if you live according to the Quranic ideal, implementing justice in your society, then your society will prosper, because this is the way human beings are supposed to live. But whatever they do, they cannot seem to get Muslim history back on track, and this has led some, and only a minority, it must be said, to desperate conclusions.

John F. Kennedy photo

“We in this country, in this generation, are — by destiny rather than choice — the watchmen on the walls of world freedom. We ask, therefore, that we may be worthy of our power and responsibility, that we may exercise our strength with wisdom and restraint, and that we may achieve in our time and for all time the ancient vision of "peace on earth, good will toward men". That must always be our goal, and the righteousness of our cause must always underlie our strength.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Remarks Prepared for Delivery at the Trade Mart in Dallas
Context: We in this country, in this generation, are — by destiny rather than choice — the watchmen on the walls of world freedom. We ask, therefore, that we may be worthy of our power and responsibility, that we may exercise our strength with wisdom and restraint, and that we may achieve in our time and for all time the ancient vision of "peace on earth, good will toward men". That must always be our goal, and the righteousness of our cause must always underlie our strength. For as was written long ago: "except the Lord keep the city, the watchman waketh but in vain."

Khalil Gibran photo

“A sign and a symbol to guide their wayward feet,
But not unto your joy.
Your joy is a hill beyond their vision,
And it does not comfort them.”

A Man From Lebanon: Nineteen Centuries Afterward
Jesus, The Son of Man (1928)
Context: Master, Master Poet,
Master of words sung and spoken,
They have builded temples to house your name,
And upon every height they have raised your cross,
A sign and a symbol to guide their wayward feet,
But not unto your joy.
Your joy is a hill beyond their vision,
And it does not comfort them.
They would honour the man unknown to them.
And what consolation is there in a man like themselves, a man whose
kindliness is like their own kindliness,
A god whose love is like their own love,
And whose mercy is in their own mercy?
They honour not the man, the living man,
The first man who opened His eyes and gazed at the sun
With eyelids unquivering.
Nay, they do not know Him, and they would not be like Him.

Man Ray photo

“I do not photograph nature. I photograph my visions. Quoted in”

Man Ray (1890–1976) American artist and photographer

http://www.pbs.org/wnet/americanmasters/episodes/man-ray/prophet-of-the-avant-garde/510/ PBS episode of American Masters

Carl Sagan photo

“As a boy Kepler had been captured by a vision of cosmic splendour, a harmony of the worlds which he sought so tirelessly all his life.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

55 min 0 sec
Cosmos: A Personal Voyage (1990 Update), The Harmony of the Worlds [Episode 3]
Context: As a boy Kepler had been captured by a vision of cosmic splendour, a harmony of the worlds which he sought so tirelessly all his life. Harmony in this world eluded him. His three laws of planetary motion represent, we now know, a real harmony of the worlds, but to Kepler they were only incidental to his quest for a cosmic system based on the Perfect Solids, a system which, it turns out, existed only in his mind. Yet from his work, we have found that scientific laws pervade all of nature, that the same rules apply on Earth as in the skies, that we can find a resonance, a harmony, between the way we think and the way the world works.
When he found that his long cherished beliefs did not agree with the most precise observations, he accepted the uncomfortable facts, he preferred the hard truth to his dearest illusions. That is the heart of science.

“It's more like vision. I didn't know the body is such a visionary factory.
Basically we grew up not wanting to know that we had bodies.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Kathy Acker: Where does she get off?
Context: A friend told me that there are these clean and sober dykes that have piercings every couple months just to get high. It's about learning about my body. I didn't know my body could do this. It's not exactly pleasure. It's more like vision. I didn't know the body is such a visionary factory.
Basically we grew up not wanting to know that we had bodies. And it's not as if these piercings are in that deep — it's just on the surface. So if that little thing can do so much, who knows what else we can experience?

Henry Kissinger photo

“The superpowers often behave like two heavily armed blind men feeling their way around a room, each believing himself in mortal peril from the other, whom he assumes to have perfect vision.”

Henry Kissinger (1923–2023) United States Secretary of State

The White House Years (1979)
1970s
Context: The superpowers often behave like two heavily armed blind men feeling their way around a room, each believing himself in mortal peril from the other, whom he assumes to have perfect vision. Each side should know that frequently uncertainty, compromise, and incoherence are the essence of policymaking. Yet each tends to ascribe to the other a consistency, foresight, and coherence that its own experience belies. Of course, over time, even two armed blind men can do enormous damage to each other, not to speak of the room.

Robert G. Ingersoll photo

“This is all he says about the most wonderful vision that ever astonished human eyes, a miracle great enough to have stuffed credulity to bursting; and yet all we have is this one, poor, meagre verse.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Orthodoxy (1884)
Context: Mark says: “So, then, after the Lord had spoken unto them he was received up into heaven and sat on the right hand of God.” This is all he says about the most wonderful vision that ever astonished human eyes, a miracle great enough to have stuffed credulity to bursting; and yet all we have is this one, poor, meagre verse.

Alan Watts photo

“Now it is symptomatic of our rusty-beer-can type of sanity that our culture produces very few magical objects. Jewelry is slick and uninteresting. Architecture is almost totally bereft of exuberance, obsessed with erecting glass boxes. Children's books are written by serious ladies with three names and no imagination, and as for comics, have you ever looked at the furniture in Dagwood's home? The potentially magical ceremonies of the Catholic Church are either gabbled away at top speed, or rationalized with the aid of a commentator. Drama or ritual in everyday behavior is considered affectation and bad form, and manners have become indistinguishable from manerisms—where they exist at all. We produce nothing comparable to the great Oriental carpets, Persian glass, tiles, and illuminated books, Arabian leatherwork, Spanish marquetry, Hindu textiles, Chinese porcelain and embroidery, Japanese lacquer and brocade, French tapestries, or Inca jewelry. (Though, incidentally, there are certain rather small electronic devices that come unwittingly close to fine jewels.)
The reason is not just that we are too much in a hurry and have no sense of the present; not just that we cannot afford the type of labor that such things would now involve, nor just that we prefer money to materials. The reason is that we have scrubbed the world clean of magic. We have lost even the vision of paradise, so that our artists and craftsmen can no longer discern its forms. This is the price that must be paid for attempting to control the world from the standpoint of an "I" for whom everything that can be experienced is a foreign object and a nothing-but.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 84-85

Richard Wright photo
Isaiah Berlin photo

“Single-minded monists, ruthless fanatics, men possessed by an all-embracing coherent vision do not know the doubts and agonies of those who cannot wholly blind themselves to reality.”

Isaiah Berlin (1909–1997) Russo-British Jewish social and political theorist, philosopher and historian of ideas

Five Essays on Liberty (2002), Introduction (1969)
Context: Those, no doubt, are in some way fortunate who have brought themselves, or have been brought by others, to obey some ultimate principle before the bar of which all problems can be brought. Single-minded monists, ruthless fanatics, men possessed by an all-embracing coherent vision do not know the doubts and agonies of those who cannot wholly blind themselves to reality.

Richard Wright photo

“Richard Wright’s outstanding characteristics are two seemingly opposite tendencies. One is an overwhelming need for association and integration with humanity at large. The other is a tragic, highly individualized loneliness. Except that he is a Negro in 20th century America he might have been a lyric poet. Whenever he describes the life he wants for mankind he rises to great heights of lyric beauty. At the same time when he doubts that a new life can ever be achieved he writes with the same beauty but in tragic despair. Wright wants a new world; men working freely together in social relationships that not only realize a complete personality but develop every potential and result in new associations and new men altogether. He wants to share a common life, not in a regimented sense but in a free interchange of ideas and experience; a relationship which will be the blending of a common belief and a solidarity of ideals. He wants a life in which basic emotions are shared; in which common memory forms a common past; in which collective hope reflects a national future. He has a vision of life where man can reveal his destiny as man by grappling with the world and getting from it the satisfactions he feels he must have. He wants a life where man’s inmost nature and emotional capacities will be used. He has a passionate longing to belong, to be identified with the world at large; he wants the "deep satisfaction of doing a good job in common with others."”

Richard Wright (1908–1960) African-American writer

He doesn’t want a society where he is separate as Negro, but one where he is just another man.
Constance Webb, "Notes preliminary to a full study of the work of Richard Wright" (privately published, 1946)

Edwin Abbott Abbott photo

“Such a life, with all vision limited to a Point, and all motion to a Straight Line, seemed to me inexpressibly dreary; and I was surprised to note the vivacity and cheerfulness of the King.”

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 13. How I had a Vision of Lineland
Context: Describing myself as a stranger I besought the King to give me some account of his dominions. But I had the greatest possible difficulty in obtaining any information on points that really interested me; for the Monarch could not refrain from constantly assuming that whatever was familiar to him must also be known to me and that I was simulating ignorance in jest. However, by persevering questions I elicited the following facts:It seemed that this poor ignorant Monarch — as he called himself — was persuaded that the Straight Line which he called his Kingdom, and in which he passed his existence, constituted the whole of the world, and indeed the whole of Space. Not being able either to move or to see, save in his Straight Line, he had no conception of anything out of it. Though he had heard my voice when I first addressed him, the sounds had come to him in a manner so contrary to his experience that he had made no answer, "seeing no man", as he expressed it, "and hearing a voice as it were from my own intestines." Until the moment when I placed my mouth in his World, he had neither seen me, nor heard anything except confused sounds beating against — what I called his side, but what he called his INSIDE or STOMACH; nor had he even now the least conception of the region from which I had come. Outside his World, or Line, all was a blank to him; nay, not even a blank, for a blank implies Space; say, rather, all was non-existent.His subjects — of whom the small Lines were men and the Points Women — were all alike confined in motion and eye-sight to that single Straight Line, which was their World. It need scarcely be added that the whole of their horizon was limited to a Point; nor could any one ever see anything but a Point. Man, woman, child, thing — each was a Point to the eye of a Linelander. Only by the sound of the voice could sex or age be distinguished. Moreover, as each individual occupied the whole of the narrow path, so to speak, which constituted his Universe, and no one could move to the right or left to make way for passers by, it followed that no Linelander could ever pass another. Once neighbours, always neighbours. Neighbourhood with them was like marriage with us. Neighbours remained neighbours till death did them part.Such a life, with all vision limited to a Point, and all motion to a Straight Line, seemed to me inexpressibly dreary; and I was surprised to note the vivacity and cheerfulness of the King.

William Blake photo

“The vision of Christ that thou dost see
Is my vision's greatest enemy.”

William Blake (1757–1827) English Romantic poet and artist

The Everlasting Gospel (c. 1818)
Context: The vision of Christ that thou dost see
Is my vision's greatest enemy.
Thine has a great hook nose like thine;
Mine has a snub nose like to mine.
Thine is the Friend of all Mankind;
Mine speaks in parables to the blind.
Thine loves the same world that mine hates;
Thy heaven doors are my hell gates.

“A vision of gaunt shapes, sharp shiny steel, dim lamps flaring in the rain. The war machine was rolling.”

John Jakes (1932) American historical novelist and fantasy writer

North and South Trilogy (1982-1987), March into Darkness
Context: He saw it all summed up in the blind marching of that nameless unit. A vision of gaunt shapes, sharp shiny steel, dim lamps flaring in the rain. The war machine was rolling.

“No vision, not much of a future.”

Richard Hamming (1915–1998) American mathematician and information theorist

The Art of Doing Science and Engineering: Learning to Learn (1991)
Context: In a lifetime of many, many independent choices, small and large, a career with a vision will get you a distance proportional to n, while no vision will get you only the distance √n.... the accuracy of the vision matters less than you suppose, getting anywhere is better than drifting, there are potentially many paths to greatness for you... No vision, not much of a future.

“All lovers live by longing, and endure:
Summon a vision and declare it pure.”

"Four for Sir John Davies," ll. 73-78
The Waking (1953)
Context: Dante attained the purgatorial hill,
Trembled at hidden virtue without flaw,
Shook with a mighty power beyond his will, —
Did Beatrice deny what Dante saw?
All lovers live by longing, and endure:
Summon a vision and declare it pure.

Ha-Joon Chang photo

“Health warning: On no account drink only one ingredient – liable to lead to tunnel vision, arrogance and possibly brain death.”

Ha-Joon Chang (1963) Economist

Source: Economics: The User's Guide (2014), Ch. 4: "Let a hundred flowers bloom: How to 'do' economics"
Context: ECONOMICS COCKTAILS. Ingredients: Austrian, Behaviouralist, Classical, Developmentalist, Institutionalist, Keynesian, Marxist, Neoclassical and Schumpeterian. [... ] Health warning: On no account drink only one ingredient – liable to lead to tunnel vision, arrogance and possibly brain death.

William James photo

“All follow one analogy or another; and all the analogies are with some one or other of the universe's subdivisions. Every one is nevertheless prone to claim that his conclusions are the only logical ones, that they are necessities of universal reason, they being all the while, at bottom, accidents more or less of personal vision which had far better be avowed as such; for one man's vision may be much more valuable than another's, and our visions are usually not only our most interesting but our most respectable contributions to the world in which we play our part.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

A Pluralistic Universe (1909) http://www.gutenberg.org/files/11984/11984-8.txt, Lecture I
1900s
Context: Reduced to their most pregnant difference, empiricism means the habit of explaining wholes by parts, and rationalism means the habit of explaining parts by wholes. Rationalism thus preserves affinities with monism, since wholeness goes with union, while empiricism inclines to pluralistic views. No philosophy can ever be anything but a summary sketch, a picture of the world in abridgment, a foreshortened bird's-eye view of the perspective of events. And the first thing to notice is this, that the only material we have at our disposal for making a picture of the whole world is supplied by the various portions of that world of which we have already had experience. We can invent no new forms of conception, applicable to the whole exclusively, and not suggested originally by the parts. All philosophers, accordingly, have conceived of the whole world after the analogy of some particular feature of it which has particularly captivated their attention. Thus, the theists take their cue from manufacture, the pantheists from growth. For one man, the world is like a thought or a grammatical sentence in which a thought is expressed. For such a philosopher, the whole must logically be prior to the parts; for letters would never have been invented without syllables to spell, or syllables without words to utter.
Another man, struck by the disconnectedness and mutual accidentality of so many of the world's details, takes the universe as a whole to have been such a disconnectedness originally, and supposes order to have been superinduced upon it in the second instance, possibly by attrition and the gradual wearing away by internal friction of portions that originally interfered.
Another will conceive the order as only a statistical appearance, and the universe will be for him like a vast grab-bag with black and white balls in it, of which we guess the quantities only probably, by the frequency with which we experience their egress.
For another, again, there is no really inherent order, but it is we who project order into the world by selecting objects and tracing relations so as to gratify our intellectual interests. We carve out order by leaving the disorderly parts out; and the world is conceived thus after the analogy of a forest or a block of marble from which parks or statues may be produced by eliminating irrelevant trees or chips of stone.
Some thinkers follow suggestions from human life, and treat the universe as if it were essentially a place in which ideals are realized. Others are more struck by its lower features, and for them, brute necessities express its character better.
All follow one analogy or another; and all the analogies are with some one or other of the universe's subdivisions. Every one is nevertheless prone to claim that his conclusions are the only logical ones, that they are necessities of universal reason, they being all the while, at bottom, accidents more or less of personal vision which had far better be avowed as such; for one man's vision may be much more valuable than another's, and our visions are usually not only our most interesting but our most respectable contributions to the world in which we play our part. What was reason given to men for, said some eighteenth century writer, except to enable them to find reasons for what they want to think and do?—and I think the history of philosophy largely bears him out, "The aim of knowledge," says Hegel, "is to divest the objective world of its strangeness, and to make us more at home in it." Different men find their minds more at home in very different fragments of the world.

Patrick Swift photo

“The only indication of an individual vision is an individual style”

Patrick Swift (1927–1983) British artist

The Artist Speaks (1951)
Context: The only indication of an individual vision is an individual style: "What I seek above all in a picture is a man and not a picture" – Zola

Hadewijch photo

“One Pentecost at dawn I had a vision.”

Hadewijch (1200–1260) 13th-century Dutch poet and mystic

Visions
Context: One Pentecost at dawn I had a vision. Matins were being sung in the church and I was there. And my heart and my veins and all my limbs trembled and shuddered with desire. And I was in such a state as I had been so many times before, so passionate and so terribly unnerved that I thought I should not satisfy my Lover and my Lover not fully gratify me, then I would have to desire while dying and die while desiring. At that time I was so terribly unnerved with passionate love and in such pain that I imagined all my limbs breaking one by one and all my veins were separately in tortuous pain. The state of desire in which I then was cannot be expressed by any words or any person that I know. And even that which I could say of it would be incomprehensible to all who hadn't confessed this love by means of acts of passion and who were not known by Love. This much I can say about it: I desired to consummate my Lover completely and to confess and to savour in the fullest extent--to fulfil his humanity blissfully with mine and to experience mine therein, and to be strong and perfect so that I in turn would satisfy him perfectly: to be purely and exclusively and completely virtuous in every virtue. And to that end I wished, inside me, that he would satisfy me with his Godhead in one spirit (1 Cor 6:17) and he shall be all he is without restraint. For above all gifts I could choose, I choose that I may give satisfaction in all great sufferings. For that is what it means to satisfy completely: to grow to being god with God. For it is suffering and pain, sorrow and being in great new grieving, and letting this all come and go without grief, and to taste nothing of it but sweet love and embraces and kisses. Thus I desired that God should be with me so that I should be fulfilled together with him.

Taisen Deshimaru photo

“Train the body and develop stamina and endurance. But the spirit of competition and power that presides over them is not good, it reflects a distorted vision of life. The root of the martial arts is not there.”

Taisen Deshimaru (1914–1982) Japanese Buddhist monk

As quoted in Armed Martial Arts of Japan: Swordsmanship and Archery (1998) by G. Cameron Hurst, G. Cameron Hurst, 3rd, G. Hurst I, p. 4

Anaïs Nin photo

“The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.”

The Diary of Anaïs Nin, Vol. 5, as quoted in Moving to Antarctica : An Anthology of Women's Writing (1975) by Margaret Kaminski
Diary entries (1914 - 1974)
Context: The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

Marvin Minsky photo

“Looking back in vision is like recapitulation in music; both give us time, at certain points, to reconfirm or change our conceptions of the whole.”

Marvin Minsky (1927–2016) American cognitive scientist

Music, Mind, and Meaning (1981)
Context: How do both music and vision build things in our minds? Eye motions show us real objects; phrases show us musical objects. We "learn" a room with bodily motions; large musical sections show us musical "places." Walks and climbs move us from room to room; so do transitions between musical sections. Looking back in vision is like recapitulation in music; both give us time, at certain points, to reconfirm or change our conceptions of the whole.

Ken Wilber photo

“We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding, we come alive to meaning, to value, and to vision”

Ken Wilber (1949) American writer and public speaker

The Eye of Spirit : An Integral Vision for a World Gone Slightly Mad (1997)
Context: We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding, we come alive to meaning, to value, and to vision: the very circle of understanding guides our way, weaving together the pieces, healing the fractures, mending the torn and tortured fragments, lighting the way ahead — this extraordinary movement from part to whole and back again, with healing the hallmark of each and every step, and grace the tender reward.

Nathalia Crane photo

“Barricaded vision,
Garbed herself in sighs;
Ridiculed the birthmarks
Of the butterflies.”

Nathalia Crane (1913–1998) American writer

"The Vestal" <!-- p. 15 -->
The Janitor's Boy And Other Poems (1924)
Context: p>Once a pallid Vestal
Doubted truth in blue;
Listed red in ruin,
Harried every hue;Barricaded vision,
Garbed herself in sighs;
Ridiculed the birthmarks
Of the butterflies.</p

Umberto Eco photo

“A philosophy does not play its role as an actor during a recital; it interacts with other philosophies and with other facts, and it cannot know the results of the interaction between itself and other world visions.”

[O] : Introduction, 0.7
Semiotics and the Philosophy of Language (1984)
Context: A philosophy does not play its role as an actor during a recital; it interacts with other philosophies and with other facts, and it cannot know the results of the interaction between itself and other world visions. World visions can conceive of everything, except alternative world visions, if not in order to criticize them and to show their inconsistency. Affected as they are by a constitutive solipsism, philosophies can say everything about the world they design and very little about the world they help to construct.

Miguna Miguna photo

“Money has never won any elections. Cartel propaganda fueled by evil, lies and malice will not emerge victorious against righteousness, integrity and vision”

Miguna Miguna (1962) lawyer, author and columnist

Facebook post in response to detractors, https://www.facebook.com/GovernorMigunaMiguna/posts/562185893970795,2016
2016
Context: In other words, the inept and malicious propaganda against me will not work. Money has never won any elections. Cartel propaganda fueled by evil, lies and malice will not emerge victorious against righteousness, integrity and vision. I represent hope and a fully liberated and cleaned up Nairobi while the cartels are determined to protect and fortify the rotten, corrupt and exploitative status quo.

Freeman Dyson photo

“There is no such thing as a unique scientific vision, any more than there is a unique poetic vision. Science is a mosaic of partial and conflicting visions.”

Part I : Contemporary Issues in Science, Ch. 1 : "The Scientist as Rebel"; this first appeared in New York Review of Books (25 May 1995).
The Scientist As Rebel (2006)
Context: There is no such thing as a unique scientific vision, any more than there is a unique poetic vision. Science is a mosaic of partial and conflicting visions. But there is one common element in these visions. The common element is rebellion against the restrictions imposed by the locally prevailing culture, Western or Eastern as the case may be. It is no more Western than it is Arab or Indian or Japanese or Chinese. Arabs and Indians and Japanese and Chinese had a big share in the development of modern science. And two thousand years earlier, the beginnings of science were as much Babylonian and Egyptian as Greek. One of the central facts about science is that it pays no attention to East and West and North and South and black and yellow and white. It belongs to everybody who is willing to make the effort to learn it. And what is true of science is true of poetry.... Poetry and science are gifts given to all of humanity.

Eric R. Kandel photo

“Unlike vision, touch, or smell, which are prewired and based on Kantian a priori knowledge, the spatial map presents us with a new type of representation, one based on a combination of a priori knowledge and learning.”

Eric R. Kandel (1929) American neuropsychiatrist

In Search of Memory (2006)
Context: Unlike vision, touch, or smell, which are prewired and based on Kantian a priori knowledge, the spatial map presents us with a new type of representation, one based on a combination of a priori knowledge and learning. The general capability for forming spatial maps is built into the mind, but the particular map is not. Unlike neurons in a sensory system, place cells are not switched on by sensory stimulation. Their collective activity represents the location where the animal thinks it is.

“Any form of orthodoxy is just not part of a poet's province … A poet must be able to claim … freedom to follow the vision of poetry, the imaginative vision of poetry … And in any case, poetry is religion, religion is poetry.”

R.S. Thomas (1913–2000) Welsh poet

R. S. Thomas : Priest and Poet, BBC TV (2 April 1972)
Context: Any form of orthodoxy is just not part of a poet's province … A poet must be able to claim … freedom to follow the vision of poetry, the imaginative vision of poetry … And in any case, poetry is religion, religion is poetry. The message of the New Testament is poetry. Christ was a poet, the New Testament is metaphor, the Resurrection is a metaphor; and I feel perfectly within my rights in approaching my whole vocation as priest and preacher as one who is to present poetry; and when I preach poetry I am preaching Christianity, and when one discusses Christianity one is discussing poetry in its imaginative aspects. … My work as a poet has to deal with the presentation of imaginative truth.

Richard Wright photo
Percy Bysshe Shelley photo

“He hath awakened from the dream of life—
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings.”

St. XXXIX
Adonais (1821)
Context: Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings.

James A. Garfield photo

“No duty can be more sacred than that of maintaining and perpetuating the freedom which the Proclamation of Emancipation gave to the loyal black men of the South. If they are to be disfranchised, if they are to have no voice in determining the conditions under which they are to live and labor, what hope have they for the future? It will rest with their late masters, whose treason they aided to thwart, to determine whether negroes shall be permitted to hold property, to enjoy the benefits of education, to enforce contracts, to have access to the courts of justice, in short, to enjoy any of those rights which give vitality and value to freedom. Who can fail to foresee the ruin and misery that await this race, to whom the vision of freedom has been presented only to be withdrawn, leaving them without even the aid which the master's selfish commercial interest in their life and service formerly afforded them?”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Oration at Ravenna, Ohio (1865)
Context: But if we had no respect for the early practices and traditions of our fathers, we should still be compelled to meet the practical question which will very soon be forced upon us for solution. The necessity of putting down the rebellion by force of arms was no more imperative than is that of restoring law, order, and liberty in the States that rebelled. No duty can be more sacred than that of maintaining and perpetuating the freedom which the Proclamation of Emancipation gave to the loyal black men of the South. If they are to be disfranchised, if they are to have no voice in determining the conditions under which they are to live and labor, what hope have they for the future? It will rest with their late masters, whose treason they aided to thwart, to determine whether negroes shall be permitted to hold property, to enjoy the benefits of education, to enforce contracts, to have access to the courts of justice, in short, to enjoy any of those rights which give vitality and value to freedom. Who can fail to foresee the ruin and misery that await this race, to whom the vision of freedom has been presented only to be withdrawn, leaving them without even the aid which the master's selfish commercial interest in their life and service formerly afforded them? Will these negroes, remembering the battlefields on which two hundred thousand of their number bravely fought, and many thousands heroically died, submit to oppression as tamely and peaceably as in the days of slavery? Under such conditions, there could be no peace, no security, no prosperity.

P. D. Ouspensky photo

“This limitation of the field of vision of criminology together with the absence of an exact and permanent definition of the concept of crime is one of the chief characteristics of our culture.”

P. D. Ouspensky (1878–1947) Russian esotericist

Source: A New Model of the Universe (1932), p. 37-38; "Consequently what is often regarded as "political" activity is in fact a criminal activity"' has also been translated as "Consequently, the biggest crimes actually escape being called crimes" in a 1984 edition.
Context: Existing criminology is insufficient to isolate barbarism. It is insufficient because the idea of "crime" in existing criminology is artificial, for what is called crime is really an infringement of "existing laws", whereas "laws" are very often a manifestation of barbarism and violence. Such are the prohibiting laws of different kinds which abound in modern life. The number of these laws is constantly growing in all countries and, owing to this, what is called crime is very often not a crime at all, for it contains no element of violence or harm. On the other hand, unquestionable crimes escape the field of vision of criminology, either because they have not recognized the form of crime or because they surpass a certain scale. In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity.
This limitation of the field of vision of criminology together with the absence of an exact and permanent definition of the concept of crime is one of the chief characteristics of our culture.

George William Russell photo

“Oh Master of the Beautiful,
Creating us from hour to hour,
Give me this vision to the full
To see in lightest things thy power!
This vision give, no heaven afar,
No throne, and yet I will rejoice,
Knowing beneath my feet a star,
Thy word in every wandering voice.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

"Creation"
By Still Waters (1906)
Context: Sacred thy laughter on the air,
Holy thy lightest word that fell,
Proud the innumerable hair
That waved at the enchanter's spell.
Oh Master of the Beautiful,
Creating us from hour to hour,
Give me this vision to the full
To see in lightest things thy power!
This vision give, no heaven afar,
No throne, and yet I will rejoice,
Knowing beneath my feet a star,
Thy word in every wandering voice.

Bruce Fairchild Barton photo
William Ellery Channing photo

“He who cannot see a brother, a child of God, a man possessing all the rights of humanity, under a skin darker than his own, wants the vision of a Christian. He worships the Outward. The spirit is not yet revealed to him.”

William Ellery Channing (1780–1842) United States Unitarian clergyman

Slavery (1835)
Context: He who cannot see a brother, a child of God, a man possessing all the rights of humanity, under a skin darker than his own, wants the vision of a Christian. He worships the Outward. The spirit is not yet revealed to him. To look unmoved on the degradation and wrongs of a fellow-creature, because burned by a fiercer sun, proves us strangers to justice and love, in those universal forms which characterize Christianity.

Roger Ebert photo

“Dances With Wolves has the kind of vision and ambition that is rare in movies today.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/dances-with-wolves-1990 of Dances with Wolves (9 November 1990)
Reviews, Four star reviews
Context: Dances With Wolves has the kind of vision and ambition that is rare in movies today. It is not a formula movie, but a thoughtful, carefully observed story. It is a Western at a time when the Western is said to be dead. It asks for our imagination and sympathy. It takes its time, three hours, to unfold. It is a personal triumph for Kevin Costner, the intelligent young actor of Field of Dreams, who directed the film and shows a command of story and of visual structure that is startling; this movie moves so confidently and looks so good it seems incredible that it's a directorial debut.

Garth Nix photo

“Gold-Eye's Change Vision suddenly gripped him, showing him a picture of the unpleasantly close future, the soon-to-be-now.”

Source: Shade's Children (1997), p. 9.
Context: Gold-Eye's Change Vision suddenly gripped him, showing him a picture of the unpleasantly close future, the soon-to-be-now.
Doors slid open at each end of the carriage, forced apart by metal-gauntleted hands four times the size of Gold-Eye's own. Fog no longer fell in lazy swirls, but danced and spiraled crazily as huge shapes lumbered in, moving to the pile of blankets...
Gold-Eye didn't wait to see more. He came out of the vision and took the escape route he'd planned months before, when he'd first found the carriage. Lifting a trapdoor in the floor, he dropped down, down to the cold steel rails.

Swami Sivananda photo

“The life of a mendicant during pilgrimages helped me to develop in a great measure forbearance, equal vision and a balanced mind in pleasure and pain.”

Swami Sivananda (1887–1963) Indian philosopher

As quoted by Swami Sadananda Saraswati in his Introduction to Autobiography of Swami Sivananda (2000 web edition) http://www.dlshq.org/download/autobio.htm
Context: The life of a mendicant during pilgrimages helped me to develop in a great measure forbearance, equal vision and a balanced mind in pleasure and pain. I met many Mahatmas and learnt wonderful lessons. On some days I had to go without food and walk mile after mile. With a smile I faced all hardships.

Martha Graham photo
Frank Lloyd Wright photo

“It is where life is fundamental and free that men develop the vision needed to reveal the human soul in the blossoms it puts forth.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

Lecture to the Chicago Women’s Aid (1918); later published as "Chicago Culture" in On Architecture: Selected Writings (1894-1940) (1941)
Context: It is where life is fundamental and free that men develop the vision needed to reveal the human soul in the blossoms it puts forth. … In a great workshop like Chicago this creative power germinates, even though the brutality and selfish preoccupation of the place drive it elsewhere for bread. Men of this type have loved Chicago, have worked for her, and believed in her. The hardest thing they have to bear is her shame. These men could live and work here when to live and work in New York would stifle their genius and fill their purse.... New York still believes that art should be imported; brought over in ships; and is a quite contented market place. So while New York has reproduced much and produced nothing, Chicago’s achievements in architecture have gained world-wide recognition as a distinctively American architecture.