“Richard Wright’s outstanding characteristics are two seemingly opposite tendencies. One is an overwhelming need for association and integration with humanity at large. The other is a tragic, highly individualized loneliness. Except that he is a Negro in 20th century America he might have been a lyric poet. Whenever he describes the life he wants for mankind he rises to great heights of lyric beauty. At the same time when he doubts that a new life can ever be achieved he writes with the same beauty but in tragic despair. Wright wants a new world; men working freely together in social relationships that not only realize a complete personality but develop every potential and result in new associations and new men altogether. He wants to share a common life, not in a regimented sense but in a free interchange of ideas and experience; a relationship which will be the blending of a common belief and a solidarity of ideals. He wants a life in which basic emotions are shared; in which common memory forms a common past; in which collective hope reflects a national future. He has a vision of life where man can reveal his destiny as man by grappling with the world and getting from it the satisfactions he feels he must have. He wants a life where man’s inmost nature and emotional capacities will be used. He has a passionate longing to belong, to be identified with the world at large; he wants the "deep satisfaction of doing a good job in common with others."”

— Richard Wright

He doesn’t want a society where he is separate as Negro, but one where he is just another man.
Constance Webb, "Notes preliminary to a full study of the work of Richard Wright" (privately published, 1946)

Adopted from Wikiquote. Last update June 3, 2021. History

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African-American writer 1908–1960

Alun Lewis (1915–1944) Welsh poet

Martin Seymour-Smith, Guide to Modern World Literature (London: Hodder & Stoughton, 1975) vol. 1, p. 353.
Criticism

“There are two times in a man's life when he should not speculate: when he can't afford it, and when he can.”

Mark Twain (1835–1910) American author and humorist

“For an author to write as he speaks is just as reprehensible as the opposite fault, to speak as he writes; for this gives a pedantic effect to what he says, and at the same time makes him hardly intelligible.”

Arthur Schopenhauer book Parerga and Paralipomena

The Art of Literature
Parerga and Paralipomena (1851), Counsels and Maxims

“The first thing the average white Latin American player does when he comes to the States is associate with other whites. He doesn't want to be seen with Latin Negroes, even from his own country, because he's afraid people might think he's colored.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in “Roberto Clementeː Pounder from Puerto Rico” by John Devaney, in Baseball Stars of 1964 (1964), edited by Ray Robinson, p. 150
Other, <big><big>1960s</big></big>, <big>1964</big>

“He had been through a good deal in the course of the Great Quest — he had seen beautiful things and horrible things — but up until now he had not known that one and the same creature can be both, that beauty can be terrifying.”

Michael Ende book The Neverending Story

Source: The Neverending Story

“The truly great writer does not want to write. He wants the world to be a place in which he can live the life of the imagination.”

Henry Miller (1891–1980) American novelist

Henry Miller on Writing (1964)

“The most important of the beat poets. He was a really true poet with an original voice, probably the most lyrical of those poets.”

Nancy Peters (1936) American writer and publisher

Carol Ness, "Beat Poet Gregory Corso, 70, Dies of Cancer" http://sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2001/01/18/MN143830.DTL, San Francisco Chronicle, 2001-01-18. : On Gregory Corso. <br class="br">2000s

“When Andy [Andrew Wood] died, I couldn't listen to his songs for about two years after that, and it was for that reason — his lyrics often seem as though they can tell that story. But then again, my lyrics often could tell the same one. In terms of seeing everything as a matter of life and death — if that's what you're feeling at the time, then that's what you're going to write. It's sort of a morbid exchange when somebody who is a writer like that dies, and then everyone starts picking through all their lyrics. In Kurt [Cobain]'s case, whatever he was thinking and whatever he was writing, there wasn't an arrow pointing at what his demise was. It's a stream of thought, it's a possibility — it's definitely something that somebody was feeling when they were writing. It doesn't mean that it's going to happen. But it doesn't necessarily mean that it isn't, either.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell: The Rolling Stone Interview, Alec Foege, Rolling Stone, 29 December 1994 http://www.rollingstone.com/music/features/the-rolling-stone-interview-chris-cornell-19941229, <br class="br">Soundgarden Era

“He was a great poet" They lamented.

No, he was not a great poet," said Theo, "He was a good poet, he could have been better. That's the real loss don't you see?”

Lloyd Alexander book The Kestrel

Source: The Kestrel

“He who writes poetry is not a poet. He whose poetry has become his life, and who has made his life his poetry — it is he who is a poet.”

Subramanya Bharathi (1882–1921) Tamil poet

English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece

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