Quotes about view
page 20

Allen West (politician) photo
Derren Brown photo
Alexis De Tocqueville photo
David Cameron photo
Richard Dawkins photo
Richard Feynman photo
Calvin Coolidge photo
Elizabeth Rowe photo
Camille Pissarro photo
Prasanta Chandra Mahalanobis photo
John Howard photo
Clement Attlee photo
Kenneth Arrow photo
Jussi Halla-aho photo
Robert Denning photo

“Appearance is everything. I find that a view is secondary. Even in those apartments on the East River, it's dull, looking out at those little boats.”

Robert Denning (1927–2005) American interior designer

Cynthia Zarin, , "The More the Merrier — Robert Denning's Extravagance of Color and Pattern", Architectural Digest (April 2002), v. 59 #4, pp. 146-152.

“Mythology is wondrous, a balm for the soul. But its problems cannot be ignored. At worst, it buys inspiration at the price of physical impossibility […]. At best, it purveys the same myopic view of history that made this most fascinating subject so boring and misleading in grade school as a sequential take of monarchs and battles.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Baseball and the Two Faces of Janus", p. 259; originally published as "The Virtues of Nakedness" in The New York Review of Books (1990-10-11)
Triumph and Tragedy in Mudville (2003)

Rajendra Prasad photo
Peter Sloterdijk photo

“The evidence introduced for political pessimism; the criminal, the lunatic, and the asocial individual, in a word, the second-rate citizen —these are not by nature as one finds them now but have been made so by society. It is said that they have never had a chance to be as they would be according to their nature, but were forced into the situation in which they find themselves through poverty, coercion, and ignorance. They are victims of society.
This defense against political pessimism regarding human nature is at first convincing. It possesses the superiority of dialectical thinking over positivistic thinking. It transforms moral states and qualities into processes. Brutal people do not “exist,” only their brutalization; criminality does not “exist,” only criminalization; stupidity does not “exist,” only stupefaction; self-seeking does not “exist,” only training in egoism; there are no second-rate citizens, only victims of patronization. What political positivism takes to be nature is in reality falsified nature: the suppression of opportunity for human beings. Rousseau knew of two aids who could illustrate his point of view, two classes of human beings who lived before civilization and, consequently, before perversion: the noble savage and the child. Enlightenment literature develops two of its most intimate passions around these two figures: ethnology and pedagogy.”

Peter Sloterdijk (1947) German philosopher

(describing Rousseau’s philosophy) p. 55
Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983)

“I am not a nationalist, I am a Wolfe Tone Republican. In pursuit of that ideal I have been forced to continually shift positions, much like a man in a cinema who keeps changing his seat, but only so he can get a clean view of the same film. And the title of the film, of which I never tire, is The Future Irish Republic.”

Eoghan Harris (1943) Irish journalist

Contrary to opinion, I am politically consistent, Eoghan Harris, Irish Independent http://www.independent.ie/opinion/analysis/contrary-to-opinion-i-am-politically-consistent-1056982.html,

Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Ken Ham photo
Grady Booch photo
Johnny Depp photo
Gino Severini photo
Kurt Lewin photo
Peter Kropotkin photo
Rembrandt van Rijn photo
Tommy Robinson photo
Alexandra Kollontai photo
Michael Lewis photo
Fritjof Capra photo
Vincent Gallo photo
George Holmes Howison photo
David Bohm photo
Conrad Black photo
Asger Jorn photo
Agatha Christie photo

“One cannot help but be struck by the diversity that characterizes efforts to study the management process. If it is true that psychologists like to study personality traits in terms of a person's reactions to objects and events, they could not choose a better stimulus than management science. Some feel it is a technique, some feel it is a branch of mathematics, or of mathematical economics, or of the "behavioral sciences," or of consultation services, or just so much nonsense. Some feel it is for management (vs. labor), some feel it ought to be for the good of mankind — or for the good of underpaid professors.
But this diversity of attitude, which is really characteristic of all fields of endeavor, is matched by another and more serious kind of diversity. In the management sciences, we have become used to talking about game theory, inventory theory, waiting line theory. What we mean by "theory" in this context is that if certain assumptions are valid, then such-and-such conclusions follow. Thus inventory theory is not a set of statements that predict how inventories will behave, or even how they should behave in actual situations, but is rather a deductive system which becomes useful if the assumptions happen to hold. The diversity of attitude on this point is reflected in two opposing points of view: that the important problems of management science are theoretical, and that the important problems are factual.”

C. West Churchman (1913–2004) American philosopher and systems scientist

quote in: Fremont A. Shull (ed.), Selected readings in management https://archive.org/stream/selectedreadings00shul#page/n13/mode/2up, , 1957. p. 7-8
1940s - 1950s, "Management Science — Fact or Theory?" 1956

Richard Bertrand Spencer photo

“People like the American Richard Corben… are, in my view, maestros.|H. R. Giger”

Richard Corben (1940) American illustrator

[Garriock, P., Masters of Comic Book Art, Aurum Press, London, 1978, 56, 978-0-905664-05-7]</ref>}}

Johannes Kepler photo
Thomas Henry Huxley photo

“Since Lord Brougham assailed Dr Young, the world has seen no such specimen of the insolence of a shallow pretender to a Master in Science as this remarkable production, in which one of the most exact of observers, most cautious of reasoners, and most candid of expositors, of this or any other age, is held up to scorn as a "flighty" person, who endeavours "to prop up his utterly rotten fabric of guess and speculation," and whose "mode of dealing with nature" is reprobated as "utterly dishonourable to Natural Science."
And all this high and mighty talk, which would have been indecent in one of Mr. Darwin's equals, proceeds from a writer whose want of intelligence, or of conscience, or of both, is so great, that, by way of an objection to Mr. Darwin's views, he can ask, "Is it credible that all favourable varieties of turnips are tending to become men?"; who is so ignorant of paleontology, that he can talk of the "flowers and fruits" of the plants of the Carboniferous epoch; of comparative anatomy, that he can gravely affirm the poison apparatus of the venomous snakes to be "entirely separate from the ordinary laws of animal life, and peculiar to themselves"…
Nor does the reviewer fail to flavour this outpouring of preposterous incapacity with a little stimulation of the odium theologicum. Some inkling of the history of the conflicts between Astronomy, Geology, and Theology, leads him to keep a retreat open by the proviso that he cannot "consent to test the truth of Natural Science by the word of Revelation;" but, for all that, he devotes pages to the exposition of his conviction that Mr. Darwin's theory "contradicts the revealed relation of the creation to its Creator," and is "inconsistent with the fulness of his glory."”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

If I confine my retrospect of the reception of the 'Origin of Species' to a twelvemonth, or thereabouts, from the time of its publication, I do not recollect anything quite so foolish and unmannerly as the Quarterly Review article...
Huxley's commentary on the Samuel Wilberforce review of the Origin of Species in the Quarterly Review.
1880s, On the Reception of the Origin of Species (1887)

Isaac Parker photo
Karl Mannheim photo
Koichi Tohei photo
William Herschel photo

“From a theoretical point of view, lifetime income would be ideal, but the practical problems in estimating it are enormous.”

Harvey S. Rosen (1949) American economist

Source: Public Finance - International Edition - Sixth Edition, Chapter 6, Political Economy, p. 140

Jeremy Corbyn photo
Thomas Sowell photo

“What was special about America was not that it had slavery, which existed all over the world, but that Americans were among the very few peoples who began to question the morality of holding human beings in bondage. That was not yet a majority view among Americans in the 18th century, but it was not even a serious minority view.”

Thomas Sowell (1930) American economist, social theorist, political philosopher and author

"The Scapegoat for Strife in the Black Community" http://www.nationalreview.com/article/420807/slavery-didnt-cause-todays-black-problems-welfare-did (7 July 2015), National Review
2010s

Michael Chabon photo
John F. Kerry photo

“Their fear deepened with the night as they beheld the face of the heavens turning and the mountains and all places rapt from view and all around thick darkness. The very stillness of Nature, the silent constellations in the heavens, the firmament starred with streaming meteors filled them with fear. And as a traveller by night overtaken in some unknown spot upon the road keeps ear and eye alert, while the darkening landscape to left and right and trees looming up with shadows strangely huge do but make heavier the terrors of night, even so the heroes quailed.”
Auxerat hora metus, iam se vertentis Olympi ut faciem raptosque simul montesque locosque ex oculis circumque graves videre tenebras. ipsa quies rerum mundique silentia terrent astraque et effusis stellatus crinibus aether; ac velut ignota captus regione viarum noctivagum qui carpit iter non aure quiescit, non oculis, noctisque metus niger auget utrimque campus et occurrens umbris maioribus arbor, haud aliter trepidare viri.

Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Source: Argonautica, Book II, Lines 38–47

Nelson Mandela photo
George Hendrik Breitner photo

“After viewing a few paintings and a drawing that I had brought in the day before yesterday, Mr. v. d. Kellen [Dutch art-dealer] assured me that there was absolutely no chance of placing anything of mine here, unless it was bought under pressure of a pleasant future, and I think he is right because he showed me various paintings, and specifically those that were closest to my understanding of art were the most difficult to place... I was astounded and furious about such far-reaching stupidity and the pedantry of the man [another art dealer, Herman Deichmann]. All the paintings present were beneath criticism, they were just the usual German Academic-stuff.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

The Hague, 1882
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) De heer v.d. Kellen heeft mij na het zien van eenige schilderijtjes en een tekening, die ik eergisteren mee gebracht had, de verzekering gegeven dat er niet de minste kans bestaat hier iets van mij te plaatsen, tenzij dat het gekocht wordt door pressie een prettig vooruitzicht en ik geloof dat hij gelijk heeft want hij liet mij verschillende schilderijen zien en juist degenen die naar mijn begrippen de kunst 't meest nabij kwamen waren 't moeilijkst te plaatsen.. .Ben verbaasd en woedend geweest over de verregaande stupiditeit en pedanterie van dien heer (kunsthandelaar, Herman Deichmann). Alle schilderijen daar aanwezig waren beneden kritiek, waren enfin 't gewone duitsche Academietuig. (Den Haag, 1882)
Quote from Breitner's letter to A.P. van Stolk, undated c. Sept. 1882, (location: The RKD in The Hague); as quoted by Helewise Berger in Van Gogh and Breitner in The Hague, her master-essay in Dutch - Modern Art Faculty of Philosophy University, Utrecht, Febr. 2008]], (translation from the original Dutch, Anne Porcelijn) p. 69.
Following the advice of his maecenas Mr.van Stolk, Breitner had shown his work to two Dutch art-dealers; In this quote he later gives his report and his opinion.
before 1890

Michel Foucault photo

“There can be no doubt that the existence of public tortures and executions were connected with something quite other than this internal organization. Rusche and Kirchheimer are right to see it as the effect of a system of production in which labour power, and therefore the human body, has neither the utility nor the commercial value that are conferred on them in an economy of an industrial type. Moreover, this ‘contempt’ for the body is certainly related to a general attitude to death; and, in such an attitude, one can detect not only the values proper to Christianity, but a demographical, in a sense biological, situation: the ravages of disease and hunger, the periodic massacres of the epidemics, the formidable child mortality rate, the precariousness of the bio-economic balances – all this made death familiar and gave rise to rituals intended to integrate it, to make it acceptable and to give a meaning to its permanent aggression. But in analysing why the public executions survived for so long, one must also refer to the historical conjuncture; it must not be forgotten that the ordinance of 1670 that regulated criminal justice almost up to the Revolution had even increased in certain respects the rigour of the old edicts; Pussort, who, among the commissioners entrusted with the task of drawing up the documents, represented the intentions of the king, was responsible for this, despite the views of such magistrates as Lamoignon; the number of uprisings at the very height of the classical age, the rumbling close at hand of civil war, the king’s desire to assert his power at the expense of the parlements go a long way to explain the survival of so severe a penal system.”

Source: Discipline and Punish (1977), pp. 51

Hassan Nasrallah photo

“Even if [an agreement] is signed we will continue to view [Israel] as an illegitimate and illegal entity”

Hassan Nasrallah (1960) Secretary General of Hezbollah

Al-Hayat, January 2, 2000
Quote, 2000
Source: Britain Israel Communication & Research Centre http://www.bicom.org.uk/publications/

Russell L. Ackoff photo
Samuel Butler photo
George Hendrik Breitner photo

“.. in an review of the exhibition in Arti, [in Amsterdam] you say that most of my submissions are not meant as a study. I don't know what you mean by study. I understand a study as a work I am painting directly after nature, with the aim hold on the casual tone, color and line. All of mine that is presented there, is immediately felt in nature and not one of the sketches is done by heart after received impressions for any paintings. I thought I had to tell you this, because then you might get a different view of it - whether you think they are more worthy or not because of this, I don't want to judge.... yours GH Breitner”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

Mejufvrouw In een stukje over de Tent. in Arti zegt u dat het meerendeel van mijn inzending niet als studie bedoeld zijn. Ik weet niet wat u onder studie verstaat. Ik versta daar onder wat men direct naar de natuur schilderd om de toevallige toon kleur en lijn vast te houden. Na alles wat er van mij is. is dadelijk naar de natuur ervaren en zijn geen van allen [1:2] schetsen uit het hoofd gedaan na ontvangen indrukken voor eventuelen schilderijen. Ik meende u dat te moeten zeggen omdat u er dan misschien een anderen kijk op krijgt of u vind dat ze daarom verdienstelijker zijn of niet wil ik niet beoordeelen.. ..Hoogachtend uw GH Breitner
quote of Breitner in a letter to art-critic Grada Hermina Marius, 22 Feb. 1908; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/951
1900 - 1923

Ken Ham photo
Johann Gottfried Herder photo

“…nothing in Nature stands still; everything strives and moves forward. If we could only view the first stages of creation, how the kingdoms of nature were built one upon the other, a progression of forward-striving forces would reveal itself in all evolution.”

Johann Gottfried Herder (1744–1803) German philosopher, theologian, poet, and literary critic

Book 5, as cited in Frank Teichmann (tr. Jon McAlice), "The Emergence of the Idea of Evolution in the Time of Goethe" http://www.waldorfresearchinstitute.org/pdf/BAIdeaEvolTeich.pdf
Ideen zur Philosophie der Geschichte der Menschheit (1784-91)

“Viewing the brain from the outside, Libet has shown that the experienced intention to perform an act is preceded by cerebral initiation. Why should the experienced decision to veto that intention, or to actively or passively promote its completion, be any different?”

Max Velmans (1942) British psychologist

Max Velmans (1991) " Consciousness From a First-Person Perspective http://cogprints.org/594/1/199802004.html," Behavioral and Brain Sciences, 14, (4) 702-719; p. 705.

Margaret Atwood photo
David Whitmer photo

“Of course we were in the spirit when we had the view, for no man can behold the face of an angel, except in a spiritual view, but we were in the body also, and everything was as natural to us, as it is at any time.”

David Whitmer (1805–1888) Book of Mormon witness

Letter of David Whitmer to Anthony Metcalf, March 1887. Quoted in Richard Lloyd Anderson, Investigating the Book of Mormon Witnesses (Salt Lake City: Deseret Book Company, 1981), p. 86.

Prasanta Chandra Mahalanobis photo
Jane Roberts photo
Ken Wilber photo

“But, I remember, we students used to discuss among ourselves that there was lot of 'white washing' and 'polishing' and suppressio veri in what we were taught in the class room. …. I became convinced that until this "gagging of others" was not challenged, their brand of history would go unchecked. Since then I have challenged them in my books…. And since I do no believe that "Muslim rule should not attract any criticism. Destruction of temples by Muslim invaders and rulers should not be mentioned and forcible conversions to Islam should be ignored and deleted, etc. etc.", my books are free from such restrictions. I now also apply the same yardstick to medieval Indian history as is done with respect to modem Indian history. If British imperialism was bad for the Indian people so also was Muslim imperialism. Both these sought sustenance from cooperation of indigenous elements but neither of them became indigenous in nature. We in India write the history of British rule not from the point of view of European imperialism but from that of the victims of colonization. I apply the same methodology to the history of Muslim rule. I write about it from the people's point of view rather than from the view of Islamic imperialists. We cannot apply different standards of approach and methodology to different periods of Indian history.”

Source: Theory and Practice of Muslim State in India (1999), Chapter 7

“A large picture can give us images of things, but a relatively small one can best re-create the instantaneous unity of nature as a view — the unity of which the eyes take in at a single glance.”

Clement Greenberg (1909–1994) American writer and artist

"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)

Phyllis Chesler photo

“If women take their bodies seriously—and ideally we should—then its full expression, in terms of pleasure, maternity, and physical strength, seems to fare better when women control the means of production and reproduction. From this point of view, it is simply not in women's interest to support patriarchy or even a fabled "equality" with men. That women do so is more a sign of powerlessness than of any biologically based "superior" wisdom.”

Phyllis Chesler (1940) Psychotherapist, college professor, and author

Women and Madness (N.Y.: Palgrave Macmillan, rev'd & updated ed., 1st ed., 2005, ISBN 1-4039-6897-7, pp. 337–338 (emphases in original), and Women and Madness (Garden City, N.Y.: Doubleday, 1972, ISBN 0-385-02671-4, p. 287 (emphases in original).
Women and Madness (1972, 2005)

Brigham Young photo
Michael Hudson (economist) photo
William Cobbett photo

“All my plans in private life; all my pursuits; all my designs, wishes, and thoughts, have this one great object in view: the overthrow of the ruffian Boroughmongers. If I write grammars; if I write on agriculture; if I sow, plant, or deal in seeds; whatever I do has first in view the destruction of those infamous tyrants.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Political Register (14 August 1819), quoted in Karl W. Schweizer and John W. Osborne, Cobbett and His Times (Leicester: Leicester University Press, 1990), p. 18.

Robert Southey photo

“Write poetry for its own sake — not in a spirit of emulation, and not with a view to celebrity; the less you aim at that the more likely you will be to deserve and finally to obtain it.”

Robert Southey (1774–1843) British poet

Letter to Charlotte Brontë in March 1837; Gaskell The life of Charlotte Brontë, Vol. I (1857), p. 140.

Johan Cruyff photo
George Holmes Howison photo

“It might pertinently be said that determinism and freedom are of course compatible enough when they are merely viewed as the two reciprocal aspects of self-activity in a single mind, but that the real difficulty is to reconcile the self-determinisms in different free minds.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.326-7

“In Low Countries a person meets indifference, which is the consequence of the assumption that everyone is responsible for their fate. Everyone keeps their own views, but there is no attempt to impose them on others.”

Tomasz Vetulani (1965) Polish artist

Tomasz Vetulani o Holandii, niskim kraju http://www.nto.pl/apps/pbcs.dll/article?AID=/20110605/REPORTAZ01/762330357, nto.pl, 5 June 2011 (in Polish)

Robert Crumb photo

“My generation comes from a world that has been molded by crass TV programs, movies, comic books, popular music, advertisements and commercials. My brain is a huge garbage dump of all this stuff and it is this, mainly, that my work comes out of, for better or for worse. I hope that whatever synthesis I make of all this crap contains something worthwhile, that it's something other than just more smarmy entertainment—or at least, that it's genuine high quality entertainment. I also hope that perhaps it's revealing of something, maybe. On the other hand, I want to avoid becoming pretentious in the eagerness to give my work deep meanings! I have an enormous ego and must resist the urge to come on like a know-it-all. Some of the imagery in my work is sorta scary because I'm basically a fearful, pessimistic person. I'm always seeing the predatory nature of the universe, which can harm you or kill you very easily and very quickly, no matter how well you watch your step. The way I see it, we are all just so much chopped liver. We have this great gift of human intelligence to help us pick our way through this treacherous tangle, but unfortunately we don't seem to value it very much. Most of us are not brought up in environments that encourage us to appreciate and cultivate our intelligence. To me, human society appears mostly to be a living nightmare of ignorant, depraved behavior. We're all depraved, me included. I can't help it if my work reflects this sordid view of the world. Also, I feel that I have to counteract all the lame, hero-worshipping crap that is dished out by the mass-media in a never-ending deluge.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 363

Michel Foucault photo

“I try to carry out the most precise and discriminative analyses I can in order to show in what ways things change, are transformed, are displaced. When I study the mechanisms of power, I try to study their specificity… I admit neither the notion of a master nor the universality of his law. On the contrary, I set out to grasp the mechanisms of the effective exercise of power; and I do this because those who are inserted in these relations of power, who are implicated therein, may, through their actions, their resistance, and their rebellion, escape them, transform them—in short, no longer submit to them. And if I do not say what ought to be done, it is not because I believe there is nothing to be done. Quite on the contrary, I think there are a thousand things to be done, to be invented, to be forged, by those who, recognizing the relations of power in which they are implicated, have decided to resist or escape them. From this point of view, my entire research rests upon the postulate of an absolute optimism. I do not undertake my analyses to say: look how things are, you are all trapped. I do not say such things except insofar as I consider this to permit some transformation of things. Everything I do, I do in order that it may be of use.”

Michel Foucault (1926–1984) French philosopher

Quand j’étudie les mécanismes de pouvoir, j’essaie d’étudier leur spécificité… Je n’admets ni la notion de maîtrise ni l’universalité de la loi. Au contraire, je m’attache à saisir des mécanismes d’exercise effectif de pouvoir ; et je le fais parce que ceux qui sont insérés dans ces relations de pouvoir, qui y sont impliqués peuvent, dans leurs actions, dans leur résistance et leur rébellion, leur échapper, les transformer, bref, ne plus être soumis. Et si je ne dis pas ce qu’il faut faire, ce n’est pas parce que je crois qu’il n’y a rien à faire. Bien au contraire, je pense qu’il y a mille choses à faire, à inventer, à forger par ceux qui, reconnaissant les relations de pouvoir dans lesquelles ils sont impliqués, ont décidé de leur résister ou de leur échapper. De ce point de vue, toute ma recherche repose sur un postulat d’optimisme absolu. Je n’effectue pas mes analyses pour dire : voilà comment sont les choses, vous êtes piégés. Je ne dis ces choses que dans la mesure où je considère que cela permet de les transformer. Tout ce que je fais, je le fais pour que cela serve.
Dits et Écrits 1954–1988 (1976) Vol. II, 1976–1988 edited by Daniel Defert and François Ewald, p. 911-912

Heinrich Rohrer photo