Quotes about veneer

A collection of quotes on the topic of veneer, people, other, use.

Quotes about veneer

Huey Long photo
Pope Francis photo
Cinda Williams Chima photo
Derren Brown photo
Johannes Grenzfurthner photo

“Contemporary art -- the field we are usually working in because there's money -- is mostly concerned with systems or systematic concepts. In the context of their work, artists adapt models of individual art-specific or economic or political systems like in a laboratory, to reveal the true nature of these systems by deconstructing them. So would it be fair to say that by their chameleon-like adaptation they are attempting to generate a similar system? Well… the corporate change in the art market has aged somewhat in the meantime and looks almost as old as the 'New Economy'. Now even the last snotty brat has realized that all the hogwash about the creative industries, sponsoring, fund-raising, the whole load of bullshit about the beautiful new art enterprises, was not much more than the awful veneer on the stupid, crass fanfare of neo-liberal liberation teleology. What is the truth behind the shifting spheres of activity between computer graphics, web design and the rest of all those frequency-orientated nerd pursuits? A lonely business with other lonely people at their terminals. And in the meantime the other part of the corporate identity has incidentally wasted whole countries like Argentina or Iceland. That's the real truth of the matter.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview on Furtherfield http://www.furtherfield.org/interviews/interview-johannes-grenzfurthner-monochrom-part-1

Camille Paglia photo

“Far from poisoning the mind, pornography shows the deepest truth about sexuality, stripped of romantic veneer.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 66

Chris Hedges photo
Hermann Rauschning photo
Edward Hopper photo
S. I. Hayakawa photo
Russ Feingold photo

“The lesson from Charlottesville is not how dangerous the neo-Nazis are. It is the unmasking of the Republican party leadership. In the wake of last weekend’s horror and tragedy, let us finally, finally rip off the veneer that Trump’s affinity for white supremacy is distinct from the Republican agenda of voter suppression, renewed mass incarceration and the expulsion of immigrants.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

Commenting in the aftermath of the Unite the Right rally in Charlottesville, Virginia, in [Feingold, Russ, How the Republican party quietly does the bidding of white supremacists, https://www.theguardian.com/commentisfree/2017/aug/19/republican-party-white-supremacists-charlottesville, 20 August 2018, The Guardian, August 19, 2017]
2017

Bob Dylan photo

“Louise she's all right she's just near'
She's delicate and seems like veneer'
But she just makes it all too concise and too clear'
That Johanna's not here”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blonde on Blonde (1966), Visions of Johanna

Jeremy Clarkson photo
Roberto Mangabeira Unger photo

“Obama’s manner in dealing with other people and acting in the world fully exemplifies the cheerful impersonal friendliness—the middle distance—that marks American sociability. (Now allow me to speak as a critic. Remember Madame de Staël’s meetings that deprive us of solitude without affording us company? Or Schopenhauer’s porcupines, who shift restlessly from getting cold at a distance to prickling one another at close quarters, until they settle into some acceptable compromise position?) The cheerful impersonal friendliness serves to mask recesses of loneliness and secretiveness in the American character, and no less with Obama than with anyone else. He is enigmatic—and seemed so as much then as now—in a characteristically American way…. Moreover, he excelled at the style of sociability that is most prized in the American professional and business class and serves as the supreme object of education in the top prep schools: how to cooperate with your peers by casting on them a spell of charismatic seduction, which you nevertheless disguise under a veneer of self-depreciation and informality. Obama did not master this style in prep school, but he became a virtuoso at it nevertheless, as the condition of preferment in American society that it is. As often happens, the outsider turned out to be better at it than the vast majority of the insiders…. Together with the meritocratic educational achievements, the mastery of the preferred social style turns Obama into what is, in a sense, the first American elite president—that is the first who talks and acts as a member of the American elite—since John Kennedy …. Obama's mixed race, his apparent and assumed blackness, his non-elite class origins and lack of inherited money, his Third-World childhood experiences—all this creates the distance of the outsider, while the achieved elite character makes the distance seem less threatening.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Quoted in David Remnick, The Bridgeː The Life and Rise of Barack Obama (2010), p. 185-6
On Barack Obama

Leonid Kantorovich photo

“Once some engineers from the veneer trust laboratory came to me for consultation with a quite skilful presentation of their problems. Different productivity is obtained for veneer-cutting machines for different types of materials; linked to this the output of production of this group of machines depended, it would seem, on the chance factor of which group of raw materials to which machine was assigned. How could this fact be used rationally?
This question interested me, but nevertheless appeared to be quite particular and elementary, so I did not begin to study it by giving up everything else. I put this question for discussion at a meeting of the mathematics department, where there were such great specialists as Gyunter, Smirnov himself, Kuz’min, and Tartakovskii. Everyone listened but no one proposed a solution; they had already turned to someone earlier in individual order, apparently to Kuz’min. However, this question nevertheless kept me in suspense. This was the year of my marriage, so I was also distracted by this. In the summer or after the vacation concrete, to some extent similar, economic, engineering, and managerial situations started to come into my head, that also required the solving of a maximization problem in the presence of a series of linear constraints.
In the simplest case of one or two variables such problems are easily solved—by going through all the possible extreme points and choosing the best. But, let us say in the veneer trust problem for five machines and eight types of materials such a search would already have required solving about a billion systems of linear equations and it was evident that this was not a realistic method. I constructed particular devices and was probably the first to report on this problem in 1938 at the October scientific session of the Herzen Institute, where in the main a number of problems were posed with some ideas for their solution.
The universality of this class of problems, in conjunction with their difficulty, made me study them seriously and bring in my mathematical knowledge, in particular, some ideas from functional analysis.
What became clear was both the solubility of these problems and the fact that they were widespread, so representatives of industry were invited to a discussion of my report at the university.”

Leonid Kantorovich (1912–1986) Russian mathematician

L.V. Kantorovich (1996) Descriptive Theory of Sets and Functions. p. 39; As cited in: K. Aardal, ‎George L. Nemhauser, ‎R. Weismantel (2005) Handbooks in Operations Research and Management Science, p. 15-26

Pat Condell photo
Honoré de Balzac photo

“Courtesy is only a thin veneer on the general selfishness.”

Honoré de Balzac (1799–1850) French writer

La politesse cache très-imparfaitement l’égoïsme général.
Part I, ch. VII.
Letters of Two Brides (1841-1842)

Joni Madraiwiwi photo
Julie Andrews photo
Edward A. Shanken photo
Jerry Coyne photo
Stephen L. Carter photo

“A cemetery is an affront to the rational mind. One reason is its eerily wasted space, this tribute to the dead that inevitably degenerates into ancestor worship as, on birthdays and anniversaries, humans of every faith and no faith at all brave whatever weather may that day threaten, in order to stand before these rows of silent stone markers, praying, yes, and remembering, of course, but very often actually speaking to the deceased, an oddly pagan ritual in which we engage, this shared pretense that the rotted corpses in warped wooden boxes are able to hear and understand us if we stand before their graves.The other reason a cemetery appeals to the irrational side is its obtrusive, irresistible habit of sneaking past the civilized veneer with which we cover the primitive planks of our childhood fears. When we are children, we know that what our parents insist is merely a tree branch blowing in the wind is really the gnarled fingertip of some horrific creature of the night, waiting outside the window, tapping, tapping, tapping, to let us know that, as soon as our parents close the door and sentence us to the gloom which they insist builds character, he will lift the sash and dart inside and…And there childhood imagination usually runs out, unable to give shape to the precise fears that have kept us awake and that will, in a few months, be forgotten entirely. Until we next visit a cemetery, that is, when, suddenly, the possibility of some terrifying creature of the night seems remarkably real.”

Source: The Emperor of Ocean Park (2002), Ch. 50, Again Old Town, I

Clay Shirky photo
Ferdinand Marcos photo
Steve Jobs photo

“People think it's this veneer — that the designers are handed this box and told, 'Make it look good!' That's not what we think design is. It's not just what it looks like and feels like. Design is how it works.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

As quoted in The Guts of a New Machine (30 November 2003) https://www.nytimes.com/2003/11/30/magazine/the-guts-of-a-new-machine.html
2000s

George Reisman photo
Koenraad Elst photo
George Santayana photo

“It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

https://owlquote.com/quotes/it-is-veneer-rouge-5g358g7
Other works

Steve Jobs photo

“People think it's this veneer — that the designers are handed this box and told, 'Make it look good!'”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

That's not what we think design is. It's not just what it looks like and feels like. Design is how it works.
As quoted in The Guts of a New Machine (30 November 2003) https://www.nytimes.com/2003/11/30/magazine/the-guts-of-a-new-machine.html
2000s

“Civilization, I sometimes think, is little more than a thin veneer of culture covering a host of red-assed baboons!”

Leonard E. Read (1898–1983) American academic

Leonard Read Journals, November 11, 1951 https://history.fee.org/leonard-read-journal/1951/leonard-e-read-journal-november-1951/