“It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.”

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George Santayana109

20th-century Spanish-American philosopher associated with P… 1863–1952

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“To show that this end [of art by its dissolution into real life] is only a beginning, it is essential that.... the series of galleries [of the future museum of modern art] be followed by a room in which painting and sculpture will be realized by the interior itself.... demonstrating that what is lost for art is gained for life. This room could therefore be designed for use as a lecture room, a restaurant.... as a bar with an American jazz band.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Mondrian's reaction on a questionnaire (c. 1931?)
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“The aim of jazz is the mechanical reproduction of a regressive moment, a castration symbolism. 'Give up your masculinity, let yourself be castrated,' the eunuchlike sound of the jazz band both mocks and proclaims, 'and you will be rewarded, accepted into a fraternity which shares the mystery of impotence with you, a mystery revealed at the moment of the initiation rite.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

"Perennial Fashion — Jazz" (1978), Prisms, p. 129, as translated by Samuel Weber and Shierry Weber (1981)

“Roger: New bands.. old bands - whatever. It's kind of weird. I guess I stay out of the loop on new bands, younger bands an who's getting signed or how many records this band is making. Persoanlly I don't care about things like that. I like melodies and lyrics and songs and energy. Isn't that what's it all about?”

Roger Manganelli (1973) American musician

“People think it's this veneer — that the designers are handed this box and told, 'Make it look good!'”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

That's not what we think design is. It's not just what it looks like and feels like. Design is how it works. <br class="br">As quoted in The Guts of a New Machine (30 November 2003) https://www.nytimes.com/2003/11/30/magazine/the-guts-of-a-new-machine.html <br class="br">2000s

“The hardest thing to do is to swing quietly, with control and restraint. Lots of bands swing loudly. I refuse to let my band play loudly in order to try to swing when it isn’t swinging softly. I think that the best jazz in the long run is the jazz that is controlled and will swing on its own terms.”

John Dankworth (1927–2010) British musician

Times obituary, 8 Feb 2010 http://www.timesonline.co.uk/tol/comment/obituaries/article7018290.ece

“People like to grab stuff, hold things in their hands and make things happen. Children’s museums are ideal for these kinds of things. There’s nothing more fun, to me.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, Mark Bennett, Bill Nye still rocking science - TV personality making weekend appearance in town to help open Children's Museum, The Tribune-Star, Terre Haute, Indiana, September 24, 2010]

“The one place for art-as-art is the museum of fine art. The reason of the museum or fine art is the preservation of ancient and modern art that cannot be made again and that does not have to be done again. A museum of fine art should exclude everything but fine art, and be separate of museums of ethnology, geology, archaeology, history... Any disturbance of a true museum's soundlessness, timelessness, airlessness, and lifelessness is a disrespect.”

Ad Reinhardt (1913–1967) American painter

Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155