Quotes about usual
page 14

John Byrne photo

“The messages of the prophets are essentially indictments of Israel for breach of covenant. They preserved some memory of the old traditions, but were not so naive as to think that the literal demands of the old law would be adequate in their own times. There is no condemnation of the stratification of society as such, rather a condemnation of the injustice and extortion which was done by the powerful. To take a specific example, the old law knew as security for a loan only the pledge (Exod. 22:26). In a simple economy, loans were evidently of an amount which would usually be adequately secured by giving to the creditor some property to hold until the loan was repaid. In case of default, the debtor's property simply reverted to the creditor. No other form of security is presupposed in the Covenant Code, and it is specifically forbidden that an Israelite be a "creditor" to one of his fellows. Already in the reign of Saul the situation had changed, Those who gathered about David as outlaws included those who had "creditors" (I Sam. 22:2), and who therefore had to flee. Under the old pledge system of security there would be no possible occasion for flight from the community in case of default. A totally different legal doctrine had come into practice whereby the person of the debtor was security for a loan. Upon default the creditor could seize him (or his family) as a slave, possibly without any legal action at all. The only alternative to slavery would have been flight. This doctrine is identical to that of Babylonian law, and no doubt of the Canaanites as well. It is in the law of the monarchy that Canaanite influence is doubtless to be posited, but it is a legal tradition in total contradiction to the customs and morality of early Israel. Amos protested violently against the way the legal doctrine was practiced, as did most of the prophets (Am. 2:6; Hos. 12:8-9; Mic. 2:1-2). The later lawcodes illustrate beautifully the way in which the early traditions, and the needs of business were brought into harmony. The older pledge system was simply inadequate for a commercial economy; and if the person of the debtor was to be protected, so also must the rights of the creditor to some security for his loan to be guaranteed. Therefore, Deuteronomy and the Holiness Code (Lv. 17-26) accept the doctrine of bodily liability, but place restrictions upon the powers of the creditor over the defaulting debtor. In the Holiness Code he is not to be treated as a slave, nor given the legal status of a slave, but rather to be as a hired laborer.”

George E. Mendenhall (1916–2016) American academic

Law and Convenant in Israel and the Ancient Near East (1954)

Thomas Kuhn photo
Daniel Levitin photo
Cyril Connolly photo
Tiffany Trump photo
Ichiro Suzuki photo

“It's not surprising. At the same time, it's not that usual. It's somewhere between usual and surprising.”

Ichiro Suzuki (1973) Japanese baseball player

Sasha Issenberg. <u>"If She's an Ugly Bowler, You Are Going To Be Disappointed"</u> http://www.slate.com/articles/sports/sports_nut/2007/08/ifshes_an_ugly_bowler_you_are_going_to_be_disappointed.html. Slate. Retrieved on 2016-11-03.

Anton Mauve photo

“When entering a studio the most pleasant thing to see is a blank canvas. It looks so inviting to make a start, you are fresh and hoping for the best. Then a terrible time follows when everything seems lost and ruined, you fear you will never get it done, than suddenly a ray of light! And it seems you get what you wanted to tell. My best works usually are going trough such a struggle.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Het meest aangename te zien wanneer men een atelier betreedt is een leeg doek. Het oogt zo uitnodigend om een begin te maken, je bent fris en hoopt op het beste. Dan volgt een vreselijke tijd waarin alles verloren en verprutst lijkt, je vreest dat je het nooit zal maken, en plotseling een lichtstraal! En het lijkt alsof je krijgt dat wat je wilde vertellen. Mijn beste werken gaan doorgaans door zulk een strijd.
Mauve's remark, later quoted by Mauve's student nl:Arina Hugenholtz, in her In memoriam mr. Anton Mauve, RKD Den Haag; as cited in The land of Mauve: utopia or a reality? / Het land van Mauve: utopie of werkelijkheid? https://www.rug.nl/research/kenniscentrumlandschap/mscripties/christina_vlasma-het_land_van_mauve-masterscriptie.pdf; master-scriptie by Christina van Staats-Vlasma; Rijksuniversiteit Groningen, La Broquerie, Manitoba Canada, Nov. 2010, p. 93
undated quotes

Neville Chamberlain photo
Christopher Walken photo
Clayton M. Christensen photo
Donald J. Trump photo

“My experience is that if you're fighting for something you believe in—even if it means alienating some people along the way—things usually work out for the best in the end.”

Donald J. Trump (1946) 45th President of the United States of America

Source: 1980s, Trump: The Art of the Deal (1987), p. 59

Indro Montanelli photo

“Let not the usual abstract arguments be brought to me, like the sacredness of life: no one contests the right of everyone to arrange their own life, I don't see why their own death has to be contested.”

Indro Montanelli (1909–2001) Italian journalist

cited in Enrico Bonerandi, Montanelli: pronto a morire http://ricerca.repubblica.it/repubblica/archivio/repubblica/2000/12/13/montanelli-pronto-morire.html, in la Repubblica, 13 December 2000, p. 36.
2000s - 2010s

Jack McDevitt photo

“Talking with most people usually involves a search for truth. Talking with congressmen is strictly special effects.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 10 (p. 85)

Max Scheler photo

“There is usually no ressentiment just where a superficial view would look for it first: in the criminal. The criminal is essentially an active type. Instead of repressing hatred, revenge, envy, and greed, he releases them in crime. Ressentiment is a basic impulse only in the crimes of spite. These are crimes which require only a minimum of action and risk and from which the criminal draws no advantage, since they are inspired by nothing but the desire to do harm. The arsonist is the purest type in point, provided that he is not motivated by the pathological urge of watching fire (a rare case) or by the wish to collect insurance. Criminals of this type strangely resemble each other. Usually they are quiet, taciturn, shy, quite settled and hostile to all alcoholic or other excesses. Their criminal act is nearly always a sudden outburst of impulses of revenge or envy which have been repressed for years. A typical cause would be the continual deflation of one's ego by the constant sight of the neighbor's rich and beautiful farm. Certain expressions of class ressentiment, which have lately been on the increase, also fall under this heading. I mention a crime committed near Berlin in 1912: in the darkness, the criminal stretched a wire between two trees across the road, so that the heads of passing automobilists would be shorn off. This is a typical case of ressentiment, for any car driver or passenger at all could be the victim, and there is no interested motive. Also in cases of slander and defamation of character, ressentiment often plays a major role...”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

“A window of opportunity for me usually involves a rock.”

Jay London (1966) American comedian

One-liners

Jacoba van Heemskerck photo

“I got the idea to paint people, in the way I see them. From one face I take to my own idea some very characteristic features of it and then I make of the whole a picture in colors and lines, in the way how I meet that person. The whole thing becomes not at all a portrait in the usual sense... I have tried to make types, but will built in more and more personal qualities and all that kind of things... Everything will be figured out fully abstract of course, it is just a personal feeling and no system at all.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Meine Idee ist es die Menschen zu malen, wie ich sie sehe. Ich nehme aus einem Gesicht einige meiner Ansicht nach am meisten sprechende Züge und ich mache dann vom ganzen ein Bild in den Farben und Linien, wie die Person mir entgegentritt. Das Ganze ist gar kein Porträt im gewöhnlichen Sinne.. .Ich habe mich bemüht, jetz noch Typen zu machen und werde mehr und mehr persönliche Eigenschaften und alle mögliche hereinbringen.. .Alles muss man sich natürlich ganz abstrakt denken, es ist ein persönliches Gefühl und gar kein System.
in a letter to Herwarth Walden, 6 Feb. 1918; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 20
1910's

John Byrne photo
Dorothy L. Sayers photo
Cedric Bixler-Zavala photo
Ann E. Dunwoody photo
Michael T. Flynn photo
Orson Scott Card photo
William Paley photo
Winston S. Churchill photo
Jared Diamond photo
Birju Maharaj photo

“Prokofiev’s music is usually based on a firm sense of tonality. Whatever tonal uncertainty and ambiguity one experiences, mainly in developmental passages, they are mostly short-lived.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

“Those who always take the same paths, usually see the same objects; it is rare that upon following different routes, one won't discover new topics worthy of our most serious attention. Similarly, various attempts give us a greater amount of knowledge. By trying different keys, we can hope to finally find some that open secure paths, short and easy, leading to the wealth of physics.”

Pierre Polinière (1671–1734) French physicist

Ceux qui passent toujours par les mêmes chemins, voyent ordinairement toujours les mêmes objets; il est rare qu'à force de suivre différentes routes, on ne découvre de nouveaux sujets dignes de nos attentions les plus sérieuses. De même les différentes tentatives nous font avoir un plus grand nombre de connaissances. En essayant donc différentes clefs, on peut espérer d'en rencontrer enfin qui nous ouvriront les passages assurés, courts et faciles pour arriver aux richesses de la Physique.
[Pierre Polinière, Expériences de physique, Charles Moette, 1728, http://books.google.com/books?id=phE5AAAAcAAJ&pg=PR7#v=onepage&q=&f=false, vii]

Larry Wall photo

“As usual, I'm overstating the case to knock a few neurons loose, but the truth is usually somewhere in the muddle, uh, middle.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199702111639.IAA28425@wall.org, 1997]
Usenet postings, 1997

Titian photo

“.. I also send the picture of the 'Trinity' [also called La Gloria].... in my wish to satisfy your C. M. [Caesarean Majesty] I have not spared myself the pains of striking out two or three times the work of many days to bring it to perfection and satisfy myself, whereby more time was wasted than I usually take to do such things.... the portrait of Signor Vargas [agent of Charles V, who was paying Titian for his works] introduced into the work [very probably in the 'La Gloria' / 'Trinity'] was done at his request. If it should not please your C. M. any painter can, with a couple of [brush] strokes, convert it into another person.”

Titian (1488–1576) Italian painter

In a letter from Venice to the Spanish emperor Charles V in Bruxelles, 10 Sept. 1554; original in the 'Appendix' of Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 231-232
Titian is announcing in his letter the completion and the delivery of the paintings 'Trinity' and 'Addolorata' and probably a third painting 'Christ appearing to the Magdalen', for Mary of Hungary
1541-1576

Richard Dedekind photo

“The way in which the irrational numbers are usually introduced is based directly upon the conception of extensive magnitudes—which itself is nowhere carefully defined—and explains number as the result of measuring such a magnitude by another of the same kind. Instead of this I demand that arithmetic shall be developed out of itself.”

Richard Dedekind (1831–1916) German mathematician

Footnote: The apparent advantage of the generality of this definition of number disappears as soon as we consider complex numbers. According to my view, on the other hand, the notion of the ratio between two numbers of the same kind can be clearly developed only after the introduction of irrational numbers.
Stetigkeit und irrationale Zahlen (1872)

Malcolm McDowell photo

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times.
As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

Joseph Strutt photo
Paul Klee photo
Wendy Doniger photo
Mark Tobey photo
George Gissing photo

“Women, he held, had never been treated with elementary justice. To worship them was no less unfair than to hold them in contempt. The honest man, in our day, should regard a woman without the least bias of sexual prejudice; should view her simply as a fellow-being, who, according to circumstances, might or not be on his own plane. Away with all empty show and form, those relics of barbarism known as chivalry! He wished to discontinue even the habit of hat-doffing in female presence. Was not civility preserved between man and man without such idle form? Why not, then, between man and woman? Unable, as yet, to go the entire length of his principles in every-day life, he endeavoured, at all events, to cultivate in his intercourse with women a frankness of speech, a directness of bearing, beyond the usual. He shook hands as with one of his own sex, spine uncrooked; he greeted them with level voice, not as one who addresses a thing afraid of sound. To a girl or matron whom he liked, he said, in tone if not in phrase, "Let us be comrades." In his opinion this tended notably to the purifying of the social atmosphere. It was the introduction of simple honesty into relations commonly marked — and corrupted — by every form of disingenuousness. Moreover, it was the great first step to that reconstruction of society at large which every thinker saw to be imperative and imminent.
But Constance Bride knew nothing of this, and in her ignorance could not but misinterpret the young man's demeanor. She felt it to be brusque; she imagined it to imply a purposed oblivion of things in the past.”

George Gissing (1857–1903) English novelist

Source: Our Friend the Charlatan (1901), Ch. II

“The right thing to do and the hard thing to do are usually the same thing.”

Source: Life, the Truth, and Being Free (2010), p. 61

Daniel Handler photo

“At this point in the dreadful story I am writing, I must interrupt for a moment and describe something that happened to a good friend of mine named Mr. Sirin. Mr. Sirin was a lepidoptrerist, a word which usually means "a person who studies butterflies." In this case, however, the word "lepidopterist" means "a man who was being pursued by angry government officials," and on the night I am telling you about they were right on his heels. Mr. Sirin looked back to see how close they were--four officers in their bright-pink uniforms, with small flashlights in their left hands and large nets in their right--and realized that in a moment they would catch up, and arrest him and his six favorite butterflies, which were frantically flapping alongside him. Mr. Sirin did not care much if he was captured--he had been in prison four and a half times over the course of his long and complicated life--but he cared very much about the butterflies. He realized that these six delicate insects would undoubtedly perish in bug prison, where poisonous spiders, stinging bees, and other criminals would rip them to shreds. So, as the secret police closed in, Mr. Sirin opened his mouth as wide as he could and swallowed all six butterflies whole, quickly placing them in the dark but safe confines of his empty stomach. It was not a pleasant feeling to have these six insects living inside him, but Mr. Sirin kept them there for three years, eating only the lightest foods served in prison so as not to crush the insects with a clump of broccoli or a baked potato. When his prison sentence was over, Mr. Sirin burped up the grateful butterflies and resumed his lepidoptery work in a community that was much more friendly to scientists and their specimens.”

Lemony Snicket
The Hostile Hospital (2001)

“The humanities have usually left evolutionary nature to the biologists. But some of the other questions here are… posed by the multidisciplinary field known as environmental history.”

Dan Flores (1948) American historian

The Natural West: Environmental History in the Great Plains and Rocky Mountains (2003)

Jane Roberts photo
David Lynch photo
Kurt Lewin photo

“The valence of an object usually derives from the fact that the object is a means to the satisfaction of a need, or has indirectly something to do with the satisfaction of a need.”

Kurt Lewin (1890–1947) German-American psychologist

Source: 1930s, A Dynamic Theory of Personality, 1935, p. 78.

Nick Hornby photo
Anthony Crosland photo
Miguel de Unamuno photo

“Progress usually comes from the barbarian, and there is nothing more stagnant than the philosophy of the philosophers and the theology of the theologians.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Paul Klee photo

“I cannot be grasped in the here and now. For I reside just as much with the dead as with the unborn. Somewhat closer to the heart of creation than usual. But not nearly close enough. The end has met the beginning.”

Paul Klee (1879–1940) German Swiss painter

German original version: Diesseitig bin ich gar nicht fassbar. Denn ich wohne grad so gut bei den Toten, wie bei den Ungeborenen. Etwas näher dem Herzen der Schöpfung als üblich. Und noch lange nicht nahe genug.
Quote from Exhibition catalogue, Galerie Goltz, Munich, published in the gallery's house journal Der Ararat (May 1920). These words were later used as Klee's epitaph in 1940.
Variant translation: I cannot be understood at all on this earth. For I live as much with the dead as with the unborn. Somewhat closer to the heart of creation than usual. But not nearly close enough.
As quoted in Paul Klee: His Work and Thought (1991) by Marcel Franciscono, p. 5
1916 - 1920

Sarah Bakewell photo
Julia Child photo
Anthony Burgess photo
Warren Farrell photo

“Men tuned into women but not tuned into their own hurts usually retained the attitude that women needed special protection.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. xxii.

William Grey Walter photo

“[A]n electro-mechanical creature which behaves so much like an animal that it has been known to drive a not usually timid lady upstairs to lock herself in her bedroom, an interesting blend of magic and science.”

William Grey Walter (1910–1977) American-born British neuroscientist and roboticist

Source: The Living Brain (1953), p. 82 : Description of the behavior of his first autonomous turtle robots, called Tortoise or Machina speculatrix.

Richard Long photo
Clarence Darrow photo

“The usual is always mediocre. When nature takes it into her head to make a man, she fits him with her own equipment and educates him in her own school.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Voltaire (1916)

“For as long as I can remember,' I said, continuing to speak to the figure standing in the archway, 'I have had an intense and highly aesthetic perception of what I call the icy bleakness of things. At the same time I have felt a great loneliness in this perception. This conjunction of feelings seems paradoxical, since such a perception, such a view of things, would seem to preclude the emotion of loneliness, or any sense of a killing sadness, as I think of it. All such heartbreaking sentiment, as usually considered, would seem to be on its knees before artworks such as yours, which so powerfully express what I have called the icy bleakness of things, submerging or devastating all sentiment in an atmosphere potent with desolate truths, permeated throughout with a visionary stagnation and lifelessness. Yet I must observe that the effect, as I now consider it, has been just the opposite. If it was your intent to evoke the icy bleakness of things with your dream monologues, then you have totally failed on both an artistic and an extra-artistic level. You have failed your art, you have failed yourself, and you have also failed me. If your artworks had really evoked the bleakness of things, then I would not have felt this need to know who you are, this killing sadness that there was actually someone who experienced the same sensations and mental states that I did and who could share them with me in the form of tape-recorded dream monologues. Who are you that I should feel this need to go to work hours before the sun comes up, that I should feel this was something I had to do and that you were someone that I had to know? This behavior violates every principle by which I have lived for as long as I can remember. Who are you to cause me to violate these long-lived principles?”

Thomas Ligotti (1953) American horror author

The Bungalow House

Bruce Palmer Jr. photo

“Both Abrams and Westmoreland would have been judged as authentic military "heroes" at a different time in history. Both men were outstanding leaders in their own right and in their own way. They offered sharply contrasting examples of military leadership, something akin to the distinct differences between Robert E. Lee and Ulysses S. Grant of our Civil War period. They entered the United States Military Academy at the same time in 1932- Westmoreland from a distinguished South Carolina family, and Abrams from a simpler family background in Massachusetts- and graduated together with the Class of 1936. Whereas Westmoreland became the First Captain (the senior cadet in the corps) during their senior year, Abrams was a somewhat nondescript cadet whose major claim to fame was as a loud, boisterous guard on the second-string varsity football squad. Both rose to high rank through outstanding performance in combat command jobs in World War II and the Korean War, as well as through equally commendable work in various staff positions. But as leaders they were vastly different. Abrams was the bold, flamboyant charger who wanted to cut to the heart of the matter quickly and decisively, while Westmoreland was the more shrewdly calculating, prudent commander who chose the more conservative course. Faultlessly attired, Westmoreland constantly worried about his public image and assiduously courted the press. Abrams, on the other hand, usually looked rumpled, as though he might have slept in his uniform, and was indifferent about his appearance, acting as though he could care less about the press. The sharply differing results were startling; Abrams rarely receiving a bad press report, Westmoreland struggling to get a favorable one.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 134

Paul Krugman photo

“The usual and basic Keynesian answer to recessions is a monetary expansion. But Keynes worried that even this might sometimes not be enough, particularly if a recession had been allowed to get out of hand and become a true depression. Once the economy is deeply depressed, households and especially firms may be unwilling to increase spending no matter how much cash they have, they may simply add any monetary expansion to their board. Such a situation, in which monetary policy has become ineffective, has come to be known as a "liquidity trap"; Keynes believed that the British and American economies had entered such a trap by the mid-1930s, and some economists believed that the United States was on the edge of such a tap in 1992.
The Keynesian answer to a liquidity trap is for the government to do what the private sector will not: spend. When monetary expansion is ineffective, fiscal expansion—such as public works programs financed by borrowing—must take its place. Such a fiscal expansion can break the vicious circle of low spending and low incomes, "priming the pump: and getting the economy moving again. But remember that this is not by any means an all-purpose policy recommendation; it is essentially a strategy of desperation, a dangerous drug to be prescribed only when the usual over-the-counter remedy of monetary policy has failed.”

Source: Peddling Prosperity (1994), Ch. 1 : The Attack on Keynes

Fred Brooks photo

“Show me your flowcharts and conceal your tables, and I shall continue to be mystified. Show me your tables, and I won’t usually need your flowcharts; they’ll be obvious.”

Fred Brooks (1931) American computer scientist

Source: The Mythical Man-Month: Essays on Software Engineering (1975, 1995), Pp. 102–3.

John Ruskin photo
Andrei Lankov photo
Yehudi Menuhin photo

“Actually, I was gazing in my usual state of being half absent in my own world and half in the present. I have usually been able to 'retire' in this way. I was also thinking that my life was tied up with the instrument and would I do it justice?”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Kevin Hindle, Kim Klyver Handbook of Research on New Venture Creation http://books.google.co.in/books?id=nFb7U0qKJNgC&pg=PA79, Edward Elgar Publishing, 1 January 2011, p. 79

Arthur Schopenhauer photo

“Indeed at times we feel tempted to think that they had finished with their seriously meant philosophical investigations ever before their twelfth year and that at that age they had for the rest of their lives settled their view on the nature of the world and on everything pertaining thereto. We feel so tempted because after all the philosophical discussions and dangerous deviations, … they always come back to what is usually made plausible to us at that tender age and appear to accept this even as the criterion of truth. All heterodox philosophical doctrines, with which they must at times be concerned in the course of their lives, appear to them to exist merely to be refuted and this to establish those others the more firmly.”

Ja, bisweilen fühlt man sich versucht zu glauben, daß sie ihre ernstlich gemeinten philosophischen Forschungen schon vor ihrem zwölften Jahre abgethan und bereits damals ihre Ansicht vom Wesen der Welt, und was dem anhängt, auf immer festgestellt hätten; weil sie, nach allen philosophischen Diskussionen und halsbrechenden Abwegen, unter verwegenen Führern, doch immer wieder bei Dem anlangen, was uns in jenem Alter plausibel gemacht zu werden pflegt, und es sogar als Kriterium der Wahrheit zu nehmen scheinen. Alle die heterodoren philosophischen Lehren, mit welchen sie dazwischen, im Laufe ihres Lebens, sich haben beschäftigen müssen, scheinen ihnen nur dazu- seyn, um widerlegt zu werben und dadurch jene ersteren desto fester zu etabliren.
Sämtliche Werke, Bd. 5, p. 156, E. Payne, trans. (1974) Vol. 1, pp. 143-144
Parerga and Paralipomena (1851), On Philosophy in the Universities

Roberto Mangabeira Unger photo
R. A. Lafferty photo
Francis Bacon photo
Patrick McHale (artist) photo

“I think whenever you write something you want people to like it. The best way to do that, usually, is to write what you think is good. That’s basically what everyone tries to do… just to write what they think is good. Part of that is staying true to the characters and the world (which makes it a kids show by it’s design)… and part of that is introducing deeper concepts that we, as writers, are curious about exploring”

Patrick McHale (artist) (1983) writer, storyboard artist, animator, filmmaker

which makes it more interesting for adults
Interview with Pat McHale (Adventure Time, Over the Garden Wall writer) https://crackplot.com/2015/06/13/interview-with-pat-mchale-adventure-time-over-the-garden-wall-writer/ (June 13, 2015)

Hannah Arendt photo
E. B. White photo
Colin Wilson photo
Augusto Pinochet photo

“I'm not someone who usually sends out threats. I warn only once. The day they touch one of my men, the rule of law is over.”

Augusto Pinochet (1915–2006) Former dictator of the republic of Chile

Speech (17 April 1989), quoted in " Las frases para el bronce de Pinochet http://www.lanacion.cl/prontus_noticias/site/artic/20061210/pags/20061210221221.html" (2006-12-11) La Nación
1980s

Emil Nolde photo
John P. Kotter photo

“Great vision communication usually means heartfelt messages are coming from real human beings.”

John P. Kotter (1947) author of The heart of Change

Step 4, p. 95
The Heart of Change, (2002)

Narcisse Virgilio Díaz photo

“You cannot imagine the pleasure you are giving me. This woman and this infant [of an old picture, made in his early years] are my own family. The baby was in its cradle one fine summer day; the mother had fallen asleep beside it. In one hour I did the sketch from nature. It used to hang over my bed, and it cheered my awakening every day for years. Then arrived a morning when we were more in want of necessaries than usual. A dealer came along and offered me a hundred and fifty francs.... he insisted on taking that one in particular. As ill luck would have it, my rent was due next day. I was not in a position to be too particular. He gave me a bank note of one hundred francs, and ten hundred-sous pieces. I made him out a receipt, and he never perceived that he was carrying off a bit of my heart. Ah!, it was hard.”

Narcisse Virgilio Díaz (1807–1876) French painter

Quote of Diaz, late 1860's, recorded by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choiche of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 45-46
Albert Wolff, the interviewer, owned this little panel, painted by a young Diaz. It was fifteen centimeters big, and presented a baby lying in a cradle with the mother, guarding it. Wolff returned it to the old Diaz
Quotes of Diaz

Winfield Scott photo

“Peace won by compromise is usually a short lived achievement.”

Winfield Scott (1786–1866) Union United States Army general

As quoted in The Iron Man of India (1951) by S. Jaysbee, p. 57

James A. Garfield photo

“I am receiving what I suppose to be the usual number of threatening letters on the subject. Assassination can be no more guarded against than death by lightning; it is best not to worry about either.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

As quoted in Garfield of Ohio : The Available Man (1970) by John M. Tyler

Rachel Trachtenburg photo
Russell L. Ackoff photo