Quotes about try

page 62

Born of Man and Woman (1950)

The Paris Review interview (1984)
Context: People always try to find base motives behind every good action. We are afraid of pure goodness and of pure evil.

Gothamist interview (2006)
Context: The biggest challenge in a simul is finding the right shoes! I want to look good in front of fifty people, but really sneakers are the best bet. I try to finish a simul as quickly as possible and don’t worry if I lose a game or two along the way. It becomes a manic workout. I’m literally running around playing moves as fast as my fingers and legs will go. My brain usually follows.
The simul is a great chess illusion. It makes the simul-giver seem like a genius, when really they’re just speaking their language. Chessplayers rely so heavily on instincts developed from years of training and practice. Chess is not all about thinking, there’s a lot of feeling involved.

Address to the Society for Psychical Research (1897)
Context: I am not disposed to bewail the limitations imposed by human ignorance. On the contrary, I feel ignorance is a healthful stimulant; and my enforced conviction that neither I nor anyone can possibly lay down beforehand what does not exist in the universe, or even what is not going on all round us everyday of our lives, leaves me with a cheerful hope that something very new and very arresting may turn up anywhere at any minute. … I shall try to utilize this temper of mind today by clearing away, so far as I can, certain presuppositions, on one side or on the other, which seem to me to depend upon a too hasty assumption that we know more about the universe than as yet we really can know.

Question 5 in Less Wrong Q&A with Eliezer Yudkowsky (January 2010) http://lesswrong.com/lw/1lq/less_wrong_qa_with_eliezer_yudkowsky_video_answers/
Context: This is crunch time for the whole human species, and not just for us but for the intergalactic civilization whose existence depends on us. This is the hour before the final exam and we're trying to get as much studying done as possible. It may be that you can't make yourself feel that for a decade or thirty years or however long this crunch time lasts, but the reality is one thing and the emotions are another... If you confront it full on, then you can't really justify trading off any part of intergalactic civilization for any intrinsic thing you could get nowadays, and at the same time, it's also true that there are very few people who can live like that (and I'm not one of them myself).

Orange County Register, July 9, 1999
Context: You just have to keep trying to do good work, and hope that it leads to more good work. I want to look back on my career and be proud of the work, and be proud that I tried everything. Yes, I want to look back and know that I was terrible at a variety of things.

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 94

Source: Way Station (1963), Ch. 33
Context: A machine, a mechanism, no more than a tool — technological brother to the hoe, the wrench, the hammer — and yet as far a cry from these as the human brain was from that first amino acid which had come into being on this planet when the Earth was very young. One was tempted, Enoch thought, to say that this was as far as a tool could go, that it was the ultimate in the ingenuity possessed by any brain. But that would be a dangerous way of thinking, for perhaps there was no limit, there might, quite likely, be no such condition as the ultimate; there might be no time when any creature or any group of creatures could stop at any certain point and say, this is as far as we can go, there is no use of trying to go farther. For each new development produced, as side effects, so many other possibilities, so many other roads to travel, that with each step one took down any given road there were more paths to follow. There'd never be an end, he thought — no end to anything.

“In Awe of Words,” The Exonian, 75th anniversary edition, Exeter University (1930)
Context: We are lonesome animals. We spend all our life trying to be less lonesome. One of our ancient methods is to tell a story begging the listener to say — and to feel — ”Yes, that’s the way it is, or at least that’s the way I feel it. You’re not as alone as you thought.

Speech to Conservative Rally in Cardiff (16 April 1979) http://www.margaretthatcher.org/document/104011
Leader of the Opposition
Context: As Conservatives we believe that recovery can only come through the work of individuals. We mustn't forever take refuge behind collective decisions. Each of us must assume our own responsibilities. What we get and what we become depends essentially on our own efforts. For what is the real driving force in society? It's the desire for the individual to do the best for himself and his family. People don't go out to work for the Chancellor of the Exchequer. They go out to work for their family, for their children, to help look after their parents... That's the way society is improved, by millions of people resolving that they'll give their children a better life than they've had themselves. And there's just no substitute for this elemental human instinct, and the worst possible thing a Government can do is to try to smother it completely with a sort of collective alternative. They won't work, they can't work. They crush and destroy something precious and vital in the nation and in the individual spirit.

Source: Aspects of the Novel (1927), Chapter Nine: Conclusion
Context: If human nature does alter it will be because individuals manage to look at themselves in a new way. Here and there people — a very few people, but a few novelists are among them — are trying to do this. Every institution and vested interest is against such a search: organized religion, the state, the family in its economic aspect, have nothing to gain, and it is only when outward prohibitions weaken that it can proceed: history conditions it to that extent.

From 1980s onwards, Only Integrity is Going to Count (1983)
Context: I never try to tell anybody else what to do, number one. And number two, I think that's what the individual is all about. Each one of us has something to contribute. This really depends on each one doing their own thinking, but not following any kind of rule that I can give out, any command. We're all on the frontier, we're all in a great mystery — incredibly mysterious. Each one possesses exactly what each one is working out, and what each one works out relates to their particular set of circumstances of any one day, or any one place around the world.

"Ace in the Hole"
Let's Face It (1941)
Context: This rule I propose,
Always have an ace in the hole. Always try to arrive at
Having an ace some place private. Always have an ace in the hole.

"Renascence" (1912), st. 3 Renascence and Other Poems (1917)
Context: But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I'll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And — sure enough! — I see the top!
The sky, I thought, is not so grand;
I 'most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.

Four Screenplays of Ingmar Bergman (1960).
Context: People ask what are my intentions with my films — my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct. I prefer to describe what I would like my aim to be. There is an old story of how the cathedral of Chartres was struck by lightning and burned to the ground. Then thousands of people came from all points of the compass, like a giant procession of ants, and together they began to rebuild the cathedral on its old site. They worked until the building was completed — master builders, artists, labourers, clowns, noblemen, priests, burghers. But they all remained anonymous, and no one knows to this day who built the cathedral of Chartres.
Regardless of my own beliefs and my own doubts, which are unimportant in this connection, it is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God. He lived and died without being more or less important than other artisans; 'eternal values,' 'immortality' and 'masterpiece' were terms not applicable in his case. The ability to create was a gift. In such a world flourished invulnerable assurance and natural humility. Today the individual has become the highest form and the greatest bane of artistic creation.
The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny the existence of each other.
We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal. Thus if I am asked what I would like the general purpose of my films to be, I would reply that I want to be one of the artists in the cathedral on the great plain. I want to make a dragon's head, an angel, a devil — or perhaps a saint — out of stone. It does not matter which; it is the sense of satisfaction that counts.
Regardless of whether I believe or not, whether I am a Christian or not, I would play my part in the collective building of the cathedral.

Source: Don't Start the Revolution Without Me! (2008), Ch. 10 (p. 186)
Context: Another of the religious right's scams is marching into public school science classes and trying to mandate teaching of "creation science," as opposed to evolution. Somehow, they put evolutionism and creationism in the same category—believing that one makes the other impossible. But aren't these two separate systems of knowledge? One is a scientific theory, the other is a religious doctrine. It's kind of like comparing the law of gravity to the Sermon on the Mount. Evolution doesn't pretend to disprove the Bible's version of creation, or the belief in an all-powerful being as "prime mover" of the universe. Science only deals with what's observable, definable, and measurable. It's open to all possibilities, unlike creationism, which is a closed book. So leave evolution to the science teachers, and creation to the Sunday school of the parents' choosing.

60 Minutes interview (2010)
Context: I'm trying to make the theatrical experience an environmental experience. We want to have the theatre of it right in the laps of the audience … You don't know until the last half second that he's going to be that close.

National Cartoonist Society talk, 1994 http://web.archive.org/web/20070416184458/http://www.planetcartoonist.com/editorial/success_charlesschulz.shtml
Context: I never give my work to somebody else and say, "What do you think about that?" I just don't trust anybody. If I think it's funny, or if I think it's silly, I send it in anyway because I'm just trying to please myself. I never try to please a certain audience. I think that's disastrous. There's no way in the world you can anticipate what your reader is going to like or dislike.

The Crosswicks Journal, The Irrational Season (1977)
Context: I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work. I have never served a work as I would like to, but I do try, with each book, to serve to the best of my ability, and this attempt at serving is the greatest privilege and the greatest joy that I know.

Source: No Ordinary Genius (1994), p. 251-252, from interview in "The Pleasure of Finding Things Out" (1981): video http://www.youtube.com/watch?v=NEwUwWh5Xs4&t=45m21s
(Also in book The Pleasure of Finding Things Out (1999) p. 23.)
Context: People say to me, "Are you looking for the ultimate laws of physics?" No, I'm not. I'm just looking to find out more about the world and if it turns out there is a simple ultimate law which explains everything, so be it; that would be very nice to discover. If it turns out it's like an onion with millions of layers and we're just sick and tired of looking at the layers, then that's the way it is!… And therefore when we go to investigate we shouldn’t pre-decide what it is we are trying to do except to find out more about it… My interest in science is to simply find out more about the world.

1950s, Conquering Self-centeredness (1957)
Context: I think one of the best ways to face this problem of self-centeredness is to discover some cause and some purpose, some loyalty outside of yourself and give yourself to that something. The best way to handle it is not to suppress the ego but to extend the ego into objectively meaningful channels. And so many people are unhappy because they aren’t doing anything. They’re self-centered because they aren’t doing anything. They haven’t given themselves to anything and they just move around in their little circles. One of the ways to rise above this self-centeredness is to move away from self and objectify yourself in something outside of yourself. Find some great cause and some great purpose, some loyalty to which you can give yourself and become so absorbed in that something that you give your life to it. Men and women have done this throughout all of the generations. And they have found that necessary ego satisfaction that life presents and that one desires through projecting self in something outside of self. As I said, you don’t solve the problem by trying to trample over the ego altogether. That doesn’t solve the problem. For you will always have the ego and the ego has certain desires, certain desires for significance. The three great psychoanalysts of this age, of this century, pointed out that there are certain basic desires that human beings have and that they long for and that they seek at any cost. And so for Freud the basic desire was to be loved. Jung would say that the basic desire is to be secure. But then Adler comes along and says the basic desire of human nature is to feel important and a sense of significance. And I think of all of those, probably- certainly all are significant but the one that Adler mentions is probably even more significant than any: that all human beings have a desire to belong and to feel significant and important. And the way to solve this problem is not to drown out the ego but to find your sense of importance in something outside of the self. And you are then able to live because you have given your life to something outside and something that is meaningful, objectified. You rise above this self-absorption to something outside. This is the way to go through life with a balance, with the proper perspective because you’ve given yourself to something greater than self. Sometimes it’s friends, sometimes it’s family, sometimes it’s a great cause, it’s a great loyalty, but give yourself to that something and life becomes meaningful.

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 8 (at page 63)

1960, The New Frontier
Context: For the harsh facts of the matter are that we stand on this frontier at a turning-point in history. We must prove all over again whether this nation — or any nation so conceived — can long endure — whether our society — with its freedom of choice, its breadth of opportunity, its range of alternatives — can compete with the single-minded advance of the Communist system. Can a nation organized and governed such as ours endure? That is the real question. Have we the nerve and the will? Can we carry through in an age where we will witness not only new breakthroughs in weapons of destruction — but also a race for mastery of the sky and the rain, the ocean and the tides, the far side of space and the inside of men's minds? Are we up to the task — are we equal to the challenge? Are we willing to match the Russian sacrifice of the present for the future — or must we sacrifice our future in order to enjoy the present? That is the question of the New Frontier. That is the choice our nation must make — a choice that lies not merely between two men or two parties, but between the public interest and private comfort — between national greatness and national decline — between the fresh air of progress and the stale, dank atmosphere of "normalcy" — between determined dedication and creeping mediocrity. All mankind waits upon our decision. A whole world looks to see what we will do. We cannot fail their trust, we cannot fail to try.

Last Talks at Saanen, 1985 (1987), p. 158
1980s
Context: The questioner says, how can the conditioned brain grasp the unlimited, which is beauty, love, and truth? What is the ground of compassion and intelligence, and can it come upon us — each one of us? Are you inviting compassion? Are you inviting intelligence? Are you inviting beauty, love, and truth? Are you trying to grasp it? I am asking you. Are you trying to grasp the quality of intelligence, compassion, the immense sense of beauty, the perfume of love and that truth which has no path to it? Is that what you are grasping — wanting to find out the ground upon which it dwells? Can the limited brain grasp this? You cannot possibly grasp it, hold it. You can do all kinds of meditation, fast, torture yourself, become terribly austere, having one suit, or one robe. All this has been done. The rich cannot come to the truth, neither the poor. Nor the people who have taken a vow of celibacy, of silence, of austerity. All that is determined by thought, put together sequentially by thought; it is all the cultivation of deliberate thought, of deliberate intent.

Letter to a group of Occidental College students (1955)
Context: When I first went to Occidental College... there was a literary magazine... called the Aurora, and I remember thinking it odd that Occidental — the west, the setting sun — should be represented by a magazine called Aurora, the dawn. At least it gave us a wide range, the whole daylight sky.
I was continually writing verses in those days. Nobody, not even I myself, thought they were good verses; but Aurora's editor accepted many of them and it gave me pleasure to see my rhymes in print. They did rhyme, if that is any value, and were usually metrical, but why was I so eager to publish what hardly anyone would read and no one would remember? I suppose the desire for publication is a normal part of the instinct for writing... the writer sits at home, and the mere fact of being printed provides his verses with a kind of audience... So, having his vanity partially satisfied, he can go ahead and try better work.

"My Rainbow Race" (1967)
Context: One blue sky above us
One ocean lapping all our shore
One earth so green and round
Who could ask for more
And because I love you
I'll give it one more try
To show my rainbow race
It's too soon to die.

Source: A Gift From Earth (1968), Ch. 10 : Parlette's Hand

Source: Guide for the Perplexed (c. 1190), Part III, Ch.24
Context: This is the way how we have to understand the accounts of trials; we must not think that God desires to examine us and to try us in order to know what He did not know before. Far is this from Him; He is far above that which ignorant and foolish people imagine concerning Him, in the evil of their thoughts. Note this.

Hotchkiss
1900s, Getting Married (1908)
Context: Religion is a great force — the only real motive force in the world; but what you fellows don't understand is that you must get at a man through his own religion and not through yours. Instead of facing that fact, you persist in trying to convert all men to your own little sect, so that you can use it against them afterwards. You are all missionaries and proselytizers trying to uproot the native religion from your neighbor's flowerbeds and plant your own in its place. You would rather let a child perish in ignorance than have it taught by a rival sectary. You can talk to me of the quintessential equality of coal merchants and British officers; and yet you can't see the quintessential equality of all the religions.

Martin Fowler as cited in: James Shore, Shane Warden (2007) The Art of Agile Development. p. 319

On his use of ideas of Meher Baba in his writings, in response to a comment at "Happy Birthday Meher Baba!" (25 February 2014) http://www.jmdematteis.com/2014/02/happy-birthday-meher-baba.html
J.M. DeMatteis's CREATION POINT (2009 – present)
Context: I'm glad the work doesn't come across as heavy-handed. I'm not trying to preach or convert, just explore interesting ideas and touch some hearts.

"How Am I Different" (co-written with Jon Brion) · Video https://www.youtube.com/watch?v=iW7gUnN7yxo
Song lyrics, Bachelor No. 2 or, the Last Remains of the Dodo (2000)
Context: I can't do it, I can't conceive
You're everything you're trying to make me believe 'Cause this show is too well designed
Too well to be held with only me in mind And how, how am I different?
How, how am I different?

The Savage Nation, The Savage Nation (1995- ), 2011(?) (Audio: Michael Savage – Suicide Is Never An Option https://www.youtube.com/watch?v=9oIjOjPW2OM&feature=youtu.be&t=1m29s)
2011
Context: Just remember, it's not heroic to kill yourself, and it's a violation of God's Laws.... The way it was explained to me in my tradition is... you are not your own property. You are God's property.... You have no right to commit suicide, don't even think– it's not an option. See, like in America, everything is "choice". "It's your choice." It's NOT your choice. You have no choice, so don't even think about it. It's not your choice to make. Soon enough, God will come for you, okay? Leave it at that. And every time you have a suicidal ideation, just push it away, it's not you. It's the devil trying to put something inside your head. We live in such a sick society, that the demented people who run the mind games on our heads like you to believe that it's your choice whether to commit suicide or not. It's NOT your choice. It's immoral, and that's the end of it. You don't have to ponder everything like it's a choice. You have children, that's all you need to know. What would the world be like for them if you committed suicide, do you have any idea? What you've gotta do is just get back on the road and keep walking, and don't stare at the chasm. That's all. You stand on the edge of a road, look down at the chasm and you'll get dizzy and fall in. So stop staring at the chasm. Get back on the road, and go back down to the meadow, and be with your family. And go on continue the struggle. That's all there is to it. That's your job. Your job is to struggle until you drop dead. That's it. Stop trying to be happy. The day you stop trying to be happy you might have a chance to live.

Biographical profile
Official site
Context: I make images of the living for the living. I try to celebrate life. Iconic photographer Dorothea Lange, once said ‘I too have come to lend my voice to those least able to have a voice of their own.’ I agree.

As quoted in Iran’s Royal Opposition http://www.thedailybeast.com/newsweek/2010/02/10/iran-s-royal-opposition.html, The Daily Beast, Feb 10, 2010.
Interviews, 2010

As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010

As quoted in Damien McElroy, Exiled Crown Prince campaigns to bring Arab Spring to Iran http://www.telegraph.co.uk/news/worldnews/middleeast/iran/9117525/Exiled-Crown-Prince-campaigns-to-bring-Arab-Spring-to-Iran.html. The Telegraph. March 2, 2012.
Interviews, 2012

As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010

As quoted in Iran’s Royal Opposition http://www.thedailybeast.com/newsweek/2010/02/10/iran-s-royal-opposition.html, The Daily Beast, Feb 10, 2010.
Interviews, 2010

As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010

As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010

We Are Striking to Disrupt the System... https://www.democracynow.org/2019/9/11/greta_thunberg_swedish_activist_climate_crisis, DemocracyNow (11 September 2019)
2019

2005, Address to the United Nations General Assembly (17 September 2005)

On the question "When and what was responsible for you becoming interested in your academic discipline?" http://www.kcl.ac.uk/aboutkings/governance/equality/meettheprofessors/artshums/mantognazza.aspx, at kcl.ac.uk, 2015.

“And then Quentin was there somehow. And so were you, in a strange sort of way. And it was all so peaceful.” Peaceful?
"Why Women Aren’t Funny" https://www.vanityfair.com/culture/2007/01/, Vanity Fair, (January 1, 2007).
2000s, 2007

Said in an interview with the Cornish Times. General election interviews: Sheryll Murray http://www.cornish-times.co.uk/article.cfm?id=110255&headline=General%20election%20interviews:%20Sheryll%20Murray&sectionIs=news&searchyear=2017 (6 June 2017)
2017

Donald Tusk: Special place in hell for Brexiteers without a plan https://www.bbc.co.uk/news/uk-politics-47143135 BBC News (6 February 2019)
2010s

"American Extreme" in Senses of Cinema http://sensesofcinema.com/2016/american-extreme/introduction-american-extreme/?fbclid=IwAR3RDbEMlJKfP_tUFAOt3apUoZ99oioJ5kFwJfPO3wBnu1PGC0Xmtpnf9pY (2016)

As quoted in "Farewell, Sarajevo" https://www.theguardian.com/world/2005/nov/02/warcrimes.politics (1 November 2005), The Guardian

Said on Twitter https://twitter.com/TomTugendhat/status/1148919771741741062 about the failiure of Boris Johnson to defend Kim Darroch after a diplomatic cable leak. Quoted by the BBC: Sir Kim Darroch: UK ambassador to US resigns in Trump leaks row https://www.bbc.co.uk/news/uk-48937120 (10 July 2019) on the BBC website. Retrieved 11 July 2019.

Speech in Hull (22 January 1895), quoted in The Times (23 January 1895), p. 6
Home Secretary

Remark at the annual conference of the Conservative and Unionist Teachers' Association in London (17 June 1961), quoted in The Times (19 June 1961), p. 7
Home Secretary

Speech to the 1900 Club at Grosvenor House, London (10 June 1936) on the Italo-Abyssinian War, quoted in The Times (11 June 1936), p. 10
Chancellor of the Exchequer

Volume II, chapter VI, section 12
The Stones of Venice (1853)

On an article by Quanta magazine(when asked: Is there one big question that has always guided you?) https://www.quantamagazine.org/michael-atiyahs-mathematical-dreams-20160303

On writing characters in “We Read To Challenge Ourselves: An Interview With Mariko Tamaki” https://comicsalliance.com/mariko-tamaki-pride-week-interview/ in Comics Alliance (2016 Jun 24)

Source: The Ethics of Freedom (1973 - 1974), p. 44

AI Podcast, December 30, 2019, Algorithms, Complexity, Life, and The Art of Computer Programming https://www.youtube.com/watch?v=2BdBfsXbST8,

From an article in the Daily Mirror in responce to the poor result from Labour in the 2019 General Election - Yvette Cooper: Labour did badly in the election but will pull UK together https://www.mirror.co.uk/news/politics/yvette-cooper-labour-badly-election-21178805 December 2019

On how gangs might be viewed in “An Interview with Luis J. Rodriguez” https://www.epl.org/an-interview-with-luis-j-rodriguez-2/ (Evanston Public Library; 2011)

ContraPoints, Feminism Did Not Destroy Atheism https://www.youtube.com/watch?v=klfH9QaEcqY (2016), Is Casual Sex Bad for Your Soul? https://www.youtube.com/watch?v=qKrbvLkbHu8 (2017)

Source: The Seven Storey Mountain (1948), p. 91

Source: Meditations. Yogas, Gods, Religions (2000), p. 101 ff

On observing Richard Chavez creating the UFW flag (as quoted in “Pioneering Chicano artist José Montoya dies” https://www.vidaenelvalle.com/news/article28206523.html in Vida en la Valle; 2013 Oct 3)

On the tropes that she employs often in “AN Interview with Elizabeth Acevedo” https://www.washingtonsquarereview.com/new-page-21 in Washington Square Review

On art versus life in “Berkeley world premiere for Naomi Iizuka play” https://www.sfgate.com/performance/article/Berkeley-world-premiere-for-Naomi-Iizuka-play-3271229.php in SF Gate (2010 Mar 4)

Selected works, The Savage Anomaly: The Power of Spinoza's Metaphysics and Politics (1991)

Cutting Through Spiritual Materialism

Dharma Punx: A Memoir (2003)

On what led her to write Ayesha At Last in “Interviews with authors at EMWF: Uzma Jalaluddin” https://theontarion.com/2018/09/13/interviews-with-authors-at-emwf-uzma-jalaluddin/ in The Ontarion (2018 Sep 13)

On remaining authentic despite having more writing opportunities in “Damon Young on How to Make It as a Writer in the 2020s: "Move to Pittsburgh" https://www.inverse.com/article/56127-damon-young-very-smart-brothas-interview in Inverse (2019 Jun 4)

23 August 1934
Armageddon

17 May 1937

Arundhati Roy, To the Jaffri Family, An Apology . May 27, 2002 . Quoted from The God of false things : How Arundhati Roy creates fake news and gets away with it https://www.opindia.com/2017/05/the-god-of-false-things-how-arundhati-roy-creates-fake-news-and-gets-away-with-it/

The Glorification of War, 2010

On staying the course as a leading lady in “Jane Seymour: 'I try not to let anyone upstage me'” https://www.telegraph.co.uk/women/life/jane-seymour-i-try-not-to-let-anyone-upstage-me/ in The Telegraph (2016 Apr 10)

Slaves of Time (pp. 14-15)
Short fiction, The Robot Who Looked Like Me (1978)

Interview with Chairman Gonzalo

Balsamo the Magician (or The Memoirs of a Physician) by Alex. Dumas (1891)

On being a teenager in “Maurene Goo Dishes on Food Trucks, Frenemies, and The Way You Make Me Feel” https://www.bookish.com/articles/maurene-goo-the-way-you-make-me-feel-interview/ in Bookish (2018 May 23)

On his preferred themes in “Deaf poetics: Conversation with Raymond Antrobus" https://poetryinternationalonline.com/conversation-with-raymond-antrobus/ (Poetry International; 2018 Oct 11)

On her identity struggles in “Amulya Malladi: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/amulya-malladi/ in The Writer (2018 May 22)

On how her childhood affected her writing in “HAVING FAITH: AN INTERVIEW WITH KIRSTIN VALDEZ QUADE” https://as.vanderbilt.edu/nashvillereview/archives/14088 in The Nashville Review (2017 Dec 13)

On calling himself a “citizen artist” in “The Artist as Leader: Luis Alfaro” https://www.uncsa.edu/kenan/artist-as-leader/luis-alfaro.aspx (Thomas S. Kenan Institute for the Arts)