Quotes about total

Source: A Tale of Love and Darkness

1984
Context: On albums and commercialism: "For every album I’ve ever made, I’ve written many times more music than has actually been released, and the way I choose which music appears is almost totally random, but one thing I have never done is to make music for the sake of commercialism... I don’t think it’s possible to guarantee commercial success for an album anyway, because nobody really knows what is commercial and what isn’t. Even if I went out of my way to make an album that was more accessible to the public, that would not guarantee its commercial success".

Source: Banging Your Head Against a Brick Wall

Akira Kurosawa 'Something Like an Autobiography (1981)
Something Like an Autobiography (1981)

History of the Indies (1561)

Preface to the first edition, written in the summer of 1950.
The Origins of Totalitarianism (1951)
Context: The totalitarian attempt at global conquest and total domination has been the destructive way out of all impasses. Its victory may coincide with the destruction of humanity; wherever it has ruled, it has begun to destroy the essence of man. Yet to turn our backs on the destructive forces of the century is of little avail.
The trouble is that our period has so strangely intertwined the good with the bad that without the imperialists' "expansion for expansion's sake," the world might never have become one; without the bourgeoisie's political device of "power for power's sake," the extent of human strength might never have been discovered; without the fictitious world of totalitarian movements, in which with unparalleled clarity the essential uncertainties of our time have been spelled out, we might have been driven to our doom without ever becoming aware of what has been happening.
And if it is true that in the final stages of totalitarianism an absolute evil appears (absolute because it can no longer be deduced from humanly comprehensible motives), it is also true that without it we might never have known the truly radical nature of Evil.

Source: Sculpting in Time (1986), p. 217

Source: Thinking Like The Universe: The Sufi Path Of Awakening

Source: Devil at My Heels

Source: The Birth of the Clinic: An Archaeology of Medical Perception

Rolling Stone interview (June 1970)
Context: Have you ever seen the coyote in the desert? Watching, tuned in, completely aware. Christ on the cross, the coyote in the desert — it’s the same thing, man. The coyote is beautiful. He moves through the desert delicately, aware of everything, looking around. He hears every sound, smells every smell, sees everything that moves. He’s in a state of total paranoia, and total paranoia is total awareness.

Launch.com, November 2, 2000<!-- site no longer exists -->

Source: Radio Interview, May 24 1999 http://www.geocities.jp/bobbby_b/mp3/F_07_2.MP3

Orlando Christian Centre, October 13 1990

As quoted in Conversations With Allende (1970) by Regis Debray

Gyokuon-hōsō (1945)
Context: Unite your total strength, to be devoted to construction for the future. Cultivate the ways of rectitude, foster nobility of spirit, and work with resolution — so that you may enhance the innate glory of the Imperial State and keep pace with the progress of the world.

1981

Variant: Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!
Source: The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967

Source: The House of Hades

On Functional Finance: (1943, pg.354) http://papers.ssrn.com/sol3/papers.cfm?abstract_id=174849

Harvard University address (1978)

Interview: Tom Kenny talks voicing SpongeBob Squarepants and &#x27;Mr. Show&#x27; http://www.metro.us/entertainment/interview-tom-kenny-talks-voicing-spongebob-squarepants-and-mr-show/zsJoba---UspN3mmMXb2BE (February 2, 2015)

Source: The Memorial and Instructions, pp. 214-216

Statement (7 September 1956), as quoted in America, Vol. 100 (1958) by America Press, p. 121

2010-, The City: Beijing, 2011

As quoted in Leaving Islam: Apostates Speak Out (2003) by Ibn Warraq, p. 68

Source: Human Action (1949), Chapter XX: Interest, Credit Expansion, The Trade Cycle, § 8 : The Monetary or Circulation Theory of the Trade Cycle

Her entry in her diary when she left Pondicherry and on the tumultuous developments in the world for the War, quoted in &quot;Diary notes and Meeting with Sri Aurobindo&quot; and also in IV. Diary Notes And Meeting With Sri Aurobindo http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=/_staticcontent/sriaurobindoashram/-04%20Centers/India/Pondicherry/Sri%20Aurobindo%20Society/Wilfried/The%20Mother%20-%20A%20Short%20Biography/007_Diary%20Notes%20and%20Meeting%20with%20Sri%20Aurobindo.htm, p. 21

Quote, This time the struggle is for our freedom (1971)

Rolling Stone interview (June 1970)

From Grace EPK (Electronic Press Kit)

"Avril: Bad girl turned good", interview with Calgary Sun (June 2005)

Letter to Willis Everett, July 4, 1946. Parker, Hitler's Warrior, chapter 14, citing Everett Papers in note 5.

On the Heights of Despair (1934)

Harvard University address (1978)

Writing to a colleague about his proposal for a particle at the origin of mass (1964), as quoted in The Hunt for the Higgs Boson http://www.sciencescotland.org/feature.php?id=14, Science Scotland, issue no. 3.

Address to the Los Angeles Junior Chamber of Commerce (10 July 1991)
Post-presidency (1989&ndash;2004)
Context: Although I held public office for a total of sixteen years, I also thought of myself as a citizen-politician, not a career one. Every now and then when I was in government, I would remind my associates that "When we start thinking of government as 'us' instead of 'them,' we've been here too long." By that I mean that elected officeholders need to retain a certain skepticism about the perfectibility of government.

"Artistic Freedom"
I'm a Born Liar (2003)
Context: I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.

An email to a supreme employee.

Nathuram Godse: Why I Assassinated Gandhi (1993)

1982

Source: Loving What Is: Four Questions That Can Change Your Life (2002)

Source: Awakened

Source: Eleven Minutes

Source: Tao of Jeet Kune Do

Source: Man's Search for Meaning

Source: The King's Buccaneer

Source: The Light Fantastic

Source: Masterpiece

Source: The Red Pyramid

Source: Requiem for a Dream

Source: The Light Fantastic

Source: Raising Steam

Source: Sourcery

Source: A Clockwork Orange

Chance Acquaintances (1952)
Source: Chance Acquaintances and Julie de Carneilhan

Source: Going Postal

Source: On the Heights of Despair (1934)

Source: Ready Player One

Source: Life and Death in One Breath

Preface to ' (1859).
Source: A Contribution to the Critique of Political Economy
Context: In the social production of their life, men enter into definite relations that are indispensable and independent of their will; these relations of production correspond to a definite stage of development of their material forces of production. The sum total of these relations of production constitutes the economic structure of society — the real foundation, on which rises a legal and political superstructure and to which correspond definite forms of social consciousness. The mode of production of material life determines the social, political and intellectual life process in general. It is not the consciousness of men that determines their being, but, on the contrary, their social being that determines their consciousness. [Es ist nicht das Bewußtsein der Menschen, das ihr Sein, sondern umgekehrt ihr gesellschaftliches Sein, das ihr Bewusstsein bestimmt. ] At a certain stage of their development, the material productive forces in society come in conflict with the existing relations of production, or — what is but a legal expression for the same thing — with the property relations within which they have been at work before. From forms of development of the productive forces these relations turn into fetters. Then begins an epoch of social revolution. With the change of the economic foundation the entire immense superstructure is more or less rapidly transformed. In considering such transformations a distinction should always be made between the material transformation of the economic conditions of production, which can be determined with the precision of natural science, and the legal, political, religious, aesthetic or philosophic — in short, ideological forms in which men become conscious of this conflict and fight it out. Just as our opinion of an individual is not based on what he thinks of himself, so we can not judge of such a period of transformation by its own consciousness; on the contrary, this consciousness must be explained rather from the contradictions of material life, from the existing conflict between the social productive forces and the relations of production. No social order ever disappears before all the productive forces for which there is room in it have been developed; and new, higher relations of production never appear before the material conditions of their existence have matured in the womb of the old society itself. Therefore, mankind always sets itself only such tasks as it can solve; since, looking at the matter more closely, we will always find that the task itself arises only when the material conditions necessary for its solution already exist or are at least in the process of formation. In broad outlines we can designate the Asiatic, the ancient, the feudal, and the modern bourgeois modes of production as so many progressive epochs in the economic formation of society. The bourgeois relations of production are the last antagonistic form of the social process of production — antagonistic not in the sense of individual antagonism, but of one arising from the social conditions of life of the individuals; at the same time the productive forces developing in the womb of bourgeois society create the material conditions for the solution of that antagonism. This social formation constitutes, therefore, the closing chapter of the prehistoric stage of human society.

Source: To Kill a Mockingbird

Source: Life and Death in One Breath

Source: Perfume: The Story of a Murderer

The Rediff Interview/I K Gujral

Lectures on Russian Literature (1982)

Cited in: Haluk Demirkan, James C. Spohrer, Vikas Krishna (2011) The Science of Service Systems. p. 274.
1970s, Towards a System of Systems Concepts, 1971

A Clarification (March 24, 2016)

Jadunath Sarkar, History of Aurangzib, Volume III, Calcutta, 1928. https://archive.org/stream/in.ernet.dli.2015.62677/2015.62677.The-History-Of-Aurangzib-Voliii-Second-Edition_djvu.txt

Source: 1910s, Proposed Roads To Freedom (1918), Ch. IV: Work and Pay, discussing Universal Basic Income (UBI)

Nobel Peace Prize Winner Speech (October 10, 2014)

The Election of Donald Trump https://mrzine.monthlyreview.org/2016/amin301116.html (30 November 2016), Monthly Review Magazine (MRzine)

"Psychological Aspects of the Mother Archetype" (1939) In CW 9, Part I: The Archetypes and the Collective Unconscious P.172

Introduction text.
Competent manager (1982)

2000, The Spirit of the Liturgy (2000)

Source: Short fiction, London Bone (1997), p. 423

Grundrisse (1857-1858)
Source: Notebook I, The Chapter on Money, p. 76.