Quotes about technique
page 3

Russell L. Ackoff photo

“In June of 1964 the research group and academic program moved to Penn bringing with it most of the faculty, students, and research projects. Our activities flourished in the very supportive environment that Penn and Wharton provided. The wide variety of faculty members that we were able to involve in our activities significantly enhanced our capabilities. By the mid-1960s I had become uncomfortable with the direction, or rather, the lack of direction, of professional Operations Research. I had four major complaints.
First, it had become addicted to its mathematical tools and had lost sight of the problems of management. As a result it was looking for problems to which to apply its tools rather than looking for tools that were suitable for solving the changing problems of management. Second, it failed to take into account the fact that problems are abstractions extracted from reality by analysis. Reality consists of systems of problems, problems that are strongly interactive, messes. I believed that we had to develop ways of dealing with these systems of problems as wholes. Third, Operations Research had become a discipline and had lost its commitment to interdisciplinarity. Most of it was being carried out by professionals who had been trained in the subject, its mathematical techniques. There was little interaction with the other sciences professions and humanities. Finally, Operations Research was ignoring the developments in systems thinking — the methodology, concepts, and theories being developed by systems thinkers.”

Russell L. Ackoff (1919–2009) Scientist

Preface, cited in Gharajedaghi, Jamshid. Systems thinking: Managing chaos and complexity: A platform for designing business architecture http://booksite.elsevier.com/samplechapters/9780123859150/Front_Matter.pdf. Elsevier, 2011. p. xiii
Towards a Systems Theory of Organization, 1985

Simone Weil photo
Piet Mondrian photo

“I believe that in our period it is definitely necessary that, as far as possible, the paint is applied in pure colours, set next to each other in a pointillist or diffuse manner. This is stated strongly, and yet it relates to the idea which is the basis of meaningful expression in form, as I see it. It seems to me that the clarity of ideas should be accompanied by a clarity of technique.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in Mondrian's letter to Israel Querido, Summer of 1909; published in the weekly magazine 'De Controleur' 23 Oct, 1909; as cited in English translation, in Two Mondrian sketchbooks 1912 - 1914, ed. Robert P. Welsh & J. M. Joosten, Amsterdam 1969 p. 10
1900's

Ernest King photo
John R. Erickson photo
John Perkins photo
Marshall McLuhan photo

“The method of the twentieth century is to use not single but multiple models for experimental exploration – the technique of the suspended judgement.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 81

Joel Mokyr photo
Jackson Pollock photo

“Each age finds its own technique... I mean, the strangeness will wear off and I think we will discover the deeper meanings in modern art.”

Jackson Pollock (1912–1956) American artist

As quoted in Francis V. O'Connor (1967) Jackson Pollock, p. 79
in posthumous publications

Paul Signac photo
Joanna MacGregor photo
John Eatwell, Baron Eatwell photo
Everett Dean Martin photo
C. Rajagopalachari photo
Hans Freudenthal photo

“Educational technique needs a philosophy, which is a matter of faith rather than of science.”

Hans Freudenthal (1905–1990) Dutch mathematician

Hans Freudenthal (1977) Weeding and Sowing: Preface to a Science of Mathematical Education. p. 33

Roger Raveel photo

“Every day I make more progress in technique: understanding of color, the material and the line. [I] can even give better theoretical explanations. And moreover, gradually I live more and more connected with the matter of the profession. What I mean is that my thinking and feeling are more directly, more fundamentally connected with painting itself. No longer so much thinking and feeling get lost.”

Roger Raveel (1921–2013) painter

Steeds ga ik vooruit wat betreft tecniek: begrip van kleur, matérie, lijnen. Kan zelfs beter téoretisch uitleggingen geven. En wat meer is ik leef langs om meer méé met de materie van de stiel. Ik wil zeggen dat mijn denken en voelen directer, en wezenlijker in kontakt staat met schilderen. Er gaat niet meer zoveel denken en voelen verloren.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 5 March 1950; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 118 (translation: Fons Heijnsbroek)
1945 - 1960

Kyuzo Mifune photo
Zbigniew Brzeziński photo
Qianlong Emperor photo

“Foreigners appreciate only military power.... Thus, they submit to us wholeheartedly and do not dare to despise China once we display our hunting techniques to them”

Qianlong Emperor (1711–1799) emperor of the Qing Dynasty

Qianlong in 1735 . (Qianlong emperor, 1993: 3.693) a translation by Gang Zhao of QIANLONG EMPEROR (1993) Qianlong yuzhi shiwen quanji (The complete collection of Qianlong’s essays and poems). 10 vols. Beijing: Zhongguo renmin daxue chubanshe.
Source: Zhao 2006 https://web.archive.org/web/20140325231543/https://webspace.utexas.edu/hl4958/perspectives/Zhao%20-%20reinventing%20china.pdf, p. 9.

Jack Kerouac photo
Ivar Jacobson photo
Haruo Nakajima photo

“I based the choreography I did for WAR OF THE GARGANTUAS on the techniques of professional wrestlers. I think it turned out very well.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Franco Modigliani photo
Kaoru Ishikawa photo
Viktor Schauberger photo
James Rivière photo

“I started with an idea that I had in mind and then I looked for the right technique to make it happen.”

James Rivière (1949) Italian Jewellery and sculptor

Dalla bottega al Vaticano con i gioielli per il Papa http://www.ilgiornale.it/news/bottega-vaticano-i-gioielli-papa.html, ilgiornale.it, Marta Bravi, Thursday 12 February 2009.

“This book undertakes the study of management by utilizing analysis of the basic managerial functions as a framework for organizing knowledge and techniques in the field. Managing is defined here as the creation and maintenance of an internal environment in an enterprise where individuals, working together in groups, can perform efficiently and effectively towards the attainment of group goals. Managing could, then, be called ""performance environment design."" Essentially, managing is the art of doing, and management is the body of organized knowledge which underlies the art.
Each of the managerial functions is analyzed and described in a systematic way. As this is done, both the distilled experience of practicing managers and the findings of scholars are presented., This is approached in such a way that the reader may grasp the relationships between each of the functions, obtain a clear view of the major principles underlying them, and be given the means of organizing existing knowledge in the field.
Part 1 is an introduction to the basis of management through a study of the nature and operation of management principles (Chapter 1), a description of the various schools and approaches of management theory (Chapter 2), the functions of the manager (Chapter 3), an analytical inquiry into the total environment in which a manager must work (Chapter 4), and an introduction to comparative management in which approaches are presented for separating external environmental forces and nonmanagerial enterprise functions from purely managerial knowledge (Chapter 5)…”

Harold Koontz (1909–1984)

Source: Principles of management, 1968, p. 1 (1972 edition)

Miyamoto Musashi photo
Max Ernst photo

“A banal fever hallucination, soon obliterated and forgotten; it didn't reappear in M's memory until about thirty years later (on 10 August 1925), as he sat alone on a rainy day in a little inn by the seaside, staring at the wooden floor which had been scored by years of scrubbing, and noticed that the grain had started moving of its own accord (much like the lines on the [imitation] mahogany board of his childhood). As with the mahogany board back then, and as with visions seen between sleeping and waking, the lines formed shifting, changing images, blurred at first but then increasingly precise. Max {Ernst] decided to pursue the symbolism of this compulsory inspiration and, in order to sharpen his meditative and hallucinatory skills, he took a series of drawings from the floorboards. Letting pieces of paper drop at random on the floor, he rubbed over them with a black pencil. On careful inspection of the impressions made in this way, he was surprised by the sudden increase they produced in his visionary abilities. His curiosity was aroused. He was delighted, and began making the same type of inquiry into all sorts of materials, whatever caught his eye – leaves with their ribs, the frayed edges of sacking, the strokes of a palette knife in a 'modern' painting, thread rolling off a spool, and so forth. To quote 'Beyond Painting' These drawings, the first fruits of the frottage technique, were collected under the title 'Histoire Naturell.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935

Jacques Ellul photo
Michelangelo Antonioni photo
Sara Malakul Lane photo
Vernon L. Smith photo
Grady Booch photo
Edward O. Wilson photo
Jacques Ellul photo
Rukmini Devi Arundale photo
Koichi Tohei photo
Arundhati Roy photo
Aneurin Bevan photo
Revilo P. Oliver photo
Eric Blom photo
Robert Delaunay photo
William H. McNeill photo

“The crux of the retrieval problem is that selecting documents to read grows ever more difficult, and new techniques are continually needed.”

Brian Campbell Vickery (1918–2009) British information theorist

B.C. Vickery (1970) Techniques of information retrieval. p. 5.

“Organizational design is the body of knowledge and techniques that seeks to offer useful advice to organizations about their structures (and other aspects) needed to attain their goals.”

Richard M. Burton, ‎Bo Eriksen, ‎Dorthe Døjbak Håkonsson (2008). Designing Organizations: 21st Century Approaches. p. 5

Karel Appel photo
Derren Brown photo
Joan Robinson photo
Pauline Kael photo
Andrew Sullivan photo

“It is not an opinion that "enhanced interrogation techniques" are torture. It is a legal fact. And it is also a legal fact that the president is a war criminal.”

Andrew Sullivan (1963) Journalist, writer, blogger

"What 'Torture' Is" http://andrewsullivan.theatlantic.com/the_daily_dish/2007/05/what_torture_is.html, The Daily Dish (18 May 2007)

Paul Cézanne photo
Antonio Negri photo
Joe Zawinul photo
Linus Pauling photo
Gregory Benford photo
Benjamin Graham photo

“Intelligent investment is more a matter of mental approach than it is of technique. A sound mental approach toward stock fluctuations is the touchstone of all successful investment under present-day conditions.”

Benjamin Graham (1894–1976) American investor

Source: The Intelligent Investor: The Classic Text on Value Investing (1949), Chapter II, The Investor and Stock-Market Fluctuations, p. 21

Russell L. Ackoff photo
Antonio Negri photo
Mircea Eliade photo
Walt Disney photo

“We are not influenced by the techniques or fashions of any other company.”

Walt Disney (1901–1966) American film producer and businessman

Interview with David Griffiths (1959); as quoted in Walt Disney : Conversations (2006) edited by Kathy Merlock Jackson
Paraphrased variant: I am not influenced by the techniques or fashions of any other motion picture company.

Alexej von Jawlensky photo
Michael Swanwick photo
Luther H. Gulick photo
Wendell Berry photo
Eric R. Kandel photo
André Maurois photo
R. H. Tawney photo
Hans Freudenthal photo
Charles Edward Merriam photo

“It is not necessary to conclude that the managerial groups have assumed complete domination over the concerns in which they are found, although this may be the fact in various instances, but only to reckon with the undoubted truth that the managerial factor in public and private enterprise has taken on a far more significant role than before.
This new role which has puzzled and alarmed the "owners" in industry and the policy-makers in government is not, however, primarily a power role, but a specialization of the evolving and complex character which we now confront in our civilization.
We may, of course, always raise the question-not in point of fact always raised-of what the relation of these managers is to the t! nds of the state or the ends of other groups and to the special techniques of the particular group and to its special social composition. In the complex power pattern of organization how are these managerial element-related to the organization of the consent of the governed, so vital a force in the life of every form of human association? In the struggle for advantage and mastery these larger factors may, indeed, pass unnoticed, but from the point of view of the student of politics and government, they are of supreme importance in judging the trends and possibilities of managerial evolution in modem society.”

Charles Edward Merriam (1874–1953) American political scientist

Source: Systematic Politics, 1943, p. 163-4 ; as cited in Albert Lepawsky (1949), Administration, p. 15-16

Miyamoto Musashi photo