Quotes about stroke

A collection of quotes on the topic of stroke, likeness, doing, time.

Quotes about stroke

“When I'm thinking about how beautiful you are……I stroke your face with my hand

When you cry….. I wipe away your tears

When you feel happy….. I feel happy also.

When you feel blue….. I am your cheerleader

There are so many things and occassions that I will be there for you.

This is how I know I want to Marry You!”

Stephie Pahlavi Zan

Happiness, Cry, Beauty, Feeling

“Lying and guile need only to be revealed and recognized to be undone. When once lying is recognized as such, it needs no second stroke; it falls of itself and vanishes in shame.”

Martin Luther (1483–1546) seminal figure in Protestant Reformation

Source: A Sincere Admonition to All Christians to Guard Against Insurrection and Rebellion (1522), p. 60

Lying

“You look at me, you look at me closely, each time closer and then we play cyclops, we look at each other closer each time and our eyes grow, they grow closer, they overlap and the cyclops look at each other, breathing confusion, their mouths find each other and fight warmly, biting with their lips, resting their tongues lightly on their teeth, playing in their caverns where the heavy air comes and goes with the scent of an old perfume and silence. Then my hands want to hide in your hair, slowly stroke the depth of your hair while we kiss with mouths full of flowers or fish, of living movements, of dark fragrance. And if we bite each other, the pain is sweet, and if we drown in a short and terrible surge of breath, that instant death is beauty. And there is a single saliva and a single flavour of ripe fruit, and I can feel you shiver against me like a moon on the water.”

Julio Cortázar (1914–1984) Argentinian writer

Death, Pain, Beauty, Feeling

“Not hammer-strokes, but dance of the water, sings the pebbles into perfection.”

Rabindranath Tagore (1861–1941) Bengali polymath

Water, Singing, Dance, Perfection

“Afterward she lies nestled against me, her hair tickling my face. I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin.”

Sara Gruen book Water for Elephants

Source: Water for Elephants

“The art of avoiding extremes is an art that is drawn on the canvas of maturity and painted with the abstract strokes of many experiences.”

T.D. Jakes (1957) American bishop

Source: The Lady, Her Lover, and Her Lord

Art, Painting

“I can't listen to music too often. It affects your nerves, makes you want to say stupid nice things and stroke the heads of people who could create such beauty while living in this vile hell.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

From a personal conversation, quoted from memory by Maxim Gorky in "V.I. Lenin" (1924) http://www.marxists.org/archive/gorky-maxim/1924/01/x01.htm  Attributions Context: I know of nothing better than the Appassionata and could listen to it every day. What astonishing, superhuman music! It always makes me proud, perhaps with a childish naiveté, to think that people can work such miracles! … But I can’t listen to music very often, it affects my nerves. I want to say sweet, silly things, and pat the little heads of people who, living in a filthy hell, can create such beauty. These days, one can’t pat anyone on the head nowadays, they might bite your hand off. Hence, you have to beat people's little heads, beat mercilessly, although ideally we are against doing any violence to people. Hm — what a devillishly difficult job!

People, Stupidity, Beauty, Music

“Just as maniacs, who never enjoy tranquility, so also he who is resentful and retains an enemy will never have the enjoyment of any peace; incessantly raging and daily increasing the tempest of his thoughts calling to mind his words and acts, and detesting the very name of him who has aggrieved him. Do you but mention his enemy, he becomes furious at once, and sustains much inward anguish; and should he chance to get only a bare sight of him, he fears and trembles, as if encountering the worst evils, Indeed, if he perceives any of his relations, if but his garment, or his dwelling, or street, he is tormented by the sight of them. For as in the case of those who are beloved, their faces, their garments, their sandals, their houses, or streets, excite us, the instant we behold them; so also should we observe a servant, or friend, or house, or street, or any thing else belonging to those We hate and hold our enemies, we are stung by all these things; and the strokes we endure from the sight of each one of them are frequent and continual. What is the need then of sustaining such a siege, such torment and such punishment? For if hell did not threaten the resentful, yet for the very torment resulting from the thing itself we ought to forgive the offences of those who have aggrieved us. But when deathless punishments remain behind, what can be more senseless than the man, who both here and there brings punishment upon himself, while he thinks to be revenged upon his enemy!”

John Chrysostom (349–407) important Early Church Father

Homilies on the Statues http://www.ccel.org/ccel/schaff/npnf109/Page_474.html, Homily XX

Hate, Fear, Peace, Forgiveness

“I am weary, having worked without a break all day; how beautiful it is here, to be sure, but how difficult to paint! I can see what I want to do quite clearly but I'm not there yet. It's so clear and pure in its pink and blues that the slightest misjudged stroke looks like a smudge of dirt... I have fourteen canvases underway.”

Claude Monet (1840–1926) French impressionist painter

Monet's quote in a letter from Cote d'Azure to his second wife Alice Hoschedé, (ca. 1886): K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 55
1870 - 1890

Beauty, Painting

“I thought that my invincible power would hold the world captive, leaving me in a freedom undisturbed. Thus night and day I worked at the chain with huge fires and cruel hard strokes. When at last the work was done and the links were complete and unbreakable, I found that it held me in its grip.”

Rabindranath Tagore (1861–1941) Bengali polymath

31 Gitanjali http://www.spiritualbee.com/gitanjali-poems-of-tagore/ (1912)

World, Freedom, Night

“I think yet again of my father, who struggled to become a painter after he was forced into early and unwelcome retirement by the Great Depression. He has reason to be optimistic about his new career, since the early stages of his pictures, whether still or portraits or landscapes, were full of pow. Mother, meaning to be helpful, would say of each one: "That's really wonderful, Kurt. Now all you have to do is finish it." He would then ruin it. I remember a portrait he did of his only brother, Alex, who was an insurance salesman, which he called "Special Agent". When he roughed it in, his hand and eye conspired with a few bold strokes to capture several important truths about Alex, including a hint of disappointment. Uncle Alex was a proud graduate of Harvard, who would rather have been a scholar of literature than an insurance man.
When Father finished the portrait, made sure every square inch of masonite had its share of paint, Uncle Alex had disappeared entirely. We had a drunk and lustful Queen Victoria instead. This was terrible.”

Kurt Vonnegut (1922–2007) American writer

Fates Worse than Death (1991)

Truth, Disappointment, Literature, Thinking

“The problem with aging is not that it’s one damn thing after another—it’s every damn thing, all at once, all the time.
You can’t stop aging. Gene therapies and replacement organs and plastic surgery give it a good fight. But it catches up with you anyway. Get a new lung, and your heart blows a valve. Get a new heart, and your liver swells up to the size of an inflatable kiddie pool. Change out your liver, a stroke gives you a whack. That’s aging’s trump card; they still can’t replace brains.”

John Scalzi (1969) American science fiction writer

Source: Old Man’s War (2005), Chapter 1 (p. 14)

Age, Problem, Change, Time

“Is this even possible today?-But some day, in a stronger age than this decaying, self-doubting present, he must yet come to us, the redeeming man of great love and contempt, the creative spirit whose compeHing strength will not let him rest in any aloofness or any beyond, whose isolation is misunderstood by the people as if it were flight from reality-while it is only his' absorption, immersion, penetration into reality, so that, when he one day emerges again into the light, he may bring home the redemption of this reality: its redemption from the curse that the hitherto reigning ideal has laid upon it. This man of the future, who will redeem us not only from the hitherto reigning ideal but also from that which was bound to grow out of it, the great nausea, the will to nothingness, nihilism; this bell-stroke of noon and of the great decision that liberates the will again and restores its goal to the earth and his hope to man; this Antichrist and antinihilist; this victor over God and nothingness- he must come one day.”

Friedrich Nietzsche book On the Genealogy of Morality

Essay 2, Aphorism 24
On the Genealogy of Morality (1887)

Love, God, People, Age

“When a man has dreamed of winning something by a colossal stroke of luck, he is prone to neglect petty but more practical ways of attaining it.”

Françoise Sagan book Dans un mois, dans un an

Dans un mois, dans un an (1957, Those Without Shadows, translated 1957)

Dreams, Way

“It was wonderful, a stunning happy ending to what began as just another tragic rock & roll story, as if Bob Dylan had been arrested in Miami for jacking off in a seedy little XXX theater while stroking the spine of a fat young boy.”

Hunter S. Thompson (1937–2005) American journalist and author

2000s, Kingdom of Fear: Loathsome Secrets of a Star-crossed Child in the Final Days of the American Century (2004)

Boy, Happiness

“We stand together because we believe that upholding peace and security is the responsibility of every nation. The days of empire and spheres of influence are over. Bigger nations must not be allowed to bully the small, or impose their will at the barrel of a gun or with masked men taking over buildings. And the stroke of a pen can never legitimize the theft of a neighbor’s land. So we will not accept Russia’s occupation of Crimea or its violation of Ukraine’s sovereignty. Our free nations will stand united so that further Russian provocations will only mean more isolation and costs for Russia. Because after investing so much blood and treasure to bring Europe together, how can we allow the dark tactics of the 20th century to define this new century?”

Barack Obama (1961) 44th President of the United States of America

2014, 25th Anniversary of Polish Freedom Day Speech (June 2014)

Men, Peace

“When two overlords, jewel-set with glittering General Staffs, proclaim at the same time on either side of their throbbing mobilized frontiers, "We will save our country!" there is one immensity deceived and two victimized. There are two deceived immensities!
There is nothing else. That these cries can be uttered together in the face of heaven, in the face of truth, proves at a stroke the monstrosity of the laws which rule us, and the madness of the gods.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XVI - De Profundis Clamavi

God, Truth, Law, Time

“Everything that is painted directly and on the spot always has strength, a power, and a vivacity of touch one cannot recover in the studio... Three strokes of the brush in front of nature are worth more than two days of work at the easel”

Eugène Boudin (1824–1898) French painter

in the studio
Quote from Boudin's sketchbook; as quoted in Boudin at Trouville, by Vivien Hamilton, exh. Catalogue, London John Murray Ltd., 1992, p. 16
undated quotes

Nature, Painting

“Whenever you are about to be oppressed, you have a right to resist oppression: whenever you conceive yourself to be oppressed, conceive yourself to have a right to make resistance, and act accordingly. In proportion as a law of any kind—any act of power, supreme or subordinate, legislative, administrative, or judicial, is unpleasant to a man, especially if, in consideration of such its unpleasantness, his opinion is, that such act of power ought not to have been exercised, he of course looks upon it as oppression: as often as anything of this sort happens to a man—as often as anything happens to a man to inflame his passions,—this article, for fear his passions should not be sufficiently inflamed of themselves, sets itself to work to blow the flame, and urges him to resistance. Submit not to any decree or other act of power, of the justice of which you are not yourself perfectly convinced. If a constable call upon you to serve in the militia, shoot the constable and not the enemy;—if the commander of a press-gang trouble you, push him into the sea—if a bailiff, throw him out of the window. If a judge sentence you to be imprisoned or put to death, have a dagger ready, and take a stroke first at the judge.”

Jeremy Bentham (1748–1832) British philosopher, jurist, and social reformer

A Critical Examination of the Declaration of Rights
Anarchical Fallacies (1843)

Death, Fear, Justice, Law

“A stroke with the edges, though made with ever so much force, seldom kills, as the vital parts of the body are defended both by the bones and armor; on the contrary a stab, though it penetrates but two inches, is generally fatal.”
Caesa enim, quouis impetu ueniat, non frequenter interficit, cum et armis uitalia defendantur et ossibus; at contra puncta duas uncias adacta mortalis est.

Publius Flavius Vegetius Renatus book De re militari

Book 1
De Re Militari (also Epitoma Rei Militaris), Book I, "The Selection and Training of New Levies"

Parting

“Now his wars on God begin;
At stroke of midnight God shall win.”

W.B. Yeats (1865–1939) Irish poet and playwright

Parnell's Funeral and Other Poems http://worldebooklibrary.com/eBooks/WorldeBookLibrary.com/ytpafu.htm (1935). Supernatural Songs http://worldebooklibrary.com/eBooks/WorldeBookLibrary.com/ytpafu.htm#1_0_7 Context: p>Then he struggled with the mind; His proud heart he left behind. Now his wars on God begin; At stroke of midnight God shall win.</p

God, War

“There is no world without Verona walls,
But purgatory, torture, hell itself.
Hence banishèd is banished from the world,
And world's exile is death. Then ""banishèd""
Is death mistermed. Calling death ""banishèd"",
Thou cuttest my head off with a golden axe
And smilest upon the stroke that murders me.”

William Shakespeare (1564–1616) English playwright and poet

Death, World, Hell

“Oh, you, who are clutching the sickle, give the tree of superstition its final stroke. Do not be content with hacking off the branches. Tear outby its roots a plant with such noxious effects.”

Marquis de Sade Philosophy in the Bedroom

Yet Another Effort, Frenchmen, If You Would Become Republicans
Philosophy in the Bedroom (1795)

Tree, Tear

“A story isn't a charcoal sketch, where every stroke lies on the surface to be seen. It's an oil painting, filled with layers that the author must uncover so carefully to show its beauty.”

Amelia Atwater-Rhodes (1984) Novelist

Beauty, Painting

“The guy stroked his goatee. "What do you call twenty guys watching the world series?"
"The New York Yankees," Butch replied.”

Jessica Bird book Dark Lover

Source: Dark Lover

World, Guy

“I have always regarded as a stroke of good fortune that I was not born or brought up in a small American town; they may be the backbone of the nation, but they are also the backbone of ignorance, bigotry, and boredom, all in vast quantities.”

Gore Vidal (1925–2012) American writer

Source: Death Before Bedtime

“A conservationist is one who is humbly aware that with each stroke [of the axe] he is writing his signature on the face of the land.”

Aldo Leopold book A Sand County Almanac

“November: Axe-in-Hand”, p. 68.
Source: A Sand County Almanac, 1949, "November: Axe-in-Hand," "November: A Mighty Fortress," and "December: Pines above the Snow"
Context: I have read many definitions of what is a conservationist, and written not a few myself, but I suspect that the best one is written not with a pen, but with an axe. It is a matter of what a man thinks about while chopping, or while deciding what to chop. A conservationist is one who is humbly aware that with each stroke he is writing his signature on the face of his land.

“Torn between the impulse to stroke his head, and the urge to cave it in with a rock, I did neither.”

Diana Gabaldon book Dragonfly in Amber

Source: Dragonfly in Amber

“The Chinese use two brush strokes to write the word 'crisis.' One brush stroke stands for danger; the other for opportunity. In a crisis, be aware of the danger--but recognize the opportunity.”

John F. Kennedy (1917–1963) 35th president of the United States of America

“She stroked my hair and told me I was beautiful, but I was old enough by then to know not to believe it anymore.”

Sarah Dessen book Keeping the Moon

Source: Keeping the Moon

Beauty

“The sky grew darker, painted blue on blue, one stroke at a time, into deeper and deeper shades of night.”

Haruki Murakami book Dance Dance Dance

Source: Dance Dance Dance

Good Night, Time, Painting, Night

“To wake the soul by tender strokes of art,
To raise the genius, and to mend the heart;
To make mankind, in conscious virtue bold,
Live o'er each scene, and be what they behold:
For this the Tragic Muse first trod the stage.”

Alexander Pope (1688–1744) eighteenth century English poet

Source: Prologue to Mr. Addison's Cato (1713), Line 1.

Art, Soul, Heart

“I don't just like sexual double entendres I love them, I stroke them, I milk them, I spank them when they're naughty.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

Love

“The craft is finding a decent drainpipe to get access to the site as much as it is in the art… Van Gogh used short, stumpy brush strokes to convey his insanity - I use short, thin ledges above mainline train tracks.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Evening Post, 2004 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
Other sources
Source: Wall and Piece

Art, Training

“Dan, I'm not a Republic serial villain. Do you seriously think I'd explain my master-stroke if there remained the slightest chance of you affecting its outcome? I did it thirty-five minutes ago.”

Alan Moore book Watchmen

Source: Watchmen

Thinking, Chance

“The Mathemagician nodded knowingly and stroked his chin several times. “You’ll find,” he remarked gently, “that the only thing you can do easily is be wrong, and that’s hardly worth the effort.”

Norton Juster book The Phantom Tollbooth

Source: The Phantom Tollbooth

Effort, Time

“He stroked Sido's cheek and bent down to kiss her, whispering what his heart had always known, what he had never said before to anyone. 'I love you, I always will.”

Sally Gardner book The Red Necklace

Source: The Red Necklace

Love, Kiss, Heart

“Are you learning me by heart, little Sara?" he said, stroking her hair.
"No," she answered. "I know you by heart. You are inside my heart.”

Frances Hodgson Burnett A Little Princess

Source: A Little Princess

Learning, Heart

“Okay. I've got a good one." Simon stroked Isabelle's hair feeling her lashes flutter against his neck as she closed her eyes. "A long time ago, in a galaxy far, far away.”

Cassandra Clare The City of Lost Souls

Source: City of Lost Souls

Feeling, Time

“He was still stroking the inside of her wrist, his touch doing odd delicious things to her skin and nerves.”

Cassandra Clare book Clockwork Angel

Source: Clockwork Angel

“So what's the plan?” Ben asked.

“Go inside. Look around. Improvise.”

“Brilliant." Hi stroked his chin. “Quick question: Is having no plan the same as having a terrible plan, or are those different categories?”

Kathy Reichs book Exposure

Source: Exposure

Question

“You sound as if you don't mind what happens to it," said Tessa. "Won't you miss it here? This place has been your home."
His fingers stroked her wrist lightly, making her shiver.
"You are home for me now.”

Cassandra Clare book Clockwork Prince

Source: Clockwork Prince

Home

“I suppose you've always been amazing at this stuff?"
"I was born amazing" Jace stroked her cheek with the tips of his fingertips, lightly but enough to make her shiver.”

Cassandra Clare book City of Fallen Angels

Source: City of Fallen Angels

“Look at a band like the Bravery. They're signed because we're a band," Flowers said. "I've heard rumors about [members of] that band being in a different kind of band, and how do you defend that? If you say, 'My heart really belongs to what I'm doing now,' but you used to be in a ska band. I can see the Strokes play or Franz Ferdinand play and it's real, and I haven't gotten that from the Bravery. I think people will see through them.”

Brandon Flowers (1981) American indie rock singer

"Killers' To-Do List: Lawsuit, Long-Form Video, Beef With The Bravery" (03/28/2005) from MTV.com http://www.mtv.com/news/articles/1499151/20050328/killers_the.jhtml

People, Flowers, Thinking, Heart

“I stand by my assertions that although you can know what happens to any individual species that you modify, you cannot be certain what will happen to the ecosystem. Also, we have a strange situation where we have malnourished fat people. It’s not that we need more food. It’s that we need to manage our food system better. So when corporations seek government funding for genetic modification of food sources, I stroke my chin.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NOTE: This position was retracted by Bill Nye less than four months later, per The Washington Post source March 3, 2015, below.] Bill Nye Explains Why he is a GMO Skeptic, Discover Magazine, October 15, 2015, November 6, 2014, Keith, Kloor http://blogs.discovermagazine.com/collideascape/2014/11/06/bill-nye-explains-gmo-skeptic,

People, Food

“Moonlight on canvas, midnight and wine,Two shadows starting to softly combine.
The picture they're painting
Is one of the heart;
And to those who have seen it,
It's a true work of art.Oh, the red strokes,
Passions uncaged;
Thundering moments of tenderness rage.
Oh, the red strokes,
Tempered and strong (Fearlessly drawn),
Burning the night like the dawn.”

Garth Brooks (1962) American country music artist

The Red Strokes, written by Jim Garver, Lisa Sanderson, Jenny Yates, and G. Brooks.
Song lyrics, In Pieces (1993)

Strong, Rage, Passion, Wine

“Did you know that in 1900 I had the bold idea of renewing German art?... First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.... and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.... and to these forms was added pure colour, as pure as the sun generates it.... in line with Goethe's theory [of colours]. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In a letter to Curt Valentin, 1937; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 38
1930's

Art, Color, Way, Idea

“The rainy Pleiads wester,
Orion plunges prone,
The stroke of midnight ceases,
And I lie down alone.”

A.E. Housman (1859–1936) English classical scholar and poet

No. 11, st. 1. More Poems http://www.kalliope.org/vaerktoc.pl?vid=housman/1936 (1936)

Lie

“Well I'm starvin' and freezin'
In this measly old bed
(Then I'll crawl across the salt flats
To stroke your sweet head)
Come across the desert,
with no shoes on?
(I love you truly,
or I love no-one)”

Joanna Newsom (1982) American musician

Only Skin
Ys (2006)

Love, Shoe

“Athenodorus used to stroke his beard slowly and rhythmically as he talked, and told me once that it was this that made it grow so luxuriantly. He said that invisible seeds of fire streamed off from his fingers, which were food for the hairs. This was a typical Stoic joke at the expense of Epicurean speculative philosophy.”

Robert Graves book I, Claudius

Source: I, Claudius (1934), Ch. 5.

Food

“We never have a full demonstration, although there is always an underlying reason for the truth, even if it is only perfectly understood by God, who alone penetrated the infinite series in one stroke of the mind.”

Gottfried Leibniz (1646–1716) German mathematician and philosopher

The Shorter Leibniz Texts (2006) http://books.google.com/books?id=oFoCY3xJ8nkC&dq edited by Lloyd H. Strickland, p. 111

God, Truth

“Balachander is my inspiration. He had a heart problem 40 years back. He has been making films for another 46 years. He can never grow old. My father used to be like that until he suffered a stroke. Then I suddenly realized he was an old man. That's also true of my brothers Chandra Haasan and to an extent Charu Haasan. I can never imagine them being old.”

Kamal Haasan (1954) Indian actor

Aamir's choice of films makes Kamal Haasan happy

Imagination, Problem, Suffering, Heart

“I don't say that it is a bad or useless profession: but it isn't one of the superlatively fine and striking ones, and the material used is of a strange sort — you don't even see it. But I'd like all the things I used to see to be in it: the ringing hammer-strokes of the smith and the colors of the whisping of the stone-mason, the bustling of the baker, the humility of the poor, and all the lusty strength and skill which men of towering stature put into their work before the astonished and fascinated eyes of a child.”

Karel Čapek (1890–1938) Czech writer

"On Literature" in Toward the Radical Center : A Karel Čapek Reader (1990) http://www.catbirdpress.com/bookpages/reader.htm, edited by Peter Kussi

Men, Color

“I was forced and pushed into the kind of painting that I did [during the late 1940's / early 1950's]. That is to say, the demands in this dialogue with myself – I give to it, I make some marks, it speaks to me, I speak to it, we have terrible arguments going on all night, weeks and weeks – do I really believe that? I make a mark, a few strokes, I argue with myself, not do I like or not, but is it true or not? Is that what I mean, is that what I want?”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 67

Painting, Night

“What a queer thing touch is, the stroke of the brush. In the open air, exposed to wind, to sun, to the curiosity of the people, you work as you can, you feel your canvas anyhow... But when after a time you take up again this study and arrange your brush strokes in the direction of the objects - certainly it is more harmonious and pleasant to look at, and you add whatever you have of serenity and cheerfulness.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34 1880s, 1889

People, Feeling, Study, Time

“Guys need attention. They need that nourishment, that little stroke of the ego that gets them by every now and then. I’ll give it to my family, I’ll give it to my work — but I will not give it to a man right now.”

Rihanna (1988) Barbadian singer, songwriter, and actress

Family, Guy

“McLuhan after his September 1979 stroke. Brand, Stewart. "McLuhan's last words." New Scientist, 29 Jan 1981.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

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1980s

“Right here you made an angel of yourself,
free-falling backwards into last night's snow,
indenting a straight, neat, crucified shape,
then flapping your arms, one stroke, a great bird,
to leave the impression of wings. It worked.”

Simon Armitage (1963) Poet, playwright, novelist

'A Glory', from Cloudcuckooland.

Angels, Bird, Night

“In the vaunted works of Art
The master-stroke is Nature's part. 5.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Art
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: In the vaunted works of Art
The master-stroke is Nature's part. 5.

Art, Nature, Parting

“Akbar was the first emperor to abolish Jizyah with one stroke of pen, along with all its associations and implications, including the distinction of Muslim and Dhimmî into the bargain. His son and grandson followed his example in regard to Jizyah, generally speaking, but reimposed upon the Hindus all the other restrictions and disabilities suffered by them before.”

Harsh Narain (1921–1995) Indian writer

Jizyah and the spread of Islam, 1990, chapter 3.

Suffering

“The children eat and wriggle and laugh,
The two old ladies stroke their silk;
But the cat is grown small and thin with desire,
Transformed to a creeping lust for milk.”

Harold Monro (1879–1932) British poet

"Milk for the Cat", line 17, from Alida Monro (ed.) Collected Poems (London: Duckworth, [1933] 1970) p. 163.

Children, Cats

“Yes,” he said. “You see, I, too, have been seeing a lot of things, now that I’ve been spending so much time at the hospital.” He took a deep breath. “One night I got up and went down the hallway to see this woman who was crying. She was an elderly woman and the doctors didn’t know what to do for her. She was dying. I held her hand and stroked her forehead like she was a child. She immediately calmed down and was able to pass over in her sleep so peacefully. “The night nurse was furious, and the next morning she told the doctors what I’d done. They, too, became upset, telling me I didn’t have the authority to visit other patients. That poor nurse and the doctors, they just weren’t prepared to accept the simple truth that they aren’t in control. No one is in control, Mundo. We’re all just God’s guests for a short time.” I don’t know why, but I now asked, “Joseph, are you dying?”

Victor Villaseñor (1940) American writer

He looked at me straight in the eyes. “Yes, Mundo,” he said, “I’m dying.”
Burro Genius: A Memoir (2004)

God, Truth, Sleep, Time

“The People are never so perfectly backed, but that they will kick and fling if not stroked at seasonable times.”

George Savile, 1st Marquess of Halifax (1633–1695) English politician

Of Fundamentals.
Political, Moral, and Miscellaneous Reflections (1750), Political Thoughts and Reflections

People, Time, Season

“There is hardly a philosophy which has not invoked something like the will or desire to know, the love of truth, etcetera. But, in truth, very few philosophers—apart, perhaps, from Spinoza and Schopenhauer—have accorded it more than a marginal status; as if there was no need for philosophy to say first of all what the name that it bears actually refers to. As if placing at the head of its discourse the desire to know, which it repeats in its name, was enough to justify its own existence and show—at a stroke—that it is necessary and natural: All men desire to know. Who, then, is not a philosopher, and how could philosophy not be the most necessary thing in the world?”

Michel Foucault (1926–1984) French philosopher

Source: Lectures on the Will to Know (1970), pp. 4-5

Love, Men, Truth, World

“I bent over a chair and was given three of the best with my trousers on. I did not think he lightened his strokes. I have never understood why Western educationists are so much against corporal punishment. It did my fellow students and me no harm.”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

The Singapore Story: Memoirs of Lee Kuan Yew, 1998
1990s

Thinking

“The sky was aquamarine, stroked with clouds. She could smell the grass and taste the scent of small, crushed flowers. She looked back up over her forehead at the gray-black wall towering behind her, and wondered if the castle had ever been attacked on days like this. Did the sky seem so limitless, the waters of the straits so fresh and clean, the flowers so bright and fragrant, when men fought and screamed, hacked and staggered and fell and watched their blood mat the grass?
Mists and dusk, rain and lowering cloud seemed the better background; clothes to cover the shame of battle.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter Two (pp. 50-51).

Men, Flowers, Grass, Water

“Are we going to make a supreme additional effort to remain a great Power, or are we going to slide away into what seem to be easier, softer, less strenuous, less harassing courses, with all the tremendous renunciations which that decision implies? Is not this the moment when all should hear the deep, repeated strokes of the alarm bell, and when all should resolve that it shall be a call to action, and not the knell of our race and fame?”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech https://api.parliament.uk/historic-hansard/commons/1938/nov/17/debate-on-the-address#S5CV0341P0_19381117_HOC_347 in the House of Commons (17 November 1938) The 1930s

Decision, Effort

“Dignitary wounds cannot always be healed with the stroke of a pen.”

Anthony Kennedy (1936) Associate Justice of the Supreme Court of the United States

Obergefell v. Hodges, 576 U. S. ____, (2015), majority opinion.

“I was in my teens when our family faced a medical crisis. My grandfather, with whom I was very close, had a stroke and landed in the hospital. Sitting anxiously at his bedside, I watched nurses come and go, checking his vitals and looking at the monitors attached to his body. I remember sitting there wondering what could I do to make him feel better—to bring back the warm, thoughtful man I knew.”

Sanjay Gupta (1969) journalist, medical correspondent, neurosurgeon

Finding My Path in Life (2011)

Family, Feeling

“It seemed as impossible to conceive of Auschwitz with God as to conceive of Auschwitz without God. Therefore, everything had to be reassessed because everything had changed. With one stroke, mankind's achievements seemed to have been erased. Was Auschwitz a consequence or an aberration of "civilization"? All we know is that Auschwitz called that civilization into question as it called into question everything that had preceded Auschwitz. Scientific abstraction, social and economic contention, nationalism, xenophobia, religious fanaticism, racism, mass hysteria. All found their ultimate expression in Auschwitz.”

Elie Wiesel (1928–2016) writer, professor, political activist, Nobel Laureate, and Holocaust survivor

Hope, Despair, and Memory (1986)

God, Question, Change

“The Republicans stroke platitudes until they purr like epigrams.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Quoted in The Fine Art of Political Wit by Leon Harris (1964); this statement is derived from one by humorist Don Marquis

“I sincerely rejoice at the acceptance of our new Constitution by nine States. It is a good canvas, on which some strokes only want retouching. What these are, I think are sufficiently manifested by the general voice from north to south, which calls for a bill of rights.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to James Madison (July 31, 1788); reported in Memoir, correspondence, and miscellanies from the papers of Thomas Jefferson, Volumes 1-2 (1829), p. 343
1780s

Thinking, Sincerity

“For, in fact, I say the degree of vision that dwells in a man is a correct measure of the man. If called to define Shakspeare's faculty, I should say superiority of Intellect, and think I had included all under that. What indeed are faculties? We talk of faculties as if they were distinct, things separable; as if a man had intellect, imagination, fancy, &c., as he has hands, feet and arms. That is a capital error. Then again, we hear of a man's "intellectual nature," and of his "moral nature," as if these again were divisible, and existed apart. Necessities of language do perhaps prescribe such forms of utterance; we must speak, I am aware, in that way, if we are to speak at all. But words ought not to harden into things for us. It seems to me, our apprehension of this matter is, for most part, radically falsified thereby. We ought to know withal, and to keep forever in mind, that these divisions are at bottom but names; that man's spiritual nature, the vital Force which dwells in him, is essentially one and indivisible; that what we call imagination, fancy, understanding, and so forth, are but different figures of the same Power of Insight, all indissolubly connected with each other, physiognomically related; that if we knew one of them, we might know all of them. Morality itself, what we call the moral quality of a man, what is this but another side of the one vital Force whereby he is and works? All that a man does is physiognomical of him. You may see how a man would fight, by the way in which he sings; his courage, or want of courage, is visible in the word he utters, in the opinion he has formed, no less than in the stroke he strikes. He is one; and preaches the same Self abroad in all these ways.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Way, Error, Imagination, Courage

“Come to the bridal chamber, Death!
Come to the mother’s, when she feels
For the first time her first-born’s breath!
Come when the blessed seals
That close the pestilence are broke,
And crowded cities wail its stroke!
Come in consumption’s ghastly form,
The earthquake shock, the ocean storm!
Come when the heart beats high and warm,
With banquet song, and dance, and wine!
And thou art terrible!—the tear,
The groan, the knell, the pall, the bier,
And all we know or dream or fear
Of agony are thine.

But to the hero, when his sword
Has won the battle for the free,
Thy voice sounds like a prophet’s word;
And in its hollow tones are heard
The thanks of millions yet to be.”

Fitz-Greene Halleck (1790–1867) American writer

Marco Bozzaris.

Death, Fear, Dreams, Art

“You once said long ago
while stroking my hair,
"When you wake up, there'll be
a nice present
by your pillow."”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Teddy Bear
Lyrics, Duty

“To hell with the wind!
Confound the rain!
I recognize no Buddha.
A blow like the stroke of lightning -
A world turns on its hinge.”

Nampo Jomyo (1235–1309)

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6
Other translation:
I rebuke the wind and revile the rain,
I do not know the Buddha and patriarchs;
My single activity turns in the twinkling of an eye,
Swifter even than a lightning flash.
Isshu Miura and Ruth Fuller Sasaki, Zen Dust, New York: Harcourt, Brace & World p. 206; cited in Richard Bryan McDaniel (2013)

World, Hell

“I did have Botox once and I felt like I'd had a stroke. It was so claustrophobic.”

Susannah Constantine (1962) British fashion designer and journalist

God's gift to women (2007)

“Thou'rt slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell;
And poppy or charms can make us sleep as well
And better than thy stroke.”

John Donne book Holy Sonnets

No. 10, line 9
Holy Sonnets (1633)

Men, Fate, War, Sleep

“A spade may be made of any size, and if the same number of strokes be made in the hour, the requisite exertion will vary nearly as the cube of the length of the blade.”

William Stanley Jevons The Theory of Political Economy

Source: The Theory of Political Economy (1871), Chapter V, Theory of Labour, p. 173.

“I am disappointed by that stroke of death that has eclipsed the gaiety of nations, and impoverished the public stock of harmless pleasure.”

David Garrick (1717–1779) English actor, playwright, theatre manager and producer

Samuel Johnson; carved on Garrick's memorial in Lichfield Cathedral http://www.britannica.com/shakespeare/article-2605 About

Death, Pleasure, Disappointment

“What's kept at home you cancel by a stroke:
What's sent abroad you never can revoke.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Satires, Epistles, and Art of Poetry of Horace (1869), Art of Poetry, p. 188

Home

“Again she plunges! hark! a second shock
Bilges the splitting vessel on the rock;
Down on the vale of death, with dismal cries,
The fated victims shuddering cast their eyes
In wild despair; while yet another stroke
With strong convulsion rends the solid oak:
Ah Heaven!—behold her crashing ribs divide!
She loosens, parts, and spreads in ruin o'er the tide.”

William Falconer (1732–1769) British writer

Canto III, line 642.
The Shipwreck (1762)

Death, Fate, Strong, Parting

“In France, a chemist named Pilatre de Rozier tested the flammability of hydrogen by gulping a mouthful and blowing across an open flame, proving at a stroke that hydrogen is indeed explosively combustible and that eyebrows are not necessarily a permanent feature of one's face.”

Bill Bryson book A Short History of Nearly Everything

Page 53
A Short History of Nearly Everything (2003)

“Then the shouting of the sailors, which had long been rising from the open sea, filled all the shore with its sound; and, when the rowers all together brought the oars back sharply to their breasts, the sea foamed under the stroke of a hundred blades.”
At patulo surgens iam dudum ex aequore late nauticus implebat resonantia litora clamor, et simul adductis percussa ad pectora tonsis centeno fractus spumabat verbere pontus.

Silius Italicus Punica

Book XI, lines 487–490
Punica

Sea

“Of course it’s also a lot easier to slap a health claim on a box of sugary cereal than on a potato or carrot, with the perverse result that the most healthful foods in the supermarket sit there quietly in the produce section, silent as stroke victims, while a few aisles over, the Cocoa Puffs and Lucky Charms are screaming about their newfound whole-grain goodness.”

Michael Pollan (1955) American author, journalist, activist, and professor of journalism

[Unhappy Meals, 2007-01-28, The New York Times Magazine, http://www.nytimes.com/2007/01/28/magazine/28nutritionism.t.html?ei=5090&en=a18a7f35515014c7&ex=1327640400&partner=rssuserland&emc=rss&pagewanted=print, 2007-01-28]

Health, Food, Box

“We are brutal with ourselves…., and one of the consequences this could have is that we will be equally brutal and cold with everyone else. Perhaps that's exactly what I've been missing…. A stroke of a sword, a well-aimed bullet must be less than what I feel when I think of being near you.”

Gudrun Ensslin (1940–1977) German terrorist

Letter to Baader in The element of madness, July 12, 2009, Perlentaucher Medien GmbH, February 22, 2010 http://www.signandsight.com/features/1964.html,

Feeling, Thinking

“Mary: You can read?
Pocket: I was raised in a nunnery, wench. I'm a walking library of learning bound in comely leather, suitable for stroking at your service, should you fancy a bit of culture to go with your lack of breeding…or vice verse of course.”

Christopher Moore book Fool

Fool (2009)

Learning, Reading

“As a working Sinologist, each time I look up a word in my Webster's or Kenkyusha's I experience a sharp pang of deprivation. Having slaved over Chinese dictionaries arranged in every imaginable order(by K'ang-hsi radical, left-top radical, bottom-right radical, left-right split, total stroke count, shape of successive stroke, four-corner, three corner, two-corner, Kuei-hsieh, ts'ang-chieh, telegraphic code, rhyme tables, phonetic keys, and so on ad nauseam), I have become deeply envious of specialists in those languages, such as Japanese, Indonesian, Hindi, Persian, Russian, Turkish, Korean, Vietnamese, and so forth, which possess alphabetically arranged dictionaries.”

Victor H. Mair (1943) American sinologist and linguist

The Need for an Alphabetically Arranged General Usage Dictionary of Mandarin Chinese (February 1986).

Imagination, Time, Success

“We have pushed hard to ensure that the UK negotiating line takes full account of Scotland's circumstances - and we will continue to do so. But we have no guarantee of success. Nor can we be sure that Scottish interests will not fall victim to trade-offs that the UK Government has to make at the Brussels negotiating table. Independence would remove that uncertainty at a stroke.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Vision for Scotland in the European Union (December 12, 2007)

Success

“I sacrificed to the mania of the age, which is to overload things. My modeling is there, the eloquence of the gesture also. The rest would only spoil the essential things. It is a stroke of genius. I am going to write to the under-secretary of state that my monument is ready.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 309

Age

“When Mrs. Casaubon was announced he started up as from an electric shock, and felt a tingling at his fingerends. Any one observing him would have seen a change in his complexion, in the adjustment of his facial muscles, in the vividness of his glance, which might have made them imagine that every molecule in his body had passed the message of a magic touch. And so it had. For effective magic is transcendent nature; and who shall measure the subtlety of those touches which convey the quality of soul as well as body, and make a man’s passion for one woman differ from his passion for another as joy in the morning light over valley and river and white mountain-top differs from joy among Chinese lanterns and glass panels? Will, too, was made of very impressible stuff. The bow of a violin drawn near him cleverly, would at one stroke change the aspect of the world for him, and his point of view shifted— as easily as his mood. Dorothea’s entrance was the freshness of morning.”

George Eliot book Middlemarch

Middlemarch (1871)

World, Soul, Imagination, Mountain

“The idea that a game is anything more than a game… You know, there are people who are basically unbalanced who are going to misuse a game and have bad results. If a golfer who insists on playing during a lightning storm gets hit by a stroke of lightning and is killed nobody says, 'There's golfers dying by the droves being hit by lightning!' You can overdo what you really like, and if you're unbalanced you go overboard.”

Gary Gygax (1938–2008) American writer and game designer

GameSpy interview, Pt. 1 (15 August 2004)

People, Game, Idea

“Can art, alas! or genius guide the head
Where truth and freedom from the heart are fled?
Can lesser wheels repeat their native stroke,
When the prime function of the soul is broke?”

Mark Akenside (1721–1770) English poet and physician

Source: Epistle to Curio (1744), Lines 265–268

Truth, Art, Soul, Freedom

“In glittering arms and glory dressed,
High he rears his ruby crest.
There the thundering strokes begin,
There the press and there the din;
Talymalfra's rocky shore
Echoing to the battle's roar.”

Thomas Gray (1716–1771) English poet, historian

"The Triumphs of Owen. A Fragment", from Mr. Evans's Specimens of the Welch Poetry (1764) http://www.thomasgray.org/cgi-bin/display.cgi?text=trow

“It is true that Donatello, who afterwards did the ornamentation of the other organ opposite this one, displayed much more judgment and skill than Luca, as will be said in the proper place, because he did almost the whole of the work in the rough as it were, not delicately finishing it, so that it should appear much better at a distance than Luca's; as it does, for with all his care and skill the eye cannot appreciate it well because of the very polish and finish, which are lost in the distance, as it can the almost purely rough hewn work of Donato. To this matter artists should devote much attention, because experience shows that all things seen at a distance, whether they be paintings or sculptures or any other like thing, are bolder and more vigorous in appearance if skilfully hewn in the rough than if they are carefully finished. Besides the effect obtained by distance, it often happens that these rough sketches, which are born in an instant in the heat of inspiration, express the idea of their author in a few strokes, while on the other hand too much effort and diligence sometimes sap the vitality and powers of those who never know when to leave off.”

Giorgio Vasari (1511–1574) Italian painter, architect, writer and historian

Volume 2. p. 28
The Lives of the Painters, Sculptors, and Architects, 1900

Idea, Effort, Appearance, Painting

“I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new. I didn't want to get into something which is played out and narrow. I want to do as I like, invent my own interests. Of course, that doesn't mean that people who, like Newman, still paint are worn out. But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment. I think what I'm trying to deal with is something more long range than that in a way, more obscure perhaps, more involved with things that happen over a longer time perhaps. At least it's another area of experience.”

Donald Judd (1928–1994) artist

Quoted in: Donald Jud http://www.theartstory.org/artist-judd-donald.htm at theartstory.org, 2014 1960s, "Oral history interview with Donald Judd," 1965

People, Way, Thinking, Time

“These are strange times, when we are healthier than ever but more anxious about our health. According to all the standard benchmarks, we've never had it so healthy. Longevity in the West continues to rise -- a typical British woman can now expect to live to seventy-nine, eight years more than just half a century ago, and over double the life expectation when Queen Victoria came to the throne in 1837. Break the figures down a bit and you find other encouraging signs even in the recent past; in 1950, the UK experienced 26,000 infant deaths; within half a century that had fallen by 80 per cent. Deaths in the UK from infectious diseases nearly halved between 1970 and 1992; between 1971 and 1991 stroke deaths dropped by 40 per cent and coronary heart disease fatalities by 19 per cent -- and those are diseases widely perceived to be worsening.”

Roy Porter (1946–2002) British historian

Introduction, lead paragraph; as cited nytimes.com http://www.nytimes.com/books/first/p/porter-benefit.html 1998 The Greatest Benefit to Mankind: A Medical History of Humanity (1997)

Life, Death, Health, Disease