Quotes about start
page 39

Geert Wilders photo

“"I'm not sure I ever 'got it' when it comes to how to live my life in a way that was original and free," reflected Steven Salt, a retired businessman. "Of course, like most men, I always believed I had the answers and that I was not going to live my life the stupid way other men do. I was going to be unique and avoid their mistakes, but instead I'm just another male stereotype. I started off thinking that being an achiever and a 'winner' would be the key to real freedom. So all my energy went that way and I faked everything else when it came to caring about other people. Then I thought I'd marry the 'perfect' woman and be the 'perfect' dad and husband, not like the other married men. I'd be different. But no matter how I tried I was forcing it and probably fooling no one but myself. My wife finally left and I barely know who my kids really are. When we talk it's mainly 'business.' I fell into all the traps. Now that I'm in my seventies, I'm becoming just like all those guys I felt sorry for when I was younger— guys with no real friends and with no patience for anyone else's ideas or opinions. I can barely stand to talk to anyone and yet I'm still looking to fulfill myself by meeting the 'perfect' woman. I've become a macho cliché. It's taken me this long to realize that even if she existed I really wouldn't know how to be with her and make it feel good anyway."”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, p. 9
What Men Still Don't Know About Women, Relationships, and Love (2007)

Will Eisner photo
Hendrik Werkman photo

“I have composed here so many prints from the immediate surroundings around me - starting with the chimneys and the pigeons and the passing ships, the staircase, the labyrinth of corridors and doors, the crazy combinations of beams and wooden walls..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Ik heb hier zoveel drukken gecomponeerd uit de onmiddellijke omgeving om mij heen, beginnende met de schoorstenen en de duiven en de voorbijvarende schepen, het trappenhuis, het doolhof van gangen en deuren, de gekke combinaties van balken en beschotten..
In a letter to August Henkels, 29 April 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 105
1940's

Mickey Spillane photo
George W. Bush photo
Derren Brown photo
Nancy Reagan photo
RuPaul photo
Roald Amundsen photo
Jerry Saltz photo
Alexander Calder photo

“I started [in Paris, 1920's, making toys] right away, using wire as my main material as well as working with others like string, leather, fabric and wood. Wood combined with wire (with which I could make the heads, tails and feet of animals as well as articulating parts) was almost always my medium of choice. One friend of mine suggested that I should make bodies entirely of wire, and that is how I started to make what I called 'Wire Sculpture.”

Alexander Calder (1898–1976) American artist

In Montparnasse, I became known as the 'King of Wire'.

Quote of Alexander Calder (1952), looking back, from Permanence Du Cirque, in 'Revue Neuf', Calder Foundation, 1952; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p.19 – note 26

Calder first began using wire extensively in 1926, creating mechanical toys that would be the precursors to the Paris' 'Cirque Calder'
1950s - 1960s

Sunil Dutt photo
Amir Taheri photo

“Those who urge an alliance with Assad cite the example of Joseph Stalin, the Soviet despot who became an ally of Western democracies against Nazi Germany. I never liked historical comparisons and like this one even less. To start with, the Western democracies did not choose Stalin as an ally; he was thrusted upon them by the turn of events. When the Second World War started Stalin was an ally of Hitler thanks to the Molotov-Ribbentrop Pact. The Soviet Union actively participated in the opening phase of the war by invading Poland from the east as the Germans came in from the West. Before that, Stalin had rendered Hitler a big service by eliminating thousands of Polish army officers in The Katyn massacre. Between September 1939 and June 1941, when Hitler invaded the Soviet Union, Stalin was an objective ally of Hitler. Stalin switched sides when he had no choice if he wanted to save his skin. The situation in Syria today is different. There is no alliance of democracies which, thanks to Obama’s enigmatic behavior, lack any strategy in the Middle East. Unlike Stalin, Assad has not switched sides if only because there is no side to switch to. Assad regards ISIS as a tactical ally against other armed opposition groups. This is why Russia is now focusing its air strikes against non-ISIS armed groups opposed to Assad. More importantly, Assad has none of the things that Stalin had to offer the Allies. To start with Stalin could offer the vast expanse of territory controlled by the Soviet Union and capable of swallowing countless German divisions without belching. Field Marshal von Paulus’ one-million man invasion force was but a drop in the ocean of the Soviet landmass. In contrast, Assad has no territorial depth to offer. According to the Iranian General Hossein Hamadani, who was killed in Aleppo, Assad is in nominal control of around 20 percent of the country. Stalin also had an endless supply of cannon fodder, able to ship in millions from the depths of the Urals, Central Asia and Siberia. In contrast, Assad has publicly declared he is running out of soldiers, relying on Hezbollah cannon fodder sent to him by Tehran. If Assad has managed to hang on to part of Syria, it is partly because he has an air force while his opponents do not. But even that advantage has been subject to the law of diminishing returns. Four years of bombing defenseless villages and towns has not changed the balance of power in Assad’s favor. This may be why his Russian backers decided to come and do the bombing themselves. Before, the planes were Russian, the pilots Syrian. Now both planes and pilots are Russian, underlining Assad’s increasing irrelevance. Stalin’s other card, which Assad lacks, consisted of the USSR’s immense natural resources, especially the Azerbaijan oilfields which made sure the Soviet tanks could continue to roll without running out of petrol. Assad in contrast has lost control of Syria’s oilfields and is forced to buy supplies from ISIS or smugglers operating from Turkey. There are other differences between Stalin then and Assad now. Adulated as “the Father of the Nation” Stalin had the last word on all issues. Assad is not in that position. In fact, again according to the late Hamadani in his last interview published by Iranian media, what is left of the Syrian Ba’athist regime is run by a star chamber of shadowy characters who regard Assad as nothing but a figurehead.”

Amir Taheri (1942) Iranian journalist

Opinion: No, Bashar Al-Assad is no Joseph Stalin http://english.aawsat.com/2015/10/article55345413/opinion-no-bashar-al-assad-is-no-joseph-stalin, Ashraq Al-Awsat (16 Oct, 2015).

Amir Taheri photo

“As some of us noted before Saddam Hussein’s 2003 fall, banning the Ba’ath as such was a mistake – for, in a sense, the Ba’ath had also been a victim of Saddam’s savage rule. The Ba’ath, modeled on European fascist parties, was never a democratic movement. Yet, before Saddam turned it into an empty shell to be filled with his personality cult, it had been a genuine political movement, representing a significant segment of Iraqi opinion. It had started as a predominantly Shiite party seeking to downplay sectarianism by promoting pan-Arab ideas. Saddam turned it into a sectarian party, first dominated by the Arab Sunni minority and eventually by his Tikriti clan. The wisest course would’ve been to let those Ba’athists who had been purged, imprisoned and exiled under Saddam to reclaim their party and rebuild it with full respect for Iraq’s new democratic and pluralist political system. Those Ba’athists who committed crimes were known to all and could’ve been blacklisted and tried as individuals. The blanket ban suddenly transformed some 1.4 million civil servants, including tens of thousands of teachers and medical doctors and some half a million military personnel, into pariahs simply because they’d been nominal Ba’ath members. Yet most had joined simply to protect their careers under a brutal regime.”

Amir Taheri (1942) Iranian journalist

"Iraq: Reconciling with the Ba'ath" http://nypost.com/2008/01/16/iraq-reconciling-with-the-baath/, New York Post (January 16, 2008).
New York Post

Meher Baba photo
Clifford D. Simak photo
Euclid Tsakalotos photo
Peter Greenaway photo
Jack Osbourne photo
El Lissitsky photo
Vladimir Lenin photo
Anastasia Ashley photo
Augustus De Morgan photo
Ira Glass photo

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org
This American Life

David D. Friedman photo

“Economics is that way of understanding behavior that starts from the assumption that people have objectives and tend to choose the correct way to achieve them.”

David D. Friedman (1945) American economist, physicist, legal scholar, and libertarian theorist

Price Theory: An Intermediate Text, 1986

Martin Luther King, Jr. photo
Nicholas Sparks photo
Tyra Banks photo

“Smiles come naturally to me, but I started thinking of them as an art form at my command. I studied all the time. I looked at magazines, I'd practice in front of the mirror and I'd ask photographers about the best angles. I can now pull out a smile at will.”

Tyra Banks (1973) American model, author and television personality

Lynn Hirschberg (June 1, 2008) "Banksable" http://www.nytimes.com/2008/06/01/magazine/01tyra-t.html?ei=5124&en=6a5e98a9634a54f6&ex=1369972800&partner=permalink&exprod=permalink&pagewanted=all, The New York Times, The New York Times Company.

Anton Chekhov photo
Tawakkol Karman photo

“Both and France and England had started in the Middle Ages with the basic system of hall and chamber (in France salleand chambre), but the system had developed differently in the two countries.”

Mark Girouard (1931) British architectural historian

Life in the English Country House: A Social and Architectural History (1978)

Eino Leino photo
Wendy Doniger photo
Stanley Baldwin photo
Boniface Mwangi photo
Taryn Manning photo
Northrop Frye photo
Jonah Goldberg photo

“States have a habit of forming when the rules say “line starts here for free stuff.” Whoever manages the line becomes the “state” after a while.”

Jonah Goldberg (1969) American political writer and pundit

Twitter post https://twitter.com/JonahNRO/status/1049835451903815680 (9 October 2018)
2010s, 2018

Louis Althusser photo
Merle Haggard photo

“Today I started loving you again
I'm right back where I've really always been;
I got over you just long enough to let my heartache mend,
Then today I started loving you again.”

Merle Haggard (1937–2016) American country music song writer, singer and musician

"Today I Started Loving You Again" (January 1968), inspired by Bonnie Owens, who is credited as co-writer.

“A new start," Pop said as they stopped at the corner and waited to cross over to where te horse and cart waited for them. "A new apartment, Thomas. A new life.”

Patricia Reilly Giff (1935) American children's writer

A new world to write about.
Source: Water Street (2006), Chapters 1-10, p. 17

Koenraad Elst photo
Josh Hawley photo
River Phoenix photo
Phil Brooks photo

“Punk: Hey, Jeff. Jeff, aren't you nervous sitting way up there so… high? Especially in the condition you're in, and by "condition", I mean that you're probably drunk right now, just like all these people here tonight. (Crowd boos) Yeah, that's something to be proud of, I mean, you'd have to be under the influence to stomach this "live in the moment" crap that you spew. What's living in the moment gotten you, Jeff? I know it got you a night in a hospital, and for what? The adulation of these people? One brief moment of attention? (Crowd chants "Hardy") You know, I don't know what's more pathetic—all these people hanging on your every word, waiting for the next pitiful example for you to set that they can lead, or you and your egotistical addiction to their cheers and support and adulation. Listen, listen to them, Jeff. They actually believe that you can beat me at SummerSlam. (Crowd cheers)
Jeff: So do I.
Punk: So does our general manager. Teddy Long's the guy that said TLC is your match. It's Jeff Hardy's match, everybody. They're right, it is your match. This TLC is your last match. I know what I have to accomplish to get everything I want. When I beat you at SummerSlam and I take back my World Heavyweight Title, it will validate everything I've said in the past. I will prove once and for all, beyond the shadow of a doubt, that straight edge is the right way, that straight edge means I'm better than you. Jeff, I have to get rid of you to teach these people the difference between right and wrong. I have to get rid of you to teach them how to say, "just say no." I have to get rid of you so they stop living in your moment, and they wake up, and they start living in my reality. Make no mistake about it, Jeff; there's no turning back from this point on. You can talk about the space from the top of that ladder to this mat, but from here on out, there's nothing left. At SummerSlam, I will hurt you, and I will remove you and the stain of all your bad examples from the WWE forever.
Jeff: Punk, you can't destroy me, you can't destroy what I've created over my ten years here. Kansas City's not gonna listen to you. You won't beat me at SummerSlam, Punk. I will prove that I'm better than you in my specialty: Tables, Ladders, & Chairs.
Punk: You're right, Jeff. You know what, you wouldn't be here if it wasn't for them, because you need them to enable you. You need them to justify your reckless behavior with their support and their cheers, just like they need you to somehow justify their reckless behavior, with their smoking and their drinking and their use of prescription medication. They try in vain to live vicariously through a man who, by way of his lifestyle, thinks he can fly.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Interrupting Jeff Hardy's promo from the top of a ladder. August 21, 2009.
Friday Night SmackDown

Bill Maher photo
Alastair Reynolds photo
Charles Barkley photo

“You can't start a diet in the middle of the week, that's just stupid.”

Charles Barkley (1963) American basketball player

From The Jay Leno Show, November 2009

Qutb al-Din Aibak photo

“The first thing the Muslim Sultanate of Delhi started on was construction of impressive buildings. The first sultan Qutbuddin Aibak had to establish Muslim power in India and to raise buildings "as quickly as possible, so that no time might be lost in making an impression on their newly-conquered subjects". Architecture was considered as the visual symbol of Muslim political power. It denoted victory with authority. The first two buildings of the early period in Delhi are the Qutb Minar and the congregational mosque named purposefully as the Quwwat-ul-Islam (might of Islam) Masjid. This mosque was commenced by Aibak in 592/1195. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighborhood. A Persian inscription in the mosque testifies to this. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, "the sculptured figures on the stones being either defaced or concealed by turning them upside down". A century and a quarter later Ibn Battutah describes the congregational mosque and the Qutb Minar. "About the latter he says that its staircase is so wide that elephants can go up there." About the former his observations are interesting. "Near the eastern gate of the mosque their lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khana, that is an idol house. After the conquest of Delhi it was turned into a mosque."”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Gordon Sanderson, 'Archaeology at the Qutb', Archaeological Survey of India Report, 1912-13; Ibn Battutah)

George William Curtis photo

“But when we freed the slaves we did not say to them, 'Caste shall not grind you with the right hand, but it shall with the left'. We said, 'Caste shall not grind you at all, and you shall have the same guarantees of freedom that we have'. President Johnson defines the liberty springing from the Emancipation amendment as the right to labor and enjoy the fruit of labor to its fullest extent. It is easy to quarrel with this as with every definition. But it is good enough, and it is as true of Connecticut as of Missouri that no man fully enjoys the fruit of his labor who does not have an equality of right before the law and a voice in making the law. That is the final security of the commonwealth, and we are bound to help every citizen attain it, whether it be the foreigner who comes ignorant and wretched to our shores or the native whom a cruel prejudice opposes. Do you tell me that we have nothing to do with the State laws of Alabama? I answer that the people of the United States are the sole and final judges of the measures necessary to the full enjoyment of the freedom which they have anywhere bestowed. If we choose, we may trust a certain class in the unorganized States to secure this liberty, just as we might have chosen to trust Mister Vallandigham, Mister Horatio Seymour, and Mister Fernando Wood to carry on the war. But as we wanted honor and not dishonor, as we wanted victory and not surrender, we chose to trust it to Farragut and Sherman, to Sheridan and Grant. If you don't want a thing done, says the old proverb, send; if you do, go yourself. When Grant started. Uncle Sam went himself. So, if we don't care whether we keep our word to those whom we have freed, we may send, by leaving them to the tender mercies of those who despise and distrust them. But if we do care for our own honor and the national welfare, we shall go ourselves, and through a national bureau and voluntary associations of education and aid, or in some better way if it can be devised, keep fast hold of the hands of those whom the President calls our wards, and not relinquish those hands until we leave in them every guarantee of freedom that we ourselves enjoy.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Nikolai Berdyaev photo

“I do not think discursively. It is not so much that I arrive at truth as that I take my start from it.”

Nikolai Berdyaev (1874–1948) Russian philosopher

Introduction
The Beginning and the End (1947)

Ann Coulter photo

“Gays have got to be pro-life. As soon as they find the gay gene, guess who the liberal yuppies are going to start aborting.”

Ann Coulter (1961) author, political commentator

Ann Coulter On A List: Dallas: ‘Liberal Yuppies’ Would Abort Gay Babies (December 8th, 2011) http://www.mediaite.com/tv/ann-coulter-on-a-list-dallas-liberal-yuppies-would-abort-gay-babies/.
2011

Rufus Wainwright photo

“And you will believe in love
And all that it's supposed to be
But just until the fish start to smell
And you're struck down by a hammer.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

April Fool's
Song lyrics, Rufus Wainwright (1998)

Barend Cornelis Koekkoek photo

“Beforehand I don't make any drawing of the object or objects which I want to paint on the canvas or panel.... but I start directly to situate the designed plan on the canvas - After having thoroughly sketched and thought over my composition, especially the arrangement of light and dark, I start to paint it broadly with oil-paint and try as much as possible to achieve the hue or the colouring, in which I want to see my landscape.... when it is definitely completed.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik maak vooraf geene tekeningen van het voorwerp of de voorwerpen, die ik op het doek of paneel wil schilderen.. ..maar begin dadelijk het ontworpen plan op het doek te plaatsen – Na mijne compositie eerst behoorlijk geschetst en beredeneerd te hebben, voornamelijk de schikking van licht en donker, begin ik dezelve met olieverw breed te schilderen, zoveel trachtende de tint of het coloriet er in te brengen, in welke ik mijn landschap.. ..wil gezien hebben.. ..als het geheel afgeschilderd is.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 98-99

José Luis Rodríguez Zapatero photo

“I think that it would do us good to have some tension […]. From this weekend, I'm going to start to overdramatise things a little.”

José Luis Rodríguez Zapatero (1960) Former Prime Minister of Spain

Said to the presenter of 'Cuatro', Iñaki Gabilondo, at the end of an interview, and referring to the 2008 general election. His words were captured by microphones when Zapatero presumed that he was no longer on air.
As President, 2008
Source: "A partir de este fin de semana, voy a dramatizar un poco" http://www.publico.es/048875/a/partir/semana/dramatizar/poco:

Bill Maher photo
Jack McDevitt photo
Douglas MacArthur photo
Alexander Stepanov photo

“One of my earliest recollections in life was being taken for holidays to the little farm where my father had been born. … The cows "gave" milk, the hens "gave" eggs … but I couldn't for the life of me see what the pigs "gave", and they seemed … such friendly creatures, always glad to see me, and grateful for almost anything that was thrown to them in the sty. … I still have vivid recollections of the whole process from start to finish, including all the screams of course, which were only feet away from where this pig's companion still lived. And then, when the pig had finally expired, the women came out, one after another, with buckets of this scalding water, and the body of the pig was scraped – all the hairs were taken away. The thing that shocked me, along with the chief impact of the whole setup, was that my Uncle George, of whom I thought very highly, was part of the crew, and I suppose at that point I decided that farms, and uncles, had to be re-assessed. They weren't all they seemed to be, on the face of it, to a little, hitherto uninformed boy. And it followed that this idyllic scene was nothing more than Death Row. A Death Row where every creature's days were numbered by the point at which it was no longer of service to human beings.”

Donald Watson (1910–2005) English vegan activist

Interview with George D. Rodger (15 December 2002), in VeganSociety.com https://www.vegansociety.com/sites/default/files/DW_Interview_2002_Unabridged_Transcript.pdf.

Kent Hovind photo

“I think what happened: the mammoths were up there chopping on their tropical flowers. It was a beautiful day, and it began to snow super cold snow. They had never seen snow before. One of the mammoths looked at his buddy and said, "Herman, this is peculiar weather we're having here. What is this white stuff falling out of the sky?" "I don't know, but let's get out of here." They started running around trying to find a place to hide and the snow got deeper and deeper and deeper and they got stuck in the snow standing up, and they couldn't even fall down. How many of you have ever been in a snow drift so deep you couldn't even fall over? Ever been in one of those? I think that's what happened to the mammoths. People say, "Well the mammoths have long hair. They're designed for cold weather." No, mammoths are not designed for cold weather. A lot of animals in the jungle have long hair. It is hot there. If the temperature is seventy degrees, long hair is just simply a decoration. There's a lot of things about the mammoth that shows that they were not designed for cold weather. There's a whole section just in this book about mammoths showing that they were not designed for cold weather. You can read all about that. For the mammoths, some of them ended frozen standing up. It was in super cold ice, perhaps 300 degrees below zero!”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Hovind theory

Laisenia Qarase photo
Nigel Cumberland photo

“Sometimes planning a major change or U-turn in life can leave you with feelings of guilt; a sense that you have failed somehow or been forced to start over. Do not feel guilty or embarrassed. Reinventing yourself is an essential process if you want to grow and flourish.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Miguel de Unamuno photo
John Byrne photo
Nick Bostrom photo
Rikki Rockett photo

“When I was in eighth grade there was a movie called Willard, about a rat, and I fell in love with rats. I wanted one … so one guy suggested that I call Hershey Medical Center … So I called and they said … "What experiment is it for?" I said, "I don't wanna experiment on it, I just want it for a pet!" And they said, "Well, we can't do that." … About two weeks later, I go out to the mailbox, and there's this thing from the [American Anti-Vivisection Society]. Lo and behold, I'm looking through all these different experiments and I see a rat there, spread wide open, and it said some of the experiments [were] done at Hershey med center. So boom! I put two and two together, and I decided to do a report in school about it. I took advanced bio and you had to dissect cats, and I started [asking] questions, "Where'd the cat come from?", and that really ruffled some feathers. "I'm not gonna do this, you know." So basically I got thrown out of advanced bio. From that point on I became an antivivisectionist. … [Things] are changing. When I went vegetarian it was really hard on the road, and that was just eight years ago. And I see people doing it twenty, twenty-five years, traveling, and it's like, wow! … I think on a very basic level people wanna do the right thing. And if we continue to focus on that part of them that wants to do the right thing, we can win maybe at the next generation or the one after that.”

Rikki Rockett (1961) American musician

"Something To Believe In" https://books.google.it/books?id=NWxF_V4r3PAC&pg=PA107, interview by Kirsten Rosenberg (July 1999), in Speaking Out for Animals, edited by Kim W. Stallwood, Lantern Books, 2001, pp. 107-112.

Prem Rawat photo
John Mearsheimer photo

“When World War II started on September 1, 1939, the German army contained 3.74 million soldiers and 103 divisions.”

Source: The Tragedy of Great Power Politics (2001), Chapter 8, Balancing versus Buck-Passing, p. 307

K. Barry Sharpless photo
Stephen Fry photo

“All the cold-reading clairvoyants and the nonsensical astrologers and absurd ESP merchants and other such people who talk about vibrations and energies…. God, if there’s a word that drives me mad it’s “energy” used in a nonsensical way—don’t get me started!”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

" Last Chance to Think http://www.csicop.org/si/show/stephen_fry--last_chance_to_think/" Interview (2010) by Kylie Sturgess in Skeptical Inquirer. Vol 34 (1)
2000s

Ellen DeGeneres photo
David Bossie photo
Paul Krugman photo
Ephraim Kishon photo

“If you start looking like vour passport photo, it's high time you went abroad.”

Ephraim Kishon (1924–2005) Israeli author, dramatist, screenwriter and film director

on travel

David Foster Wallace photo

“I started with a kind of artistic approach… I visualized the best-looking shapes and sizes. I worked with the variables until it got to the point where, if I changed one of them, it didn't get any better… [only then I] figure out the mathematical formula to produce that effect.”

Arthur H. Robinson (1915–2004) American geographer

Robinson (1988) in The New York Times as cited in: John Noble Wilford (2004) " Arthur H. Robinson, 89, Geographer Who Reinterpreted World Map, Dies http://www.nytimes.com/2004/11/15/obituaries/15robinson.html?_r=0" in: The New York Times November 15, 2004: About the development of the Robinson projection.

Vladimir Lenin photo
Pope Benedict XVI photo

“I want to start a revolution, I can't change things overnight but in 100–200 years, there will be very few pure Japanese left, so we have to start changing the way we think.”

Ariana Miyamoto (1994) Miss Universe Japan 2015

12 May 2015 to Associated Free Press via Cosmopolitan http://www.cosmopolitan.com/lifestyle/news/a40403/ariana-miyamoto-miss-universe-japan/

Bill Nye photo

“When people start rejecting the fundamental understanding of the world that scientific process brings you, well, that's bad in my opinion.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, D-01, Bill Nye, the Science Guy, brings humor to normally serious field, The Daily Gazette, Schenectady, New York, March 9, 2005, Bill Buell]

Tomas Kalnoky photo

“This is the start, the beginning
The prologue to the yarn that you're spinning
A million synonyms will never get close to describe the feeling”

Tomas Kalnoky (1980) American musician

If Only for Memories from "The Hands That Thieve" (2013)

Calvin Coolidge photo
Clive Staples Lewis photo

“Some day you will be old enough to start reading fairy tales again.”

The Lion, the Witch and the Wardrobe (1950), Dedication: "To Lucy Barfield"
The Chronicles of Narnia (1950–1956)

A. P. J. Abdul Kalam photo
Henry Adams photo
Steve Rattner photo

“Well, maybe not death panels, exactly, but unless we start allocating health-care resources more prudently – rationing, by its proper name – the exploding cost of Medicare will swamp the federal budget.”

Steve Rattner (1952) American private equity and venture capital investor

Steve Rattner http://www.nytimes.com/2012/09/17/opinion/health-care-reform-beyond-obamacare.html, The New York Times, op-ed, 16 September 2012.

Glen Cook photo
Anthony Burgess photo

“I remember an old proverb. It says that youth thinks itself wise just as drunk men think themselves sober. Youth is not wise! Youth knows nothing about life! Youth knows nothing about anything except for massive cliches which for the most part through the media of pop songs are just foisted on them by middle-age entrepreneurs and exploiters who should know better. When we start thinking that pop music is close to God, then we'll think pop music is aesthetically better than it is. And it's only the aesthetic value of pop music that we're really concerned. I mean the only way we can judge Wagner or Beethoven or any other composer is aesthetically. We don't regard Wagner or Beethoven nor Shakespeare or Milton as great teachers. When we start claiming for Lennon or McCartney or Maharishi or any other of these pop prophets the ability to transport us to a region where God becomes manifest then I see red. We're satisfied with our little long playing record, ten pop numbers or thereabouts a side. This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told: "You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it." When you're told these things you sit down with a sigh of relief: "Thank God I don't have to learn, I don't have to travel, I don't have to exert myself in the slightest. I am what I am. Youth is youth. Pop is pop. There's no need to progress. There's no need to do anything. Let us sit down, smoke our marijuana (an admirable thing in itself but not the end of anything), let us listen to our records and life has become a single moment. And the single moment is eternity. We're with God. Finis!”

Anthony Burgess (1917–1993) English writer

Pop Music