Quotes about start
page 32

Samuel Johnson photo
Michael Swanwick photo

““What was all that about?”
“It’s an occupational hazard… You start by reading books, and you end by loving them.””

Source: The Iron Dragon's Daughter (1993), Chapter 15 (p. 262; ellipsis represents a minor elision of description)

Alain photo

“In short, the important thing is to get started. No matter how; then there will be time to ask yourself where you are going.”

Alain (1868–1951) French philosopher

Fate
Alain On Happiness (1928)

Piero Manzoni photo

“.. a single uninterrupted and continuous surface from which anything superfluous and all interpretative possibilities are excluded. [referring to his 'Achromes', Manzoni started to make in 1957]”

Piero Manzoni (1933–1963) Italian artist

Quote of Manzoni, in Display Caption of 'Achrome' 1958 http://www.tate.org.uk/art/artworks/manzoni-achrome-t01871', Tate, July 2008]

Periyar E. V. Ramasamy photo

“Those who still believe the Brahmins should take a serious not of the changing times and start leading an awakened life.”

Periyar E. V. Ramasamy (1879–1973) Tamil politician and social reformer

Veeramani, Collected Works of Periyar, pp. 518 & 519.
Brahminism

Josh Homme photo
David Lynch photo

“Every single thing in the world that was made by anyone started with an idea. So to catch one that is powerful enough to fall in love with, it is one of the most beautiful experiences. It's like being jolted with electricity and knowledge at the same time.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

Interview with Chris Douridas (1997) quoted in David Lynch Interviews (2009) by Richard A. Barney

Phil Brooks photo

“Punk: Don't stop on account of me. [Starts singing "Happy Birthday" to Rey's daughter, who is scared]. Rey, you look scared, but I assure you I'm not out here to hurt you, and I'm not out here to hurt your family. In fact, I'm happy that we're all here – my family and yours. And today's a big day, we all need to celebrate the occasion, and it doesn't get any bigger that WrestleMania, Rey, so that's exactly why I wanna challenge you to a match at WrestleMania. I also wanna challenge you to a match tonight. And I don't mean later in the show, Rey. I mean now. I mean, as in, right now!
Rey: Come on Punk. This ain't the time
Punk: Don't be sad. Aaliyah, since it's your birthday, sweet, innocent little Aaliyah, I'll tell you what. As my birthday present to you, I'll let you shut your eyes while I reduce your daddy to tears and make him beg for my mercy. And Dominik. You're such… you're all grown up now, aren't you? We watched you grow up before our very eyes, but I don't think you ever heard your father squeal like a pig from somebody repeatedly stomping his surgically repaired knees, so it's okay if you plug your ears. And beautiful, voluptuous Angie. Now I'm sure you and your loving husband Rey have shared the best of times. But look at me. I promise you, after I do what I'm going to do to your husband, it will be the worst of times. So feel free to cup your hand over your mouth to muffle the screams. What's the matter, Rey? Don't you wanna fight me in front of your family? No? Are you afraid that your family's gonna watch you get hurt? You're a coward! I know it; deep down inside, Dominik knows it; your wife has always known; and now on her 9th birthday, your sweet innocent little Aaliyah knows it. All these people here know it, Rey, you're a coward! What's it gonna take? Huh, Rey? Where's Giant-Killer Rey Mysterio at? [Crowd chants "619"] Where's your 619, huh, Rey? Where's the ultimate underdog, Rey? Rey, where's your machismo? Where's your machismo, Rey?! I'll tell you where, Rey. Your machismo, your courage – you never had it. What's it gonna take, Rey? Huh? Rey, I'll even drop down to your level, Rey. [Gets down on his knees] Come on, Rey! So, you're turning me down? You won't fight me? What's it gonna take, Rey? [Gets up] What's it gonna take, Rey?! Not now?! Not now?! [Slaps Rey across the face] [Rey then walks away very frustrated with his family. ] Come on, Rey! Come on, now! There he is, ladies and gentlemen! There's your superhero!
Striker: He's got no alternative but to protect his family.
Punk: Watch him take his walk of shame! But one more thing, sweet little princess Aaliyah… [Sings "Happy Birthday" to her in a disturbing type way. ]”

Phil Brooks (1978) American professional wrestler and mixed martial artist

March 12, 2010
Friday Night SmackDown

Mickey Spillane photo
Charles, Prince of Wales photo

“Instead of designing an extension to the elegant facade of the National Gallery which complements it and continues the concept of columns and domes, it looks as if we may be presented with a kind of municipal fire station, complete with the sort of tower that contains the siren. I would understand better this type of high-tech approach if you demolished the whole of Trafalgar Square and started again with a single architect responsible for the entire layout, but what is proposed is like a monstrous carbuncle on the face of a much-loved and elegant friend.”

Charles, Prince of Wales (1948) son of Queen Elizabeth II of the United Kingdom

Prince of Wales' website http://www.princeofwales.gov.uk/speechesandarticles/a_speech_by_hrh_the_prince_of_wales_at_the_150th_anniversary_1876801621.html
Speech at the 150th anniversary of the Royal Institute of British Architects, Royal Gala Evening at Hampton Court Palace, 30 May, 1984.
The Prince had undoubtedly read "The Spencers on Spas" written the previous year by his step-mother-in-law, Raine, Countess Spencer, which included on page 14 the observation that "Monstrous carbuncles of concrete have erupted in gentle Georgian Squares".
1990s

Will Smith photo

“Even Hitler didn't wake up going, "let me do the most evil thing I can do today." I think he woke up in the morning and using a twisted, backwards logic, he set out to do what he thought was "good." Stuff like that just needs reprogramming. … I wake up every day full of hope, positive that every day is going to be better than yesterday. And I'm looking to infect people with my positivity. I think I can start an epidemic.”

Will Smith (1968) American actor, film producer and rapper

As quoted in "Will Smith : My Work Ethic Will Make Me A Legend" by Siobhan Synnot in Daily Record (22 December 2007) http://www.dailyrecord.co.uk/entertainment/celebrity-interviews/2007/12/22/will-smith-my-work-ethic-will-make-me-a-legend-86908-20262460/
This was reported in various new stories http://www.volokh.com/posts/chain_1198541498.shtml as if Smith had declared that "Adolf Hitler was essentially a good person."
Smith responded to such misinterpretations in further statements:
It is an awful and disgusting lie. It speaks to the dangerous power of an ignorant person with a pen. I am incensed and infuriated to have to respond to such ludicrous misinterpretation. … Adolf Hitler was a vile, heinous, vicious killer responsible for one of the greatest acts of evil committed on this planet.
"Will Smith Explains Hitler Quote" by Karen Salkin in People (26 December 2007) http://www.people.com/people/article/0,,20168278,00.html; Abraham H. Foxman, National Director of the Anti-Defamation League accepting Smith's clarifications stated: "If anything, this episode serves as a reminder of the power of words, and how words can be twisted by those with hate and bigotry in their hearts to suit their own world view."

Georgia O'Keeffe photo
Antonio Gramsci photo
Donald J. Trump photo
Aaron Sorkin photo

“Writing anything, it sorta starts the way you'd build a castle at the beach. You're just taking your hands and you're mounting up sand.”

Aaron Sorkin (1961) American screenwriter, producer, playwright

The West Wing, Season Two Commentary Track: Noel.

Barrett Brown photo

“When we start fighting crime by any means necessary we become guilty of the same hypocrisy as law enforcement agencies throughout history that break the rules to get the villains, and so become villains themselves.”

Barrett Brown (1981) American journalist, essayist and satirist

The Guardian, "Barrett Brown statement: 'This is not the rule of law, it is the rule of law enforcement'" http://www.theguardian.com/technology/2015/jan/22/barrett-brown-hacking-sentencing-full-statement-text, 22 January 2015.

“I'm about as Nordic and Germanic looking as they come. It doesn't matter whther I'm skinny or fat. I'm just that way. So, there have been dates: for instance, the date that I first met Alex Acuna, Luis Conte, Alfredo Rey, Sr., Alfredo Rey, Jr., Cachao, the Cuban bass player. I mean, all of these people. The night I met them, on a recording date, I was there with a bunch of Cubans and I walked in, and at first, before we recorded the music, they were all standing around, hanging out. And of course I wanted to join, so I went over and started joining in. Now my Spanish certainly is not street Spanish, it's book-learned Spanish. And Cubans speak a patois all their own, and I could tell, when I first was speaking there, you know, they kept saying, "Well, he's speaking our language, but he certainly doesn't sound like us; he's still an outsider. Maybe not as much an outsider as he was before." And yet, what really happens is that, by the time we start playing, then I felt like somebody gives my visa a stamp. You know, on the passport. Because at that point, suddenly I start getting smiles from people, and different things, and that's an experience which happens over and over and over.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22there's+no+way+you+can+cut+it+any+different%22&source=bl&ots=vkOwylF67i&sig=RdKDS4QiEbLIoTYKWEL4j103DPM&hl=en&sa=X&ved=0ahUKEwizzcm_38bRAhXF4yYKHWktCS8Q6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Tori Amos photo
Adolf Eichmann photo

“The war with the Soviet Union began in June 1941, I think. And I believe it was two months later, or maybe three, that Heydrich sent for me. I reported. He said to me: "The Führer has ordered physical extermination." These were his words. And as though wanting to test their effect on me, he made a long pause, which was not at all his way. I can still remember that. In the first moment, I didn't grasp the implications, because he chose his words so carefully. But then I understood. I didn't say anything, what could I say? Because I'd never thought of a … of such a thing, of that sort of violent solution. … Anyway, Heydrich said: "Go and see Globocnik, the Führer has already given him instructions. Take a look and see how he's getting on with his program. I believe he's using Russian anti-tank trenches for exterminating the Jews." As ordered, I went to Lublin, located the headquarters of SS and Police Commander Globocnik, and reported to the Gruppenführer. I told him Heydrich had sent me, because the Führer had ordered the physical extermination of the Jews. … Globocnik sent for a certain Sturmbannführer Höfle, who must have been a member of his staff. We went from Lublin to, I don't remember what the place was called, I get them mixed up, I couldn't say if it was Treblinka or some other place. There were patches of woods, sort of, and the road passed through — a Polish highway. On the right side of the road there was an ordinary house, that's where the men who worked there lived. A captain of the Ordnungspolizei welcomed us. A few workmen were still there. The captain, which surprised me, had taken off his jacket and rolled up his sleeves, somehow he seemed to have joined in the work. They were building little wooden shacks, two, maybe three of them; they looked like two- or three-room cottages. Höfle told the police captain to explain the installation to me. And then he started in. He had a, well, let's say, a vulgar, uncultivated voice. Maybe he drank. He spoke some dialect from the southwestern corner of Germany, and he told me how he had made everything airtight. It seems they were going to hook up a Russian submarine engine and pipe the exhaust into the houses and the Jews inside would be poisoned.
I was horrified. My nerves aren't strong enough … I can't listen to such things… such things, without their affecting me. Even today, if I see someone with a deep cut, I have to look away. I could never have been a doctor. I still remember how I visualized the scene and began to tremble, as if I'd been through something, some terrible experience. The kind of thing that happens sometimes and afterwards you start to shake. Then I went to Berlin and reported to the head of the Security Police.”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

Source: Eichmann Interrogated (1983), p. 75 - 76.

George Lincoln Rockwell photo
Princess Margaret, Countess of Snowdon photo
Edgar Guest photo
Shreya Ghoshal photo

“Today kids are more advanced, smarter. When we came in reality show we were untrained in terms of facing television. That time TV was just starting out. We were nervous and shy. Today`s kids have seen it all.”

Shreya Ghoshal (1984) Indian playback singer

Talking about kids(2) http://zeenews.india.com/entertainment/musicindia/singers-today-have-more-space-and-work-says-shreya-ghoshal_132464.html

Robert T. Kiyosaki photo

“Education and wisdom about money are important. Start early. Buy a book. Go to a seminar. Practice. Start small.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Hans Haacke photo
Leslie Feist photo
Howard F. Lyman photo
Ang Lee photo
Mukesh Ambani photo
Burkard Schliessmann photo

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Willie Nelson photo
Bill Monroe photo
Hillary Clinton photo

“Donald Trump says he wants to make America great again – well, he could start by actually making things in America again.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), (July 28, 2016)

Glen Cook photo

“In fact, their contempt for the native converts was deeper than that for their Hindu subjects. They had all along looked down upon the native converts as Ajlãf (low-born) and Arzãl (base-born) as compared to the Ashrãf (exalted) which distinctive designation they had reserved for themselves….. It was at this critical juncture that the frustrated fraternity of foreign Muslims took a very strategic step. They started swearing by a solidarity with the native Muslims whom they had despised so far. They let loose on the native Muslims an army of mercenary Mullahs recruited, mostly from their own ranks. These Mullahs went about broadcasting the message that ‘Islam was in danger’, and that ‘Hindus were out to enslave and exploit the Muslim minority’. It was in this manner that the residues of Islamic imperialism managed to ‘merge’ themselves with the native converts, and to present themselves at the head of a strong phalanx pitted against whatever historical forces threatened their unjust privileges. Hitherto, the haughty Ashrãf had stood strictly aloof from the abject Ajlãf and the despised Arzãl. Now all of a sudden the latter became the former’s ‘brothers in faith’. This was a tremendous transformation of the political scene in the second decade of the 20th century. … The British never attached more than a nuisance value to this noisy fraternity which had to be befriended or ignored according to the needs of British policy at any time. It was the national leadership which was impressed by this mobilisation of the ‘Muslim masses’ and the pathos of ‘Muslim plight’. They accepted not only separate electorates but also weightages for the ‘Muslim minority’ in many provinces.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

Heidi Klum photo
Pete Yorn photo

“The words you never cared to say, “I want to start a family””

Pete Yorn (1974) American musician

Pass Me By
Song lyrics

Vitruvius photo
Nick Griffin photo
Marie Bilders-van Bosse photo

“He [ Johannes Warnardus Bilders ] painted – was living in Utrecht, [he] immediately attracted attention and had many ideas, got good prices for that time; and once he thought 'Is this really beautiful, as people say - but the people are crazy or I am - I came to the conclusion – the people are wrong - picked up my things and went to Oosterbeek' [Autumn of 1841, where he thoroughly started to study nature: branches, stems, plants. Etc.. ] (translation from Dutch, Fons Heijnsbroek).”

Marie Bilders-van Bosse (1837–1900) painter from the Netherlands

version in original Dutch (citaat uit een brief van MarieBilders-van Bosse, in het Nederlands:) Hij schilderde – woonde te Utrecht, [hij] trok aanstonds de aandacht en had veel ideeën, kreeg voor den tijd goede prijzen; en dacht op eenmaal 'Moet dat nu mooi heeten – maar de menschen zijn gek of ik – Ik kwam tot de conclusie – de menschen slaan de bal mis – pakte mijn rommeltje en ging naar ' [herfst van 1841, waar Bilders grondig studie van de natuur begint te maken: takken, stammen, planten. Etc..]
In a letter of Marie Bilders-van Bosse to A. C. Loffelt, c. 1891; as cited in Van Oosterbeek naar Haagsche School, E. Maas; kunsthandel Kupperman, Amsterdam, 1994, p. 57
Marie Bosse-Bilders was first a pupil of the older Bilders; later they married

Sebastian Bach photo
Derren Brown photo
Camille Paglia photo

“The born-yesterday French-besotted faddists, addicted sniffers of wet printer’s ink, think they’re starting on the ground floor; so they’re condemned to another hundred years of trial and error. The rest of us can safely ignore them.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 202

Ed Bradley photo
Aaron Sorkin photo
Jerry Springer photo

“Okay bear with me this'll be a little tough. You should know this isn't the first time I thought about leaving. I thought about it some twenty years ago when a check that would soon become a part of Cincinnati folklore, made me see life from the bottom. To be honest, a thought about ending it all crossed my mind, but a more reasonable alternative seemed to be 'hey how about just leaving town? Running away? Starting life over, some place else?' You see, in political terms as well as human, here in Cincinnati, I was dead. But then in the, probably, the luckiest decision I ever made, I decided 'No! I'm staying put!' I would withstand all the jokes, all the ridicule. I'd pretend it didn't hurt, and I would give every ounce of my being to Cincinnati. 'Why in time,' I was thinking, 'you'd have to like me. Or if not like me, at least respect me.' And I'd run for council even unendorsed. And I'd prove to you I could be the best public servant you ever had, or I'd die trying. Be it as a mayor, an anchor, or a commentator, whatever it took, I was determined to have you know that I was more than a check and a hooker on a one night stand. But something happened along the way. Maybe it's God's way of teaching us. I don't know, but you see? In trying to prove something to you, I learned something about me. I learned that I had fallen in love with you. With Cincinnati. With you who taught me more about life, and caring, and forgiving, and also most importantly, giving. Giving something back. Which is part of the reason… I have been… Excuse me. So sad this week. why… Why it's so hard to say goodbye. God bless you, and goodbye.”

Jerry Springer (1944) American television presenter, former lawyer, politician, news presenter, actor, and musician

his final commentary at NBC's WLWT in Ohio, January 1993
This American Life http://www.thislife.org/pages/descriptions/04/258.html, Ep. 258, 01/30/04, Leaving the Fold; Act One.

Mickey Spillane photo
Rembrandt van Rijn photo

“Quote in Rembrandt's letter to Constantijn Huygens (Amsterdam, 12 January 1639) on 3 paintings commissioned (in 1635 and started by Rembrandt already in 1635/36) by the imperial court, as cited in Painters on Painting (1963) by Eric Protter, p. 78 / Dutch original text in The Rembrandt Documents, Walter Strauss & Marjon van der Meulen - Abaris Books, New York 1979, p. 161.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

version in original Dutch (origineel citaat van Rembrandt, in Nederlands): Door die grooten lust ende geneegenheijt die ick gepleecght hebbe int wel wtvoeren van die twe/ stuckens die sijn Hoocheijt mijn heeft doen maeken weesende het een daer dat doode lichaem Chrisstij/ in den graeve gelecht werd ende dat ander/ daer Chrisstus van den doode opstaet dat met/ grooten verschrickinge des wachters. Dees selvij/ twe stuckens sijn door stuijdiose vlijt nu meede/ afgedaen soodat ick nu oock geneegen ben om die/ selvijge te leeveren om sijn Hoocheijt daer meede/ te vermaeken want deesen twe sijnt daer die meeste/ ende die naetuereelste beweechgelickheijt . in/ geopserveert is dat oock de grooste oorsaeck is dat/ die selvijge soo lang onder handen sij geweest.
in margin: deessen 12 Januwarij 1639, Mijn heer ik woon op die binnenemster, thuijs is genaemt die suijckerbackerrij [in Amsterdam]. http://remdoc.huygens.knaw.nl/#/document/remdoc/e4458
What Rembrandt meant in his phrase "die meeste ende di naetuereelste beweechgelickheijt" has been the subject of dispute. Variant translations have been proposed:
For in these two paintings "the greatest and most innate emotion has been expressed", which is also the main reason why they have taken so long to execute (c. 3 years!).
The "deepest and most lifelike emotion has been expressed", and that's the reason they have taken so long to execute.
1630 - 1640

Michel Foucault photo
David Graeber photo

“It is when we start to discipline our mind that we discover how many undisclosed relationships it already has.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 94

Ulysses S. Grant photo

“You know I can't abide curse-words, but this time I'm going to use one because I am damn tired of hearing what Lee's going to do to us! Start thinking about what we're doing to do to him. Some of you think he's about to turn a double somersault and land in our rear and on both flanks at the same time.”

Ulysses S. Grant (1822–1885) 18th President of the United States

North and South, Book II https://listenonrepeat.com/watch/?v=vopVVBiC80g#General_Grant_s_Strategies (1986).
In fiction, <span class="plainlinks"> North and South, Book II http://www.imdb.com/title/tt0090490/fullcredits?ref_=tt_cl_sm#cast (1986)</span>

Viktor Schauberger photo
Ben Croshaw photo
Andy Partridge photo
Douglas Coupland photo
William Luther Pierce photo
Saki photo
Flavor Flav photo
Agatha Christie photo
Maurice Glasman, Baron Glasman photo
Włodzimierz Ptak photo

“McAuley's nominal subject was left-wing incomprehension of the recently published Dr. Zhivago, but the real object of his ire seemed to be liberalism in general, starting with the invention of moveable type, or perhaps the wheel.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'The Great Generation of Australian Poetry'
Essays and reviews, As Of This Writing (2003)

Kage Baker photo

“Doubtless he was going to start bragging about being a god. It went with the profile of this sort of lunatic.”

Source: The Children of the Company (2005), Chapter 4, “Son Observe the Time” (p. 209)

Jeanette Winterson photo
Guy Debord photo
Donald J. Trump photo

““I’m starting to get the picture.”
“If you can say it so calmly, then you haven’t.””

Sarah Zettel (1966) American writer

Source: Bitter Angels (2009), Chapter 11 (p. 155)

Carlo Carrà photo

“Stumbling into the midst of anarchists, barely 18 years old, I too started to dream of 'inevitable changes, inhuman society, free love', etc.”

Carlo Carrà (1881–1966) Italian painter

Source: 1940's, La mia Vita (1945), Carlo Carrà; as quoted in Futurism, ed. Didier Ottinger (2008), p. 140

Muhammad photo
Edmund White photo
Jacoba van Heemskerck photo

“This evening the Anthroposophical Society invited me to give a lecture about modern art, on 13 March. They start to wake up here [in the Netherlands]… Please, tell me something, what I should emphasize, what you find most important. I shall also read something from 'The Spiritual in Art' by Kandinsky… But we still have other views on the whole, isn't it. I don't always agree with Kandinsky, and often more with your views. So please write a little much… You know, for me it is always easier to paint my principles.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Heute abend bin ich durch den Anthroposophischen Verein eingeladen (worden) am 13. März einen Vortrag über moderne Kunst zu halten. Man fängt hier an zu erwachen.. .Bitte, sage mir einiges, was ich speziell betonen soll, was Du am wichtigsten findest. Ich werde dann auch aus 'Das Geistige in der Kunst' von Kandinsky.. ..etwas vorlesen. Aber wir haben doch in Ganzen noch andere Ansichten. Ich stimme nicht immer met Kandinsky überein, und oft mehr mit Deinen Ansichten. Also bitte schreibe ein bisschen viel.. .Du weisst, ich finde es immer einfacher, meine Prinzipien zu malen.
in a letter to Herwarth Walden, 28 Feb. 1916; from the 'Sturm'-Archive, Berlin
1910's

Roger Manganelli photo
Gloria Estefan photo
Elon Musk photo

“Starting and growing a business is as much about the innovation, drive and determination of the people who do it as it is about the product they sell.”

Elon Musk (1971) South African-born American entrepreneur

Conversation: Elon Musk on Wired Science (2007)

Josh Marshall photo

“With all the efforts now to disassociate President Bush from conservatism, I am starting to believe that conservatism itself — not the political machine, mind you, but the ideology — is heading toward that misty land-over-the-ocean where ideologies go after they've shuffled off this mortal coil. Sort of like the way post-Stalinist lefties used to say, "You can't say Communism's failed. It's just never really been tried."But as it was with Communism, so with conservatism. When all the people who call themselves conservatives get together and run the government, they're on the line for it. Conservative president. Conservative House. Conservative Senate.What we appear to be in for now is the emergence of this phantom conservatism existing out in the ether, wholly cut loose from any connection to the actual people who are universally identified as the conservatives and who claim the label for themselves.We can even go a bit beyond this though. The big claim now is that President Bush isn't a conservative because he hasn't shrunk the size of government and he's a reckless deficit spender.But let's be honest: Balanced budgets and shrinking the size of government hasn't been part of conservatism — or to be more precise, Movement Conservatism — for going on thirty years. The conservative movement and the Republican party are the movement and party of deficit spending. And neither has any claim to any real association with limited or small government. Just isn't borne out by any factual record or political agenda. Not in the Reagan presidency, the Bush presidency or the second Bush presidency. The intervening period of fiscal restraint comes under Clinton.”

Talking Points Memo (2006-06-13) http://www.talkingpointsmemo.com/archives/008733.php

Jeff VanderMeer photo
L. Ron Hubbard photo

“Not smoking enough will cause lung cancer! If anybody is getting a cancerous activity in the lung, the probabilities are that it's radiation dosage coupled with the fact that he smokes. And what it does is start to run out the radiation dosage, don't you see.”

L. Ron Hubbard (1911–1986) American science fiction author, philosopher, cult leader, and the founder of the Church of Scientology

Saint Hill Special Briefing Course 35 (19 July 1961).

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Anton Mauve photo

“When entering a studio the most pleasant thing to see is a blank canvas. It looks so inviting to make a start, you are fresh and hoping for the best. Then a terrible time follows when everything seems lost and ruined, you fear you will never get it done, than suddenly a ray of light! And it seems you get what you wanted to tell. My best works usually are going trough such a struggle.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Het meest aangename te zien wanneer men een atelier betreedt is een leeg doek. Het oogt zo uitnodigend om een begin te maken, je bent fris en hoopt op het beste. Dan volgt een vreselijke tijd waarin alles verloren en verprutst lijkt, je vreest dat je het nooit zal maken, en plotseling een lichtstraal! En het lijkt alsof je krijgt dat wat je wilde vertellen. Mijn beste werken gaan doorgaans door zulk een strijd.
Mauve's remark, later quoted by Mauve's student nl:Arina Hugenholtz, in her In memoriam mr. Anton Mauve, RKD Den Haag; as cited in The land of Mauve: utopia or a reality? / Het land van Mauve: utopie of werkelijkheid? https://www.rug.nl/research/kenniscentrumlandschap/mscripties/christina_vlasma-het_land_van_mauve-masterscriptie.pdf; master-scriptie by Christina van Staats-Vlasma; Rijksuniversiteit Groningen, La Broquerie, Manitoba Canada, Nov. 2010, p. 93
undated quotes

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