Quotes about song (1779 quotes, page 15)

“The folksong collectors Bartok (Hungary) and Plicka (Czechoslovakia) notated the perceived interval deviations with a plus or minus sign (+,-). Older folksong collectors had notated all the intervals in the system of semitones, not observing the finer modifications of intervals. This first gained currency from the phongraph and tape recordings of folk music from various lands…. From folksong I learned to perceive melodic intervals a little smaller or greater than those of the semitone-system…. In my youth it often happened that the folk singers, who during the intermissions of dance festivals sang songs of "their kind," deviating from the semitone system, demanded that the first violinist of the Wisowitzer Kapelle play "their" melody just as they sang it. Once a tempermental singer threatened to strike the double-bass player with a beer mug if he didn't "play along" with the song, exactly as he sang it.”

Alois Hába (1893–1973) Czech music educator and composer

Mein Weg zur Viertel- und Sechsteltonmusik (1971) Düsseldorf: Verlag der Gesellschaft zur Förderung der systematische Musikwissenschaft, 12, 14; translated by and printed in Modernism and Music: An Anthology of Sources(2004) by Daniel Albright ISBN 0226012670 .

Youth , Music , Beer , Learning

“At the Palace of Wisdom they don't send a boy to do a man's job, they send The Shaman; the Shaman of Sexy. (in reference to Shawn Michaels and his theme song referring to himself as a Sexy Boy)”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

Wisdom , Boy

“Yes; for, while memory languidly is fetching
Her treasures from the depths which they have lain among,
A fragile hand — how thin — how weak — is sadly sketching
Figures and fancies that cell's white walls along.
On the lip there is a murmur —
It is the swan's last song.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1838 2) (Vol 53) Subjects for Pictures - The Death of Camoens
The Monthly Magazine

Memory

“There is a blood red circle
On the cold dark ground.
And the rain is falling down.
The church door's thrown open;
I can hear the organ's song.
But the congregation's gone.
My city of ruins.
My city of ruins.”

Bruce Springsteen (1949) American singer and songwriter

"My City of Ruins"
Song lyrics, The Rising (2002)

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

Love , Faith , Soul , Spring

“Thrown like a star in my vast sleep
I open my eyes to take a peep
To find that I was by the sea
Gazing with tranquillity. 'Twas then when the Hurdy Gurdy Man
Came singing songs of love…”

Donovan (1946) Scottish singer, songwriter and guitarist

Hurdy Gurdy Man (1967)

Love , Star , Sleep , Singing

“My songs examine and explore little specific emotions or situations or stories… They're kitchen table songs, like a conversation between me and one other person. It's almost like an alien has been sent to get emotional samples from human beings and put it all together on a record.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

KTTunstall.com

Personality

“I must down to the sea again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face, and a grey dawn breaking.”

John Masefield (1878–1967) English poet and writer

The first line is often misquoted as "I must go down to the seas again." and this is the wording used in the song setting by John Ireland. I disagree with this last point. The poet himself was recorded reading this and he definitely says "seas". The first line should read, 'I must down ...' not, 'I must go down ...' The original version of 1902 reads 'I must down to the seas again'. In later versions, the author inserted the word 'go'.

Source: https://poemanalysis.com/sea-fever-john-masefield-poem-analysis/
Salt-Water Ballads (1902), "Sea-Fever"

Star , Sea

“By This experience… melts the man utterly; he is no longer master of his joy. Such possession produces intoxication, the state of the spirit in which its bliss transcends the uttermost boundsIf every earthly pleasure were melted into a single experience and bestowed upon one man, it would be as nothing when measured by the joy of which I writeSometimes the ecstasy pours forth in song, sometimes in tears: at one moment it finds expression in movement, at others in the intense stillness of burning, voiceless feeling By the way of perfect likeness and fullest union.
Every good deed, however small, if it be directed to God by simplicity of intention, increases in us the Divine likeness,
and deepens in us the flow of eternal life…
Entering into and transcending itself, traversing all worlds of being, surpassing all creatures, the soul meets God in its own depths…
The whole life of the spirit and its activity consists solely in the Divine likeness and this simplicity of intention;
and the final peace abides on the heights in simplicity also, in simplicity All the divine means and all conditions, and all living images which are reflected in the mirror of truth, lapse in the onefold and ineffable waylessness beyond reason of essence.”

John Ruysbroeck (1293–1381) Flemish mystic

An Anthology of Mysticism and Philosophy

Life , God , Pleasure , Truth

“I used to think that myself and my songs were the same thing. But I don't believe that any more. There's myself and there's my song, which I hope is everybody's song.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Interview by Hubert Saal, "Dylan is Back," Newsweek (26 February 1968)

Hope , Thinking

“I am growing increasingly convinced that if every one of these kids burning with passion to write that hit Christian song or make that hit Christian movie or start that hit Christian ministry to change the world would instead focus their passion on walking with God on a daily basis, the world would change.”

Phil Vischer (1966) American puppeter

Source: Me, Myself, & Bob (2006), p. 243

God , World , Passion , Change

“Marcia: One of the hardest things to do as a singer is to stand still and deliver a song and you did it. And you did it very well and I congratulate you.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 10

“Desiree,
Oh, Desiree.
There I was found
By the sweet passion sound
Of your loving song.
Time was right, the night was long.Remember Desiree,
Oh, Desiree.
And though somehow I knew
I could only have you 'til the morning light,
The night was long, the time was right.”

Neil Diamond (1941) American singer-songwriter

Desiree
Song lyrics, I'm Glad You're Here with Me Tonight (1977)

Love , Light , Passion , Time

“The song is about knowing the end result of every situation you're in, and being able to play it out in your mind and see it before it happens. It's about addiction, really, about knowing how it's all going to end up. In that sense, you're watching a movie of yourself all the time – and then you want out of that movie.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

About Movies of Myself, [July 28, 2011, http://www.facebook.com/note.php?note_id=376772359546, Want One Bio, December 1, 2009]

Sense , Time

“Mary kept the belt of love, and oh, but she was gay!
She danced a jig, she sung a song that took my heart away.”

William Allingham (1824–1889) Irish man of letters and poet

Lovely Mary Donnelly; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Love , Heart , Dance

“Why should we do it? We have done so many songs, during such a long time. The fact that we had two divorces, and there was no meaning, I think, with getting together, again.”

Agnetha Fältskog (1950) Swedish recording artist and entertainer

On reuniting ABBA
BBC interview (May 2013)

Thinking , Time

“How beautiful, how buoyant, and glad is morning! The first sunshine on the leaves: the first wind, laden with the first breath of the flowers-that deep sigh with which they seem to waken from sleep; the first dew, untouched even by the light foot of the early hare; the first chirping of the rousing birds, as if eager to begin song and flight; all is redolent of the strength given by rest, and the joy of conscious life.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Life , Beauty , Flowers , Bird

“I first listen to someone who speaks the language and who reads the lyrics to me. I pay great attention to pronunciation. Once I hear the words spoken, I write the song lines phonetically in Hindi and then sing. By the grace of god, my songs in other languages – including Bengali – have been appreciated. People say they are good and the words have been correctly pronounced.”

Lata Mangeshkar (1929) Indian singer

Above two quotes about her singing in Urdu and other languages in Lata Mangeshkar has to thank Dilip Kumar for her Urdu skills!, 29 Npvember 2013, India Today http://www.deccanherald.com/content/10118/,

God , People , Singing , Reading

“But song has touch'd my lips with fire,
And made my heart a shrine;
For what, although alloy'd, debased,
Is in itself divine.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Source: The Venetian Bracelet (1829), Lines of Life

Heart

“…I wanna know about the commercial I saw on TV: An Irish guy walking through a field of green, whistling one of those Irish jigs, and a woman walks up and says, "Manly, yes, but I like it too." Then the guy pulls out a huge knife and cuts off his first two fingers and somehow catches them in what's left of his left hand and hands them to the woman. Did I mention they're both dressed in green? They they both sing this song together: "Are ya icky? Are ya sticky? Are ya hot as anything? Hey! Cut off two of your fingers, and stab yourself in the eye!"”

John S. Hall (1960) Poet, author, singer, lawyer

Then he stabs himself in the eye and hands her the knife, and she stabs herself in the eye, okay? Okay? So what about that?
"The Commercial"
Lyrics, King Missile (1994)

Guy , Singing

“One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Bk. V, Ch. 1
Wilhelm Meister's Lehrjahre (Apprenticeship) (1786–1830)
Original: (de) Man sollte alle Tage wenigstens ein kleines Lied hören, ein gutes Gedicht lesen, ein treffliches Gemälde sehen und, wenn es möglich zu machen wäre, einige vernünftige Worte sprechen.

Reading

“Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa
I keep singing them sad sad songs, y'all.
Sad songs is all I know.
I keep singing them sad sad songs, y'all.
Sad songs is all I know.
It has a sweet melody tonight
Anybody can sing it any old time.
What's in your heart puts you in a groove
And when you sing this song,
It'll make you're whole body move.”

Otis Redding (1941–1967) American singer, songwriter and record producer

Fa-Fa-Fa-Fa-Fa (Sad Song), co-written with Steve Cropper.
Song lyrics, Complete & Unbelievable: The Otis Redding Dictionary of Soul (1966)

Sadness , Singing , Time , Heart

“I think an interpreter has to sing everything, to sing what wants to sing. It cannot be with that foolishness, that here in Brazil we face this thing that when one records a song, later no one can rerecord it. This is madness, absurd. Music doesn't have an owner, the music doesn´t belong to anyone.
- Comment on the excessive protectionism of composers in Brazil. Domingão do Faustão Program, Rede Globo, 2003”

Simone Bittencourt de Oliveira (1949) Brazilian singer

Music , Thinking , Singing , Madness

“In writing what he does not speak, what he would never say and, in truth, would probably never even think, the author of the written speech is already entrenched in the posture of the sophist; the man of non-presence and non-truth. Writing is thus already on the scene. The incompatibility between written and the trueis clearly announced at the moment Socrates starts to recount the way in which men are carried out themselves by pleasure, become absent from themselves, forget themselves and die in the thrill of song.”

Jacques Derrida (1930–2004) French philosopher (1930-2004)

Plato's Pharmacy, Pharmacia
Dissemination (1972)

Men , Pleasure , Truth , Way

“They bring back light on their faces;
But they cannot bring back to me
What the lilies say to the roses,
Or the songs of the butterflies be.”

Francis Turner Palgrave (1824–1897) English poet and critic

Eutopia

Light

“The realist, then, would seek in behalf of philosophy the same renunciation the same rigour of procedure, that has been achieved in science. This does not mean that he would reduce philosophy to natural or physical science. He recognizes that the philosopher has undertaken certain peculiar problems, and that he must apply himself to these, with whatever method he may find it necessary to employ. It remains the business of the philosopher to attempt a wide synoptic survey of the world, to raise underlying and ulterior questions, and in particular to examine the cognitive and moral processes. And it is quite true that for the present no technique at all comparable with that of the exact sciences is to be expected. But where such technique is attainable, as for example in symbolic logic, the realist welcomes it. And for the rest he limits himself to a more modest aspiration. He hopes that philosophers may come like scientists to speak a common language, to formulate common problems and to appeal to a common realm of fact for their resolution. Above all he desires to get rid of the philosophical monologue, and of the lyric and impressionistic mode of philosophizing. And in all this he is prompted not by the will to destroy but by the hope that philosophy is a kind of knowledge, and neither a song nor a prayer nor a dream. He proposes, therefore, to rely less on inspiration and more on observation and analysis. He conceives his function to be in the last analysis the same as that of the scientist. There is a world out yonder more or less shrouded in darkness, and it is important, if possible, to light it up. But instead of, like the scientist, focussing the mind's rays and throwing this or that portion of the world into brilliant relief, he attempts to bring to light the outlines and contour of the whole, realizing too well that in diffusing so widely what little light he has, he will provide only a very dim illumination.”

Ralph Barton Perry (1876–1957) American philosopher

Chap XXV.
The Present Conflict of Ideals: A Study of the Philosophical Background of the World War (1918)

World , Dreams , Hope , Question

“Like I say, the way I write songs is, you know, inspirational. I have to wait for it to happen. And when it happens I get lines, and I just write them down, you know. I'm not sort of a Tin Pan Alley sort of songwriter. I just sort of write down what I get - without censoring or questioning what it is and what it means, you know. Like later on I look at what it means, but not at the time.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

"Nights in Copenhagen with Van Morrison" (1985) interview by Al Jones

Way , Question , Time , Waiting

“Roger: It depends.. A song is melody and lyrics and the music, you know? For our band, Vinnie the drummer writes like 95% of the lyrics so he's the main songwriter if you want to look at it that way. But he doesn't write any chords or melodies or any of that kind of stuff. So, it's kind of hard to split up or dissect a song that way, you know? On this record.. it's pretty fair, you know, pretty even between myself and Chris.. Actually JR and I. JR's the first song writer outside of Chris, Vinnie or I to like actually sit down and reword a song for the record. So he's becoming like a bigger part of that sort of thing. I don't know. It just depends. I definitely write a bunch of them!”

Roger Manganelli (1973) American musician

laughs

Music , Way , Parting , Dependency

“The whales do not sing because they have an answer. They sing because they have a song.”

Gregory Colbert (1960) Canadian photographer

Ashes and Snow : A Novel in Letters (2005) Flying Elephants Press

Singing

“Inextricably intertwined in the question was slavery, and it only became the more so in the years that followed. Socially and culturally the North and South were not much different. They prayed to the same deity, spoke the same language, shared the same ancestry, sang the same songs. National triumphs and catastrophes were shared by both. For all the myths they would create to the contrary, the only significant and defining difference between them was slavery, where it existed and where it did not, for by 1804 it had virtually ceased to exist north of Maryland. Slavery demarked not just their labor and economic situations, but power itself in the new republic.”

William C. Davis (1946) American historian

Source: Look Away!: A History of the Confederate States of America (2002), p. 9

Question

“When I started this song I was still thirty-three
The age that Mozart died and sweet Jesus was set free
Keats and Shelley too soon finished, Charley Parker would be
And I fantasized some tragedy'd be soon curtailing me
Well just today I had my birthday
I made it thirty-four
Mere mortal, not immortal, not star-crossed anymore
I've got this problem with my aging I no longer can ignore
A tame and toothless tabby can't produce a lion's roar.”

Harry Chapin (1942–1981) American musician

There Only Was One Choice
Song lyrics, Dance Band on the Titanic (1977)

Age , Star , Birthday , Problem

“It's like forgetting the words to your favorite song
You can't believe it; you were always singing along
It was so easy and the words so sweet
You can't remember; you try to move your feet.”

Regina Spektor (1980) American singer-songwriter and pianist

"Eet"
Far (2009)

Singing , Forgetting

“And as I played, a child came thro' the gate,
A boy who looked at me without a word,
As tho' he saw stretch far behind my head
Long lines of radiant angels, row on row.
That day we spoke a little, timidly,
And after that I never heard the voice
That sang so many songs for love of me.”

Sara Teasdale (1884–1933) American writer and poet

"Beatrice"
Helen of Troy and Other Poems (1911)

Love , Angels , Boy

“I do not like praises and honours
Nor did I fear disdain
I just stayed away.
My mind, clear water,
My body bound and tied
For three years in Chang'an.
I sing what I feel in songs
In straight words, undecorated.”

Sesson Yūbai (1290–1347) Japanese Zen Buddhist monk of the Rinzai sect

Source: Bingatshū, as cited in: Katō, Shūichi. A History of Japanese Literature: From the Man'yōshū to Modern Times, 1997. p. 105.

Fear , Feeling , Water , Singing

“I shall not sing a May song.
A May song should be gay.
I'll wait until November
And sing a song of gray.”

Gwendolyn Brooks (1917–2000) American writer

"The Crazy Woman"

Singing , Waiting

“A second hard truth: Much research points to the widespread existence of unconscious bias. Many people in our white-majority culture have unconscious racial biases and react differently to a white face than a black face. In fact, we all, white and black, carry various biases around with us. I am reminded of the song from the Broadway hit, Avenue Q: “Everyone’s a Little Bit Racist.” Part of it goes like this: Look around and you will find. No one’s really color blind. Maybe it’s a fact. We all should face. Everyone makes judgments. Based on race. You should be grateful I did not try to sing that.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

People , Truth , Color , Singing

“Since ever and ever the world began
They danced like a ribbon of flame,
They have sung their song through the centuries long,
And yet it is never the same.
And though you be foolish or though you be wise,
With hair of silver or gold,
You can never be as young as the fairies are,
And never be as old.”

Rose Fyleman (1877–1957) British writer

The Fairies

World , Dance

“So, if you played a C major chord to pretty much any person on the planet, they'd say that it sounds "harmonious" (or pleasing, or happy, etc, etc). But now when you want to put chords and melodies in an ordering and make a larger piece called a "song", then that is a much more difficult process, and gets very subjective. At that point, it's not just the chords, it's the lyrics, rhythms, instrumentation, tempo, intensity, any number of other things that goes into a song… so many variables that it's almost impossible to predict how a song will affect a given person.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Personality , Happiness

“Hark! My ears are catching corncrake’s clicking,
Silver moonlight shines on cobhead corn;
Summer evening’s blessing me, enriching,
Valley’s wreaths of smoky slash and burn.
Neither joying I, nor grieve I, mournful;
But for forest’s darkness am I yearnful,
Rose-gilt clouds the day’s protracted ending,
Windy sleeping hill o’er all extending,
Fragrant twinflower, shortening, lingering shade;
These the things from which my heart-song’s made.

Lady June-July, for you I’m singing,
Great the silence of my ardent heart,
Merry music make, for faith is mounting,
Verdant wreath of oak eternal start.
Foolish errands now I’ll make no longer,
Fortune blessèd hands will grasp the stronger;
Rippled pool of circles now decreasing;
Time has ceased and weathervane is sleeping;
Stretches road at twilit end of day,
Bound for home unknown, I take its way.”

Eino Leino (1878–1926) Finnish poet and journalist

Faith , Music , Way , Home

“When I was writing songs or performing or producing or dabbling in movies or even putting my career on hold to go to art school, I was just following my muse. A woman who did that then was criticized for having no direction. Today they call it versatility.”

Jackie DeShannon (1941) American singer-songwriter

Biography magazine (April 2002)

School , Art

“Every human being longs to be happy, to satisfy the wants of the body with food, with roof and raiment, and to feed the hunger of the mind, according to his capacity, with love, wisdom, philosophy, art and song.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

How To Reform Mankind (1896). http://www.infidels.org/library/historical/robert_ingersoll/how_to_reform_mankind.html Republished by Kessinger Publishing, Llc, 2005. http://books.google.de/books/about/How_to_Reform_Mankind.html?id=u-IpAAAACAAJ&redir_esc=y

Love , Wisdom , Hunger , Food

“As Scots our Celtic heritage ties us closely together. It binds us with our cousins in Northern Ireland, the Irish Republic and Wales. And with other Europeans lucky to blessed with good weather. We have Celtic cousins in Brittany, Galicia and Cornwall. Our is a heritage shared in a love of music and song, of poetry - and a special affinity with the sea and with nature.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Vision for Scotland in the European Union (December 12, 2007)

Love , Music , Nature , Weather

“I live in love with every moment and with every song.”

Layal Abboud (1982) Lebanese pop singer

August 5, 2008; Interview with Jouhina Magazine http://jouhina.com/magazine/archive_article.php?id=103
2008

Love

“When I asked Sergio Mendes why he still called his group Brasil '66 in 1967, he said "'66 was a very good year!" That's his group and the French song from The Umbrellas of Cherbourg. It's not one of their better tracks. Some of the things they've done I have enjoyed tremendously, though it's getting to the point where he's had commercial success doing what he's doing, so it's now somewhere in between strong Brazilian music and quasi-rock. Joao Palma is an excellent drummer. Here they have John Pisano of the Tijuana Brass playing an amplified guitar. He is one of the few people who, on the regular amplified guitar, has really got the Brazilian thing down. He can play in the Baden Powell style, which is so compelling and so dynamic. Sergio is usually a much more melodic pianist, but here he's trying to give a hardness and vitality to the over-all commercial sound, and he comes out lacking what he usually has—his lines are usually very smoothly melodic. This has nothing to do with jazz, but I find it pleasant; on the other hand, some of the things they do, like O Pato [from Mendes' previous album], or some of the faster things, I enjoy much more. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Mendes' recording of Michel Legrand's '"Watch What Happens," from the album Equinox; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

People , Music , Star , Strong

“There are so many lines of that song ( Blood on the Tracks, Bob Dylan ) where you think. That is a painting.”

Jack Vettriano (1951) Scottish painter

Desert Island Discs Sue Lawley, BBC, London April 2 2004
On Art

Thinking , Painting

“Distorting hackneyed words in hackneyed songs
He turns revolt into a style, prolongs
The impulse to a habit of the time.”

Thom Gunn (1929–2004) English poet

"Elvis Presley,", in The Sense of Movement (1957).
Other

Time

“What we want, above all things, in this age is heartiness and holy simplicity; men who justify the holy impulse of grace in their hearts, and do not keep it back by artificial clogs of prudence and false fear, or the sham pretences of fastidiousness and artificial delicacy. These are they whom God will make His witnesses in all ages. They dare to be holy, dare just as readily to be singular. What God puts in them, that they accept; and when He puts a song, they sing it. They know Christ inwardly, and therefore stand for Him outwardly. They endure hardships. They fight a fight. And these are the souls, my brethren, who will stand before God accepted.”

Horace Bushnell (1802–1876) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 156.

Men , God , Age , Fear

“I'll never be bothered if I don't have a hit because you look at the songs that are hits and they're none of my favourites. Just the fact that we do have fans waiting here, that's exciting enough.”

Bert McCracken (1982) American musician

Stephen Downie (May 20, 2005) "Second coming", The Courier-Mail, News Limited, p. 51.

Waiting

“The mountain moon shines on a cloudless sky.
Deep in the night the wind rises among the pines.
I wish to weave my thoughts into a song for my jade lute,
But the pine wind never ceases blowing.”

Zhu Yizun

"Written at Mauve Garden: Pine Wind Terrace" (tr. Y. N. Chang and Lewis C. Walmsley), in Sunflower Splendor: Three Thousand Years of Chinese Poetry, eds. Wu-chi Liu and Irving Yucheng Lo (1975), p. 477; also in The Luminous Landscape: Chinese Art and Poetry, ed. Richard Lewis (1981), p. 57.

Mountain , Night

“My first informed impression, and what I would like to achieve, I can perhaps only realize when I am impelled as in a vision. One of my figures, perhaps one from the Temptation, sang his strange song to me one night –.. We are playing hide-and-seek, we are playing hide-and-seek across a thousand seas, we gods.... when the skies are red in the middle of the night, when the skies are red at night. You cannot see us, you cannot see us but you are ourselves.... that is what makes us laugh so gaily... Stars are our eyes and nebulae our beards.... we have people's souls for our hearts. We hide ourselves and you cannot see us, which is just what we want.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), p. 19

God , People , Soul , Star

“How often do you come out of a film these days humming a song? Earlier I thought that my age had something to do with it. But then I spoke with some youngsters and they seemed to agree in retrospect.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Age

“Clara:
The loving heart delighteth in old songs;
They say so many things we wish to say,
And wake our sympathies, and make us feel
Less strange ourselves. Others have loved as well,
And left these tender relics of their love.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Translations, From the German

Love , Feeling , Heart

“Hearing has its own memory. It registers the dog whose sudden barking startled me as a child. The folk songs my nanny used to sing. The dadaism of a cabaret song from Berlin: ‘I tear out one of my eyelashes and stab you dead with it,’ innocently sung by my mother. Hitler conjuring up the Almighty. The crowing voice of little Goebbels. Alarm sirens, the roar of aircraft, the blast of bombs. Ljuba Welitsch being Salome. The sonorities of Edwin Fischer’s piano playing. María Casares as Lady Macbeth in Avignon. Ralph Kirkpatrick’s two Scarlatti recitals. Gré Brouwenstijn as Leonore in Fidelio. The epiphany of Ligeti’s Aventures et Nouvelles Aventures. The magic application of noise in Peter Brook’s A Midsummer Night’s Dream. All sorts of laughter.”

Alfred Brendel (1931) Austrian pianist, poet, and author

quoted in Alan Rusbridger, "Music, Sense and Nonsense by Alfred Brendel review – a great pianist’s thoughts on his art", The Guardian, 24 September 2015

Dogs , Dreams , Tear , Laughter

“If ever there was a theme song for the business end of the industry, it's: "We can't do that; we didn't do that yesterday."”

Frank Miller (1957) American writer, artist, film director

On the comics industry. p. 111
Eisner/Miller (2005)

Business

“This is the place of my song-dream, the place the music played to me,' whispered the Rat, as if in a trance. 'Here, in this holy place, here if anywhere, surely we shall find Him!'
Then suddenly the Mole felt a great Awe fall upon him, an awe that turned his muscles to water, bowed his head, and rooted his feet to the ground. It was no panic terror — indeed he felt wonderfully at peace and happy — but it was an awe that smote and held him and, without seeing, he knew it could only mean that some august Presence was very, very near. With difficulty he turned to look for his friend and saw him at his side cowed, stricken, and trembling violently. And still there was utter silence in the populous bird-haunted branches around them; and still the light grew and grew.”

Kenneth Grahame book The Wind in the Willows

Source: The Wind in the Willows (1908), Ch. 7

Peace , Dreams , Music , Bird

“I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.”

Joanna Newsom (1982) American musician

dustedmagazine.com, 19 April 2004

“I can sing about songs with gunshots in the background because I heard them. It's almost like my music has been a way to smoke out the hatred that's been bubbling underneath what's going on in Sri Lanka. If there's 300,000 people who are trapped and they're dying, it should be talked about, it should be brought to the table, and I don't see anything wrong in sticking up for 300,000 dying people.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Video Interview http://www.time.com/time/specials/packages/article/0,28804,1894410_1894780_1894784,00.html to TIME (2009)
Sourced quotes

People , Music , Way , Singing

“Other arms reach out to me
Other eyes smile tenderly
Still in peaceful dreams I see
The road leads back to you.
Georgia, oh Georgia, no peace I find…
Just an old sweet song
Keeps Georgia on my mind.”

Ray Charles (1930–2004) American musician

Though renditions by Ray Charles are among the most popular and famous, the lyrics of "Georgia On My Mind" (1930) were written by Stuart Gorrell and the music by Hoagy Carmichael.
Misattributed

Peace , Smile , Dreams

“My guitar is like my best friend. My guitar can get me through anything. If I can sit down and write an amazing song with my guitar about what's going on in life, then that's the greatest therapy for me.”

Miley Cyrus (1992) American actor and singer-songwriter

Mirror.co.uk http://www.mirror.co.uk/celebs/2008/05/05/miley-cyrus-i-like-to-be-the-girl-no-guy-can-get-89520-20406057/ (May 5, 2008)

Life

“She leant upon her harp, and thousands looked
On her in love and wonder—thousands knelt
And worshipp'd in her presence—burning tears,
And words that died in utterance, and a pause
Of breathless, agitated eagerness,
First gave the full heart's homage: then came forth
A shout that rose to heaven; and the hills,
The distant valleys, all rang with the name
Of the Æolian Sappho—every heart
Found in itself some echo to her song.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Sappho from The London Literary Gazette (4th May 1822) Poetic Sketches. 2nd Series - Sketch the First
The Vow of the Peacock (1835)

Love , Tear , Distant , Heart

“Dear beautiful one, I praise the stars for the song's end. Farewell!”

Olaf Stapledon (1886–1950) British novelist and philosopher

Other texts
Source: Far Future Calling http://web.archive.org/web/20090721194935/http://olafstapledonarchive.webs.com/farfuturecalling.html

Beauty , Star

“I remember an old proverb. It says that youth thinks itself wise just as drunk men think themselves sober. Youth is not wise! Youth knows nothing about life! Youth knows nothing about anything except for massive cliches which for the most part through the media of pop songs are just foisted on them by middle-age entrepreneurs and exploiters who should know better. When we start thinking that pop music is close to God, then we'll think pop music is aesthetically better than it is. And it's only the aesthetic value of pop music that we're really concerned. I mean the only way we can judge Wagner or Beethoven or any other composer is aesthetically. We don't regard Wagner or Beethoven nor Shakespeare or Milton as great teachers. When we start claiming for Lennon or McCartney or Maharishi or any other of these pop prophets the ability to transport us to a region where God becomes manifest then I see red. We're satisfied with our little long playing record, ten pop numbers or thereabouts a side. This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told: "You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it." When you're told these things you sit down with a sigh of relief: "Thank God I don't have to learn, I don't have to travel, I don't have to exert myself in the slightest. I am what I am. Youth is youth. Pop is pop. There's no need to progress. There's no need to do anything. Let us sit down, smoke our marijuana (an admirable thing in itself but not the end of anything), let us listen to our records and life has become a single moment. And the single moment is eternity. We're with God. Finis!”

Anthony Burgess (1917–1993) English writer

Pop Music

Life , Men , God , Youth

“I want to turn the whole thing upside down.
I’ll find the things they say just can’t be found.
I’ll share this love I find with everyone.
We’ll sing and dance to mother nature’s songs.
I don’t want this feeling to go away.”

Jack Johnson (musician) (1975) American musician

Upside Down.
Song lyrics, Sing-A-Longs and Lullabies for the Film Curious George (2006)

Love , Feeling , Nature , Singing

“You spend months and months listening to the music, absorbing, practicing, working with real musicians who worked with them and getting as much of that as you can. And then the day you start shooting, you have to throw it all away. Because, they had no self-consciousness. They were natural performers and at that time, it wasn't about how you could synthesize a voice and make it appealing, it was about the natural little hiccups and the way you related a story or wrote the soul in the words you wrote. And 90% of your popularity was your performance and your interpretation of your own song. So, once we learned it all you just have to just kind of hope it all sunk in somewhere and just let it all go, cause they just had incredible confidence.”

Reese Witherspoon (1976) American film actress and producer

On making Walk the Line
IGN Interview with Reese Witherspoon http://movies.ign.com/articles/666/666865p1.html (November 15, 2005).

Hope , Music , Way , Soul

“The shade fell darker from the clustering vine,
Whose green boughs twined the lattice like a wreath;
The lark had ceased the musical glad laugh
With which he hails the morning; note by note
The matin song had died upon the wind;
The dew which hung upon the cypresses
Had turned to sunshine on the waving leaves;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(14th February 1829) Lines on Newton’s Picture of the Disconsolate
The London Literary Gazette, 1829

Music

“Songs of liberation echo from the dust.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Light Grenades (2006)

“Dicko: Can I say that you look absolutely fabulous tonight? I thought that was going to be a great song for you, but I can still hear you thinking. You're worth a lot more than you realise, you have to learn to feel more. I think that your greatest barrier is yourself…”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 4

Feeling , Thinking , Learning

“On a long, lonesome highway east of Omaha
You can listen to the engine moanin' out its one-note song.
You can think about the woman or the girl you knew the night before.
But your thoughts will soon be wandering the way they always do,
When you're ridin' sixteen hours and there's nothin' much to do.
And you don't feel much like ridin', you just wish the trip was through.”

Bob Seger (1945) American singer-songwriter

Turn the Page.
Song lyrics, Back in '72 (1973)

Way , Feeling , Girl , Thinking

“May these songs year after year be sweeter to sing among men.”

Apollonius of Rhodes book Argonautica

Source: Argonautica (3rd century BC), Book IV. Homeward Bound, Lines 1773–1775 (tr. R. C. Seaton)

Men , Singing

“You sang far better than you knew; the songs
That for your listeners’ hungry hearts sufficed
Still live,—but more than this to you belongs:
You sang a race from wood and stone to Christ.”

James Weldon Johnson (1871–1938) writer and activist

O Black and Unknown Bards, st. 6.
Fifty Years and Other Poems (1917)

Heart , Christ

“I think I am easy to make fun of. I try not to pay too much attention. You can't let critics dictate what you do… The thing that fascinates me, is the emotion in music, the way it can make me cry or laugh or be angry. I'm not trying to be hip or cool, and I'm not scared to put everything I have into songs. Passion is the greatest thing that music can evoke. We live in a society where I think people often find it hard to express themselves, but sometimes a song can do that for you. It might not be groundbreaking, but there is something about the simplicity of presenting songs where it's all about the lyric and the melody. People don't need to get through a whole lot of production to get to the root of the song. It's just music doing what music does best… A lot of things in the mainstream are repetitive and soulless and have been churned out without any real conviction. It is really unfair to call Coldplay insufferable, when they obviously care about what they do. James [Blunt] too. Too much of the music industry is controlled by lawyers and businessmen, making music like it's a product on the factory line. That's what I call insufferable.”

Katie Melua (1984) British singer-songwriter

[Neil McCormick, Who is right? Critics or the public?, http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/09/29/bmneil29.xml, The Telegraph, 2005-09-29]

People , Music , Way , Thinking

“I stopped my song and almost heart,
For any eye is an evil eye
That looks in onto a mood apart.”

Robert Frost (1874–1963) American poet

" A Mood Apart http://www.cod.edu/dept/kiesback/lizkies/frost.htm#mood" (1947)
1940s

Mood , Evil , Heart

“To me, song writing is so therapeutic, it's just part of my life and I can't go through the day without having some kind of song idea pop into my head where I have to write Sharpie all over my arm trying to remember the song idea.”

Skye Sweetnam (1988) Canadian singer-songwriter

Life , Idea , Parting

“Is it (Sports Night) a comedy or a drama? That's generally not a question I try and answer for myself before I'm going to write something. The example I would use is, if you're driving in your car and you're listening to a rock 'n' roll station on the radio and a song comes on, and in the song you hear elements of jazz and folk and you hear strings in there … it's not necessary to answer the question, "Is this jazz, is this folk, or is this rock?"”

Aaron Sorkin (1961) American screenwriter, producer, playwright

before you decide to listen to it and like it or not.
Interview for Comedy Central.

Cars , Question , Sport , Night

“Mark: Yeah, I mean, I concur. The change in the hair, you really light up the screen Hayley, you just, it's beautiful what you're doing. Um, the choice of song. I would never in a million of years have thought of that song for you and you almost got away with it but the bravery and the choice. Congratulations Hayley. Good on you.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 12

Beauty , Light , Change

“I should've been a cowboy.
I should've learned to rope and ride.
Wearing my six-shooter, riding my pony on a cattle drive
Stealing the young girls' hearts
Just like Gene and Roy
Singing those campfire songs.
I should've been a cowboy.”

Toby Keith (1961) American country music singer and actor

Should've Been a Cowboy.
Song lyrics, Toby Keith (1993)

Girl , Learning , Singing , Heart

“A neurosurgeon once told me about operating on the brain of a young man with epilepsy. As is customary in this kind of operation, the patient was wide awake, under only local anesthesia, while the surgeon delicately explored his exposed cortex, making sure that the parts tentatively to be removed were not absolutely vital by stimulating them electrically and asking the patient what he experienced. Some stimulations provoked visual flashes or hand-raisings, others a sort of buzzing sensation, but one spot produced a delighted response from the patient: "It's 'Outta Get Me' by Guns N'Roses, my favorite heavy metal [sic] band!"I asked the neurosurgeon if he had asked the patient to sing or hum along with the music, since it would be fascinating to learn how "high fidelity" the provoked memory was. Would it be in exactly the same key and tempo as the record? Such a song (unlike "Silent Night") has one canonical version, so we could simply have superimposed a recording of the patient's humming with the standard record and compare the results. Unfortunately, even though a tape recorder had been running during the operation, the surgeon hadn't asked the patient to sing along. "Why not?" I asked, and he replied: "I hate rock music!"Later in the conversation the neurosurgeon happened to remark that he was going to have to operate again on the same young man, and I expressed the hope that he would just check to see if he could restimulate the rock music, and this time ask the fellow to sing along. "I can't do that," replied the neurosurgeon, "since I cut out that part." "It was part of the epileptic focus?"”

Daniel Dennett book Consciousness Explained

I asked, and he replied, "No, I already told you — I hate rock music."</p>
Source: Consciousness Explained (1991), p. 58-59

Hate , Hope , Music , Learning

“The song within your heart could never rise
Until love bade it spread its wings and soar.”

Joyce Kilmer (1886–1918) American poet, editor, literary critic, soldier

Main Street and Other Poems (1917), In Memory

Love , Heart

“Goodbye cold, goodbye rain,
Goodbye sorrow, and goodbye shame.I'm headed out west with my headphones on,
Boarded a flight with a song in the back of my soul
And no one knows
I just found out her ghost left town
The queen of California is stepping down, down.”

John Mayer (1977) guitarist and singer/songwriter

Queen of California
Song lyrics, Born and Raised (2012)

Soul

“I got one entire song from fortune cookies (Land of Sunshine). On another one, I took words from different Frank Sinatra songs and pasted them together. Another one, I was just driving around and there was a piece of paper on the ground, so I stole it.”

Mike Patton (1968) American singer

Guitar Magazine, September 1992.

Past

“The moments of perfect pleasure in Johnson's songs, and the beauty of those songs, remind one that it is not the simple presence of evil that is unbearable; what is unbearable is the impossibility of reconciling the facts of evil with the beauty of the world.”

Greil Marcus (1945) American historian

Marcus on Robert Johnson in Mystery Train: Images of America in Rock 'n' Roll Music (1975, fourth revision May, 1997) p. 31.

Pleasure , World , Beauty , Evil

“It is the best of all trades, to make songs, and the second best to sing them.”

Hilaire Belloc (1870–1953) writer

"On Song", On Everything (1909)

Singing

“I maintain that the best song is the one that ends up on the album. So whether I’ve written it or I haven’t, I’m very comfortable with both.”

Kylie Minogue (1968) Australian singer, recording artist, songwriter and actress

Interview, Clashmusic.com Mon, 05/07/2010 http://www.clashmusic.com/feature/destinys-child-kylie-minogue-interview

“By nature of me being the one singing it and writing it there is always an innate bit of autobiography there … but I think I learned years ago that you don't get songs that have that long stride and that pivot-hinge ability if it's too much diary entry.”

Leslie Feist (1976) Canadian musician

As quoted in "Just Feist. Just Wait." by Jon Pareles in The New York Times (15 April 2007) http://www.nytimes.com/2007/04/15/arts/music/15pare.html?_r=1&oref=slogin&pagewanted=all

Nature , Thinking , Learning , Singing

“A clouded dream on an earthly night
Hangs upon the crescent moon
A voiceless song in an ageless light
Sings at the coming dawn
Birds in flight are calling there
Where the heart moves the stones
It's there that my heart is calling
All for the love of you”

Loreena McKennitt (1957) Canadian musician and composer

The Mask and Mirror (1994), The Mystic's Dream

Love , Dreams , Bird , Light

“Let us, using our double vision,
travel two worlds in one and form
a single double song
that splashes out in ripples
of thought and blood
that eddy, wrinkle and wake
through the double skies
of our single universe, and break
into rainbow vowels that sing
soft lullabies,
and fall as light
in both our worlds.</br /”

Jane Roberts (1929–1984) American Writer

Source: Dialogues of the Soul and Mortal Self in Time (1975), p. 76

World , Travel , Light , Universe

“It came upon the midnight clear,
That glorious song of old,
From Angels bending near the earth
To touch their harps of gold;
"Peace on the earth, good will to man
From Heaven’s all gracious King."
The world in solemn stillness lay
To hear the angels sing.”

Edmund Sears (1810–1876) American minister

The Angels' Song ("It Came Upon A Midnight Clear", 1849).

World , Peace , Angels , Singing

“The blackbirds are in this book, they're both pro the kids and against the kids. Just like fate. Sometimes it goes your way. Sometimes… and also a blackbird is from my passion for Schubert songs and his blackbirds and his birds of doom or birds of good. … some people were baffled that in the last big picture of that book, there's a crucifix on the wall of the children's house. Everybody assumes the hero and heroine are Jewish and the mother is Jewish. They're not. They're not. — That was my point. Those kids were in the wrong place at the wrong time. And all children were in the Holocaust. Everybody was in the Holocaust. So, I made sure my hero and heroine were not Jewish children. That was too easy. That was too easy.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

NOW interview (2004)

Fate , Children , People , Books

“Friends I have had both old and young,
And ale we drank and songs we sung:
Enough you know when this is said,
That, one and all, they died in bed.
In bed they died and I’ll not go
Where all my friends have perished so.”

Charles Henry Webb (1834–1905) American poet

Dum vivimus vigilamus, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Folk music is not so much a body of art as it is a process, an attitude, and a way of life; its distinguishing features lie not within the songs themselves, but in the relations of those songs to a folk culture.”

Sam Hinton (1917–2009) folk singer, artist, marine biologist

"The Singer of Folk Songs and His Conscience"

Life , Lie , Art , Music

“If books were sold as software and online recordings are, they would have this legalese up front:
The content of this book is distributed on an 'as is' basis, without warranty as to accuracy of content, quality of writing, punctuation, usefulness of the ideas presented, merchantability, correctness or readability of formulae, charts, and figures, or correspondence of (a) the table of contents with the actual contents, (2) page references in the index (if any) with the actual page numbering (if present), and (iii) any illustration with its adjacent caption. Illustrations may have been printed reversed or inverted, the publisher accepts no responsibility for orientation or chirality. Any resemblance of the author or his or her likeness or name to any person, living or dead, or their heirs or assigns, is coincidental; all references to people, places, or events have been or should have been fictionalized and may or may not have any factual basis, even if reported as factual. Similarities to existing works of art, literature, song, or television or movie scripts is pure happenstance. References have been chosen at random from our own catalog. Neither the author(s) nor the publisher shall have any liability whatever to any person, corporation, animal whether feral or domesticated, or other corporeal or incorporeal entity with respect to any loss, damage, misunderstanding, or death from choking with laughter or apoplexy at or due to, respectively, the contents; that is caused or is alleged to be caused by any party, whether directly or indirectly due to the information or lack of information that may or may not be found in this alleged work. No representation is made as to the correctness of the ISBN or date of publication as our typist isn't good with numbers and errors of spelling and usage are attributable solely to bugs in the spelling and grammar checker in Microsoft Word. If sold without a cover, this book will be thinner than those sold with a cover. You do not own this book, but have acquired only a revocable non-exclusive license to read the material contained herein. You may not read it aloud to any third party. This disclaimer is a copyrighted work of Jef Raskin, first published in 2004, and is distributed 'as is', without warranty as to quality of humor, incisiveness of commentary, sharpness of taunt, or aptness of jibe.”

Jef Raskin (1943–2005) American computer scientist

"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004)
If Books Were Sold as Software (2004)

Death , People , Books , Art