Quotes about song
page 14

Nathan Leone photo
Wallace Stevens photo

“This is old song
That will not declare itself…”

"Metaphors of a Magnifico"
Harmonium (1923)

Patrick Nielsen Hayden photo
Klayton photo
Hayley Jensen photo
M.I.A. photo
Alanis Morissette photo
Gil Vicente photo

“The rose looks out in the valley,
And thither will I go,
To the rosy vale, where the nightingale
Sings his song of woe.”

Gil Vicente (1456–1536) Portuguese writer

En la huerta nasce la rosa:
quiérome ir allá
por mirar al ruiseñor cómo cantavá.
En la huerta nace la rosa — "The Nightingale", as translated by John Bowring in Ancient Poetry and Romances of Spain (1824), p. 316

Robert Crumb photo
Arshile Gorky photo
Aldous Huxley photo
Mao Zedong photo

“The country is so beautiful, where so many heroes had devoted their lives into it. Sorry that the Qin Emperor or the Han Wu Emperor lacks a sense for literacy; while the founders of the Tang and Song dynasties came short in style. The great man, Genghis Khan, only knew how to shoot eagles with an arrow. The past is past. To see real heroes, look around you.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

Qinyuanchun ["Snow"] (沁园春•雪) (1936; first published in late 1945). Variant translation of the last stanza: "All are past and gone! / For truly great men / Look to this age alone."

“It's justice that He's bringing.
It's hidden inside a song.
No one's stuck in the middle…
the battle is already won.”

Ysabella Brave (1979) American singer

"Beautiful" (08 June 2009) http://www.youtube.com/watch?v=kS-F2ZYGty8

John Gray photo
Letitia Elizabeth Landon photo
Roger Manganelli photo
Sara Bareilles photo

“I've got my little black dress on
And if I tell myself that nothing's wrong
This doesn't have to be a sad song
Not with my little black dress on.”

Sara Bareilles (1979) American pop rock singer-songwriter and pianist

"Little Black Dress"
Lyrics, The Blessed Unrest (2013)

Van Morrison photo
Roger Manganelli photo
Bert McCracken photo
Han-shan photo

“Worry for others— it does no good in the end.
The great Dao, all amid joy, is reborn.
In a joyous state, ruler and subject accord,
In a joyous home, father and son get along.
If brothers increase their joy, the world will flourish.
If husband and wife have joy, it's worthy of song.
What guest and host can bear a lack of joy?
Both high and low, in joy, lose their woe before long.
Ha ha ha.”

Han-shan Chinese monk and poet

Translated by Mary Jacob[citation needed]
It is unlikely that this poem, translated by Mary Jacob, is authored by Han-shan. In comparing it with every poem in the corpus it will be found that there is not a close match. Moreover, neither the language nor the content of this poem is that of Han-shan. Most importantly, this poem does not have the appropriate number of lines for a Han-shan poem. Jacob's poem has 9 lines; there is not a single example of a 9 line poem in all of Han-shan's poetry. All of Han-shan's poems are 4, 8, 10 or 14 lines, with a few that have more than 14. Further, Jacob's poem has an odd number of lines; there is not a single example of a poem with an odd number of lines in all of Han-shan's poetry. Finally, the 9th and final line in Jacob's poem has the words “ha ha ha.” Not a single Han-shan poem has those words as a final line. Perhaps someone is having a joke?
Disputed

Joanna Newsom photo
Germaine Greer photo

“The compelled mother loves her child as the caged bird sings. The song does not justify the cage nor the love the enforcement.”

Germaine Greer (1939) Australian feminist author

Article "Abortion", The Sunday Times, 21 May 1972

Chris Cornell photo
Grandmaster Flash photo
Fred Weatherly photo

“M R Turner & A Miall, The Edwardian Song Book (Methuen, 1982)”

Fred Weatherly (1848–1929) English lawyer, author, lyricist and broadcaster

References

Van Morrison photo
John Derbyshire photo
Carole King photo
Sarojini Naidu photo
Harry Chapin photo
Bill Engvall photo
Eddie Vedder photo
Chris Martin photo

“There's no reason not to stand for this song, come on, if you stand we'll buy you all ice cream”

Chris Martin (1977) musician, co-founder of Coldplay

Chris Martin, Live 2003.

Van Morrison photo
Robert Hunter photo
Johannes Tinctoris photo

“Music is made up of a large number of individual sounds, and is either a single melody or a part-song.”

Johannes Tinctoris (1435–1511) Flemish composer

Dictionary of Musical Terms (1475)

Halldór Laxness photo
Roger Manganelli photo
Ben Gibbard photo
Jean Toomer photo
Neil Young photo

“I guess I'll call it sickness gone,
It's hard to say the meaning of this song.”

Neil Young (1945) Canadian singer-songwriter

Ambulance Blues, referring to the drug related death of bandmate Danny Whitten
Song lyrics, On the Beach (1974)

W. C. Handy photo

“If my serenade of song and story should serve as a pillow for some composer's head, as yet perhaps unborn, to dream and build on our fond melodies in his tomorrow, I have not labored in vain.”

W. C. Handy (1873–1958) American blues composer and musician

Profiles In Black http://www.theblackmarket.com/ProfilesInBlack/WCHandy.htm

David Spade photo
Joe Satriani photo

“When you hear an instrumental song someone is singing over, you know right away it's wrong.”

Joe Satriani (1956) American guitar player

As quoted in BAM Magazine (6 April 1990).

Joanna Newsom photo
Donald J. Trump photo
Roger Ebert photo
A. R. Rahman photo
Andrew Sega photo

“A song is not just a collection of melodic riffs, it is an emotional statement.”

Andrew Sega (1975) musician from America

"Melodic Structure", Necros, TraxWeekly #15, 1995 http://www.novusmusic.org/traxweek.html

Taliesin photo
Elton John photo
Robert Frost photo
William Styron photo
Vin Scully photo
Derren Brown photo
Bono photo

“The songs are in your eyes.
I see them when you smile.”

Bono (1960) Irish rock musician, singer of U2

Lyrics, How to Dismantle an Atomic Bomb (2004)

Billy Joel photo
Bradley Joseph photo

“My songs bring images to the listener's mind. The object is to transport my listeners to another place, some place sacred and spiritual that will make them glad they took the ride.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Official Bio http://www.bradleyjoseph.com/About_Bradley.asp and Reflections Bio http://www.serve.com/gregl7/bradley.htm

Annie Proulx photo
James Macpherson photo
Neil Diamond photo
Elton John photo
Hoyt Axton photo
Letitia Elizabeth Landon photo
Tom Lehrer photo

“You know, of all the songs I have ever sung, that is the one I've had the most requests not to.”

Tom Lehrer (1928) American singer-songwriter and mathematician

Afterword to "I Hold Your Hand In Mine"
Songs by Tom Lehrer (1953)

Edmund Clarence Stedman photo
Helen Keller photo
Sueton photo

“However, he had a particular bent for mythology and carried his researches in it to such a ridiculous point that he would test professors of Greek literature – whose society, as I have already mentioned, he cultivated above all others – by asking them questions like: "Who was Hecuba's mother?" – "What name did Achilles assume when he was among the girls?" – "What song did the Sirens sing?"”
Maxime tamen curavit notitiam historiae fabularis usque ad ineptias atque derisum; nam et grammaticos, quod genus hominum praecipue, ut diximus, appetebat, eius modi fere quaestionibus experiebatur: "Quae mater Hecubae, quod Achilli nomen inter virgines fuisset, quid Sirenes cantare sint solitae."

Cf. Thomas Browne, Urn Burial, Ch. V
Source: The Twelve Caesars, Tiberius, Ch. 70

Woody Guthrie photo
Daniel Levitin photo
Alcaeus of Mytilene photo
Sophie B. Hawkins photo
Karel Appel photo

“Now we'll start the song of the wild man who lives on the mountain top, who does not want to be seen
let us now start that song without words, without music, come on..
(let's not do anything for at least ten minutes)
That's the spirit, there he comes, the song of the inner voice, the song of the primitive man”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

a poem of Karel Appel, 1981; from Karel Appel. The Colourful Stranger. Poems and Drawings (Karel Appel. De kleurige onbekende. Gedichten en tekeningen), Amsterdam, 1986

Stevie Nicks photo
Percy Bysshe Shelley photo
James Beattie photo
Gloria Estefan photo
Maria Bamford photo

“The little red lark, like a rosy spark
Of song, to his sun-burst flies;
But till you are risen, earth is a prison,
Full of my captive sighs.”

Alfred Perceval Graves (1846–1931) Anglo-Irish poet, songwriter, and school inspector

Song, "The Little Red Lark".

Cory Doctorow photo
Henry Rollins photo
Christina Rossetti photo
Hayley Williams photo
Stephen R. Donaldson photo

“Despair and bitterness are not the only songs in the world”

Stephen R. Donaldson (1947) Novelist

Lord Mhoram, The Power That Preserves

Walter Savage Landor photo

“The Siren waits thee, singing song for song.”

Walter Savage Landor (1775–1864) British writer

To Robert Browning (1846).

Isaac Leib Peretz photo

“The song that from the heart would spring
Is dead for want of echoing.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

In Alien Lands, translated by Leah W. Leonard.

Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

William Blake photo
Hayley Jensen photo
Daniel Levitin photo
Gloria Estefan photo