Quotes about something
page 44

Maynard James Keenan photo
Mark Satin photo
Christopher Hitchens photo
Joseph Conrad photo
Paul Gabriël photo

“Although I can look a bit grumpy myself, I love it when the sun shines in the water, but besides that I think my country is colored and what I particularly noticed when I came from abroad: our country is colored sappy fat, that's why our beautiful- colored and built cattle, their flesh, milk and butter, nowhere you can find this, but they [the cows] are also fed by that sappy, greasy and colored land - I have often heard strangers say, those Dutch painters all paint gray and their land is green.... the more I observe the more colored and transparent nature becomes and then the air seen altogether, something very different and yet so [strong] in harmony, it is delightful when one has learned to see, because that too must be learned, I repeat, our country is not gray, even not in gray weather, the dunes aren't gray either.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Alhoewel ik er zelf wat knorrig uit kan zien houd ik er veel van dat het zonnetje in het water schijnt, maar buiten dat ik vind mijn land gekleurd en wat mij bijzonder opviel wanneer ik uit den vreemde kwam: ons land is gekleurd sappig vet, vandaar onze schoone gekleurde en gebouwde runderen, hun vleesch melk en boter, nergens vind men dat zoo maar ze worden ook door dat sappige vette en gekleurde land gevoed - ik heb vreemdelingen dikwijls horen zeggen, die Hollandsche schilders schilderen allemaal grijs en hun land is groen.. ..hoe meer ik opserveer hoe gekleurder en transparanter de natuur word en dan de lucht erbij gezien een heel ander iets en toch zoo in harmonie, het is verrukkelijk wanneer men heeft leeren zien, want ook dat moet geleerd worden, ik herhaal het ons land is niet grijs, zelfs niet bij grijs weer, de duinen zijn ook niet grijs.
written note of Paul Gabriël, 1901; as cited in De Haagse School. Hollandse meesters van de 19de eeuw, ed. R. de Leeuw, J. Sillevis en C. Dumas); exhibition. cat. - Parijs, Grand Palais / Londen, Royal Academy of Arts / Den Haag, Haags Gemeentemuseum, Parijs, Londen, Den Haag 1983, p.183 - 23
after 1900

Andrew S. Tanenbaum photo

“But in all honesty, I would suggest that people who want a modern "free" OS look around for a microkernel-based, portable OS, like maybe GNU or something like that.”

Andrew S. Tanenbaum (1944) Dutch computer scientist

In a Usenet message, 29 Jan 1992.
The "Linux is Obsolete" Debate

Werner Herzog photo
Glenn Beck photo

“When it comes to the FCC, the Bush administration helped lay the foundation. But now, that foundation is being turned on. And I fear an event. I fear a Reichstag moment. God forbid, another 9/11. Something that will turn this machine on, and power will be seized and voices will be silenced. God help us all.”

Glenn Beck (1964) U.S. talk radio and television host

Glenn Beck Exclusive: Warns of 'Reichstag Event'
2009-09-29
Newsmax
http://www.newsmax.com/InsideCover/beck-obama-reichstag-fox/2009/12/12/id/341897
'We Are Fighting People Who Want Power Over Us'
2009-09-29
Newsmax
1546-5497
http://w3.newsmax.com/a/oct09/beck/interview.cfm
2000s, 2009

Charles Stross photo
Henri Poincaré photo

“As we can not give a general definition of energy, the principle of the conservation of energy signifies simply that there is something which remains constant.”

Comme nous ne pouvons pas donner de l'énergie une définition générale, le principe de la conservation de l'énergie signifie simplement qu'il y a quelque chose qui demeure constant.
Source: The Value of Science (1905), Ch. 10: Is Science artificial?

John Stuart Mill photo

“I well knew that to propose something which would be called extreme, was the true way not to impede but to facilitate a more moderate experiment.”

Source: Autobiography (1873), Ch. 7: General View of the Remainder of My Life (p. 206)

Amir Taheri photo
Richard Rorty photo
Nicholas Rescher photo
Ash Carter photo

“We need to change because the world is changing, and we need to anticipate what is next and be there first, as the US military has always been. So, the changes in our future, I think is something that we are all completely committed to.”

Ash Carter (1954) United States Secretary of Defense

archive.defensenews.com interview http://archive.defensenews.com/article/20131119/DEFREG02/311190032/Interview-Ashton-Carter-US-Deputy-Defense-Secretary

Tad Williams photo

“I’m your apprentice!” Simon protested. “When are you going to teach me something?”
“Idiot boy! What do you think I’m doing? I’m trying to teach you to read and to write. That’s the most important thing. What do you want to learn?”
“Magic!” Simon said immediately. Morgenes stared at him.
“And what about reading…?” the doctor asked ominously.
Simon was cross. As usual, people seemed determined to balk him at every turn. “I don’t know,” he said. What’s so important about reading and letters, anyway? Books are just stories about things. Why should I want to read books?”
Morgenes grinned, an old stoat finding a hole in the henyard fence. “Ah, boy, how can I be mad at you…what a wonderful, charming, perfectly stupid thing to say!” The doctor chuckled appreciatively, deep in his throat.
“What do you mean?” Simon’s eyebrows moved together as he frowned. “Why is it wonderful and stupid?”
“Wonderful because I have such a wonderful answer,” Morgenes laughed. Stupid because…because young people are made stupid, I suppose—as tortoises are made with shells, and wasps with stings—it is their protection against life’s unkindnesses.”
“Begging your pardon?” Simon was totally flummoxed now.
“Books,” Morgenes said grandly, leaning back on his precarious stool, “—books are magic. That is the simple answer. And books are traps as well.”
“Magic? Traps?”
“Books are a form of magic—” the doctor lifted the volume he had just laid on the stack, “—because they span time and distance more surely than any spell or charm. What did so-and-so think about such-and-such two hundred years agone? Can you fly back through the ages and ask him? No—or at least, probably not.
But, ah! If he wrote down his thoughts, if somewhere there exists a scroll, or a book of his logical discourses…he speaks to you! Across centuries! And if you wish to visit far Nascadu or lost Khandia, you have also but to open a book….”
“Yes, yes, I suppose I understand all that.” Simon did not try to hide his disappointment. This was not what he had meant by the word “magic.” “What about traps, then? Why ‘traps’?”

Tad Williams (1957) novelist

Morgenes leaned forward, waggling the leather-bound volume under Simon’s nose. “A piece of writing is a trap,” he said cheerily, “and the best kind. A book, you see, is the only kind of trap that keeps its captive—which is knowledge—alive forever. The more books you have,” the doctor waved an all-encompassing hand about the room, “the more traps, then the better chance of capturing some particular, elusive, shining beast—one that might otherwise die unseen.”
Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 7, “The Conqueror Star” (pp. 92-93).

Beck photo
Gerard Bilders photo

“I always have the most sympathy for that painting of mine, which the other people appreciate the least. It gives me the impression of an outcast and it takes on a romantic-interesting quality. I therefore always put this work first and want to prove to everyone that he is wrong if he does not appreciate this above all my other works. It is certainly rather foolish, and I do not know, it comes from an 'esprit de contradiction' or just from pity. The bad end has something attractive, one has sympathy for it.”

Gerard Bilders (1838–1865) painter from the Netherlands

version in original Dutch / citaat van Bilders' brief, in het Nederlands: De meeste sympathie heb ik altijd voor dat schilderij van mij, wat de andere mensen het minst waardeert / bevalt. Dit geeft mij de indruk van een verstoteling en het neemt een romantisch-interessante hoedanigheid aan. Ik zet dit werk dan ook altijd voorop en wil iedereen bewijzen dat ie ongelijk heeft als hij deze niet boven al mijn andere werken waardeert. Dat is zeker nogal dwaas, en ik weet niet of het voortkomt uit 'esprit de contradiction' of uit medelijden. Het ongeluk heeft iets aantrekkelijks, men heeft er sympathie voor.
Source: 1860's, Vrolijk Versterven' (from Bilders' diary & letters), p. 40 - quote from Bilders' diary, 8 March 1860, written in Amsterdam

Anna Sui photo

“I love the whole story of why something happened when it did and that’s what I put into the collections.”

Anna Sui (1964) American fashion designer

New York Times Interview (November 11, 2010)

“To be honest, there's something a little weird about this.”

Paul DiLascia (1959–2008) American software developer

1995/4
About Code

Carole King photo

“Hey girl I want you to know
I'm gonna miss you so much if you go.
And hey girl I tell you no lie,
Something deep inside of me's going to die
If you say so long, if this is goodbye.”

Carole King (1942) Nasa

Hey Girl (1963), Co-written with Freddie Scott and Gerry Goffin, recorded by Freddie Scott and Donny Osmond
Song lyrics, Singles

Jake Shields photo
Letitia Elizabeth Landon photo
Tara Reid photo
Martin Sheen photo

“I learned I had to stand for something so I could stand to be me.”

Martin Sheen (1940) American actor

2000s, Progressive magazine interview (2003)

Ogden Nash photo
Jonathan Edwards photo
Isa Genzken photo
Russell L. Ackoff photo
Wilhelm Reich photo
Joseph Goebbels photo

“Old Christmas Songs. I feel something like a longing for a lost homeland.
We are giving gifts to each other. A beautiful, old New Testament from Hertha Holk is my greatest joy. I thank her for being my solace and my strength.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Alte Weihnachtslieder. Ich habe etwas wie Sehnsucht nach einem verlorenen Vaterland.
Wir beschenken uns. Ein schönes, altes Jesustestament von Hertha Holk ist meine größte Freude. Ich danke ihr, dass sie mein Trost und meine Stärke ist.
Michael: a German fate in diary notes (1926)

Fay Weldon photo
Mike Rosen photo
George Berkeley photo
Paul Cézanne photo
Mohammad Reza Pahlavi photo
Herbert Hoover photo

“[Engineering] is a great profession. There is the fascination of watching a figment of the imagination emerge through the aid of science to a plan on paper. Then it moves to realization in stone or metal or energy. Then it brings jobs and homes to men. Then it elevates the standards of living and adds to the comforts of life. That is the engineer’s high privilege.

The great liability of the engineer compared to men of other professions is that his works are out in the open where all can see them. His acts, step by step, are in hard substance. He cannot bury his mistakes in the grave like the doctors. He cannot argue them into thin air or blame the judge like the lawyers. He cannot, like the architects, cover his failures with trees and vines. He cannot, like the politicians, screen his shortcomings by blaming his opponents and hope that the people will forget. The engineer simply cannot deny that he did it. If his works do not work, he is damned. That is the phantasmagoria that haunts his nights and dogs his days. He comes from the job at the end of the day resolved to calculate it again. He wakes in the night in a cold sweat and puts something on paper that looks silly in the morning. All day he shivers at the thought of the bugs which will inevitably appear to jolt its smooth consummation.

On the other hand, unlike the doctor his is not a life among the weak. Unlike the soldier, destruction is not his purpose. Unlike the lawyer, quarrels are not his daily bread. To the engineer falls the job of clothing the bare bones of science with life, comfort, and hope. No doubt as years go by people forget which engineer did it, even if they ever knew. Or some politician puts his name on it. Or they credit it to some promoter who used other people’s money with which to finance it. But the engineer himself looks back at the unending stream of goodness which flows from his successes with satisfactions that few professions may know. And the verdict of his fellow professionals is all the accolades he wants.”

Herbert Hoover (1874–1964) 31st President of the United States of America

Excerpted from Chapter 11 "The Profession of Engineering"
The Memoirs of Herbert Hoover: Years of Adventure, 1874-1929 (1951)

Tim Shieff photo
Bertolt Brecht photo

“But something's missing (Aber etwas fehlt).”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

Jim[my] Mahoney, in Rise and Fall of the City of Mahagonny (1930)

Gloria Estefan photo
Jerzy Vetulani photo

“"Designer drugs" are a word bag, just like "drugs", by the way. But after the word "drugs" is the word: "illegal". And after the "designer drugs" there is something much worse: lack of knowledge.”

Jerzy Vetulani (1936–2017) Polish scientist

Vetulani, Jerzy (18 October 2010): Nawet czarownice wiedziały, co sprzedają https://dziennikpolski24.pl/nawet-czarownice-wiedzialy-co-sprzedaja/ar/2867902, interview. Dziennik Polski (in Polish).

Jacques Lacan photo

“Discontinuity, then, is the essential form in which the unconscious first appears to us as a phenomenon-discontinuity, in which something is manifested as a vacillation.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

The Freudian Unconscious and Ours
The Four Fundamental Concepts of Psycho Analysis (1978)

Neville Chamberlain photo
Fred Astaire photo

“He seemed to feel something like indulgent contempt for the rest of the world. It was all right, I suppose. Nobody had better reason. The man was a genius.”

Henry Kuttner (1915–1958) American author

Source: The Time Axis (1949), Ch. 2 : The Stain and the Stone

Thomas Jefferson photo
Philip Pullman photo
Maxime Bernier photo

“This title is unacceptably misleading, @CTVNews. I did not criticize “diversity” but rather “more diversity,” and “ever more diversity” as Trudeau is proposing with his radical multiculturalism. Canada has always been a diverse country and this is part of who we are. I love this Canada. But there is a difference between recognizing diversity and pushing for ever more of it. Something infinitely diverse has no core identity and ceases to exist.”

Maxime Bernier (1963) Canadian politician

7:10am 13 August 2018 https://twitter.com/MaximeBernier/status/1029007345005879296 reply to CTV News misquotation "Diversity will 'destroy' what makes Canada great" https://twitter.com/CTVNews/status/1029000159856914434 at 6:42am, leading CTV to re-issue the report under a different title by 9:40am https://www.ctvnews.ca/politics/tory-mp-bernier-criticized-for-saying-more-diversity-will-destroy-what-makes-canada-great-1.4050494
2018

Menachem Mendel Schneerson photo

“Moshiach is ready to come now, we all must only do something additional in the realm of goodness and kindness.”

Menachem Mendel Schneerson (1902–1994) Hasidic rabbi

In response to CNN reporter, Chabad.org http://www.chabad.org/therebbe/livingtorah/player_cdo/aid/490071/jewish/Acts-of-Goodness-and-Kindness.htm

Tim Cook photo

“Don’t just accept the world you inherit today. Don’t just accept the status quo. No big challenge has ever been solved, and no lasting improvement has ever been achieved, unless people dare to try something different. Dare to think different.”

Tim Cook (1960) American business executive

Entrepreneur: "From Oprah Winfrey to Tim Cook, Leaders Offer Gems of Wisdom to the Class of 2018" https://www.entrepreneur.com/slideshow/313917 (24 May 2018)

Alastair Reynolds photo
Skye Sweetnam photo
Simone Weil photo

“We are all—so to speak—intellectuals about something.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Intellectual in America”, p. 11
A Sad Heart at the Supermarket: Essays & Fables (1962)

Martin Luther King, Jr. photo

“And I say to you this morning in conclusion that I'm not going to put my ultimate faith in things. I'm not going to put my ultimate faith in gadgets and contrivances. As a young man with most of my life ahead of me, I decided early to give my life to something eternal and absolute. Not to these little gods that are here today and gone tomorrow, but to God who is the same yesterday, today, and forever. Not in the little gods that can be with us in a few moments of prosperity, but in the God who walks with us through the valley of the shadow of death, and causes us to fear no evil. That's the God. Not in the god that can give us a few Cadillac cars and Buick convertibles, as nice as they are, that are in style today and out of style three years from now, but the God who threw up the stars to bedeck the heavens like swinging lanterns of eternity. Not in the god that can throw up a few skyscraping buildings, but the God who threw up the gigantic mountains, kissing the sky, as if to bathe their peaks in the lofty blues. Not in the god that can give us a few televisions and radios, but the God who threw up that great cosmic light that gets up early in the morning in the eastern horizon, (who paints its technicolor across the blue—something that man could never make. I'm not going to put my ultimate faith in the little gods that can be destroyed in an atomic age, but the God who has been our help in ages past, and our hope for years to come, and our shelter in the time of storm, and our eternal home. That's the God that I'm putting my ultimate faith in.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Rediscovering Lost Values (1954)

Ani DiFranco photo
Clive Staples Lewis photo
Bernard Mandeville photo

“The worst of all the Multitude
Did something for the Common Good.”

"The Grumbling Hive", line 167, p. 9
The Fable of the Bees (1714)

Elizabeth Cady Stanton photo
Enoch Powell photo

“I was born a Tory, am a Tory and shall die a Tory. It is part of me…it is something I cannot alter.”

Enoch Powell (1912–1998) British politician

Speech in Saltaire, Yorkshire (25 February 1974), quoted in Simon Heffer, Like the Roman. The Life of Enoch Powell (Phoenix, 1999), p. 709
1970s

Nancy Bird Walton photo

“As a four-year-old, my mother told me I was climbing the fence, jumping off and calling myself an 'eppyplane' … I bought books on aeroplanes, I followed everything in the newspapers about aeroplanes. Amy Johnson flew to Australia in 1930 - why couldn't I do something like that?”

Nancy Bird Walton (1915–2009) Australian aviatrix

Nancy Bird Walton in an interview with George Negus on George Negus Tonight, 8 March 2004 http://www.cultureandrecreation.gov.au/articles/aviation/aviatrices/

Neal Boortz photo
Zoran Đinđić photo
Alfred P. Sloan photo

“There has to be this pioneer, the individual who has the courage, the ambition to overcome the obstacles that always develop when one tries to do something worth while, especially when it is new and different.”

Alfred P. Sloan (1875–1966) American businessman

Variant: There has to be this pioneer, the individual who has the courage, the ambition to overcome the obstacles that always develop when one tries to do something worth while, especially when it is new and different.
Source: Adventures of a White-Collar Man. 1941, p. 127

Russell Hoban photo
Joseph Beuys photo
Sarah Chang photo
Chris Murphy photo

“There is not something fundamentally different about the American DNA that causes us to have a level of gun violence that is 20 times that of other first-world nations…. It happens here because we choose to allow it to happen. We have a celebratory culture of guns, and the loosest firearms laws in the world.”

Chris Murphy (1973) American politician

"Meet the Senator Who Filibustered for 15 Hours on Gun Control" http://www.rollingstone.com/politics/news/meet-the-senator-who-filibustered-for-15-hours-on-gun-control-20160620, RollingStone.com, 20 June 2016.

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

Prem Rawat photo

“There is something so beautiful inside you that if you knew it, you would fall in love with it. It is irresistible. You can truly experience that.”

Prem Rawat (1957) controversial spiritual leader

Brisbane, Australia (March 17, 1982) as reported in Maharaj, Visions International (1998)
1980s

Henry Thomas Buckle photo
Nastassja Kinski photo
Michael Powell photo
Joseph Conrad photo
Subhash Kak photo
Harry Chapin photo

“And if a woman
She used a life line
As something more than
Some man's servant mother wife time
Well I wonder what would happen to this world.”

Harry Chapin (1942–1981) American musician

I Wonder What Would Happen to this World
Song lyrics, Living Room Suite (1978)
Variant: Oh, if a man tried
To take his time on earth
And prove before he died
What one man's life could be worth,
I wonder what would happen to this world.

Sri Aurobindo photo
Kate Bush photo

“I'm dying for you just to touch me,
And feel all the energy rushing right up-a-me.
L'amour looks something like you.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Robert Frost photo

“Summoning artists to participate
In the august occasions of the state
Seems something artists ought to celebrate.
Today is for my cause a day of days.”

Robert Frost (1874–1963) American poet

"For John F. Kennedy His Inauguration" (1960), the poem is also known as "Dedication". Frost had planned to read "For John F. Kennedy His Inauguration" at John F. Kennedy's imauguration, but the blinding light from the sun and snow prompted him to recite "The Gift Outright" from memory. Source: Tuten, Nancy Lewis; Zubizarreta, John (2001). The Robert Frost Encyclopedia. Greenwood Publishing Group, ISBN 9780313294648
General sources
Variant: Summoning artists to participate
In the august occasions of the state
Seems something artists ought to celebrate.

Marilyn Manson photo
Charlie Sheen photo

“I expose people to magic, I expose them to something they're never otherwise going to see in their boring normal lives.”

Charlie Sheen (1965) American film and television actor

On Good Morning America February 28, 2011

Megan Mullally photo
Robert Silverberg photo

“And in this, that philosophy begins in wonder [Plato, Theaetetus 155d], lies the, so to speak, non-bourgeois character of philosophy; for to feel astonishment and wonder is something non-bourgeois (if we can be allowed, for a moment, to use this all-too-easy terminology). For what does it mean to become bourgeois in the intellectual sense? More than anything else, it means that someone takes one's immediate surroundings (the world determined by the immediate purposes of life) so "tightly" and "densely," as if bearing an ultimate value, that the things of experience no longer become transparent. The greater, deeper, more real, and (at first) invisible world of essences is no longer even suspected to exist; the "wonder" is no longer there, it has no place to come from; the human being can no longer feel wonder. The commonplace mind, rendered deaf-mute, finds everything self-explanatory. But what really is self-explanatory? Is it self-explanatory, then, that we exist? Is it self-explanatory that there is such a thing as "seeing"? These are questions that someone who is locked into the daily world cannot ask; and that is so because such a person has not succeeded, as anyone whose senses (like a deaf person) are simply not functioning — has not managed even for once to forget the immediate needs of life, whereas the one who experiences wonder is one who, astounded by the deeper aspect of the world, cannot hear the immediate demands of life — if even for a moment, that moment when he gazes on the astounding vision of the world.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), The Philosophical Act, pp. 101–102

“A man´s study reflects himself as he wishes to be seen publicly, but his journal, if he is honest, reflects something else.”

John Brooks (writer) (1920–1993) American writer

Business Adventures: Twelve Classic Tales from the World of Wall Street

“To me, there are two different types of musicians. Those who are display oriented and those who are content oriented, Bill Evans being a prime example of the content orientation. I am not interested in the displayers—guys who want to be playing a lot of notes to try to impress you that they got a lot of things that they can lay in there. I'm more interested in somebody picking something that has some really great feeling and laying it in, in a really good time concept. Jimmy Rowles is a perfectly good example of that. His choice of notes may not be uncommon, but boy where he lays them down is so individual that I will go for that every time. The same thing applies with composers. When you're a young composer and you first have a chance—and this goes with everybody—you write your most complex works when you're a young man. And then, as you get a little bit older, you find that you can lot simpler things [sic] and still enjoy the devil out of what you're doing.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22It+seems+that+today,+particularly+with+younger+piano%22&source=bl&ots=vkOwylFb7q&sig=zPFSLx48xHOhugAAlpcRNKTxUlQ&hl=en&sa=X&ved=0ahUKEwjY_Zay4cbRAhWLKiYKHdVRC3gQ6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Harvey Mansfield photo

“Identity is as foreign to science as the good, and just as the good is reduced to something palpable, one’s own is raised to something vaguer but shareable.”

Harvey Mansfield (1932) Author, professor

How to Understand Politics: What the Humanities Can Say to Science (2007)

J. R. D. Tata photo
Albert Einstein photo

“It seems hard to sneak a look at God's cards. But that He plays dice and uses "telepathic" methods… is something that I cannot believe for a single moment.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Letter to Cornel Lanczos (21 March 1942), p. 68
Attributed in posthumous publications, Albert Einstein: The Human Side (1979)

Mr. Lawrence photo

“It’s a quality show and I think it came along at the right time, America wanted something stupid after the insanity of 9/11. The SpongeBob character is a naïve idiot but he also has a heart. He’s a dumb, well-meaning person, like Forrest Gump or Jerry Lewis.”

Mr. Lawrence (1969) American voice actor, comedian, writer, storyboard artist, animator and director

East Brunswick native voices SpongeBob Squarepants character http://www.mycentraljersey.com/story/entertainment/people/2015/11/15/east-brunswick-native-voices-spongebob-squarepants-character/75597924/ (November 15, 2015)

David Cameron photo

“One of the tasks that we clearly have is to rebuild trust in our political system. Yes, that's about cleaning up expenses, yes, that's about reforming parliament, and yes, it's about making sure people are in control and that the politicians are always their servants and never their masters.
But I believe it's also something else — it's about being honest about what government can achieve. Real change is not what government can do on its own, real change is when everyone pulls together, comes together, works together, when we all exercise our responsibilities to ourselves, our families, to our communities and to others. And I want to help try and build a more responsible society here in Britain, one where we don't just ask what are my entitlements but what are my responsibilities, one where we don't ask what am I just owed but more what can I give, and a guide for that society that those that can should and those who can't we will always help.
I want to make sure that my Government always looks after the elderly, the frail, the poorest in our country.
We must take everyone through us on some of the difficult decisions that we have ahead.
Above all it will be a Government that is built on some clear values, values of freedom, values of fairness and values of responsibility. I want us to build an economy that rewards work, I want us to build a society with stronger families and stronger communities and I want a political system that people can trust and look up to once again.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2010, First speech as UK Prime Minister (2010)

Maria Mitchell photo

“I know I shall be called heterodox, and that unseen lightning flashes and unheard thunderbolts will be playing around my head, when I say that women will never be profound students in any other department except music while they give four hours a day to the practice of music. I should by all means encourage every woman who is born with musical gifts to study music; but study it as a science and an art, and not as an accomplishment; and to every woman who is not musical, I should say, 'Don't study it at all;' you cannot afford four hours a day, out of some years of your life, just to be agreeable in company upon possible occasions. If for four hours a day you studied, year after year, the science of language, for instance, do you suppose you would not be a linguist? Do you put the mere pleasing of some social party, and the reception of a few compliments, against the mental development of four hours a day of study of something for which you were born? When I see that girls who are required by their parents to go through with the irksome practising really become respectable performers, I wonder what four hours a day at something which they loved, and for which God designed them, would do for them. I should think that to a real scientist in music there would be something mortifying in this rush of all women into music; as there would be to me if I saw every girl learning the constellations, and then thinking she was an astronomer!”

Maria Mitchell (1818–1889) American astronomer

Maria Mitchell: Life, Letters and Journals (illustrated) by Maria Mitchell, 1896, p. 189.