Quotes about shirt
page 3

Henry Ford photo
Tim McGraw photo
Phil Brown (footballer) photo

“There was pride in the shirt. There was sweat in the shirt. There was blood in the shirt.”

Phil Brown (footballer) (1959) English association football player and manager

1-Oct-2005, Radio Derby
A good washing powder was required after the game.

Fernando Sabino photo
Taylor Swift photo
William Westmoreland photo
Rick Warren photo
Janeane Garofalo photo

“There's always [on women's magazines] that great photo of the actress or model lifting up her shirt just to show you the bone structure and the six-pack of her own. It's almost like when horses are auctioned and they show you their teeth. 'Am I good enough?”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance (accessible through .WAV files available on the Internet)[citation needed]
Standup routines

John Heywood photo

“The loss of wealth is loss of dirt,
As sages in all times assert;
The happy man's without a shirt.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Be Merry Friends; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

E.M. Forster photo
Noel Fielding photo

“[When asked if he sees the future with people wearing shirts with his face on it]”

Noel Fielding (1973) British comedian and actor

I’d like that, yeah. Teenage girls with my face on their breasts. Is that what you want me to say? [...] I’d like it. Everyone would like it. I think everyone should be made to wear body-suits which are collages of my face.
HermAphroditeZine, Autumn 1999

Jeru the Damaja photo
Miley Cyrus photo

“I can mix and match a cute shirt with some skinny jeans under a leather jacket and it looks fun and unique.”

Miley Cyrus (1992) American actor and singer-songwriter

Reading Eagle http://www.readingeagle.com/article.aspx?id=118422 (December 20, 2008)

Marlon Brando photo
Ian McEwan photo

“I feel the need to be naked with you.
Take off my pants, my shirt, my socks and my shoes.
I need to be naked with you.”

Amber (1970) Dutch born German singer, songwriter, label owner and executive producer

"The Need to Be Naked", from Naked (2002).

Roger Ebert photo
David D. Levine photo
George Porter photo

“Science is, on the whole, an informal activity, a life of shirt sleeves and coffee served in beakers.”

George Porter (1920–2002) British chemist

Nobel Banquet Speech http://nobelprize.org/nobel_prizes/chemistry/laureates/1967/porter-speech.html in Stockholm, December 10, 1967.

Kris Kristofferson photo

“And the beer I had for breakfast wasn't bad
So I had one more for dessert
Then I fumbled through my closet for my clothes
And found my cleanest dirty shirt..”

Kris Kristofferson (1936) American country music singer, songwriter, musician, and film actor

Sunday Morning Comin' Down
Song lyrics, Kristofferson (1970)

Hugh Laurie photo
Yves Klein photo
Oliver Goldsmith photo

“Such dainties to them, their health it might hurt;
It's like sending them ruffles, when wanting a shirt.”

Oliver Goldsmith (1728–1774) Irish physician and writer

The Haunch of Venison (1776).

Bill Bryson photo
George William Curtis photo

“The country does want rest, we all want rest. Our very civilization wants it — and we mean that it shall have it. It shall have rest — repose — refreshment of soul and re-invigoration of faculty. And that rest shall be of life and not of death. It shall not be a poison that pacifies restlessness in death, nor shall it be any kind of anodyne or patting or propping or bolstering — as if a man with a cancer in his breast would be well if he only said he was so and wore a clean shirt and kept his shoes tied. We want the rest of a real Union, not of a name, not of a great transparent sham, which good old gentlemen must coddle and pat and dandle, and declare wheedlingly is the dearest Union that ever was, SO it is; and naughty, ugly old fanatics shan't frighten the pretty precious — no, they sha'n't. Are we babies or men? This is not the Union our fathers framed — and when slavery says that it will tolerate a Union on condition that freedom holds its tongue and consents that the Constitution means first slavery at all costs and then liberty, if you can get it, it speaks plainly and manfully, and says what it means. There are not wanting men enough to fall on their knees and cry: 'Certainly, certainly, stay on those terms. Don't go out of the Union — please don't go out; we'll promise to take great care in future that you have everything you want. Hold our tongues? Certainly. These people who talk about liberty are only a few fanatics — they are tolerably educated, but most of 'em are crazy; we don't speak to them in the street; we don't ask them to dinner; really, they are of no account, and if you'll really consent to stay in the Union, we'll see if we can't turn Plymouth Rock into a lump of dough'. I don't believe the Southern gentlemen want to be fed on dough. I believe they see quite as clearly as we do that this is not the sentiment of the North, because they can read the election returns as well as we. The thoughtful men among them see and feel that there is a hearty abhorrence of slavery among us, and a hearty desire to prevent its increase and expansion, and a constantly deepening conviction that the two systems of society are incompatible. When they want to know the sentiment of the North, they do not open their ears to speeches, they open their eyes, and go and look in the ballot-box, and they see there a constantly growing resolution that the Union of the United States shall no longer be a pretty name for the extension of slavery and the subversion of the Constitution. Both parties stand front to front. Each claims that the other is aggressive, that its rights have been outraged, and that the Constitution is on its side. Who shall decide? Shall it be the Supreme Court? But that is only a co-ordinate branch of the government. Its right to decide is not mutually acknowledged. There is no universally recognized official expounder of the meaning of the Constitution. Such an instrument, written or unwritten, always means in a crisis what the people choose. The people of the United States will always interpret the Constitution for themselves, because that is the nature of popular governments, and because they have learned that judges are sometimes appointed to do partisan service.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Jopie Huisman photo

“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

Isaac Rosenberg photo
John Fante photo
Nick Cave photo
Rhodri Morgan photo

“I also say to all of you listening in the Chamber and outside that I feel very proud to be slipping the captain’s armband onto my shirt sleeve again today. That is why, in all humility, I ask for your assistance as we seek to do our duty here. I say to this Assembly and to the people that I am not the boss – they, the people, are the boss.”

Rhodri Morgan (1939–2017) British politician

Record of Proceedings http://www.assemblywales.org/bus-home/bus-chamber/bus-chamber-third-assembly-rop.htm?act=dis&id=51748&ds=2007/5, National Assembly for Wales, 25 May 2007.
Speech after his re-election as First Minister in May 2007.

Jeff Foxworthy photo
Herbert Hoover photo

“Many years ago, I concluded that a few hair shirts were part of the mental wardrobe of every man. The president differs from other men in that he has a more extensive wardrobe.”

Herbert Hoover (1874–1964) 31st President of the United States of America

Quoted in the New York Times (17 October 1964)

“To treat a poor wretch with a bottle of Burgundy, and fill his snuff-box, is like giving a pair of laced ruffles to a man that has never a shirt on his back.”

Thomas Brown (1662–1704) English translator and writer of satire

Laconics, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Like sending them ruffles, when wanting a shirt", Sorbienne (1610–1670); also used in Oliver Goldsmith, The Haunch of Venison.
Source: Brown, Thomas, 1663-1704. Laconics, Or, New Maxims of State And Conversation: Relating to the Affairs And Manners of the Present Times : In Three Parts. London: Printed for Thomas Hodgson ..., 1701. https://hdl.handle.net/2027/mdp.39015013771368?urlappend=%3Bseq=117

Mickey Spillane photo
Richard K. Morgan photo
Jack White photo

“I'm not saying I came up with anything [laughs]. It's like people thinking we would be more real if we went onstage in jeans and T-shirts. How ignorant is that, to think that because they don't wear a suit onstage that someone is giving you the real deal? People do come and see us and think, "Look at all these gimmicks."”

Jack White (1975) American musician and record producer

Go ahead, man. Go ahead and think that.
From the article White on White from Rolling Stone Magazine
In response to a question about his relationship with Meg being false
On 'gimmicks

Oswald Mosley photo

“We have lost the good old British spirit. Instead we have American journalism and black-shirted buffoons making a cheap imitation of ice-cream sellers.”

Oswald Mosley (1896–1980) British politician; founder of the British Union of Fascists

In 1927 after his Labour Party meeting in Cambridge was broken-up by pro-Fascist undergraduates. The mention of "ice-cream sellers" was a reference to Italian immigrants who had opened ice-cream parlours.

Kenny Dalglish photo
Thomas Carlyle photo
Nas photo
Kate Winslet photo
Ben Croshaw photo

“Alfie was an organizer. He would telephone the other kids a week before that first practice session (which he euphemistically called spring training), and he would knock on their doors the morning of, and they would look out the windows and say, "Hey, it's snowing," and he would say, "It's not snowing all that hard. See you in a half-hour." So we would gather our tired, cold bodies together, throw on our baseball clothes—old shirts, old pants, sneakers, old baseball gloves—and grab a couple of bats and scuffed-up balls, and we would pile onto the subway and ride to Van Cortland Park. We would run to make sure we'd be first to claim a ball field. Of course we were first. Nobody else was that crazy. My brother would direct practice for a couple of hours, batting practice, catching fungoes, fielding, practicing our curves and drops on the sidelines, fingers aching from contact with batted or thrown baseballs. We threw ourselves across that hard bone of a field so we would be ready when the spring suns finally thawed the ground at our feet. If the still-awake dreams of hunting lions in Africa were the peak moments of my night life, those frozen ball fields of February were the highlights of my days.”

Arnold Hano (1922) American writer

Recalling his late brother, from "Life with Alfie," https://books.google.com/books?id=PWEEAAAAMBAJ&pg=PA233&dq=%22Alfie+was+an+organizer%22&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMIiqWJ2oHaxwIVipANCh2Utw2g#v=onepage&q=%22Alfie%20was%20an%20organizer%22&f=false in Orange Coast Magazine (November 1990), pp. 233–234
Other Topics

Tina Fey photo
Nicole Richie photo

“I'm bustier now, and I really don't like it. It doesn't really fit with my wardrobe, it's not who I am. I am not someone who is used to wearing a bra or having to wear a bra I really don't like it. I like wearing vintage hippy see-through shirts that aren't slutty on me because there's nothing to look at. Now I have boobs so I can't really wear it because it sends out a different message.”

Nicole Richie (1981) American television personality, musician, actress, and author

Source: [Actress Nicole Richie doesn't want bigger breasts, March 2008, Entertainment.oneindia.in, http://entertainment.oneindia.in/hollywood/top-stories/scoop/2008/nicole-richie-big-busts-070308.html, 2008-03-07]

Ze Frank photo

“in the summertime sometimes i sleep "macho": ah, white t-shirt, no underpants. Sleeping macho looks very attractive on a man. I feel like it helps me breathe.”

Ze Frank (1972) American online performance artist

http://www.zefrank.com/thewiki/the_show:_11-16-06
"The Show" (www.zefrank.com/theshow/)

Taylor Swift photo
Henning von Tresckow photo
Colin Moulding photo

“Pour ourselves a glass of stout
And let our Rael Brook shirts hang out
Nothing makes us more content
To let us wallow in a bit of nonsense”

Colin Moulding (1955) English bassist, songwriter and vocalist

"Frivolous Tonight"
Apple Venus Volume 1 (1999)

Thomas Hood photo

“Sewing at once a double thread,
A shroud as well as a shirt.”

Thomas Hood (1799–1845) British writer

1840s, The Song of the Shirt (1843)

Nicholas Serota photo
Ken MacLeod photo

“… a faded black T-shirt with a soaring penguin and the slogan 'Where do you want to come from today?”

Ken MacLeod (1954) Scottish science fiction writer

Newton's Wake
Other works

Auguste Rodin photo
Sania Mirza photo
Phillip Abbott Luce photo
Anthony Burgess photo
Richard Holbrooke photo

“Shattuck and I were particularly concerned with the activities of Zeljko Raznatovic, popularly known as Arkan, one of the most notorious men in the Balkans. Even in former Yugoslavia, Arkan was something special, a freelance murderer who roamed across Bosnia and eastern Slavonia with his black-shirted men, terrorizing Muslims and Croats. To the rest of the world Arkan was a racist fanatic run amok, but many Serbs regarded him as a hero. His private army, the Tigers, had committed some of the war's worst atrocities, carrying out summary executions and virtually inventing ethnic cleansing in 1991-92. Western intelligence was convinced he worked, or had worked, for the Yugoslav secret police. (…) Althought the [Hague ICTY] Tribunal had handed down over fifty indictment by October 1995, these did not include Arkan. I pressed Goldstone [Richard Goldstone, ICTY president] on this matter several times, but because a strict wall separated the tribunal's internal deliberations from the American government, he wouold not tell us why Arkan had not been indicted. This was expecially puzzling given Goldstone's stature and his public criticisms of the international peacekeeping forces for not arresting any of the indicted war criminals. Whenever I mentioned Arkan's name to Milosevic, he seemed annoyed. He did not mind criticism of Karadzic or Mladic, but Arkan - who lived in Belgrade, ran a popular restaurant, and was married to a rock star - was a different matter. Milosevic dismissed Arkan as a "peanut issue", and claimed he had no influence over him. But Arkan's activities in western Bosnia decreased immediately after my complaints. This was hardly a victory, however, because Arkan at large remained a dangerous force and a powerful signal that one could still get away with murder - literally - in Bosnia.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), pp. 189-190

Thomas Carlyle photo

“It is now almost my sole rule of life to clear myself of cants and formulas, as of poisonous Nessus shirts.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Letter to His Wife (1835).
1830s

Michelle Obama photo

“He never stopped smiling and laughing — even while struggling to button his shirt, even while using two canes to get himself across the room to give my mom a kiss. He just woke up a little earlier and worked a little harder.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2000s, Democratic National Convention speech (2008)
Context: My dad was our rock. Although he was diagnosed with multiple sclerosis in his early 30s, he was our provider, our champion, our hero. As he got sicker, it got harder for him to walk, it took him longer to get dressed in the morning. But if he was in pain, he never let on. He never stopped smiling and laughing — even while struggling to button his shirt, even while using two canes to get himself across the room to give my mom a kiss. He just woke up a little earlier and worked a little harder.

Harry Chapin photo

“Well another man might have been angry,
And another man might have been hurt,
But another man never would have let her go…
I stashed the bill in my shirt.”

Harry Chapin (1942–1981) American musician

Taxi
Song lyrics, Heads & Tales (1972)
Context: There was not much more for us to talk about,
Whatever we had once was gone.
So I turned my cab into the driveway,
Past the gate and the fine trimmed lawns.
And she said we must get together,
But I knew it'd never be arranged.
And she handed me twenty dollars,
For a two fifty fare, she said
"Harry, keep the change."
Well another man might have been angry,
And another man might have been hurt,
But another man never would have let her go...
I stashed the bill in my shirt.

Jerome photo
Caitlín R. Kiernan photo

“I want a T-shirt that says, "Art is Emo." We live in an age where people are more apt to believe a thing if they read it on a T-shirt.”

Caitlín R. Kiernan (1964) writer

"Would you like to see a little of it?" said the Mock Turtle. (3 April 2010)
Unfit for Mass Consumption (blog entries), 2010
Context: Could anything be more inimical to art than a fear of emotion, or a fear of "excessive" emotion, or a reluctance to express emotion around others? No, of course not. Art can even best the weights of utter fucking ignorance and totalitarian repression, but it cannot survive emotional constipation.
I want a T-shirt that says, "Art is Emo." We live in an age where people are more apt to believe a thing if they read it on a T-shirt.

Haile Selassie photo

“In time of war it suits the enemy to aim his guns at adorned shields, ornaments, silver and gold cloaks, silk shirts and all similar things. Whether one possesses a jacket or not, it is best to wear a narrow-sleeved shirt with faded colours.”

Haile Selassie (1892–1975) Emperor of Ethiopia

Instructions to military units (19 October 1935).
My Life and Ethiopia's Progress (1976)
Context: In time of war it suits the enemy to aim his guns at adorned shields, ornaments, silver and gold cloaks, silk shirts and all similar things. Whether one possesses a jacket or not, it is best to wear a narrow-sleeved shirt with faded colours. When we return, with God's help, you can wear your gold and silver decorations then. Now it is time to go and fight. We offer you all these words of advice in the hope that no great harm should befall you through lack of caution. At the same time, We are glad to assure you that in time of war We are ready to shed Our blood in your midst for the sake of Ethiopia's freedom...

Kirk Douglas photo
Тони Адамс photo
Robert Crumb photo

“It’s either I’m going to wear the black shirt, otherwise, I’m going to wear pyjamas.”

Amos Yee (1998) blogger

Wordpress Postings

Paul Scholes photo

“Good enough to play for Brazil. I love to watch Scholes, to see him pass, the boy with the red hair and the red shirt.”

Paul Scholes (1974) English footballer

http://www.telegraph.co.uk/sport/football/teams/manchester-united/8547825/Manchester-Uniteds-Paul-Scholes-lauded-by-players-and-coaches-around-the-world-after-announcing-retirement.html
Sócrates

Raewyn Connell photo
David Sedaris photo

“I'm 65; I couldn't just wear a normal suit, a nice shirt and tie. Because I don't want to look that old - I want to look at least 10 years younger.”

Brunello Cucinelli (1953) Italian entrepreneur and philanthropist

Source: INTERVIEW: BRUNELLO CUCINELLI ON FORMAL/INFORMAL STYLE https://www.permanentstyle.com/2016/11/interview-brunello-cucinelli-on-formalinformal-style.html Permanent Style, 2 NOVEMBER 2016

Ian McEwan photo
Ivanka Trump photo

“During my punk phase in the nineties, I was really into Nirvana. My wardrobe consisted of ripped corduroy jeans and flannel shirts. One day after school, I dyed my hair blue. Mom wasn't a fan of this decision.”

Ivanka Trump (1981) American businesswoman, socialite, fashion model and daughter of Donald Trump

10 October 2017, Raising Trump page 74 https://books.google.ca/books?id=gQ5aDgAAQBAJ&pg=PT74
2017

Dorothy Thompson photo

“I have seen a German youth camp, housing six thousand children around the age of ten, display in tree-high letters the words: ‘You were born to die for Germany!’ I have seen babies of six and seven, black-shirted and belted, march in Italy in military drill. I have seen children in Russia kindergartens taught how to adjust gas masks and the strategy of trench warfare.”

Dorothy Thompson (1893–1961) American journalist and radio broadcaster

Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
p. 34-35

John the Merciful photo