Quotes about roof
page 2

Source: Uniqueness of Zakir Husain and His Contributions (1997), p. 18-19.

"Hush," p. 61
The Shape (2000), Sequence: “Big Chamber”

R. v. Inhabitants of Darlington (1792), 4 T. R. 800.
Source: Leisure, the Basis of Culture (1948), The Philosophical Act, p. 94

“The Birds” http://www.schulzian.net/translation/shops/birds.htm
His father, The seasons

Introduction
Naked Economics (rev. and updated ed., 2010)

“Another roof, another proof.”
His motto, as he roamed about the world, as the guest of other mathematicians, as quoted in A Tribute to Paul Erdős (1990) edited by Alan Baker, Béla Bollobás, A. Hajnal, Preface, p. ix

Falling (l. 66–68).
The Whole Motion; Collected Poems, 1945-1992 (1992)

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 18

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 3

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 6 (p. 48)

Rodung Sinmun (9 January 2010) http://www.dailynk.com/english/read.php?cataId=nk01700&num=5889

Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well
Quotes of Paul Cezanne, 1860s - 1870s
Source: Exploring the Crack In the Cosmic Egg (1974), p. 100-101

(Hudson Taylor’s Choice Sayings: A Compilation from His Writings and Addresses. London: China Inland Mission, n.d., 13).

During Speech at Passing Out Parade of Indian Military Academy A Soldier's Duty http://worldofdefense.blogspot.in/2011/05/soldiers-duty-field-marshal-sam.html
"Lady Chatterly's Trial (The Old Bailey, 20 October - 2 November 1960)", p. 409
Tynan Right and Left (1967)

quote from Vincent's Letter #031 to Theo van Gogh (London, 6 April 1875) http://vangoghletters.org/vg/letters/let031/letter.html
1870s

Song lyrics, 50 Words for Snow (2011)
Jalãlu’d-Dîn Muhammad Akbar Pãdshãh Ghãzî (AD 1556-1605) Nagarkot Kangra (Himachal Pradesh)
Tabqãt-i-Akharî

“The greater the damage to the roof, the clearer the sight of the stars.”
Je größer der Dachschaden, desto schöner der Ausblick zum Himmel.
Tele-Akadamie, SWF, 20 January 2002
Source: The evolution of socio-technical systems, (1981), p. 8

Introduction
Small Houses: Their Economic Design and Construction (1922)
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 3 Introduction

Dust in the Eyes http://www.poemhunter.com/poem/dust-in-the-eyes/ (1928)
1920s

Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

2010s, 2016, July, This Week Interview (July 30, 2016)

The Quaker City; or, the Monks of Monk Hall, part 1, chapter 7 "The Monks of Monk-Hall" (1844)

as cited in Landscape Painting and Modern Dutch Artists, E. B. Greenshields https://ia902605.us.archive.org/6/items/landscapepaintin00greeuoft/landscapepaintin00greeuoft.pdf; The Copp, Clark, Co. Limited, Toronto, 1906, p. 150
Jacob Maris painted many 'Dutch City' paintings, in which he combined different parts of the cities Amsterdam, Dordrecht, Delft and Rotterdam

"You All Know the Story of the Other Woman"
Love Poems (1969)

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis
Aethiopasque alios, nulli penetrabilis astro,
lucus iners, subterque cavis graue rupibus antrum
it uacuum in montem, qua desidis atria Somni
securumque larem segnis Natura locavit.
limen opaca Quies et pigra Oblivio servant
et numquam vigili torpens Ignauia vultu.
Otia vestibulo pressisque Silentia pennis
muta sedent abiguntque truces a culmine ventos
et ramos errare vetant et murmura demunt
alitibus. non hic pelagi, licet omnia clament
litora, non ullus caeli fragor; ipse profundis
vallibus effugiens speluncae proximus amnis
saxa inter scopulosque tacet: nigrantia circum
armenta omne solo recubat pecus, et nova marcent
germina, terrarumque inclinat spiritus herbas.
mille intus simulacra dei caelaverat ardens
Mulciber: hic haeret lateri redimita Voluptas,
hic comes in requiem vergens Labor, est ubi Baccho,
est ubi Martigenae socium puluinar Amori
obtinet. interius tecti in penetralibus altis
et cum Morte jacet, nullique ea tristis imago
cernitur. hae species. ipse autem umentia subter
antra soporifero stipatos flore tapetas
incubat; exhalant vestes et corpore pigro
strata calent, supraque torum niger efflat anhelo
ore vapor; manus haec fusos a tempore laevo
sustentat crines, haec cornu oblita remisit.
Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Scorched Earth: Restoring the Country after Obama (2016)

Speech on the Excise Bill, House of Commons (March 1763), quoted in Lord Brougham, Historical Sketches of Statesmen Who Flourished in the Time of George III (1855), I, p. 42.
repeated by Brennan, J., MILLER v. UNITED STATES, 357 U.S. 301 (1958) http://caselaw.lp.findlaw.com/scripts/getcase.pl?court=US&vol=357&invol=301
repeated by Alfred Denning, Baron Denning, Southam v Smout [1964] 1 QB 308 at 320.

"A Song Of Pure Happiness I" (清平调之一)
Letter to his brother Jeff, from Hawaii (22 March 1942); p. 17
To Reach Eternity (1989)

“We do not tell old friends beneath our roof-tree that they are an offence to the eyesight.”
Right Ho, Jeeves (1934)

Recording her experience in her book “Prayers and Meditations” quoted in "Birth and Girlhood". Also in Sri Aurobindo and the Mother: Glimpses of Their Experiments, Experiences … By Kireet Joshi (1 January 1989) http://books.google.co.in/books?id=wW-_IiNSARgC&pg=PA26, p. 26

Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Source: Exploring the Crack In the Cosmic Egg (1974), p. 38

Speech on the floor of the House of Representatives, Congressional Record (14 April, 2005) http://frwebgate5.access.gpo.gov/cgi-bin/waisgate.cgi?WAISdocID=240761331899+3+0+0&WAISaction=retrieve.
Gravity's Rainbow (1973)
Source: The Stone That Never Came Down (1973), Chapter 17 (p. 135)

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 5 (at page 41)

18 July 1890, page 321
John of the Mountains, 1938

1880s, The Scholar in a Republic (1881)

Two Years Later: Mexico City Return
Queer: A Novel (1985)

On the White House, in a letter to Abigail Adams (2 November 1800)
Franklin D. Roosevelt had this inscribed on the mantlepiece of the State Dining Room
1800s

“Cause it's too simple to shoot ya - I'll taser the roof of your mouth and electrocute ya.”
Watch Out Freestyle
, 2011, Singles

“I define UNIX as 30 definitions of regular expressions living under one roof.”
Digital Typography, ch. 33, p. 649 (1999)

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 10 : Notes from 1969

Un Art de Vivre (The Art of Living) (1939), The Art of Marriage

Five big questions with pretty simple answers, IBM Journal of Research and Development, 48, 1, January 2004, 31–45 https://ieeexplore.ieee.org/abstract/document/5388918/,
Sultãn Muhammad Shãh II Bahmanî (AD 1463-1482) Kanchipuram (Tamil Nadu)
Tãrîkh-i-Firishta

Article, The New York Daily Tribune (30 September 1845); quoted in Brilliant Bylines (1986) by Barbara Belford.

Penultimate paragraph of the published script.
8 1/2 Women
“Ceiling insulation is… preferable to roof-top insulation.”
The Owner Built Home: A How-to-do-it Book (1972)

Íslandsklukkan (Iceland's Bell) (1946), Part III: Fire in Copenhagen

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 19

On Democracy (6 October 1884)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 5
“We smoked out, with no roof on it, them people passin' so we smash on it”
Money to Blow Featuring Lil Wayne and Drake
Priceless (2009)

1870s, The Unknown Loyal Dead (1871)
Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

In addition to defying societal standards, die Brücke artists defied housing laws: the ateliers in Dresden that they worked and lived in were forbidden to be used as homes
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 312 (https://www.researchgate.net/publication/272168564 translation, Claire Louise Albiez]

Excerpt from Clapper's memoir Facts And Fears, in reference to a video of himself on a talk show prior to the release of the book, quoted in [In 'Facts And Fears,' Ex-Spy Boss Clapper Comes In From The Cold, Badly Chilled, https://www.npr.org/2018/05/22/613107871/in-facts-and-fears-ex-spy-boss-clapper-comes-in-from-the-cold-badly-chilled, 27 July 2018, National Public Radio, May 22, 2018]