Quotes about road
page 8

Alexander Blok photo
Pete Doherty photo

“And he's crossing the road,
He's picking up his Daily…Star”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"Begging" (with Carl Barat)
Lyrics and poetry

John F. Kennedy photo
Ernesto Che Guevara photo

“The socialist countries must help pay for the development of countries now starting out on the road to liberation.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Afro-Asian Conference (1965)

“The road leading to a goal does not separate you from the destination; it is essentially a part of it.”

Charles de Lint (1951) author

"Romano Drom" in Dreams Underfoot : The Newford Collection (2003), p. 118

Jane Monheit photo
Bob Dylan photo

“I read On the Road in maybe 1959. It changed my life like it changed everyone else's.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

On the influence of Jack Kerouac on him, as quoted Grasping for the Wind : The Search for Meaning in the 20th Century (2001) by John W. Whitehead

Laurence Sterne photo

“Hail, ye small, sweet courtesies of life! for smooth do ye make the road of it.”

The Pulse, Paris.
A Sentimental Journey Through France and Italy (1768)

John Dos Passos photo
Michelle Visage photo
Ernesto Che Guevara photo

“Once again I feel beneath my heels the ribs of Rocinante. Once more, I'm on the road with my shield on my arm.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Rocinante was the name of Don Quixotes' horse.
Last Letter to his Parents (1965)

“The Russian revolution was not a socialist revolution… but a managerial revolution… Today Russia is the nation which has, in its structural aspects, advanced furthest along the managerial road.”

James Burnham (1905–1987) American philosopher

Source: The Managerial Revolution, 1941, p. 220–221; As cited in Marcel van der Linden (2007, p. 83)

Richard Dawkins photo

“I can think of no moral objection to eating human road kills except for the ones that you mentioned like 'what would the relatives think about it?' and 'would the person themselves have wanted it to happen?', but I do worry a bit about slippery slopes; possibly a little bit more than you do.There are barriers that we have set up in our minds and certainly the barrier between Homo sapiens and any other species is an artificial barrier in the sense that its a kind of 'accident' that the evolutionary intermediates happen to be extinct. Never the less it exists and natural barriers that are there can be useful for preventing slippery slopes and therefore I think I can see an objection to breaching such a barrier because you are then in a weaker position to stop people going further.Another example might be suppose you take the argument in favour of abortion up until the baby was one year old, if a baby was one year old and turned out to have some horrible incurable disease that meant it was going to die in agony in later life, what about infanticide? Strictly morally I can see no objection to that at all, I would be in favour of infanticide but I think i would worry about/I think I would wish at least to give consideration to the person who says 'where does it end?'”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

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Peter Singer - The Genius of Darwin: The Uncut Interviews (2009)

Alauddin Khalji photo
William Hazlitt photo
William Winwood Reade photo
Herbert Marcuse photo
Charles Krauthammer photo
Ono no Komachi photo

“Although I come to you constantly
over the roads of dreams,
those nights of love
are not worth one waking touch of you.”

Ono no Komachi (825–900) Japanese poet

Source: Kenneth Rexroth's translations, Women Poets of Japan (1982), p. 15

Walter Savage Landor photo

“Shakespeare is not our poet, but the world's,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale,
No man hath walked along our roads with step
So active, so inquiring eye, or tongue
So varied in discourse.”

Walter Savage Landor (1775–1864) British writer

To Robert Browning (1846). Compare: "Nor sequent centuries could hit/ Orbit and sum of Shakespeare's wit", Ralph Waldo Emerson, May-Day and Other Pieces, Solution.

Clifford D. Simak photo
Lucy Maud Montgomery photo
Omar Khayyám photo

“Up from Earth's Centre through the Seventh Gate
rose, and on the Throne of Saturn sate;
And many a Knot unravel'd by the Road;
But not the Master-knot of Human Fate.”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Robert Louis Stevenson photo
O. Henry photo
Dag Hammarskjöld photo

“In our era, the road to holiness necessarily passes through the world of action.”

Dag Hammarskjöld (1905–1961) Swedish diplomat, economist, and author

Markings (1964)

Constant Lambert photo
Nathanael Greene photo

“Among the common changes in forests over the past two centuries are loss of old forests, simplification of forest structure, decreasing size of forest patches, increasing isolation of patches, disruption of natural fire regimes, and increased road building, all of which have had negative effects on native biodiversity.”

Reed Noss (1952)

[Assessing and monitoring forest biodiversity: a suggested framework and indicators, Forest Ecology and Management, 115, 2–3, 22 March 1999, 135–146, https://www.sciencedirect.com/science/article/pii/S0378112798003946] (quote from p. 135)

Cat Stevens photo
John McAfee photo

“I think that it's when we step out of the road, step outside the box, become our own person and we walk fearlessly down paths other people wouldn't look at, that true progress comes. And sometimes true beauty as well.”

John McAfee (1945) American computer programmer and businessman

BBC News: "John McAfee: Addict, coder, runaway" https://www.bbc.com/news/technology-24441931 (11 October 2013)

Miguel de Unamuno photo
Mahmud of Ghazni photo
Donald J. Trump photo
T.S. Eliot photo

“And the wind shall say: "Here were decent godless people:
Their only monument the asphalt road
And a thousand lost golf balls."”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)

“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

Gerd von Rundstedt photo
Ursula K. Le Guin photo
Larry Wall photo

“Unix is like a toll road on which you have to stop every 50 feet to pay another nickel. But hey! You only feel 5 cents poorer each time.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[1992Aug13.192357.15731@netlabs.com, 1992]
Usenet postings, 1992

Mike Oldfield photo

“If I open my eyes just far enough
I can see what you're doing.
Go on, fight to the end, it's though enough
When you're on the road of ruin!”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Earth Moving (1989)

Ernesto Che Guevara photo
Dante Gabriel Rossetti photo

“If God in his wisdom have brought close
The day when I must die,
That day by water or fire or air
My feet shall fall in the destined snare
Wherever my road may lie.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

The King's Tragedy, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Van Morrison photo
Henry Ward Beecher photo
Park Chung-hee photo

“But the challenge must be faced squarely. I believe we can overcome it through our own efforts. We must do so. They key is our national power. Take courage from our national pride and traditions, no matter how thorny the road to independence may be.”

Park Chung-hee (1917–1979) Korean Army general and the leader of South Korea from 1961 to 1979

As quoted in Toward Peaceful Unification: Selected Speeches & Interviews https://books.google.com/books?id=nNc2AzJmwPoC&pg=PA3&dq=%22There+was+little,+if+any,+feeling+of+loyalty+toward+the+abstract+concept+of+Korea+as+a+nation-state%22&hl=en&sa=X&ei=IOkhVebpAYqWsAWOgILoCQ&ved=0CCgQ6AEwAg#v=onepage&q&f=false (1978), Kwangmyong Publishing Company, pp. 47-48.
1970s

Reggie Fils-Aimé photo
André Maurois photo

“The longer the road to love, the keener is the pleasure to be experienced by the sensitive lover.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

Alfred Horsley Hinton photo
Ivar Giaever photo
James Branch Cabell photo
Harry Schwarz photo

“I have an obligation to the 37 million people in South Africa to ensure their well-being. But the road from slavery to the promised land is a rough one.”

Harry Schwarz (1924–2010) South African activist

During a Speech to the Philadelphia World Affairs Council, 12 June 1991.
As ambassador to the United States
Source: http://articles.philly.com/1991-06-13/news/25788736_1_group-areas-act-sanctions-africa-blacks

Anton Chekhov photo
William S. Burroughs photo
Peter Kropotkin photo
Chuck Palahniuk photo
Norman Tebbit photo
Diogenes Laërtius photo
Georgia O'Keeffe photo
Gordon R. Dickson photo

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Roger Manganelli photo
Dave Chappelle photo
Han-shan photo
Gwyneth Paltrow photo

“I would do anything for Giancarlo and Valentino, When we were on a road trip in Italy for my 30th birthday, my father got pneumonia and…he just kind of died on me. It was horrible. But Giancarlo and Valentino were godsends. They came to my rescue. When somebody does a thing like that for you, well, you just love them beyond words.”

Gwyneth Paltrow (1972) American actress, singer, and food writer

Referring to designer Valentino Garavani and his business partner Giancarlo Giammetti at the VBH Gallery on New York City. http://blogs.wsj.com/speakeasy/2009/10/28/valentino-welcomes-gwyneth-paltrow-zac-posen-to-the-last-emperor-dvd-release/ (October 28, 2009)

William Empson photo

“Attending there let us absorb the cultures of nations
And dissolve into our judgement all their codes.
Then, being clogged with a natural hesitation
(People are continually asking one the way out),
Let us stand here and admit that we have no road.”

William Empson (1906–1984) English literary critic and poet

"Homage to the British Museum" (1932), line 8; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 55.
The Complete Poems

Rajiv Gandhi photo

“Development is not about factories, dams and roads. Development is about people.”

Rajiv Gandhi (1944–1991) sixth Prime Minister of India

Quote, Memorable Quotes from Rajiv Gandhi and on Rajiv Gandhi

“The road reaches every place, the short cut only one.”

James Richardson (1950) American poet

#1
Vectors: Aphorisms and Ten Second Essays (2001)

Alex Jones photo

“If I'm in, you know, especially in a poor area, and I see guys walking like they're thugs down the street, I don't care what color they are, I go "That guy looks like they're a thug, and looks like they're tough, okay… If they try to shake me down I'm gonna ignore them and keep walking, and if they come up to me and try to put a hand on me, I'm gonna punch 'em right in the throat. 'Cause I don't wanna jump on top on of 'em and hurt my knees and stuff, when I slam their head in the ground. Plus, I don't wanna kill 'em. 'Cause then I'd have to go to jail and stuff, and they'd have to find that it was done in self defense. Been down that road." So, I'm sitting there and I'm thinking, "Alright. I'm gonna punch this guy in the throat." I'm thinking how hard am I gonna punch him. And I'm not thinking he's a black guy. I'm thinking the guy's walking like a thug, thinks they're tough, and I'm thinking about how I'm going to defend myself. Just like when I've been at the Coast, a few years ago, and walk out of a restaurant in South Padre and they're having a biker rally—and it wasn't like a nice biker rally, most rallies are nice people—it was like thug wannabes, rode up with a motorcycle…and were looking at me, and I was thinking "Okay. Alright. That guy is taking his helmet off. I'm gonna punch him in the throat the minute he tries to get up and do something, and then I'm gonna assault those next three guys. Then they'll probably pull a weapon. I need to take that." I mean, that's what I'm thinking whenever something like that is going on. I can't help it. I'm thinking, "Alright, I'm ready to kill." That's just how I am. And I'm thinking, "Alright. Okay. Instantly assess these guys. These are probably ex-con, real criminals. I've got my three kids here. That gives me, you know, just turbo dinosaur power. And I'm thinking, "Control yourself. Don't have a fight, unless you absolutely got to."”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

You know, the man in me is ready to take all on! and... you know what I'm talking about, don't you? ARGH, you scum! I hate gang members and filth! And it has nothing to do with black people. But I will stump your head in if you start a fight with me, you thug scum! Anyways, excuse me ladies and gentlemen.
"Alex Jones Self-Defense Rant" https://www.youtube.com/watch?v=HIMJ_pxy2eU, July 2013.
2013

Hunter S. Thompson photo
Orson Welles photo

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

Ani DiFranco photo
William Henry Vanderbilt photo

“The public be damned. What does the public care for railroads except to get as much out of them for as small a consideration as possible? I don't take any stock in this silly nonsense about working for anybody's good but our own, because we are not. When we make a move, we do it because it is in our interest to do so, and not because we expect to do somebody else good. Of course, we like to do everything possible for the benefit of humanity in general, but when we do, we first see that we are benefiting ourselves. Railroads are not run on sentiment, but on business principles and to pay, and I don't mean to be egotistic when I say that the roads which I have had anything to do with have generally paid pretty well.”

William Henry Vanderbilt (1821–1885) American philanthropist

Quoted in Clarence P. Dresser, "Vanderbilt in the West" New York Times (9 October 1882). Dresser's account has Vanderbilt denying that he ran a particular passenger express service for the public benefit, but rather to drive down prices of a competing Pennsylvania Railroad service. By some accounts Dresser fabricated the interview except for the first sentence, which Vanderbilt said in refusing to give an interview. See "Reporter C. P. Dresser Dead", New York Times (25 April 1891).
Disputed

Eugene McCarthy photo

“Remember that the worst accidents occur in the middle of the road.”

Eugene McCarthy (1916–2005) American politician

From “Ten Commandments for New Hill Members,” in The Washington Post (4 January 1981), as cited in The Official Rules https://en.wikiquote.org/wiki/Special:BookSources/0486482103: 5,427 Laws, Principles and Axioms to Help You Cope With Crises, Deadlines, Bad Luck, Rude Behavior, Red Tape and Attacks by Inanimate Objects, Paul Dickson, Courier Corporation (2013), p. 223

Robert Penn Warren photo
Donald J. Trump photo
Calvin Coolidge photo
Kate Bush photo

“And if I only could,
I'd make a deal with God,
And I'd get him to swap our places,
Be running up that road,
Be running up that hill,
Be running up that building.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Hounds of Love (1985)

“In the year AH 819 (AD 1416), Ahmud Shah marched against Nagoor, on the road to which place he plundered the country, and destroyed the temples…”

Firishta (1560–1620) Indian historian

Sultãn Ahmad Shãh I of Gujrat (AD 1411-1443) On way to Nagaur (Rajasthan)
Tãrîkh-i-Firishta

Elton John photo

“It's very important to have two tiaras when you're on the road, you never know when you'll be invited to something really formal.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Sixty things for Sir Elton's 60th (2007)

Georgia O'Keeffe photo

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

George W. Bush photo

“If we don't stop extending our troops all around the world in nation-building missions, then we're going to have a serious problem coming down the road.”

George W. Bush (1946) 43rd President of the United States

Quotation is from the October 3, 2000 Presidential debate with Al Gore, but is taken out of context. Bush was paraphrasing Colin Powell and Norman Schwarzkopf:
The other day, I was honored to be flanked by Colin Powell and General Norman Schwarzkopf, who stood by my side and agreed with me. They said we could, even though we're the strongest military, that if we don't do something quickly, we don't have a clearer vision of the military, if we don't stop extending our troops all around the world in nation-building missions, then we're going to have a serious problem coming down the road. And I'm going to prevent that. I'm going to rebuild our military power. It's one of the major priorities of my administration. http://www.cnn.com/ELECTION/2000/debates/transcripts/u221003.html
Attributed, Misquotations

Ambrose Bierce photo

“Along the road of life are many pleasure resorts, but think not that by tarrying in them you will take more days to the journey. The day of your arrival is already recorded.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 364

Yasunari Kawabata photo
Brian Wilson photo

“Drive for a couple miles
You'll see a sign and turn left
For a couple blocks
Next is mine, you'll turn left on a little road
It's a bumpy one.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

"Busy Doin' Nothin'"
Friends (1968)

Washington Gladden photo

“"A little while," and the load
Shall drop at the pilgrim's feet,
Where the steep and thorny road
Doth merge in the golden street.”

Washington Gladden (1836–1918) American pastor

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 300.

Peter Medawar photo
Elizabeth Warren photo
Francis Escudero photo
Farrokh Tamimi photo
Anton Mauve photo

“.. the longer I am here Laren, the more beautiful it becomes for me and now that I feel myself more comfortable, I can judge it better... It is touching beautiful here [ Laren ], with a delicacy of lines and lovely poetry radiates from everywhere, interior houses, roads, fields, beautiful heath and bushes, and people are of the sweetest kind to imagine... Usually after dinner we make a little walk, what I enjoy a lot. I don't know how to say it, but I would like to live here for ever.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..hoe langer ik hier nl:Laren (Noord-Holland) ben, hoe mooijer het voor mij wordt en nu ik een beetje meer op mijn gemak kom, kan ik er beter over oordelen.. .'t Is aandoenlijk mooi hier, van een fijnheid van lijnen en lieflijke poëzie straalt alles uit, binnenhuizen, wegen, akkers, prachtige heide en boschjes en de menschen is van het liefste soort dat te bedenken is.. .Wij maken doorgaans na den eten een loopje en wat ik geniet. Ik kan het niet zeggen maar ik zou hier altijd willen wonen.
Quote of Mauve in a letter, Juin 1882 to his wife Jet Carbentus; Mauve Archive of RKD, Den Haag
1880's

Samuel Butler photo
Herbert Hoover photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Theodore L. Cuyler photo
Dave Matthews photo

“The road to you is long, and I've been on it for a while.”

Dave Matthews (1967) American singer-songwriter, musician and actor

#40
Listener Supported (1999)

Carlos Drummond de Andrade photo

“p>I'm making a song
where my mother and all mothers
will see themselves mirrored,
a song that speaks like two eyes.I'm walking on a road
that runs through many countries.
They may not see me, but I see
and salute old friends.I'm spreading a secret
like a man who loves or smiles.
Affection seeks affection
in the most natural way.My life, our lives,
form a single diamond.
I've learned new words
and made others more beautiful.I'm making a song
for waking up men
and putting children to sleep.”

Carlos Drummond de Andrade (1902–1987) Brazilian poet

<p>Eu preparo uma canção
em que minha mãe se reconheça,
todas as mães se reconheçam,
e que fale como dois olhos.</p><p>Caminho por uma rua
que passa em muitos países.
Se não me vêem, eu vejo
e saúdo velhos amigos.</p><p>Eu distribuo um segredo
como quem ama ou sorri.
No jeito mais natural
dois carinhos se procuram.</p><p>Minha vida, nossas vidas
formam um só diamante.
Aprendi novas palavras
e tornei outras mais belas.</p><p>Eu preparo uma canção
que faça acordar os homens
e adormecer as crianças.</p>
"Canção amiga" ["I'm Making a Song"]
Novos Poemas [New Poems] (1948)