Quotes about read
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Matthew Perry (actor) photo

“I think actors look for good material and I had heard about this script by Aaron and I read it and thought I had to come back to television. I'm here mostly because of how good the script is and how bad The Whole 10 Yards was.”

Matthew Perry (actor) (1969) American actor

On joining the NBC program Studio 60 on the Sunset Strip – Kevin D. Thompson (September 18, 2006) "'Studio 60' Is Best Show of the Fall", Palm Beach Post, Palm Beach Newspapers, Inc., p. 1D.

Brewster Kahle photo

“Here’s the problem with the web — this is so cool, it’s worth it. The internet is decentralized in the sense that you can kind of nuke any part of it and it still works. That was its original design. The World Wide Web isn’t that way. You go and knock out any particular piece of hardware, it goes away. Can we make a reliable web that’s served from many different places, kind of like how the Amazon cloud works, but for everybody? The answer is yes, you can. You can make kind of a pure to pure distribution structure, such that the web becomes reliable. Another is that we can make it private so that there’s reader privacy. Edward Snowden has brought to light some really difficult architectural problems of the current World Wide Web. The GCHQ, the secret service of the British, watched everybody using WikiLeaks, and then offered all of those IP addresses, which are personally identifiable in the large part, to the NSA. The NSA had conversations about using that as a means to go and… monitor people at an enhanced level that those are now suspects. Libraries have long had history with people being rounded up for what they’ve read and bad things happening to them. We have an interest in trying to make it so that there’s reader privacy”

Brewster Kahle (1960) American computer engineer, founder of the Internet Archive

Internet Archive founder Brewster Kahle on Recode Decode https://www.recode.net/2017/3/8/14843408/transcript-internet-archive-founder-brewster-kahle-wayback-machine-recode-decode (March 8, 2017)

Licio Gelli photo
Christopher Hitchens photo
Charles Dickens photo
Matthew Arnold photo
Erik Naggum photo
Frederick Douglass photo
Thomas Henry Huxley photo
Jacqueline Kennedy Onassis photo
Octavio Paz photo
Freeman Dyson photo
Sarah Palin photo

“My response to her, I guess it was kind of flippant. But, I was sort of taken aback, like, the suggestion was, "You're way up there in a faraway place in Alaska, do you know that there are publications in the rest of the world that are read by many?" And I was taken aback by that because, I don't know, the suggestion just was a little bit of perhaps we're not in tune with the rest of the world.”

Sarah Palin (1964) American politician

Interview with Carl Cameron http://www.realclearpolitics.com/articles/2008/10/sarah_palins_interview_with_ca.html, Hannity & Colmes, Fox News, , quoted in
on her response to Katie Couric's question about which newspapers and magazines she reads (see above)
2008, 2008 interviews with Katie Couric

Julius Streicher photo
Arun Shourie photo
George Borrow photo
John Sloan photo

“People who take things too literally don't get much of anything from my teaching. By never saying anything I mean, I say a great deal. I never mean anything I say under oath. I never mean exactly what I say. Not even this. You have to read between the words.”

John Sloan (1871–1951) American painter

In John Sloan on Drawing and Painting. Mineola NY: Dover Publications, 2000. Originally published in 1939 as The Gist of Art, p. 7.
The Gist of Art (1939)

Samuel Taylor Coleridge photo

“There isn't any distinction between a reader and a writer – reading is so much a part of it.”

Dermot Healy (1947–2014) Irish writer

Small talk: Dermot Healy, 2011

Robert M. Price photo
Robert Rauschenberg photo

“The fact that the span of apprehension averages only four or five… probably results from the high rate of encoding. In a tachistoscopic experiment the subject must read the fading icon as rapidly as possible.”

Ulric Neisser (1928–2012) American psychologist

Source: Cognitive Psychology, 1967, p. 42 ; As cited in: A.H.C. Van der Heijden, "Visual attention," in: Handbook of Perception and Action, Vol. 3. 1996

R. A. Lafferty photo

“The Dong button was just that, a big green button with the word Dong engraved on it. You pushed it, and it went dong. Well, that was almost too simple. Should there not be a deeper reason for it? And the small instruction plate over it didn’t add much. It read: “Wrong prong, bong gong.””

R. A. Lafferty (1914–2002) American writer

Description of a Dong button, which is later revealed to reverse the flow of time for the wielder, if there has been a dire error made which needs correcting, Ch. 3
Ch. 3 -->
Space Chantey (1968)

Dinesh D'Souza photo
Willem de Kooning photo
Raymond Chandler photo
John Muir photo

“Winds are advertisements of all they touch, however much or little we may be able to read them; telling their wanderings even by their scents alone.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1890s, The Mountains of California (1894), chapter 10: A Wind-Storm in the Forests

Mark Satin photo
John Calvin photo
Charles Babbage photo
Jozef Israëls photo

“It certainly will please you to read that after my small painting ['First Love', c. 1856] what you have seen in Rotterdam, a large lithography is being made now by Lord Mouilleron, France's first lithographer… It becomes very beautiful. (translation from original Dutch text: Fons Heijnsbroek).”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat uit de brief van Jozef Israëls in het Nederlands): Het zal u zeker plaisier doen te vernemen dat naar mijn schilderijtje ['Eerste Liefde', c. 1856] welke gij in Rotterdam gezien hebt eene groote lithografie vervaardigd wordt en wel door Heer Mouilleron, Frankrijks eerste lithograaf.. .Hij wordt zeer mooi.
Quote in his letter from Amsterdam, 1857, to publisher in The Hague; from LTK 1795, XIII nr. 140, University Library of Leiden
Mouilleron was making the lithography at the studio of Israëls on the Rozengracht in Amsterdam, under the eyes of the painter himself
Quotes of Jozef Israels, 1840 - 1870

James Prescott Joule photo
George Hendrik Breitner photo

“I started reading Flaubert's 'Salambô'. The first chapter was very strong. I prefer Flaubert above Zola, the Concourt even more. No doubt you know the Concourts, Edm. and Jules, two brothers. 'Manette Salomon' is one of their most beautiful creations. If you could read that, I believe you do me and yourself a great pleasure. The type of Chassagnol, the man who understands so much about Art - yes, he has the purest ideas on art of all - I find [him] adorable. He understands everything and that's why he can not be an artist himself or the greatest. I recommend that book to anyone, layman or painter and I will buy it myself.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik ben begonnen met Flaubert's Salambô te lezen. 't eerste hoofdstuk was verduveld kranig. Flaubert bevalt me beter dan Zola, de Concourt nog meer. Zonder twijfel kent U de Concourt, Edm. en Jules, twee broers. Manette Salomon vind ik een van hun mooiste scheppingen. Als U dat eens las zou U mij en Uzelf geloof ik een groot genoegen doen. De type van Chassagnol de man die zooveel begrijpt van Kunst, ja er 't zuiverste denkbeeld over heeft van allen, vind ik aanbiddelijk. Hij begrijpt alles en kan daardoor zelf geen kunstenaar zijn of de grootste. Ik beveel dat boek aan iedereen aan, leek of schilder en zal 't me koopen.
Quote of Breitner in his letter to A.P. van Stolk, 15 Nov. 1881; as cited in Breitner en Parijs – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382], by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, (translation from the original Dutch, Fons Heijnsbroek) pp. 10-11
before 1890

Andrei Sakharov photo
Silvio Berlusconi photo

“Go and read the black book on communism and you'll find that under Mao's China they didn't eat babies but they boiled them to fertilise the fields.”

Silvio Berlusconi (1936) Italian politician

At a rally in Naples (28 March 2006) as quoted in "In quotes: Berlusconi in his own words" at BBC News (2 May 2006) http://news.bbc.co.uk/2/hi/europe/3041288.stm
2006

Georg Brandes photo

“Young girls sometimes make use of the expression: “Reading books to read one’s self.” They prefer a book that presents some resemblance to their own circumstances and experiences. It is true that we can never understand except through ourselves. Yet, when we want to understand a book, it should not be our aim to discover ourselves in that book, but to grasp clearly the meaning which its author has sought to convey through the characters presented in it. We reach through the book to the soul that created it. And when we have learned as much as this of the author, we often wish to read more of his works. We suspect that there is some connection running through the different things he has written and by reading his works consecutively we arrive at a better understanding of him and them. Take, for instance, Henrik Ibsen’s tragedy, “Ghosts.” This earnest and profound play was at first almost unanimously denounced as an immoral publication. Ibsen’s next work, “An Enemy of the People,” describes, as is well known the ill-treatment received by a doctor in a little seaside town when he points out the fact that the baths for which the town is noted are contaminated. The town does not want such a report spread; it is not willing to incur the necessary expensive reparation, but elects instead to abuse the doctor, treating him as if he and not the water were the contaminating element. The play was an answer to the reception given to “Ghosts,” and when we perceive this fact we read it in a new light. We ought, then, preferably to read so as to comprehend the connection between and author’s books. We ought to read, too, so as to grasp the connection between an author’s own books and those of other writers who have influenced him, or on whom he himself exerts an influence. Pause a moment over “An Enemy of the People,” and recollect the stress laid in that play upon the majority who as the majority are almost always in the wrong, against the emancipated individual, in the right; recollect the concluding reply about that strength that comes from standing alone. If the reader, struck by the force and singularity of these thoughts, were to trace whether they had previously been enunciated in Scandinavian books, he would find them expressed with quite fundamental energy throughout the writings of Soren Kierkegaard, and he would discern a connection between Norwegian and Danish literature, and observe how an influence from one country was asserting itself in the other. Thus, by careful reading, we reach through a book to the man behind it, to the great intellectual cohesion in which he stands, and to the influence which he in his turn exerts.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: On Reading: An Essay (1906), pp. 40-43

Sienna Guillory photo

“I'm reading Our Ecstatic Days, by Steve Erickson. It's an extraordinary journey and the most exciting thing I've found since The Master and Margarita, which I've read about 20 times. I like being taken away somewhere by a book.”

Sienna Guillory (1975) British actress

My Life in Travel: 'I love galloping my friend's racehorse along Article http://findarticles.com/p/articles/mi_qn4158/is_20050528/ai_n14645370. The London Independent. May 28, 2005

Harry Furniss photo
Dave Attell photo
Kancha Ilaiah photo
Upton Sinclair photo
Rigoberto González photo
S.M. Stirling photo
Donald J. Trump photo
Marsden Hartley photo
Henry Adams photo
Louis C.K. photo
Edgar Rice Burroughs photo
Syama Prasad Mookerjee photo
Sueton photo

“No one was allowed to leave the theatre during his recitals, however pressing the reason. We read of women in the audience giving birth, and of men being so bored with listening and applauding that they furtively dropped down from the wall at the rear, since the gates were kept barred, or shammed dead and were carried away for burial.”
Cantante eo ne necessaria quidem causa excedere theatro licitum est. Itaque et enixae quaedam in spectaculis dicuntur et multi taedio audendi laudandique clausis oppidorum portis aut furtim desiluisse de muro aut morte simulata funere elati.

Of Nero's public performances in musical competitions.
Source: The Twelve Caesars, Nero, Ch. 23

Peter Kropotkin photo
Frank Buckles photo

“Why should I read something someone made up when real events are so interesting?”

Frank Buckles (1901–2011) United States Army soldier and centenarian

On why he does not read fiction books.
Tampa Bay Online.

Douglas Coupland photo
Arthur Stanley Eddington photo

“The whole subject-matter of exact science consists of pointer readings and similar indications.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

Source: The Nature of the Physical World (1928), Ch. 10 The New Quantum Theory <!-- p. 219 -->

Charles Boarman photo

“Charles Boarman. a Lieutenant in the Navy of the United States, being duly sworn, according to law, deposes and says:
Q. In what capacity did you serve in the squadron under the command of Captain Porter, and for what period of time?

A. As lieutenant I commanded the schooner Weasel, from the 20th July, 1824, till the return of Commodore Porter.

Q. On what particular service were you engaged during that period of time?

A. From the time of my arrival at St. Barts, on the 15th August, I was employed during the whole time, in convoying and cruising for pirates. Went to Crab Island in pursuit of pirates — captured a boat; the pirates escaped on shore. In September sailed from Havana for the Gulf of Mexico, convoying three American vessels; arrived at Campeachy; sailed to Alvarado, and made my report of the 5th December, (read and annexed;) thence sailed to Tampico, inquiring after pirates, and furnishing protection to our commerce; and having fulfilled my orders, took on board specie for the United States, arrived at the Havana, and made my report of the 21st January, 1825.

Q. During this time, what amount of specie did you carry on freight, from, and to, what ports?

A. I carried about $65,000 from Tampico, shipped for New York: about $20,000 of it was subject to the order of a merchant at Havana, and was there transferred to an English frigate; of this about $14,000 was shipped by an American house, and a part of the money was shipped by Spaniards. At Havana from three to four thousand dollars was put on board, and landed at Norfolk.

Q. What amount of freight was paid for this transportation, and how was it appropriated?

A. About $1,200 was paid; one-third I gave to Commodore Porter, and the residue I retained.

Q. Did this canning of specie interfere in any manner with your attention to the suppression of piracy, and the protection of American commerce?

A. Not in the least. I was offered money at Campeachy to carry to the United States, but would receive none until 1 had completed my cruise, and was on the eve of returning to the United States; and I sailed as soon as I should have done had I carried no specie.

Q. Did the general protection of American property and commerce, and the suppression of piracy, require the presence of an American force in the Gulf of Mexico as frequently as it was sent there, and at the places to which it was sent?

A. I think so. During the period of from two to three months that I was there, there was no other vessel of the squadron there.

Q. Was everything done by the squadron which could be done, for the suppression of piracy?

A. My opinion is, that all was done that could be done to suppress it.

Q. Is there any other matter within your knowledge material to this inquiry?

A. Nothing.”

Charles Boarman (1795–1879) US Navy Rear Admiral

Testimony of Lieutenant Charles Boarman at the naval court of inquiry and court martial of Captain David Porter (July 7, 1825)
Minutes of Proceedings of the Courts of Inquiry and Court Martial, in relation to Captain David Porter (1825)

Sören Kierkegaard photo

“Imagine a lover who has received a letter from his beloved – I assume that God’s Word is just as precious to you as this letter is to the lover. I assume that you read and think you ought to read God’s Word in the same way the lover reads this letter.”

Soren Kierkegaard, For Self-Examination, Hong p. 26
1850s, For Self-Examination (1851), What is Required in Order to Look at Oneself with True Blessing in the Mirror of the Word?

Octavio Paz photo

“no reality is mine, no reality belongs to me (to us), we all live somewhere else, beyond where we are, we are all a reality different from the word I or the word we;
our most intimate reality lies outside ourselves and is not ours, and it is not one but many, plural and transitory, we are this plurality that is continually dissolving, the self is perhaps real, but the self is not I or you or he, the self is neither mine nor yours,
it is a state, a blink of the eye, it is the perception of a sensation that is vanishing, but who or what perceives, who senses?
are the eyes that look at what I write the same eyes that I say are looking at what I write?
we come and go between the word that dies away as it is uttered and the sensation that vanishes in perception—although we do not know who it is that utters the word nor who it is that perceives, although we do know that the self that perceives something that is vanishing also vanishes in this perception: it is only the perception of that self s own extinction,
we come and go: the reality beyond names is not habitable and the reality of names is a perpetual falling to pieces, there is nothing solid in the universe, in the entire dictionary there is not a single word on which to rest our heads, everything is a continual coming and going from things to names to things,
no, I say that I perpetually come and go but I haven’t moved, as the tree has not moved since I began to write,
inexact expressions once again: I began, I write, who is writing what I am reading?, the question is reversible: what am I reading when I write: who is writing what I am reading?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Jacques Derrida photo

“In order to try to remove what we are going to say from what risks happening, if we judge by the many signs, to Marx's work today, which is to say also to his injunction. What risks happening is that one will try to play Marx off against Marxism so as to neutralize, or at any rate muffle the political imperative in the untroubled exegesis of a classified work. One can sense a coming fashion or stylishness in this regard in the culture and more precisely in the university. And what is there to worry about here? Why fear what may also become a cushioning operation? This recent stereotype would be destined, whether one wishes it or not, to depoliticize profoundly the Marxist reference, to do its best, by putting on a tolerant face, to neutralize a potential force, first of all by enervating a corpus, by silencing in it the revolt [the return is acceptable provided that the revolt, which initially inspired uprising, indignation, insurrection, revolutionary momentum, does not come back]. People would be ready to accept the return of Marx or the return to Marx, on the condition that a silence is maintained about Marx's injunction not just to decipher but to act and to make the deciphering [the interpretation] into a transformation that "changes the world. In the name of an old concept of reading, such an ongoing neutralization would attempt to conjure away a danger: now that Marx is dead, and especially now that Marxism seems to be in rapid decomposition, some people seem to say, we are going to be able to concern ourselves with Marx without being bothered-by the Marxists and, why not, by Marx himself, that is, by a ghost that goes on speaking. We'll treat him calmly, objectively, without bias: according to the academic rules, in the University, in the library, in colloquia! We'll do it systematically, by respecting the norms of hermeneutical, philological, philosophical exegesis. If one listens closely, one already hears whispered: "Marx, you see, was despite everything a philosopher like any other; what is more [and one can say this now that so many Marxists have fallen silent], he was a great-philosopher who deserves to figure on the list of those works we assign for study and from which he has been banned for too long.29 He doesn't belong to the communists, to the Marxists, to the parties-, he ought to figure within our great canon of Western political philosophy. Return to Marx, let's finally read him as a great philosopher."”

We have heard this and we will hear it again.
Injunctions of Marx
Specters of Marx (1993)

Edward Bulwer-Lytton photo

“In science, read, by preference the newest works; in literature, the oldest. The classic literature is always modern.”

Edward Bulwer-Lytton (1803–1873) English novelist, poet, playwright, and politician

Caxtoniana: Hints on Mental Culture (1862)

Francis Marion Crawford photo
Chuck Berry photo
Karen Blixen photo
James Burke (science historian) photo
Sidney Lee photo
Calvin Coolidge photo

“Excellent poetry, but not a good working philosophy. Goldsmith would have been right, if, in fact, the accumulation of wealth meant the decay of men. It is rare indeed that the men who are accumulating wealth decay. It is only when they cease production, when accumulation stops, that an irreparable decay begins. Wealth is the product of industry, ambition, character and untiring effort. In all experience, the accumulation of wealth means the multiplication of schools, the increase of knowledge, the dissemination of intelligence, the encouragement of science, the broadening of outlook, the expansion of liberties, the widening of culture. Of course, the accumulation of wealth cannot be justified as the chief end of existence. But we are compelled to recognize it as a means to well-nigh every desirable achievement. So long as wealth is made the means and not the end, we need not greatly fear it. And there never was a time when wealth was so generally regarded as a means, or so little regarded as an end, as today. Just a little time ago we read in your newspapers that two leaders of American business, whose efforts at accumulation had been most astonishingly successful, had given fifty or sixty million dollars as endowments to educational works. That was real news. It was characteristic of our American experience with men of large resources. They use their power to serve, not themselves and their own families, but the public. I feel sure that the coming generations, which will benefit by those endowments, will not be easily convinced that they have suffered greatly because of these particular accumulations of wealth.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Press Under a Free Government (1925)

Edward St. Aubyn photo
John Adams photo
Bill Haywood photo

“I've never read Marx's Capital, but I've got the marks of capital all over my body.”

Bill Haywood (1869–1928) Labor organizer

Humour and Social Protest, By Marjolein t'Hart & Dennis Bos, 2007, page 39.

Clarence Thomas photo
Steve Jobs photo

“My girlfriend always laughs during sex — no matter what she's reading.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

This has appeared rather prominently on the internet, usually without indications of a source, and is often attributed to Jobs, but it was actually part of the comedy routines of Emo Philips, who used "giggles" rather than "laughs" on his comedy album Emo.
Misattributed

John Wallis photo
Courtney Love photo

“I punched out Kathleen Hanna… Sonic Youth brought her. I punched her, and she screamed, "I'll take you on, any college in America, any feminist debate," and I said, "But Kathleen, that means you're going to have to read!"”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On punching Kathleen Hanna backstage at Lollapalooza, interview with Nardwuar (5 July 1995)
1991–1995

Gore Vidal photo
Thomas Carlyle photo
Khushwant Singh photo
Aldous Huxley photo
Jerry Coyne photo
Allen West (politician) photo

“The first thing you’ve got to do is study and understand what we’re up against. You must realize that this is not a religion that you’re fighting against. You’re fighting against a theo-political belief system and construct. You’re fighting against something that’s been doing this thing since 622 AD - 7th century - 1,388 years. You want to dig up Charles Martel and ask him why he was fighting the Muslim army at the Battle of Tours in 732? You want to ask the Venetian fleet at LePonto why they were fighting a Muslim fleet in 1571? You want to ask the Christian – I mean the Germanic and Austrian – knights why they were fighting at the gates of Vienna in 1683? You want to ask people what happened at Constantinople and why today it’s called Istanbul? Because they lost that fight in 1453. You need to get into the Qur'an, you need to understand their precepts, you need to read the Sunnah, you need to read the Hadith and then you can really understand this is not a perversion: They are doing exactly what this book says. I want to close by saying this, and I think we’ve said this all through this morning so far: Until we get principled leadership in the United States that is willing to say that, we will continue to chase our tail, because we will never clearly define who this enemy is and then understand their goals and objectives - which is on any jihadist website - and then come up with the right and proper goals and objectives to not only secure our republic, but to secure western civilization.”

Allen West (politician) (1961) American politician; retired United States Army officer

Response to question: Why would [Islamist terrorists] warp a religion to justify attacking the United States. [Hudson Institute, Reclaim American Liberty Conference, January 13, 2010, http://www.hudson.org/index.cfm?fuseaction=hudson_upcoming_events&id=741, March 22, 2011]
2010s

Zia Haider Rahman photo
Sunil Dutt photo
Thomas Carlyle photo
Saint Patrick photo
John Hall photo